Cantatas, BWV 122–125

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Kantate, BWV 122 “Das neugeborne Kindelein”: I. Coro “Das neugeborne Kindelein”
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:38
2Kantate, BWV 122 “Das neugeborne Kindelein”: II. Aria (Bass) “O Menschen, die ihr täglich sündigt”
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach6:24
3Kantate, BWV 122 “Das neugeborne Kindelein”: III. Recitativo (Sopran) “Die Engel, welche sich zuvor”
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:33
4Kantate, BWV 122 “Das neugeborne Kindelein”: IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) “Ist Gott versöhnt”
alto vocals:
Helen Watts (contralto)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:44
5Kantate, BWV 122 “Das neugeborne Kindelein”: V. Recitativo (Bass) “Dies ist ein Tag, den selbst der Herr gemacht”
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:28
6Kantate, BWV 122 “Das neugeborne Kindelein”: VI. Choral “Es bringt das rechte Jubeljahr”
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (in 1972-02)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:45
7Kantate, BWV 123 “Liebster Immanuel, Herzog der Frommen”: I. Coro “Liebster Immanuel, Herzog der Frommen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": I. Coro "Liebster Immanuel, Herzog der Frommen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach5:21
8Kantate, BWV 123 “Liebster Immanuel, Herzog der Frommen”: II. Recitativo (Alt) “Die Himmelssüßigkeit, der Auserwähten Lust”
alto vocals:
Helen Watts (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": II. Recitativo (Alt) "Die Himmelssüßigkeit, der Auserwähten Lust" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach0:57
9Kantate, BWV 123 “Liebster Immanuel, Herzog der Frommen”: III. Aria (Tenor) “Auch die harte Kreuzesreise”
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": III. Aria (Tenor) "Auch die harte Kreuzesreise" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach5:08
10Kantate, BWV 123 “Liebster Immanuel, Herzog der Frommen”: IV. Recitativo (Bass) “Kein Höllenfeind kann mich verschlingen”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": IV. Recitativo (Bass) "Kein Höllenfeind kann mich verschlingen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach0:47
11Kantate, BWV 123 “Liebster Immanuel, Herzog der Frommen”: V. Aria (Bass) “Laß, o Welt, mich aus Verachtung”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": V. Aria (Bass) "Laß, o Welt, mich aus Verachtung" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach6:11
12Kantate, BWV 123 “Liebster Immanuel, Herzog der Frommen”: VI. Choral “Drum fahrt nur immer hin”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": VI. Choral "Drum fahrt nur immer hin" (from 1980-02 until 1980-04)
lyricist:
Ahasverus Fritsch
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Breitkopf 389 Choralgesänge (number: 229)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach1:30
13Kantate, BWV 124 “Meinen Jesum laß ich nicht”: I. Coro “Meinen Jesum laß ich nicht”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": I. Coro "Meinen Jesum laß ich nicht" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach3:39
14Kantate, BWV 124 “Meinen Jesum laß ich nicht”: II. Recitativo (Tenor) “Solange sich ein Tropfen Blut”
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": II. Recitativo (Tenor) "Solange sich ein Tropfen Blut" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach0:54
15Kantate, BWV 124 “Meinen Jesum laß ich nicht”: III. Aria (Tenor) “Und wenn der harte Todesschlag”
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenor) "Und wenn der harte Todesschlag" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach2:39
16Kantate, BWV 124 “Meinen Jesum laß ich nicht”: IV. Recitativo (Bass) “Doch ach! Welch schweres Ungemach”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": IV. Recitativo (Bass) "Doch ach! Welch schweres Ungemach"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach1:04
17Kantate, BWV 124 “Meinen Jesum laß ich nicht”: V. Aria (Duetto Sopran, Alt) “Entziehe dich eilends, mein Herze, der Welt”
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": V. Aria (Duetto Sopran, Alt) "Entziehe dich eilends, mein Herze, der Welt" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach4:51
18Kantate, BWV 124 “Meinen Jesum laß ich nicht”: VI. Choral “Jesum laß ich nicht von mir”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": VI. Choral "Jesum laß ich nicht von mir" (from 1980-02 until 1980-04)
lyricist:
Christian Keymann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-07)
part of:
Breitkopf 389 Choralgesänge (number: 246)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach1:05
19Kantate, BWV 125 “Mit Fried und Freud ich fahr dahin”: I. Coro “Mit Fried und Freud ich fahr dahin”
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": I. Coro "Mit Fried und Freud ich fahr dahin" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach7:24
20Kantate, BWV 125 “Mit Fried und Freud ich fahr dahin”: II. Aria (Alt) “Ich will auch mit gebrochnen Augen”
alto vocals:
Marga Höffgen (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alt) "Ich will auch mit gebrochnen Augen" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach7:13
21Kantate, BWV 125 “Mit Fried und Freud ich fahr dahin”: III. Recitativo e Choral (Bass) “O Wunder, daß dein Herz”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": III. Recitativo e Choral (Bass) "O Wunder, daß dein Herz" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach2:17
22Kantate, BWV 125 “Mit Fried und Freud ich fahr dahin”: IV. Aria (Duetto Tenor, Bass) “Ein unbegreiflich Licht erfüllt”
bass vocals:
Wolfgang Schöne (bass-baritone)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": IV. Aria (Duetto Tenor, Bass) "Ein unbegreiflich Licht erfüllt" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach5:48
23Kantate, BWV 125 “Mit Fried und Freud ich fahr dahin”: V. Recitativo (Alt) “O unerschöpfter Schatz der Güte”
alto vocals:
Marga Höffgen (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alt) "O unerschöpfter Schatz der Güte" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach0:54
24Kantate, BWV 125 “Mit Fried und Freud ich fahr dahin”: VI. Choral “Er ist das Heil und selig Licht”
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": VI. Choral "Er ist das Heil und selig Licht" (from 1973-03 until 1973-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 251)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach0:51

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 39) (order: 39)