Phases: A Nonesuch Retrospective

~ Release by Steve Reich (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Music for 18 Musicians: Pulses
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Pulses
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
5:26
2Music for 18 Musicians: Section I
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section I
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
3:58
3Music for 18 Musicians: Section II
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section II
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
5:13
4Music for 18 Musicians: Section IIIA
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section IIIA
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
3:55
5Music for 18 Musicians: Section IIIB
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section IIIB
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
3:46
6Music for 18 Musicians: Section IV
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section IV
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
6:37
7Music for 18 Musicians: Section V
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section V
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
6:49
8Music for 18 Musicians: Section VI
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section VI
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
4:54
9Music for 18 Musicians: Section VII
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section VII
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
4:19
10Music for 18 Musicians: Section VIII
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section VIII
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
3:35
11Music for 18 Musicians: Section IX
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section IX
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
5:24
12Music for 18 Musicians: Section X
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section X
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
1:51
13Music for 18 Musicians: Section XI
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section XI
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
5:44
14Music for 18 Musicians: Pulses
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant-garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant-garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Pulses
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
2.56:11
2▼CD
#TitleRatingLength
1Different Trains: 1. America - Before the War
miscellaneous support:
Jennifer Keats
assistant engineer:
Michael Ahearn
engineer:
Les Brockman
executive producer:
Robert Hurwitz
producer:
Judith Sherman
assistant mixer:
Ben Fowler
mixer:
Rob Eaton
cello:
Joan Jeanrenaud (from 1988-08-31 until 1988-09-09)
string quartet:
Kronos Quartet
viola:
Hank Dutt (from 1988-08-31 until 1988-09-09)
violin:
David Harrington (US violinist, member of Kronos Quartet) (from 1988-08-31 until 1988-09-09) and John Sherba (from 1988-08-31 until 1988-09-09)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Russian Hill Recording in San Francisco, California, United States (from 1988-08-31 until 1988-09-09)
recording of:
Different Trains: I. America - Before the War (from 1988-08-31 until 1988-09-09)
composer:
Steve Reich (American composer) (in 1988)
part of:
Different Trains
8:59
2Different Trains: 2. Europe - During the War
miscellaneous support:
Jennifer Keats
assistant engineer:
Michael Ahearn
engineer:
Les Brockman
executive producer:
Robert Hurwitz
producer:
Judith Sherman
assistant mixer:
Ben Fowler
mixer:
Rob Eaton
cello:
Joan Jeanrenaud (from 1988-08-31 until 1988-09-09)
viola:
Hank Dutt (from 1988-08-31 until 1988-09-09)
violin:
David Harrington (US violinist, member of Kronos Quartet) (from 1988-08-31 until 1988-09-09) and John Sherba (from 1988-08-31 until 1988-09-09)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Russian Hill Recording in San Francisco, California, United States (from 1988-08-31 until 1988-09-09)
recording of:
Different Trains: II. Europe - During the War (from 1988-08-31 until 1988-09-09)
composer:
Steve Reich (American composer) (in 1988)
part of:
Different Trains
7:31
3Different Trains: 3. After the War
miscellaneous support:
Jennifer Keats
assistant engineer:
Michael Ahearn
engineer:
Les Brockman
executive producer:
Robert Hurwitz
producer:
Judith Sherman
assistant mixer:
Ben Fowler
mixer:
Rob Eaton
cello:
Joan Jeanrenaud
viola:
Hank Dutt
violin:
David Harrington (US violinist, member of Kronos Quartet) and John Sherba
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Russian Hill Recording in San Francisco, California, United States (from 1988-08-31 until 1988-09-09)
recording of:
Different Trains: III. After the War
composer:
Steve Reich (American composer) (in 1988)
part of:
Different Trains
10:29
4Tehillim, Part I: Fast
producer:
Judith Sherman
crotales, handclaps, maracas, marimba, tambourine and vibraphone:
Percussion Group The Hague
choir vocals:
Schönberg Ensemble
soprano vocals:
Barbara Borden (operatic soprano)
orchestra:
Schönberg Ensemble
conductor:
Reinbert de Leeuw (Dutch conductor and pianist)
recording of:
Tehillim: I. Fast
composer:
Steve Reich (American composer) (in 1981)
part of:
Tehillim
11:45
5Tehillim, Part II: Fast
producer:
Judith Sherman
crotales, handclaps, maracas, marimba, tambourine and vibraphone:
Percussion Group The Hague
choir vocals:
Schönberg Ensemble
soprano vocals:
Barbara Borden (operatic soprano)
orchestra:
Schönberg Ensemble
conductor:
Reinbert de Leeuw (Dutch conductor and pianist)
recording of:
Tehillim: II. Fast
composer:
Steve Reich (American composer) (in 1981)
part of:
Tehillim
6:02
6Tehillim, Part III: Slow
producer:
Judith Sherman
crotales, handclaps, maracas, marimba, tambourine and vibraphone:
Percussion Group The Hague
instruments and orchestra:
Schönberg Ensemble
percussion:
Slagwerk Den Haag
choir vocals:
Schönberg Ensemble
soprano vocals:
Barbara Borden (operatic soprano)
conductor:
Reinbert de Leeuw (Dutch conductor and pianist)
recording of:
Tehillim: III. Slow
composer:
Steve Reich (American composer) (in 1981)
part of:
Tehillim
6:19
7Tehillim, Part IV: Fast
6:26
8Eight Lines
recording of:
Eight Lines
composer:
Steve Reich (American composer) (in 1983)
revision of:
Octet
17:29
3▼CD
#TitleRatingLength
1You Are (Variations): 1. You Are Wherever Your Thoughts Are
13:14
2You Are (Variations): 2. Shiviti hashem l'negdi (I Place the Eternalbefore Me)
4:15
3You Are (Variations): 3. Explanations Come to an End Somewhere
5:24
4You Are (Variations): 4. Ehmore m'ant, v'ahsay harbay (Say Little and Do Much)
4:07
5New York Counterpoint: 1. Fast
5:03
6New York Counterpoint: 2. Slow
recording of:
New York Counterpoint: II. Slow
composer:
Steve Reich (American composer) (in 1985)
part of:
New York Counterpoint
2:44
7New York Counterpoint: 3. Fast
3:35
8Cello Counterpoint
recording of:
Cello Counterpoint
composer:
Steve Reich (American composer) (in 2003)
11:39
9Electric Counterpoint: 1. Fast
miscellaneous support:
Jennifer Keats
assistant engineer:
Gary Solomon
engineer:
Rob Eaton
assistant producer:
David Oakes
executive producer:
Robert Hurwitz
producer:
Judith Sherman
guitar:
Pat Metheny (from 1987-09-26 until 1987-10-01)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1987-09-26 until 1987-10-01)
recording of:
Electric Counterpoint: I. Fast (from 1987-09-26 until 1987-10-01)
composer:
Steve Reich (American composer) (in 1987)
part of:
Electric Counterpoint
6:51
10Electric Counterpoint: 2. Slow
miscellaneous support:
Jennifer Keats
assistant engineer:
Gary Solomon
engineer:
Rob Eaton
assistant producer:
David Oakes
executive producer:
Robert Hurwitz
producer:
Judith Sherman
guitar:
Pat Metheny (from 1987-09-26 until 1987-10-01)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1987-09-26 until 1987-10-01)
recording of:
Electric Counterpoint: II. Slow (from 1987-09-26 until 1987-10-01)
composer:
Steve Reich (American composer) (in 1987)
part of:
Electric Counterpoint
3:22
11Electric Counterpoint: 3. Fast
miscellaneous support:
Jennifer Keats
assistant engineer:
Gary Solomon
engineer:
Rob Eaton
assistant producer:
David Oakes
executive producer:
Robert Hurwitz
producer:
Judith Sherman
guitar:
Pat Metheny
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1987-09-26 until 1987-10-01)
later releases:
Electric Counterpoint: III. Fast by Steve Reich (American composer)
recording of:
Electric Counterpoint: III. Fast
composer:
Steve Reich (American composer) (in 1987)
part of:
Electric Counterpoint
4:38
12Triple Quartet: 1. First Movement
string quartet:
Kronos Quartet
recording of:
Triple Quartet: I. Fast
composer:
Steve Reich (American composer) (in 1998)
part of:
Triple Quartet
7:10
13Triple Quartet: 2. Second Movement
string quartet:
Kronos Quartet
recording of:
Triple Quartet: II. Slow
composer:
Steve Reich (American composer) (in 1998)
part of:
Triple Quartet
4:05
14Triple Quartet: 3. Third Movement
string quartet:
Kronos Quartet
recording of:
Triple Quartet: III. Fast
composer:
Steve Reich (American composer) (in 1998)
part of:
Triple Quartet
3:28
4▼CD
#TitleRatingLength
1Come Out
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz and Bob Ludwig (mastering engineer)
producer and editor:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer)
piano:
Double Edge (piano duo)
other vocals:
Daniel Hamm
performer:
Steve Reich (American composer)
recording of:
Come Out
composer:
Steve Reich (American composer) (in 1966)
12:59
2Proverb
additional engineer and assistant engineer:
Carl Nappa and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Judith Sherman
additional mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.))
assistant mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.)) and Glen Marchese
additional editor and assistant editor:
Karl Hereim and Jeanne Velonis
electronic organ:
Edmund Niemann and Nurit Tilles
vibraphone:
Bob Becker (percussionist) and Russell Hartenberger
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
soprano vocals:
Andrea Fullington, Sonja Rasmussen and Allison Zelles
tenor vocals:
Alan Bennett (tenor) and Paul Elliott (US tenor vocalist, member of Theatre of Voices)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich and Musicians
recording of:
Proverb
lyricist:
Ludwig Wittgenstein (in 1946)
composer:
Steve Reich (American composer) (in 1995)
premiered at:
Alice Tully Hall (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1996-02-10)
14:11
3The Desert Music: First Movement (Fast)
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf-Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: I. Fast
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
7:54
4The Desert Music: Second Movement (Moderate)
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf-Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: II. Moderate
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
6:59
5The Desert Music: Third Movement, Part One (Slow)
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf-Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: III. Part One: Slow
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
7:00
6The Desert Music: Third Movement, Part Two (Moderate)
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf-Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: III. Part Two: Moderate
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
5:54
7The Desert Music: Third Movement, Part Three (Slow)
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf-Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: III. Part Three: Slow
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
5:55
8The Desert Music: Fourth Movement (Moderate)
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf-Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: IV. Moderate
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
3:35
9The Desert Music: Fifth Movement (Fast)
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf-Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: V. Fast
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
10:48
5▼CD
#TitleRatingLength
1Music for Mallet Instruments, Voices and Organ
engineer:
Dick Lewzey
executive producer:
Robert Hurwitz
producer:
Judith Sherman
mixer and editor:
Steve Reich (American composer) and Judith Sherman
glockenspiel:
Garry Kvistad and Thad Wheeler
marimba:
Bob Becker (percussionist), Timothy Ferchen, Russell Hartenberger and Steve Reich (American composer)
organ:
Nurit Tilles
vibraphone:
James Preiss
other vocals:
Rebecca Armstrong and Jay Clayton (American avant-garde jazz vocalist and educator)
vocals:
Pamela Wood Ambush
performer:
Steve Reich and Musicians
earliest release:
Music for Mallet Instruments, Voices and Organ by Steve Reich (American composer)
recording of:
Music for Mallet Instruments, Voices and Organ
composer:
Steve Reich (American composer) (in 1973)
16:58
2Drumming: Part I
engineer:
Paul Goodman (engineer)
producer:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer), Judith Sherman and Paul Zinman (engineer)
bongos [tuned small bongo drum]:
Steve Chambers, Art Murphy, James Preiss and Steve Reich (American composer)
other vocals:
Steve Reich (American composer)
performer:
Steve Reich and Musicians
recording of:
Drumming, Part I
composer:
Steve Reich (American composer) (from 1970 until 1971)
part of:
Drumming
17:30
3Drumming: Part II
engineer:
Paul Goodman (engineer)
producer:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer), Judith Sherman and Paul Zinman (engineer)
marimba:
Steve Chambers, Jon Gibson (flautist, saxophonist, composer), Ben Harms, Russell Hartenberger, Frank Maefsky, Art Murphy, James Ogden, James Preiss and Steve Reich (American composer)
other vocals:
Jay Clayton (American avant-garde jazz vocalist and educator), Joan LaBarbara and Judy Sherman
performer:
Steve Reich and Musicians
recording of:
Drumming, Part II
composer:
Steve Reich (American composer) (from 1970 until 1971)
part of:
Drumming
18:11
4Drumming: Part III
engineer:
Paul Goodman (engineer)
producer:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer), Judith Sherman and Paul Zinman (engineer)
glockenspiel:
Steve Chambers, Russell Hartenberger, Art Murphy and James Preiss
piccolo:
Jon Gibson (flautist, saxophonist, composer)
whistling:
Steve Reich (American composer)
performer:
Steve Reich and Musicians
recording of:
Drumming, Part III
composer:
Steve Reich (American composer) (from 1970 until 1971)
part of:
Drumming
11:13
5Drumming: Part IV
engineer:
Paul Goodman (engineer)
producer:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer), Judith Sherman and Paul Zinman (engineer)
bongos [tuned small bongo drum]:
Steve Chambers, Art Murphy and Steve Reich (American composer)
glockenspiel:
Gary Burke, Ben Harms and James Preiss
marimba:
Russell Hartenberger, Frank Maefsky and James Ogden
piccolo:
Jon Gibson (flautist, saxophonist, composer)
other vocals:
Jay Clayton (American avant-garde jazz vocalist and educator), Joan LaBarbara and Judy Sherman
performer:
Steve Reich and Musicians (American composer)
recording of:
Drumming, Part IV
composer:
Steve Reich (American composer) (from 1970 until 1971)
part of:
Drumming
9:50