Annotation

The tracklists of the reissues (same cat# (?), same barcode (?)) differ significantly. (To be honest, I don't know which one is the original release and which one is the reissue.)

Annotation last modified on 2017-02-06 21:53 .

Tracklist

CD 1
# Title Rating Length
1 Overture No. 4: Réjouissance
2:24
2 Overture No. 3: Air
4:06
3 Overture No. 2: Badinerie
1:27
4 Oboe Concerto in D minor: Adagio
3 3:07
5 Minuet in D minor, BWV Anh. 132
1:13
6 Minuet in G major, BWV Anh. 116
2:11
7 Overture No. 1: Passepied
3:10
8 Toccata and Fugue in D minor, BWV 565
9:24
9 “Ich liebe den Höchsten von ganzem Gemüte”, Cantata, BWV 174: Sinfonia
6:12
10 Brandenburg Concerto No. 2 in F major, BWV 1047: Andante
3:36
11 Easter Oratorio, BWV 249: Sinfonia
3:58
12 Violin Concerto in E major, BWV 1042: Adagio
6:10
13 “Wachet auf, ruft uns die Stimme”, Chorale, BWV 645
5:01
14 Brandenburg Concerto No. 1 in F major, BWV 1046: Adagio
4:06
15 “Kommst du nun, Jesu, vom Himmel herunter”, Chorale, BWV 650
3:46

Credits

CD 1

composed in:
Leipzig, Sachsen, Germany (1725-04-01) (track 11)
premiered in:
Leipzig, Sachsen, Germany (1725-04-01) (track 11)
Leipzig, Sachsen, Germany (1729-06-06) (track 9)
violin:
Szenthelyi Miklós (track 12)
Eberhard Palm (1982 – 1984) (tracks 1–2)
Gunar Kaltofen (1984) (track 9)
Roald Reinecke (1984) (track 9)
Karl Suske (1984) (track 9)
cello:
Burkhard Schmidt (cello player) (tracks 3, 7)
Burkhard Schmidt (cello player) (1982 – 1984) (tracks 1–2)
Siegfried Hunger (1984) (track 9)
Burkhard Schmidt (cello player) (1984) (track 9)
Matthias Schreiber (1984) (track 9)
oboe:
Burkhard Glaetzner (track 4)
Günter Heidrich (1982 – 1984) (tracks 1–2, 7, 14)
Uwe Kleinsorge (1982 – 1984) (tracks 1–2, 7)
Hans Ludwig Mörchen (1982 – 1984) (track 1)
trumpet:
Ludwig Güttler (track 15)
Ludwig Güttler (1982 – 1984) (tracks 1–2)
Roland Rudolph (1982 – 1984) (tracks 1–2)
Heinz Stiefel (1982 – 1984) (tracks 1–2)
Kurt Sandau (1984) (track 9)
viola:
Eberhard Freiberger (1984) (track 9)
Wolfgang Gränitz (1984) (track 9)
Olaf Hallmann (1984) (track 9)
bassoon:
Gerd Schulze (track 3)
Gerd Schulze (1982 – 1984) (tracks 1–2, 7)
flute:
Karl-Heinz Passin (tracks 3, 5)
organ:
Friedrich Kircheis (track 15)
Hannes Kästner (German organist and cembalist) (1981) (tracks 8, 13)
virginal:
double bass:
Rainer Hucke (tracks 3, 7)
Rainer Hucke (1982 – 1984) (tracks 1–2)
timpani:
Werner Legutke (1982 – 1984) (tracks 1–2)
harpsichord:
Walter Heinz Bernstein (tracks 3, 5–7)
Walter Heinz Bernstein (1982 – 1984) (tracks 1–2)
violino piccolo:
Eberhard Palm (1982 – 1984) (track 14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 3–4, 6–8, 10–15)
Johann Sebastian Bach (German Baroque period composer & musician) (1725) (track 5)
Johann Sebastian Bach (German Baroque period composer & musician) (1729) (track 9)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 2)
conductor:
Max Pommer (tracks 3–4, 7, 10–11)
Max Pommer (1982 – 1984) (tracks 1–2, 14)
Max Pommer (1984) (track 9)
librettist:
Christian Friedrich Henrici (1728) (track 9)
orchestra:
Neues Bachisches Collegium Musicum (tracks 3–4, 7, 10–11)
Neues Bachisches Collegium Musicum (1982 – 1984) (tracks 1–2, 14)
performer:
Ludwig Güttler (1984) (track 9)
producer:
Horst Kunze (balance engineer) (tracks 8, 13)
phonographic copyright by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (1985) (tracks 1–2, 7, 9, 14)
recorded at:
St. Thomas Church in Leipzig, Sachsen, Germany (1981) (tracks 8, 13)
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (1982 – 1984) (tracks 1–2, 7, 14)
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (1984) (tracks 9, 11)
part of:
Bach-Werke-Verzeichnis (number: BWV 565) (track 8)
Bach-Werke-Verzeichnis (number: BWV 645) (track 13)
Bach-Werke-Verzeichnis (number: BWV Anh. 116) (tracks 6, 6)
Bach-Werke-Verzeichnis (number: BWV Anh. 132) (track 5)
arrangement of:
arrangements:
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 2)
Air in D, BWV 1068 (arr. Heimer Sjöblom for organ) (track 2)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 2)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 2)
Air on the G String (for cello and orchestra, arr. Cullen) (track 2)
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (catch all for arrangements) (track 14)
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (catch-all for arrangements) (track 10)
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (catch-all for arrangements) (track 12)
Menuett in d-Moll, BWV Anh. 132 (catch all for arrangements) (track 5)
Minuet in G major, BWV Anh. 116 (catch all for arrangements) (track 6)
Morning Song, BWV 645 (for piano, Friedman) (track 13)
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied (for piano 4 hands, Reger) (track 7)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 3)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 3)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 2)
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (catch all for arrangements) (track 1)
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (for piano 4 hands, Reger) (track 1)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 2)
Oster-Oratorium, BWV 249: I. Sinfonia (catch-all for arrangements) (track 11)
Solo Amore (track 2)
Synkkä yö maan peitti aivan (translated) (track 13)
Toccata and Fugue in D minor (arr. Mike Batt) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano, Friedman) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano solo, Reger) (track 8)
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano, Tausig) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano 4 hands, Reger) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for band, Leidzén) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano, Grainger) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for solo piano, Cortot) (track 8)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 (Busoni piano arrangement) (track 8)
Wachet auf, ruft uns die Stimme, BWV 645 (for piano, Bantock) (track 13)
is based on:
is the basis for:
Bach Aire (track 2)
Peace Planet (track 3)
Sweetest Love (track 2)
The Real Thing (track 8)
Toccata (track 8)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 2)
Toccata and Fugue in D minor, BWV 565 (arr. S. Skrowaczewski) (track 8)
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (track 8)
Toccata und Fuge d-Moll, BWV 565 (orchestrated by H. Wood) (track 8)
Wachet auf, ruft uns die Stimme, BWV 645 (Stokowski orchestration) (track 13)
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (track 13)
part of:
Sechs Choräle von verschiedener Art (part of collection) (track 13)
parts:
recording of:
referred to in medleys:
Hooked on Bach (track 3)
Hooked on Romance (track 2)
version of:

Release Group

part of: Masters of Classical Music (number: 2)
Discogs: https://www.discogs.com/master/444239 [info]