Tracklist

CD 1
# Title Artist Rating Length
1 Romance [de la película 'Juegos Prohibidos']
[anonymous] 2:26
2 Rumores de la caleta
Isaac Albéniz 3:53
3 El Amor Brujo / Canción Del Fuego Fatuo
Manuel de Falla 1:41
4 La mariposa
Francisco Tárrega 1:02
5 Adelita
Francisco Tárrega 1:39
6 Torre Bermeja
Isaac Albéniz 4:34
7 Estudio Op. 6 nº 2
Fernando Sor 1:06
8 Estudio Op. 6 nº 11
Fernando Sor 3:33
9 Diferencias sobre 'Guárdame las vacas'
Luis de Narváez 5:12
10 Suite Española: Folías
Gaspar Sanz 2:30
11 Suite Española: La Miñona de Cataluña
Gaspar Sanz 1:24
12 Estudio de velocidad
Francisco Tárrega 1:19
13 Danza Española nº 4: Villanesca
Enrique Granados 5:47
14 Petenera para guitarra
Regino Sainz de la Maza 2:23
15 El Abejorro
Emilio Pujol 1:52
16 Concierto de Aranjuez [I]
Joaquín Rodrigo 6:10
17 Concierto de Aranjuez [II]
Joaquín Rodrigo 11:28
18 Concierto de Aranjuez [III]
Joaquín Rodrigo 4:56
CD 2
# Title Artist Rating Length
1 Recuerdos de la Alhambra
Francisco Tárrega 3:13
2 Asturia
Isaac Albéniz 6:28
3 Danza Española
Enrique Granados 4:35
4 Sonata
Mateo Albéniz 3:20
5 Suite Española
Gaspar Sanz 3:10
6 El noi de la mare
Andrés Segovia 3:02
7 Tango
Francisco Tárrega 4:02
8 Concierto Madrigal
Joaquín Rodrigo 2:25
9 Madroños para guitarra
Federico Moreno Torroba 3:30
10 Estudio Op. 35
Fernando Sor 2:59
11 Habanera
Xavier Montsalvatge 3:30
12 En los trigales
Joaquín Rodrigo 3:35
13 Malagueña
Isaac Albéniz 3:56
14 Garrotin y Soleares
Joaquín Turina 5:06
15 Concertino para guitarra
Salvador Bacarisse 6:22
16 Sombrero de tres picos
Jean‐François Heisser 2:59

Credits

CD 1

acoustic guitar:
Narciso Yepes (tracks 10–11)
classical guitar:
Narciso Yepes (tracks 4–5, 12, 14, 16, 18)
Narciso Yepes (1967-09) (tracks 7–11)
Narciso Yepes (1970-10) (tracks 1–3, 6, 13, 15)
guitar:
Narciso Yepes (1969-05-08 – 1969-05-10) (tracks 16–18)
arranger:
Narciso Yepes (tracks 2–3, 6, 13)
balance engineer:
Heinz Wildhagen (track 6)
composer:
Manuel de Falla (Spanish composer) (tracks 3, 3)
Enrique Granados (track 13)
Luis de Narváez (16th century composer) (track 9)
Emilio Pujol (track 15)
Gaspar Sanz (tracks 10–11)
Fernando Sor (tracks 7–8)
Francisco Tárrega (tracks 4–5, 12)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 1)
Isaac Albéniz (1886 – 1887) (track 2)
Isaac Albéniz (1888) (track 6)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (tracks 16–18)
conductor:
Odón Alonso (Spanish conductor, long time with Orquesta Sinfónica de Radio Televisión Española) (1969-05-08 – 1969-05-10) (tracks 16–18)
executive producer:
Otto Gerdes (track 18)
Hans Hirsch (producer at Deutsche Grammophon) (track 18)
lyricist:
orchestra:
Orquesta Sinfónica R.T.V. Española (1969-05-08 – 1969-05-10) (tracks 16–18)
previously attributed to:
Vicente Gómez (guitar) (track 1)
Fernando Sor (track 1)
Narciso Yepes (track 1)
producer:
Sándor Ferenczy (tracks 16–18)
Hans Hirsch (producer at Deutsche Grammophon) (track 6)
Heinz Wildhagen (tracks 16–18)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1969) (track 17)
Polydor International GmbH (not for release label use!) (1971) (track 6)
recorded at:
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1967-09) (tracks 7–11)
Phonogram Studio (Madrid) in Madrid, Comunidad de Madrid, Spain (1969-05-08 – 1969-05-10) (tracks 16–18)
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany (1970-10) (tracks 2–3, 6, 13)
Studio des Dames in Paris, Île-de-France, France (1970-10) (tracks 1, 15)
arrangement of:
arrangements:
Concierto de Aranjuez: I. Allegro con spirito (for harp and orchestra, Rodrigo 1974) (track 16)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 17)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 17)
Concierto de Aranjuez: III. Allegro gentile (for harp and orchestra, Rodrigo 1974) (track 18)
instrumental recording of:
is based on:
Guardame las vacas (track 9)
is the basis for:
Sepp bleib’ da (track 5)
later versions:
part of:
Concierto de Aranjuez (movement) (tracks 16–18)
El amor brujo (for symphony orchestra) (tracks 3, 3)
12 estudios, op. 6 (tracks 7–8)
recording of:
Adelita (mazurka) (track 5)
Folias (1967-09) (track 10)
La miñona de Cataluña (1967-09) (track 11)
Concierto de Aranjuez: I. Allegro con spirito (1969-05-08 – 1969-05-10) (track 16)
Concierto de Aranjuez: II. Adagio (1969-05-08 – 1969-05-10) (track 17)
Concierto de Aranjuez: III. Allegro gentile (1969-05-08 – 1969-05-10) (track 18)
12 danzas españolas, op. 37, nº 4: Villanesca (catch-all for arrangements) (1970-10) (track 13)
El abejorro (1970-10) (track 15)
Jeux interdits (1970-10) (track 1)
Recuerdos de viaje, op. 71: VI. Rumores de la caleta (catch-all for arrangements) (1970-10) (track 2)
Torre Bermeja (catch-all for arrangements) (1970-10) (track 6)

CD 2

composed in:
Spain (track 12)
classical guitar:
Narciso Yepes (tracks 3–6, 8, 11, 15–16)
Narciso Yepes (1967-09) (tracks 1, 7, 9–10, 12–13)
Narciso Yepes (1970-10) (track 2)
Narciso Yepes (1981-03) (track 14)
arranger:
Narciso Yepes (tracks 2, 11)
Andrés Segovia (tracks 2, 2)
balance engineer:
Heinz Wildhagen (track 2)
composer:
Isaac Albéniz (tracks 2, 2)
Salvador Bacarisse (track 15)
Enrique Granados (track 3)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (track 8)
Fernando Sor (track 10)
Francisco Tárrega (tracks 1, 7)
Fernando Sor (1828) (track 10)
Isaac Albéniz (1890) (track 13)
Joaquín Turina (1932) (track 14)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1938) (track 12)
Xavier Montsalvatge (1941) (track 11)
producer:
Hans Hirsch (producer at Deutsche Grammophon) (track 2)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1971) (track 2)
publisher:
recorded at:
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1967-09) (tracks 1, 7, 9–10, 12–13)
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany (1970-10) (track 2)
Zentralsaal in Bamberg, Bayern, Germany (1981-03) (track 14)
part of:
Integral para piano (number: DLR I:2) (track 3)
Works of Fernando Sor by opus number (number: op. 35) (track 10)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (original piano version) (tracks 2, 2)
is the basis for:
Étude (Mike Oldfield instrumental) (track 1)
orchestrations:
12 danzas españolas, op. 37 (for orchestra, Ferrer) (track 3)
part of:
Concertino in A minor, op. 72 (movement) (track 15)
partial recording of:
Concierto madrigal (track 8)
parts:
recording of:
España, seis hojas de álbum, op. 165: III. Malagueña (catch-all for arrangements) (track 13)
Madroños (1967-09) (track 9)
Recuerdos de la Alhambra (1967-09) (track 1)
Tango (1967-09) (track 7)
Asturias (for guitar, Segovia) (1970-10) (track 2)
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements) (1970-10) (track 2)
Homenaje a Tárrega, op. 69 (1981-03) (track 14)
referred to in medleys: