Additions to Further Definitions

~ Release by Benny Carter (see all versions of this release, 2 available)

Annotation

Probably reissued standalone in Japan - this nowadays is bundled with Further Definitions in most recent editions.

Annotation last modified on 2007-10-31 14:23 UTC.

Tracklist

▼ Vinyl 1
#TitleRatingLength
1Fantastic, That's You
recorded in:
Los Angeles, California, United States (in 1966-03)
engineer:
Jim Lockert (Enginear) (in 1966-03)
producer:
George Cates
alto saxophone:
Benny Carter (in 1966-03) and Bud Shank (in 1966-03)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (in 1966-03)
bass:
Ray Brown (jazz bassist) (in 1966-03)
drums (drum set):
Alvin Stoller (in 1966-03)
guitar:
Barney Kessel (in 1966-03)
piano:
Don Abney (US jazz pianist) (in 1966-03)
tenor saxophone:
Buddy Collette (in 1966-03) and Teddy Edwards (jazz saxophonist) (in 1966-03)
recording of:
Fantastic, That's You (in 1966-03)
writer:
George Cates, George Douglas (producer & songwriter) and Mort Greene
6:11
2Come on Back
recorded in:
Los Angeles, California, United States (in 1966-03)
engineer:
Jim Lockert (Enginear) (in 1966-03)
producer:
George Cates
alto saxophone:
Benny Carter (in 1966-03) and Bud Shank (in 1966-03)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (in 1966-03)
bass:
Ray Brown (jazz bassist) (in 1966-03)
drums (drum set):
Alvin Stoller (in 1966-03)
guitar:
Barney Kessel (in 1966-03)
piano:
Don Abney (US jazz pianist) (in 1966-03)
tenor saxophone:
Buddy Collette (in 1966-03) and Teddy Edwards (jazz saxophonist) (in 1966-03)
4:14
3We Were in Love
recorded in:
Los Angeles, California, United States (in 1966-03)
engineer:
Jim Lockert (Enginear) (in 1966-03)
producer:
George Cates
alto saxophone:
Benny Carter (in 1966-03) and Bud Shank (in 1966-03)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (in 1966-03)
bass:
Ray Brown (jazz bassist) (in 1966-03)
drums (drum set):
Alvin Stoller (in 1966-03)
guitar:
Mundell Lowe (in 1966-03)
piano:
Don Abney (US jazz pianist) (in 1966-03)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (in 1966-03) and Bill Perkins (jazz saxophonist) (in 1966-03)
4:27
4If Dreams Come True
recorded in:
Los Angeles, California, United States (in 1966-03)
engineer:
Jim Lockert (Enginear) (in 1966-03)
producer:
George Cates
alto saxophone:
Benny Carter (in 1966-03) and Bud Shank (in 1966-03)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (in 1966-03)
bass:
Ray Brown (jazz bassist) (in 1966-03)
drums (drum set):
Alvin Stoller (in 1966-03)
guitar:
Barney Kessel (in 1966-03)
piano:
Don Abney (US jazz pianist) (in 1966-03)
tenor saxophone:
Buddy Collette (in 1966-03) and Teddy Edwards (jazz saxophonist) (in 1966-03)
instrumental recording of:
If Dreams Come True (in 1966-03)
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman (clarinetist and bandleader)
5:49
5Prohibido
recorded in:
Los Angeles, California, United States (in 1966-03)
engineer:
Jim Lockert (Enginear) (in 1966-03)
producer:
George Cates
alto saxophone:
Benny Carter (in 1966-03) and Bud Shank (in 1966-03)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (in 1966-03)
bass:
Ray Brown (jazz bassist) (in 1966-03)
drums (drum set):
Alvin Stoller (in 1966-03)
guitar:
Barney Kessel (in 1966-03)
piano:
Don Abney (US jazz pianist) (in 1966-03)
tenor saxophone:
Buddy Collette (in 1966-03) and Teddy Edwards (jazz saxophonist) (in 1966-03)
3:20
6Doozy
recorded in:
Los Angeles, California, United States (in 1966-03)
engineer:
Jim Lockert (Enginear) (in 1966-03)
producer:
George Cates
alto saxophone:
Benny Carter (in 1966-03) and Bud Shank (in 1966-03)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (in 1966-03)
bass:
Ray Brown (jazz bassist) (in 1966-03)
drums (drum set):
Alvin Stoller (in 1966-03)
guitar:
Mundell Lowe (in 1966-03)
piano:
Don Abney (US jazz pianist) (in 1966-03)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (in 1966-03) and Bill Perkins (jazz saxophonist) (in 1966-03)
5:33
7Rock Bottom
recorded in:
Los Angeles, California, United States (in 1966-03)
engineer:
Jim Lockert (Enginear) (in 1966-03)
producer:
George Cates
alto saxophone:
Benny Carter (in 1966-03) and Bud Shank (in 1966-03)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (in 1966-03)
bass:
Ray Brown (jazz bassist) (in 1966-03)
drums (drum set):
Alvin Stoller (in 1966-03)
guitar:
Mundell Lowe (in 1966-03)
piano:
Don Abney (US jazz pianist) (in 1966-03)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (in 1966-03) and Bill Perkins (jazz saxophonist) (in 1966-03)
4:14
8Titmouse
recorded in:
Los Angeles, California, United States (in 1966-03)
engineer:
Jim Lockert (Enginear) (in 1966-03)
producer:
George Cates
alto saxophone:
Benny Carter (in 1966-03) and Bud Shank (in 1966-03)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (in 1966-03)
bass:
Ray Brown (jazz bassist) (in 1966-03)
drums (drum set):
Alvin Stoller (in 1966-03)
guitar:
Mundell Lowe (in 1966-03)
piano:
Don Abney (US jazz pianist) (in 1966-03)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (in 1966-03) and Bill Perkins (jazz saxophonist) (in 1966-03)
3:02

Credits

Release group

Wikipedia:en: Further Definitions [info]
Wikidata:Q917256 [info]