| # | Title | Artist | Rating | Length |
|---|
| 1 | Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: I. Sinfonia- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | | 2:28 |
| 2 | Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: II. Weinen, Klagen, Sorgen, Zagen- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- bass vocals:
- Peter Harvey
- soprano vocals:
- Emma Kirkby
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | | 7:31 |
| 3 | Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: III. Wir mussen durch viel Trubsal- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal"
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | | 0:37 |
| 4 | Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: IV. Kreuz und Krone sind verbunden- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden"
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | | 6:46 |
| 5 | Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: V. Ich folge Christo nach- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- bass vocals:
- Peter Harvey
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach"
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | | 2:13 |
| 6 | Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: VI. Sei getreu, alle Pein- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein"
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | | 3:30 |
| 7 | Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: VII. Was Gott tut, das ist wohlgetan- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- bass vocals:
- Peter Harvey
- soprano vocals:
- Emma Kirkby
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan"
- lyricist:
- Samuel Rodigast
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Breitkopf 389 Choralgesänge (number: 340)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | | 1:04 |
| 8 | Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: I. Sinfonia | Johann Sebastian Bach | | 3:01 |
| 9 | Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: II. Gleichwie der Regen und Schnee vom Himmel fällt | Johann Sebastian Bach | | 1:04 |
| 10 | Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: III. Mein Gott, hier wird mein Herze sein | Johann Sebastian Bach | | 5:42 |
| 11 | Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: IV. Mein Seelenschatz ist Gottes Wort | Johann Sebastian Bach | | 2:50 |
| 12 | Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: V. Ich bitt, o Herr, aus Herzens Grund- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- bass vocals:
- Peter Harvey
- soprano vocals:
- Emma Kirkby
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund"
- lyricist:
- Lazarus Spengler
- composer:
- Johann Sebastian Bach (from 1713 until 1714)
- librettist:
- Salomon Franck
- part of:
- Breitkopf 389 Choralgesänge (number: 73)
- version of:
- Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix,
- part of:
- Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
| Johann Sebastian Bach | | 1:12 |
| 13 | Cantata "Nun komm, der Heiden Heiland", BWV61: I. Nun komm, der Heiden Heiland | Johann Sebastian Bach | | 2:41 |
| 14 | Cantata "Nun komm, der Heiden Heiland", BWV61: II. Der Heiland ist gekommen | Johann Sebastian Bach | | 1:21 |
| 15 | Cantata "Nun komm, der Heiden Heiland", BWV61: III. Komm, Jesu, komm- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland"
| Johann Sebastian Bach | | 4:11 |
| 16 | Cantata "Nun komm, der Heiden Heiland", BWV61: IV. Sie, ich stehe vor der Tur | Johann Sebastian Bach | | 1:02 |
| 17 | Cantata "Nun komm, der Heiden Heiland", BWV61: V. Offne dich, mein ganzes Herze | Johann Sebastian Bach | | 3:33 |
| 18 | Cantata "Nun komm, der Heiden Heiland", BWV61: VI. Amen, Komm, du schone Freudenkrone | Johann Sebastian Bach | | 0:59 |
| 19 | Cantata "Komm, du süße Todesstunde", BWV161: I. Komm, du süße Todesstunde- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde"
- premiered in:
- Weimar, Thüringen, Germany (on 1716-09-27)
- composer:
- Johann Sebastian Bach (in 1715)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 161 "Komm, du süße Todesstunde"
| Johann Sebastian Bach | | 5:10 |
| 20 | Cantata "Komm, du süße Todesstunde", BWV161: I. Welt, deine Lust ist Last- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last"
- premiered in:
- Weimar, Thüringen, Germany (on 1716-09-27)
- composer:
- Johann Sebastian Bach (in 1715)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 161 "Komm, du süße Todesstunde"
| Johann Sebastian Bach | | 1:46 |
| 21 | Cantata "Komm, du süße Todesstunde", BWV161: I. Mein verlangen- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen"
- premiered in:
- Weimar, Thüringen, Germany (on 1716-09-27)
- composer:
- Johann Sebastian Bach (in 1715)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 161 "Komm, du süße Todesstunde"
| Johann Sebastian Bach | | 5:08 |
| 22 | Cantata "Komm, du süße Todesstunde", BWV161: I. Der Schluß ist schon gemacht- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht"
- premiered in:
- Weimar, Thüringen, Germany (on 1716-09-27)
- composer:
- Johann Sebastian Bach (in 1715)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 161 "Komm, du süße Todesstunde"
| Johann Sebastian Bach | | 2:29 |
| 23 | Cantata "Komm, du süße Todesstunde", BWV161: I. Wenn es meines Gottes Wille- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- bass vocals:
- Peter Harvey
- soprano vocals:
- Emma Kirkby
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille"
- premiered in:
- Weimar, Thüringen, Germany (on 1716-09-27)
- composer:
- Johann Sebastian Bach (in 1715)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 161 "Komm, du süße Todesstunde"
| Johann Sebastian Bach | | 3:20 |
| 24 | Cantata "Komm, du süße Todesstunde", BWV161: I. Der Leib zwar inder Erden- assistant engineer:
- Michael Common
- engineer:
- Jonathan Cooper
- producer:
- Rachel Smith
- alto vocals:
- Michael Chance
- bass vocals:
- Peter Harvey
- soprano vocals:
- Emma Kirkby
- tenor vocals:
- Charles Daniels
- performer:
- The Purcell Quartet
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden"
- premiered in:
- Weimar, Thüringen, Germany (on 1716-09-27)
- composer:
- Johann Sebastian Bach (in 1715)
- librettist:
- Christoph Knoll
- part of:
- Breitkopf 389 Choralgesänge (number: 161)
- part of:
- Kantate, BWV 161 "Komm, du süße Todesstunde"
| Johann Sebastian Bach | | 1:46 |
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