Pop & Wave, Volume 5: The Neverending 80's

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd.
Frankie Goes to Hollywood3.953:56
2Sunglasses at Night
engineer:
Jon Astley, Phil Chapman (engineer) and Andy MacPherson
producer:
Jon Astley and Phil Chapman (engineer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 30)
recording of:
Sunglasses at Night
lyricist and composer:
Corey Hart
publisher:
Edition Meridian
Corey Hart3.755:16
3Kids in America
recording engineer:
Jeo
programming:
Jörn‐Uwe Fahrenkrog‐Petersen and Derek von Krogh
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz
bass guitar:
Derek von Krogh and Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Bernhard Hahn, Tobias Wörner and Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Thomas Hahn, Charlotte Hatherley, Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen, Derek von Krogh, Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz, M. Janz, N. Janz and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio, RAK Studios in London (Greater London), England, United Kingdom, Soundmastaz Studios, Studio 77 in Stuttgart, Baden-Württemberg, Germany and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (in 1980)
writer:
Marty Wilde and Ricky Wilde
publisher:
Finchley Music Corp.
Kim Wilde4.453:25
4What's the Colour of Money
recording of:
What's the Colour of Money?
writer:
Mark Rogers (Hollywood Beyond) and Jamie B. Rose
Hollywood Beyond43:26
5You Might Think
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
You Might Think
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.73:04
6Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Island Visual Arts Ltd., Level 42 Music Ltd. and Ruby Ruby Ltd.
Level 423.63:59
7The Riddle
assistant engineer:
Dave Meegan (producer)
engineer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
lead vocals:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
recording of:
The Riddle
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. and Rondor Musikverlag GmbH
Nik Kershaw3.353:50
8Imagination
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some33:31
9Running Up That Hill
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
balalaika:
Paddy Bush
bass:
Del Palmer
drums (drum set):
Stuart Elliott (Session drummer, member of Cockney Rebel)
guitar:
Alan Murphy (UK session guitarist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding - file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 7), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 60) and Indie 88: Top 500 Indie Rock Songs (number: 279)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works)
Kate Bush44:59
10Personal Jesus
producer:
Depeche Mode and Flood (British producer Mark Ellis)
mixer:
François Kevorkian
lead vocals:
Dave Gahan
part of:
Indie 88: Top 500 Indie Rock Songs (number: 13), Pitchfork: The Story of Goth in 33 Songs and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 369)
recording of:
Personal Jesus
lyricist and composer:
Martin L. Gore
publisher:
EMI Music Publishing (do not use as a release label!)
Depeche Mode4.24:55
11If I Was
guest performer:
Mark King
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure45:19
12Cry
producer:
Godley & Creme and Trevor Horn
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1985)
recording of:
Cry
writer:
Lol Creme and Kevin Godley
publisher:
St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:55
13Johnny Come Home
producer:
Andy Cox (Composer) and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
phonographic copyright (℗) by:
London Records (UK, 1947–98) (in 1985)
recording of:
Johnny Come Home
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1985)
Fine Young Cannibals43:33
14Love Is a Battlefield
producer:
Neil Geraldo, Peter Coleman and Peter Coleman (British engineer & producer)
mixer:
Neil Giraldo and Peter Coleman (British engineer & producer)
bass guitar:
Roger Capps
drums (drum set):
Myron Grombacher
electric guitar:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
lead vocals:
Pat Benatar
vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
recorded at:
MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music Pbl. Ltd., Island Music Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar3.954:08
15Cool for Cats
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
Squeeze3.53:10
16In the Dutch Mountains
engineer:
Paul Telman
phonographic copyright (℗) by:
CBS Grammofoonplaten B.V. (not for release label use! NL subsidiary of CBS Records, Inc.) (in 1987)
recorded at:
Werf Studio (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
In the Dutch Mountains
lyricist:
Henk Hofstede
composer:
Henk Hofstede, Rob Kloet and Robert Jan Stips
publisher:
Soss Music (in 1987)
Nits53:26
17Mad World
programming:
Manny Elias, Chris Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
producer:
Ross Cullum and Chris Hughes (Producer. aka Merrick)
bass guitar:
Curt Smith
drums (drum set):
Manny Elias
guitar:
Roland Orzabal
keyboard:
Roland Orzabal, Curt Smith and Ian Stanley
percussion:
Chris Hughes (Producer. aka Merrick)
vocals:
Curt Smith
conductor:
Chris Hughes (Producer. aka Merrick)
performer:
Ross Cullum and Phil Palmer (guitarist)
music videos:
Mad World by Tears for Fears
recording of:
Mad World
lyricist and composer:
Roland Orzabal
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use!) and Chrysalis Music (music publisher, ASCAP-affiliated)
Tears for Fears4.253:32
18Dr. Mabuse
recording of:
Dr. Mabuse
lyricist:
Ralf Dörper
composer:
Ralf Dörper, Michael Mertens (German musician & producer) and Andreas Thein
publisher:
Perfect Songs Ltd.
Propaganda4:16
CD 2
#TitleArtistRatingLength
1Ship of Fools
engineer:
David Jacob
co-producer:
David Jacob
producer:
Stephen Hague
recording of:
Ship of Fools
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure4:00
2Name and NumberCuriosity Killed the Cat4:01
3AlwaysReal Life3:52
4Rain in May
recording of:
Rain in May
writer:
Chris Meldon and Chris Pilgram (songwriter and producer)
Max Werner3:31
5I Won't Let You Down
recording of:
I Won’t Let You Down
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Tony Hymas
Ph.D.4:14
6My Soul Unwraps Tonight
recording of:
My Soul Unwraps Tonight
lyricist and composer:
Richard Kenton
Savage Progress3:20
7Midnight Man
recording of:
Midnight Man
writer:
Harry Vanda and George Young (Australian musician and producer)
Flash and the Pan4:52
8The Night
recording of:
The Night
lyricist:
Barbara Addoms
composer:
Giuseppe Nicolosi
Valerie Dore6:16
9Our Lips Are Sealed
engineer:
Jeremy Green
producer:
David Byrne (Talking Heads)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
cover recording of:
Our Lips Are Sealed
writer:
The Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Gotown Music and Plangent Visions Music
Fun Boy Three3:35
10Heaven
recording of:
Heaven
lyricist:
Richard Butler (singer)
writer:
Tim Butler
publisher:
EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
The Psychedelic Furs3:21
11Talking in Your Sleep
engineer:
Hal Hansford and Jim Sessody
producer:
Peter Solley (English pianist, songwriter and producer)
mixer:
Neil Kernon and Peter Solley (English pianist, songwriter and producer)
recorded at:
Criteria Studios in Miami, Florida, United States
recording of:
Talking in Your Sleep
writer:
Coz Canler, Jimmy Marinos, Wally Palmar, Mike Skill and Peter Solley (English pianist, songwriter and producer)
The Romantics4.23:53
12Colours of Ever
recording of:
Colours of Ever
lyricist:
Marc Berry (Austrian songwriter), Mario Bottazzi and Hans David Bronner (Austrian producer and pianist)
composer:
Marc Berry (Austrian songwriter) and Hans David Bronner (Austrian producer and pianist)
The Form3:46
13They All Run After the Carving Knife
recording of:
They All Run After the Carving Knife
lyricist and composer:
Tony Mansfield (producer & songwriter)
New Musik4:52
14It Ain't Necessarily
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
Bronski Beat4:42
15We Need ProtectionPicnic at the Whitehouse6:23
16The Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Jambo Music Limited and Metric Music Ltd.
Re-Flex4:13
17Stand and Deliver
engineer:
Alan Douglas (Scottish born engineer)
producer:
Chris Hughes (Producer. aka Merrick)
vocals:
Adam Ant (English new wave singer and actor)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
part of:
The Downloader’s Music Source Book (number: 145)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:05
18John Wayne Is Big LeggyHaysi Fantayzee3:18

Credits

Release group

part of:Pop & Wave (number: 5) (order: 19)