101 Number One Hit Records

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Manufactured by MCA Records, Inc.
70 Universal City Plaza
Universal City, CA 91608

Advertised and Distributed by the Beautiful Music Company
155 E. Main Street, Smithtown, NY 11787

Annotation last modified on 2019-07-21 22:29 UTC.

Tracklist

CD 1
CD 2
CD 3
#TitleArtistRatingLength
1Please Mr. Postman
bass:
James Jamerson (in 1961-04)
drums (drum set):
Benny Benjamin (US drummer) (in 1961-04) and Marvin Gaye (in 1961-04)
instruments:
The Funk Brothers (in 1961-04)
percussion:
Eddie “Bongo” Brown (in 1961-04)
piano:
Richard ‘Popcorn’ Wylie (in 1961-04)
background vocals:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta "Juanita" Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (in 1961-04)
lead vocals:
Gladys Horton (in 1961-04)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1961-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 10) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 331)
recording of:
Please Mr. Postman (in 1961-04)
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc. (1989-07-24–present), EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Marvelettes4.452:29
2Tell It Like It Is
recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville3:08
3Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Dock Green and Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Hill & Range (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters52:29
4My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4.452:44
5Come See About Me
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Come See About Me
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes2:44
6When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
7Everything Is Beautiful
engineer:
Charlie Tallent
producer:
Ray Stevens (US singer‐songwriter & comedian)
arranger:
Ray Stevens (US singer‐songwriter & comedian)
recording of:
Everything Is Beautiful (1970 song)
lyricist and composer:
Ray Stevens (US singer‐songwriter & comedian)
Ray Stevens3:29
8The Lion Sleeps Tonight
recording of:
The Lion Sleeps Tonight (in 1961)
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc. and Luigi Creatore Music (ASCAP)
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (2019 film soundtrack)
part of:
The Lion King (stage musical)
The Tokens2:42
9Love Is Here and Now You’re Gone
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Love Is Here and Now You’re Gone
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
The Supremes2:46
10Lonely Boy
recording of:
Lonely Boy
lyricist and composer:
Paul Anka
publisher:
Spanka Music (ended) and Epa Publishing
Paul Anka2:32
11Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:30
12Help Me Rhonda
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Carol Kaye (on 1965-02-24)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1965-02-24)
guitar:
Carl Wilson (Beach Boys) (on 1965-02-24)
Hammond organ [Hammond B3 organ] and piano [acoustic piano]:
Brian Wilson (Beach Boys co‐founder) (on 1965-02-24)
background vocals:
Mike Love (Beach Boys) (on 1965-02-24), Brian Wilson (Beach Boys co‐founder) (on 1965-02-24), Carl Wilson (Beach Boys) (on 1965-02-24) and Dennis Wilson (Beach Boys) (on 1965-02-24)
lead vocals:
Al Jardine (on 1965-02-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1965-02-24) and Universal Recording Studios (unidentified, possibly a mix of different studios) (on 1965-02-24)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 16)
recording of:
Help Me, Rhonda (on 1965-02-24)
additional lyricist:
Mike Love (Beach Boys)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
The Beach Boys42:48
13I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton and Ronnie Self
publisher:
Songs of Universal
Brenda Lee2:40
14That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
Buddy Holly2:17
15Back in My Arms Again
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Back in My Arms Again
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
The Supremes2:52
16Groovin’
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Rascals2:32
17WindyThe Association52:58
18The Letter
producer:
Dan Penn
phonographic copyright (℗) by:
Arista Records (not an imprint, use "Arista" for release labels) (in 1967)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Lovolar Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
The Box Tops4.351:55
19It’s My Party
Lesley Gore2:16
20Come Softly to Me
arranger:
Bonnie Guitar
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 14)
recording of:
Come Softly to Me
writer:
Gretchen Christopher, Barbara Ellis and Gary Troxel
publisher:
Chappell Morris and EMI Unart Catalog Inc.
The Fleetwoods32:24
21Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1958-09-24)
producer:
Buck Ram
lead vocals:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams)
performer:
The Platters
cover recording of:
Smoke Gets in Your Eyes (on 1958-09-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
translated version of:
Sen jag mötte dig
part of:
Roberta
The Platters3.752:42
22Honey
phonographic copyright (℗) by:
Capitol Records Nashville (in 1968)
cover recording of:
Honey (on 1968-01-30)
lyricist and composer:
Bobby Russell
Bobby Goldsboro43:59
23I Will Follow Him
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963) and ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 2009)
recording of:
I Will Follow Him (on 1963-01-07)
lyricist:
Norman Gimbel and Jacques Plante
composer:
Paul Mauriat and Franck Pourcel
publisher:
Universal MCA Music Publishing (France) and Universal Music Corporation (USA, affiliated with ASCAP)
version of:
Chariot
Peggy March42:30
24(We’re Gonna) Rock Around the Clock
Bill Haley & His Comets2:13
25Where Did Our Love Go
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-04-08)
instruments:
The Funk Brothers (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-04-08)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 9) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 472)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Co., Inc.
The Supremes52:31
CD 4