Easter Oratorio, BWV 249 / Ascension Oratorio, BWV 11

~ Release by Johann Sebastian Bach; Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Württembergisches Kammerorchester Heilbronn, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Oster‐Oratorium, BWV 249: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:03
2Oster‐Oratorium, BWV 249: II. Adagio
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:18
3Oster‐Oratorium, BWV 249: III. Coro “Kommt, eilet und laufet”
choir vocals:
Gächinger Kantorei Stuttgart
solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:43
4Oster‐Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) “O kalter Männer Sinn”
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach1:07
5Oster‐Oratorium, BWV 249: V. Aria (Sopran) “Seele, deine Spezereien”
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach8:21
6Oster‐Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) “Hier ist die Gruft”
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:48
7Oster‐Oratorium, BWV 249: VII. Aria (Tenor) “Sanfte soll mein Todeskummer”
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach6:11
8Oster‐Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) “Indessen seufzen wir”
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:56
9Oster‐Oratorium, BWV 249: IX. Aria (Alt) “Saget, saget mir geschwinde”
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde" (catch-all for arrangements)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
Johann Sebastian Bach6:58
10Oster‐Oratorium, BWV 249: X. Recitativo (Bass) “Wir sind erfreut”
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:42
11Oster‐Oratorium, BWV 249: XI. Coro “Preis und Dank”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach2:47
12Himmelfahrts‐Oratorium, BWV 11: I. Coro “Lobet Gott in seinen Reichen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:41
13Himmelfahrts‐Oratorium, BWV 11: II. “Der Herr Jesu hub seine Hände auf” (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:30
14Himmelfahrts‐Oratorium, BWV 11: III. Recitativo (Bass) “Ach, Jesu, ist dein Abschied schon so nah”
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:06
15Himmelfahrts‐Oratorium, BWV 11: IV. Aria (Alt) “Ach bleibe doch, mein liebstes Leben”
alto vocals:
Mechthild Georg (German mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:14
16Himmelfahrts‐Oratorium, BWV 11: V. “Und ward aufgehaben zusehends” (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:26
17Himmelfahrts‐Oratorium, BWV 11: VI. Choral “Nun lieget alles unter dir”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1984-02)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:11
18Himmelfahrts‐Oratorium, BWV 11: VII. “Und da sie ihm nachsahen” (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach2:11
19Himmelfahrts‐Oratorium, BWV 11: VIII. Aria (Sopran) “Jesu, deine Gnadenblicke”
soprano vocals:
Costanza Cuccaro (American soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach5:43
20Himmelfahrts‐Oratorium, BWV 11: IX. Choral “Wenn soll es doch geschehen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:10

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 87) (order: 79)