Les Contes d’Hoffmann

~ Release by Offenbach; Shicoff, Norman, Plowright, Serra, Van Dam, Murray, Tear, Orchestre Symphonique de la Monnaie, Choeurs de l'Opéra Royal de la Monnaie, Sylvain Cambreling (see all versions of this release, 2 available)

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1Les Contes d’Hoffmann : Acte I (Prologue). Prélude et introduction "Glou, glou, glou" (Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 1 Introduction « Glou, glou, glou ! Je suis la bière » (Chœur des esprits invisibles) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:47
2Les Contes d’Hoffmann : Acte I (Prologue). "La Vérité dit-on" (Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [La Muse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Couplets de la Muse : « La vérité, dit-on, sortait d'un puits » (la Muse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:13
3Les Contes d’Hoffmann : Acte I (Prologue). "Le Conseilleur Lindorf, morbleu !" (Lindorf, Nicklausse, Andres)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Andrès]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Le conseiller Lindorf, morbleu ! » (Lindorf, Andrès) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:37
4Les Contes d’Hoffmann : Acte I (Prologue). "Voyons 'Pour Hoffmann' bon !" (Lindorf)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
partial recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 2 « Voyons, 'Pour Hoffmann', bon » … « Dans le rôle d’amoureux langoureux » … « Oui, chère prima donna » (Lindorf) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 2 « Voyons, 'Pour Hoffmann', bon » … « Dans le rôle d’amoureux langoureux » … « Oui, chère prima donna » (Lindorf)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:22
5Les Contes d’Hoffmann : Acte I (Prologue). "L'entr'acte commence..." (Luther, Chorus, Hermann, Nathanaël)
producer:
David R. Murray
baritone vocals [Hermann]:
Marcel Vanaud (Belgian operatic baritone vocalist) (in 1988-06)
bass vocals [Luther]:
Kurt Rydl (operatic bass) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 3 « L'entr'acte commence » … « Drig, drig, drig, maître Luther » (Nathanaël, Hermann, les étudiants, Luther) (Chœur des étudiants) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach3:48
6Les Contes d’Hoffmann : Acte I (Prologue). "Vive dieu ! Mes amis..." (Nathanaël, Chorus, Hermann, Lindorf, Luther, Hoffmann, Nicklausse)
producer:
David R. Murray
baritone vocals [Hermann]:
Marcel Vanaud (Belgian operatic baritone vocalist) (in 1988-06)
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 4 « Vive Dieu, mes amis, la belle créature ! » (Nathanaël, les étudiants, Hermann, Lindorf, Luther, Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:05
7Les Contes d’Hoffmann : Acte I (Prologue). "Notte e giorno mal dormire..." "Il était une fois à la cour d'Eisenach" (Nicklausse, Hoffmann, Herman, Nathanaël, Chorus)
producer:
David R. Murray
baritone vocals [Hermann]:
Marcel Vanaud (Belgian operatic baritone vocalist) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach8:19
8Les Contes d’Hoffmann : Acte I (Prologue). Finale : "À la bonne heure au moins !..." (Nicklausse, Hoffmann, Hermann, Lindorf, Chorus)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Finale No 5 « À la bonne heure au moins ! » (Nicklausse, Hoffmann, Hermann, Lindorf, Chorus) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:14
9Les Contes d’Hoffmann : Acte I (Prologue). "Je vous dis, moi, qu'un malheur me menace" (Hoffmann, Lindorf, Nathanaël, Hermann, Chorus, Nicklausse, Luther)
producer:
David R. Murray
baritone vocals [Hermann]:
Marcel Vanaud (Belgian operatic baritone vocalist) (in 1988-06)
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
bass vocals [Luther]:
Kurt Rydl (operatic bass) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Je vous dis, moi, qu'un malheur me menace » (Hoffmann, Lindorf, Nathanaël, Hermann, Chœur, Nicklausse, Luther) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach7:10
10Les Contes d’Hoffmann : Acte II. "Là ! Dors en paix" (Spalanzani, Hoffmann, Cochenille)
producer:
David R. Murray
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Là ! dors en paix » (Spalanzani, Hoffmann, Cochenille) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:06
11Les Contes d’Hoffmann : Acte II. "Allons ! Courage et confiance" (Hoffmann, Nicklausse)
producer:
David R. Murray
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Allons ! courage et confiance » … « Ah ! vivre deux » (Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:16
12Les Contes d’Hoffmann : Acte II. "Voyez-là sous son éventail" (Nicklausse, Hoffman)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. Couplets « Voyez-la sous son éventail » (Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:14
13Les Contes d’Hoffmann : Acte II. "C'est moi, Coppélius" (Coppelius, Nicklausse, Hoffman)
producer:
David R. Murray
bass vocals [Coppélius]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 7 Récit et trio « C’est moi, Coppélius » … « J’ai des yeux, de vrais yeux » (Coppélius, Nicklausse, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:37
14Les Contes d’Hoffmann : Acte II. "Serviteur … Monsieur, je vous jure qu'ils sont noirs" (Hoffmann, Coppelius, Nicklausse)
producer:
David R. Murray
bass vocals [Coppélius]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Serviteur » … « Monsieur, je vous jure qu'ils sont noirs » (Hoffmann, Coppelius, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:52
15Les Contes d’Hoffmann : Acte II. "Hein ! Vous ? Ce cher maître !..." (Spalanzani, Coppelius, Hoffmann, Cochenile)
producer:
David R. Murray
bass vocals [Coppélius]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Tout est prêt! » … « Hein ! vous ! » (Spalanzani, Coppélius, Hoffmann, Cochenille) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:17
16Les Contes d’Hoffmann : Acte II. "Non aucun hôte vraiment" (Chorus, Spalanzani, Nicklausse, Hoffmann, Cochenille, voix de basse)
producer:
David R. Murray
bass vocals [une voix de basse]:
Stefan Dimitrov (operatic bass) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 8 Chœurs, scène et couplets « Non, aucun hôte vraiment » (Spalanzani, Nicklausse, Hoffmann, Cochenille, une voix de basse, Olympia, les invitès) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:46
17Les Contes d’Hoffmann : Acte II. "Les Oiseaux dans la charmille" (Olympia, Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
soprano vocals [Olympia]:
Luciana Serra (soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:33
▼ CD 2
#TitleArtistRatingLength
1Les Contes d’Hoffmann : Acte II. "Ah ! Mon ami ! Quel accent !..." (Hoffmann, Nicklausse, Spalanzani, Chorus, Olympia, Cochenille)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Olympia]:
Luciana Serra (soprano) (in 1988-06)
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Ah ! mon ami ! quel accent ! » (Hoffmann, Nicklausse, Spalanzani, les invités, Olympia, Cochenille) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:19
2Les Contes d’Hoffmann : Acte II. "Ils se sont éloignés enfin !..." "Ah ! Vivre deux" (Hoffmann, Olympia)
producer:
David R. Murray
soprano vocals [Olympia]:
Luciana Serra (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 9 Récit et romance « Ils se sont éloignés enfin » (Hoffmann, Olympia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
recording of:
Les Contes d’Hoffmann : Acte II. Romance « Ah ! Vivre deux » (Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach4:03
3Les Contes d’Hoffmann : Acte II. Finale : "Tu me fuis ?..." "Oui, pauvres fous"(Hoffmann, Nicklausse, Coppelius, Spalanzani, Cochenille, Olympia, Chorus)
producer:
David R. Murray
bass vocals [Coppélius]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Olympia]:
Luciana Serra (soprano) (in 1988-06)
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 10 Finale « Tu me fuis ? qu'ai-je fait ? » (Hoffmann, Nicklausse, Coppélius) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach6:32
4Les Contes d’Hoffmann : Acte II. "Est-il mort ?" (Nicklausse, Spalanzani, Chorus, Cochenille, Hoffmann, Coppelius)
producer:
David R. Murray
bass vocals [Coppélius]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Est-il mort ? » (Nicklausse, Spalanzani, Chorus, Cochenille, Hoffmann, Coppelius) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:49
5Les Contes d’Hoffmann : Acte III. "Elle a fui, la tourterelle" (Antonia)
producer:
David R. Murray
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte III. No 11 Romance « Elle a fui, la tourterelle » (Antonia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:10
6Les Contes d’Hoffmann : Acte III. "Malheureuse enfant..." (Crespel, Antonio, Frantz)
producer:
David R. Murray
bass vocals [Crespel]:
Kurt Rydl (operatic bass) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Scène « Malheureuse enfant ! » (Crespel, Antonia, Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:08
7Les Contes d’Hoffmann : Acte III. "Jour et nuit je me mets en quatre" (Frantz)
producer:
David R. Murray
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 12 Couplets « Jour et nuit je me mets en quatre » (Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:28
8Les Contes d’Hoffmann : Acte III. "Frantz !... C'est ici !" (Hoffmann, Frantz, Nicklausse)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Scène « Frantz ! ... c'est ici ! » (Hoffman, Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach0:49
9Les Contes d’Hoffmann : Acte III. "Enfin je vais savoir pourquoi - vois sous l'archet frémissant" (Hoffmann, Nicklausse)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte III. No 13 Récit et romance « Enfin je vais savoir pourquoi » … « Vois sous l'archet frémissant » … « Ah ! Tu doutes de tout » (Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:45
10Les Contes d’Hoffmann : Acte III. "O cher Antonia..." "Ah ! J'ai le bonheur dans l'âme" (Hoffmann, Nicklausse, Antonia)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 14 Duo « J'ai le bonheur dans l'âme ! » (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:45
11Les Contes d’Hoffmann : Acte III. "Pourtant, ô ma fiancée..." "C'est une chanson d'amour" (Hoffmann, Antonia)
producer:
David R. Murray
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Pourtant, ô ma fiancée” (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte III. « C'est une chanson d'amour qui s'envole » (Hoffmann, Antonia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:13
12Les Contes d’Hoffmann : Acte III. "Qu'as-tu donc ?" (Hoffmann, Antonia, Crespel, Frantz, Miracle)
producer:
David R. Murray
bass vocals [Crespel]:
Kurt Rydl (operatic bass) (in 1988-06)
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Scène « Qu'as-tu donc ? » (Hoffmann, Antonia, Crespel, Frantz, Miracle) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:34
13Les Contes d’Hoffmann : Acte III. "Pour conjurer le danger" (Miracle, Hoffmann, Crespel, le voix d'Antonia)
producer:
David R. Murray
bass vocals [Crespel]:
Kurt Rydl (operatic bass) (in 1988-06)
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 15 Trio « Pour conjurer le danger » (Miracle, Hoffmann, Crespel) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach9:07
14Les Contes d’Hoffmann : Acte III. "Ne plus chanter ! Hélas !" (Hoffmann, Antonia)
producer:
David R. Murray
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Scène « Ne plus chanter ! » (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:27
15Les Contes d’Hoffmann : Acte III. Trio & Finale : "Tu ne chanteras plus ?" (Miracle, Antonia)
producer:
David R. Murray
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 16 Finale: Trio « Tu ne chanteras plus ? » (Miracle, Antonia, la voix de la mère d'Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:35
16Les Contes d’Hoffmann : Acte III. "Ta mère oses-tu l'invoquer ?..." "Chère enfant..." (Miracle, la mère d'Antonia, Antonia)
producer:
David R. Murray
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Mère d'Antonia]:
Jocelyne Taillon (mezzo-soprano) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Ta mère ? Oses-tu l’invoquer ?... Chère enfant ! Que j’appelle” (Miracle, la voix de la mère d'Antonia, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach5:37
17Les Contes d’Hoffmann : Acte III. Finale : "Mon enfant ! Ma fille ! Antonia !" (Crespel, Antonia, Hoffmann, Nicklausse, Miracle)
producer:
David R. Murray
bass vocals [Crespel]:
Kurt Rydl (operatic bass) (in 1988-06)
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Finale: Scène « Mon enfant ! ma fille ! » (Crespel, Antonia, Nicklausse, Hoffmann, Miracle) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:59
▼ CD 3
#TitleArtistRatingLength
1Les Contes d’Hoffmann : Acte IV. "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
vocals:
Mike d’Abo (in 1988-06)
orchestra:
Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:22
2Les Contes d’Hoffmann : Acte IV. "Hola ! Où est monsieur Schlémihl ?" (Hoffmann, Pitichinaccio, Nicklausse, Giulietta)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. Scène « Holà! Où est Monsieur Schlémil ? » (Hoffmann, Pitichinaccio, Nicklausse, Giulietta) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach1:53
3Les Contes d’Hoffmann : Acte IV. "Amis, l'amour tendre et rêveur, erreur !" (Hoffmann, Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. Couplets bachiques « Amis, l'amour tendre et rêveur, erreur ! » (Hoffmann, les invités) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:53
4Les Contes d’Hoffmann : Acte IV. "C'est bien ! On est en fête !" (Schlemil, Giulietta, Pitichinaccio, Hoffmann, Chorus, Nicklausse, Dapertutto)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 18 Scène « Je vois qu'on est en fête » (Schlémil, Giulietta, Pitichinaccio, Hoffmann, les invités, Nicklausse, Dapertutto) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:13
5Les Contes d’Hoffmann : Acte IV. "Tourne, tourne, miroir où se prend l'alouette" (Dapertutto)
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. « Tourne, tourne, miroir où se prend l'alouette » (Dapertutto) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach1:31
6Les Contes d’Hoffmann : Acte IV. "Cher ange !" (Dapertutto, Giulietta, Pitichinaccio,)
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. Scène « Cher ange ! » (Dapertutto, Giulietta, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:52
7Les Contes d’Hoffmann : Acte IV. "Vénus dit à Fortune" (Giulietta, Chorus, Hoffmann, Schlemil)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No 19 « Vénus dit à Fortune » (Giulietta, Chorus, Hoffmann, Schlemil) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:09
8Les Contes d’Hoffmann : Acte IV. "Prends mes cartes" (Hoffmann, Nicklausse, Schlemil, Giulietta, Chorus)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. « Prends mes cartes » (Hoffmann, Nicklausse, Schlemil, Giulietta, Chorus) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:19
9Les Contes d’Hoffmann : Acte IV. "Viens tenter ta chance" (Chorus, Schlemil, Nicklausse, Hoffmann, Giulietta)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. « Viens tenter ta chance » (Chorus, Schlemil, Nicklausse, Hoffmann, Giulietta) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:44
10Les Contes d’Hoffmann : Acte IV. "Adieu..." "Non ! Non, messieurs !" (Hoffmann, Dapertutto, Giulietta)
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. « Adieu » … « Non ! Non, messieurs ! » (Hoffmann, Dapertutto, Giulietta) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:29
11Les Contes d’Hoffmann : Acte IV. "Qui connaît donc la souffrance..." "Hoffmann, vite, partons d'ici !..." "O dieu, de quelle ivresse embrasses-tu mon âme" (Giulietta, Chorus, Hoffmann, Nicklausse)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 20 Air « Qui connaît donc la souffrance » … « Hoffmann, vite, partons d'ici ! » (Giulietta, Chorus, Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. No 21 « Ô Dieu, de quelle ivresse embrasses-tu mon âme » (Giulietta, Chorus, Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. No 20 Air « Qui connaît donc la souffrance » … « Hoffmann, vite, partons d'ici ! » (Giulietta, Chorus, Hoffmann, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach6:50
12Les Contes d’Hoffmann : Acte IV. "Jusqu'à là cependant affermis mon courage..." "Aujourd'hui, aujourd'hui les larmes" (Giulietta, Hoffmann)
producer:
David R. Murray
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. « Aujourd'hui, aujourd'hui les larmes » (Giulietta, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. « Jusqu'à là cependant affermis mon courage » (Giulietta, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:42
13Les Contes d’Hoffmann : Acte IV. Finale : "In flagrante !..." "Ecoutez, messieurs !" (Dapertutto, Schlemil, Nicklausse, Giulietta, Pitichinaccio, Hoffmann, Chorus)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 22 Final « In flagranti ! » … « Écoutez, messieurs ! » (Dapertutto, Schlemil, Nicklausse, Giulietta, Pitichinaccio, Hoffmann, Chorus) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach6:57
14Les Contes d’Hoffmann : Acte V. Entr'acte, scene & Finale : "Voilà quelle fut l'histoire de mes amours..." (Hoffmann, Luther, Lindorf, Nathanaël, Nicklausse, Chorus)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
bass vocals [Luther]:
Kurt Rydl (operatic bass) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Voilà, mes amis, quelle fut l'histoire de mes trois amours” (Hoffmann, Nicklausse, Etudiants, Luther, Lindorf) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). Entr’acte (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach5:35
15Les Contes d’Hoffmann : Acte V. "Vous permettez, madame !..." "Pardon ! Kleinzach est incomplet..." (Lindorf, Hoffmann, Andres, Chorus)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
tenor vocals [Andrès]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
partial recording of:
Les Contes d’Hoffmann: Acte V (Épilogue) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann
Jacques Offenbach1:59
16Les Contes d’Hoffmann : Acte V. "Pauvre Hoffmann" (Nicklausse, la Muse, Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
partial recording of:
Les Contes d’Hoffmann: Acte V (Épilogue) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann
Jacques Offenbach3:32
17Les Contes d’Hoffmann : Acte V. "Des cendres de ton cœur" (la Muse, Chorus, Stella, Lindorf, Hoffmann, Hermann, Luther, Nathanaël, Andres)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
bass vocals [Luther]:
Kurt Rydl (operatic bass) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [La Muse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Stella]:
Dinah Bryant (in 1988-06)
tenor vocals [Andrès]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). Finale “Des cendres de ton cœur, réchauffe ton génie” (La Muse, les espirits invisibles) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach5:08
18Les Contes d’Hoffmann : Appendices. "Une poupée aux yeux d'émail" (Nicklausse, Hoffmann)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Par Dieu ! j'étais bien sûr de te trouver ici ! » ... « Une poupée aux yeux d'émail » (Nicklausse, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:27
19Les Contes d’Hoffmann : Appendices. "Scintille, diamant !" (Dapertutto)
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann: Acte III. "Scintille, diamant" (Dapertutto, Giulietta, Hoffmann, Schlemil) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann : Acte IV. Chanson «Scintille, diamant » (Dapertutto)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:07
20Les Contes d’Hoffmann : Appendices. "Hèlas ! Mon cœur s'égare encore !" (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlémil, Pitichinaccio, Chorus)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann: Acte III. Septuor “Hélas ! mon cœur s'égare encore !” (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlemil, Pittichinaccio, Chœur) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:32

Credits

Release group

included in:The Operas & Operettas Collection by Jacques Offenbach (German-French composer, cellist and impresario)
other databases:https://www.operadis-opera-discography.org.uk/ALOFCONT.HTM#22 [info]