One for My Baby

~ Release by Joe Pass (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Bluesology
assistant engineer:
Bruce Balestier
engineer:
George Belle
producer:
Eric Miller (jazz producer/engineer)
bass:
Andy Simpkins (in 1988)
drums (drum set):
Albert “Tootie” Heath (in 1988)
guitar:
Joe Pass (jazz guitarist) (in 1988)
organ and piano:
Gerald Wiggins (in 1988)
tenor saxophone:
Plas Johnson (in 1988)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (in 1988)
3.75:57
2One for My Baby (And One More for the Road)
assistant engineer:
Bruce Balestier
engineer:
George Belle
producer:
Eric Miller (jazz producer/engineer)
bass:
Andy Simpkins (in 1988)
drums (drum set):
Albert “Tootie” Heath (in 1988)
guitar:
Joe Pass (jazz guitarist) (in 1988)
organ and piano:
Gerald Wiggins (in 1988)
tenor saxophone:
Plas Johnson (in 1988)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (in 1988)
recording of:
One for My Baby (and One More for the Road) (in 1988)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:51
3J.P. Blues
assistant engineer:
Bruce Balestier
engineer:
George Belle
producer:
Eric Miller (jazz producer/engineer)
bass:
Andy Simpkins (in 1988)
drums (drum set):
Albert “Tootie” Heath (in 1988)
guitar:
Joe Pass (jazz guitarist) (in 1988)
organ and piano:
Gerald Wiggins (in 1988)
tenor saxophone:
Plas Johnson (in 1988)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (in 1988)
7:48
4Poinciana
assistant engineer:
Bruce Balestier
engineer:
George Belle
producer:
Eric Miller (jazz producer/engineer)
bass:
Andy Simpkins (in 1988)
drums (drum set):
Albert “Tootie” Heath (in 1988)
guitar:
Joe Pass (jazz guitarist) (in 1988)
organ and piano:
Gerald Wiggins (in 1988)
tenor saxophone:
Plas Johnson (in 1988)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (in 1988)
6:33
5(I Don't Stand a) Ghost of a Chance With You
assistant engineer:
Bruce Balestier
engineer:
George Belle
producer:
Eric Miller (jazz producer/engineer)
bass:
Andy Simpkins (in 1988)
drums (drum set):
Albert “Tootie” Heath (in 1988)
guitar:
Joe Pass (jazz guitarist) (in 1988)
organ and piano:
Gerald Wiggins (in 1988)
tenor saxophone:
Plas Johnson (in 1988)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (in 1988)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (in 1988)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
6:04
6I Remember You
assistant engineer:
Bruce Balestier
engineer:
George Belle
producer:
Eric Miller (jazz producer/engineer)
bass:
Andy Simpkins (in 1988)
drums (drum set):
Albert “Tootie” Heath (in 1988)
guitar:
Joe Pass (jazz guitarist) (in 1988)
organ and piano:
Gerald Wiggins (in 1988)
tenor saxophone:
Plas Johnson (in 1988)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (in 1988)
6:17
7Bay City Blues
assistant engineer:
Bruce Balestier
engineer:
George Belle
producer:
Eric Miller (jazz producer/engineer)
bass:
Andy Simpkins (in 1988)
drums (drum set):
Albert “Tootie” Heath (in 1988)
guitar:
Joe Pass (jazz guitarist) (in 1988)
organ and piano:
Gerald Wiggins (in 1988)
tenor saxophone:
Plas Johnson (in 1988)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (in 1988)
7:07
8The Song Is You
assistant engineer:
Bruce Balestier
engineer:
George Belle
producer:
Eric Miller (jazz producer/engineer)
bass:
Andy Simpkins (in 1988)
drums (drum set):
Albert “Tootie” Heath (in 1988)
guitar:
Joe Pass (jazz guitarist) (in 1988)
organ and piano:
Gerald Wiggins (in 1988)
tenor saxophone:
Plas Johnson (in 1988)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (in 1988)
5:48