Weihnachtszauber: Lieder für die schönste Zeit des Jahres

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248 - Part One - For the First Day of Christmas - No. 1 Chorus: ''Jauchzet, Frohlocket''
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1987-01)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Peter Schreier3:08
2Macht hoch die Tür
arranger:
Karl Marx (20th century composer)
recording of:
Macht hoch die Tür
lyricist:
Georg Weissel (17th century hymn writer)
composer:
[traditional] (special purpose artist)
Regensburger Domspatzen3:41
3Es ist ein’ Ros’ entsprungen
recording of:
Es ist ein Ros entsprungen (original anonymous version)
composer:
[anonymous] (special purpose artist)
publisher:
Dreiklang/Dreimasken
Fritz Wunderlich3:17
4Ave Maria, „Ellens Gesang III“, D839
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Luciano Pavarotti4:46
5O du fröhliche, o du selige
recording of:
O du fröhliche (German Christmas carol set to the melody of "O sanctissima")
lyricist:
Johannes Daniel Falk and Heinrich Holzschuher
composer:
[traditional] (special purpose artist)
version of:
O Sanctissima (Sicilian Mariners Hymn)
Maria Stader2:42
6Süßer die Glocken nie klingen
recording of:
Süßer die Glocken nie klingen
lyricist:
Friedrich Wilhelm Kritzinger (German theologian)
composer:
[traditional] (special purpose artist)
Wiener Sängerknaben2:47
7Still, weil’s Kindlein schlafen will
Berlin Philharmonic Brass Ensemble0:47
8Stille Nacht, heilige Nacht
recording of:
Stille Nacht, heilige Nacht
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
part of:
Oh, What a Lovely War! (stage musical)
Dresdner Kreuzchor3:30
9Handel: Messiah, HWV 56 / Pt. 1 - 13. Pifa (Pastoral Symphony)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Trevor Pinnock1:10
10Christmas Oratorio, BWV 248 / Part One - For the First Day of Christmas - No. 8 Aria (Baß): ''Großer Herr, O starker König''
bass vocals:
Robert Holl (bass-baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1987-01)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Robert Holl4:42
11Sonata Prima for Trumpet and Continuo - 5. (Adagio)
recording of:
Sonata prima for Trumpet and Continuo: V. (Adagio)
composer:
Giovanni Buonaventura Viviani (in 1678)
part of:
Sonata prima for Trumpet and Continuo
Maurice André1:05
12Sonata Prima for Trumpet and Continuo - 4. (Allegro)
recording of:
Sonata prima for Trumpet and Continuo: IV. (Allegro)
composer:
Giovanni Buonaventura Viviani (in 1678)
part of:
Sonata prima for Trumpet and Continuo
Maurice André1:38
13Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. Chris Hazell - Jesu bleibet meine Freude
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Renée Fleming2:43
14Was soll das bedeuten
recording of:
Was soll das bedeuten
lyricist and composer:
[traditional] (special purpose artist)
Fritz Wunderlich1:56
15Maria durch ein Dornwald ging
recording of:
Maria durch ein Dornwald ging
lyricist and composer:
[traditional] (special purpose artist)
Dresdner Kreuzchor2:04
16O Jesulein süss
recording of:
Geistliches Lied, BWV 493 "O Jesulein süß"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 493)
Ola Karlsson4:06
17Kommet, ihr Hirten
recording of:
Kommet, ihr Hirten (German version of Bohemian Christmas carol)
lyricist and composer:
[traditional] (special purpose artist)
translator:
Carl Riedel
translated version of:
Nesem vám noviny (traditional Czech poem/song)
Berlin Philharmonic Brass Ensemble1:03
18O Tannenbaum
arranger:
Wolfgang Hochstein
recording of:
O Tannenbaum (original German version)
lyricist:
Ernst Anschütz (in 1824)
composer:
[traditional] (special purpose artist) (from 1500 until 1600)
version of:
Es lebe hoch der Zimmermannsgeselle
St. Petersburg Chamber Choir1:52
19Ihr Kinderlein kommet
recording of:
Ihr Kinderlein, kommet
lyricist:
Christoph von Schmid (in 1798)
writer:
[traditional] (special purpose artist)
composer:
Johann Abraham Peter Schulz (in 1790)
Vienna Boys' Choir1:35
20Ich steh an deiner Krippen hier
bass vocals:
Hermann Prey (baritone)
Hermann Prey2:30
21Christmas Oratorio, BWV 248 / Part One - For the First Day of Christmas - No. 5 Choral: „Wie soll ich dich empfangen“
recording engineer:
Hans-Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-05 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-05 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-05 until 1965-06) and Oswald Uhl (cellist) (from 1965-05 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-05 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-05 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-05 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-05 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-05 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-05 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-05 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-05 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-05 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-05 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-05 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-05 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-05 until 1965-06)
choir vocals:
Münchener Bach‐Chor (from 1965-05 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans-Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Karl Richter1:19
22Joseph, lieber Joseph mein / Resonet in Laudibus
recording of:
Joseph, lieber Joseph mein (original version; use also for unknown settings)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
[traditional] (special purpose artist) and Johann Walter (German / Lutheran composer & poet, c. 1496-1570)
recording of:
Resonet in laudibus (Jacob Handl, adapted by Philip Ledger)
composer:
Jacob Handl (aka Jacob(us) Handl)
Berlin Philharmonic Brass Ensemble1:52
23Vom Himmel hoch, da komm ich her
choir vocals:
Regensburger Domspatzen (German / Regensburger cathedral choir)
conductor:
Georg Ratzinger (chorus master)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recording of:
Vom Himmel hoch, da komm ich her
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Adam Gumpelzhaimer (composer)
Regensburger Domspatzen2:03
24In Dulci Jubilo
recording of:
Choralsatz, BWV 368 "In dulci jubilo"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 215) and Bach-Werke-Verzeichnis (number: BWV 368)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Fritz Wunderlich2:36
25Tochter Zion, freue dich
recording of:
Tochter Zion, freue dich
lyricist and arranger:
Friedrich Heinrich Ranke
composer:
George Frideric Handel (German‐British baroque composer)
translated version of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
Posaunenquintett Berlin2:03
26Adeste Fideles (O Come, All Ye Faithful)
recording of:
Adeste fideles (original latin version)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
Angela Gheorghiu3:32