Tracklist

CD 1
# Title Artist Rating Length
1 Anything Goes
Cole Porter with Vince Giordano and The Nighthawks 3:11
2 You’re the Top
Cole Porter with Vince Giordano and The Nighthawks 3:27
3 Begin the Beguine
Artie Shaw and His Orchestra 3:17
4 From This Moment On
Lena Horne 1:58
5 You Do Something to Me
Sonny Rollins 6:48
6 It’s DeLovely
Shorty Rogers and His Giants 2:31
7 Night and Day
Frank Sinatra 3:05
8 Let’s Misbehave
Irving Aaronson and His Commanders 2:53
9 Don’t Fence Me In
Roy Rogers 2:48
10 You’d Be So Nice to Come Home To
Dinah Shore 2:56
11 I Love Paris
Coleman Hawkins with Manny Albam and His Orchestra 3:34
12 Easy to Love
Ray Noble & His Orchestra 3:14
13 Just One of Those Things
Lena Horne 2:03
14 What Is This Thing Called Love
Leo Reisman and His Orchestra 3:21
15 I’ve Got You Under My Skin
Paul Desmond 4:34
16 I Get a Kick Out of You
Tommy Dorsey and His Orchestra 2:56
17 Night and Day
Leo Reisman and His Orchestra with Fred Astaire 3:28
18 You Do Something to Me
Rosemary Clooney & Pérez Prado and His Orchestra 1:36
19 Night and Day
Esquivel and His Orchestra 3 2:39

Credits

CD 1

recorded in:
Hollywood, Los Angeles, California, United States (1928-03-01) (track 8)
Hollywood, Los Angeles, California, United States (1942-01-19) (track 7)
Hollywood, Los Angeles, California, United States (1942-07-30) (track 10)
Hollywood, Los Angeles, California, United States (1959-08-15) (track 18)
tenor saxophone:
Coleman Hawkins (track 11)
arranger:
Manny Albam (track 11)
Vince Giordano (tracks 1–2)
composer:
Claudius Valk (track 14)
Cole Porter (track 8)
Cole Porter (1929) (tracks 5, 14, 18)
Cole Porter (1932) (tracks 7, 17, 19)
Cole Porter (1934) (tracks 1–2, 9, 16)
Cole Porter (1935) (tracks 3, 13)
Cole Porter (1936) (tracks 6, 12, 15)
Cole Porter (1943) (track 10)
Cole Porter (1951) (track 4)
Cole Porter (1953) (track 11)
conductor:
Paul Weinstein (track 10)
lyricist:
Cole Porter (track 8)
Cole Porter (1929) (tracks 5, 14, 18)
Cole Porter (1932) (tracks 7, 17, 19)
Robert Fletcher (US poet) (1934) (track 9)
Cole Porter (1934) (tracks 1–2, 9, 16)
Cole Porter (1935) (tracks 3, 13)
Cole Porter (1936) (tracks 6, 12, 15)
Cole Porter (1943) (track 10)
Cole Porter (1951) (track 4)
Cole Porter (1953) (track 11)
orchestra:
Orchestra conducted by Paul Weston (1942-07-30) (track 10)
vocals:
Fred Astaire (track 17)
Cole Porter (tracks 1–2)
Dinah Shore (1942-07-30) (track 10)
publisher:
Chappell & Co. (track 10)
Chappell & Co., Inc. (tracks 10–11, 15)
Chappell Music (tracks 1, 16)
Chappell Music Ltd. (tracks 1, 3, 7, 12, 16–17, 19)
Harms, Inc. (tracks 7, 16–17, 19)
Warner Bros., Inc. (not for release label use!) (track 9)
Warner Chappell Music Ltd. (tracks 10, 12, 15)
Warner/Chappell (track 14)
recorded at:
Liederkranz Hall in New York, New York, United States (1930-01-20) (track 14)
Victor Studio #1 in New York, New York, United States (1932-11-22) (track 17)
Victor Studio #3 (1934-11-26) (track 2)
Victor Studio #3 (1934-11-27) (track 1)
Victor Studio #2 in Manhattan, New York, New York, United States (1936-09-25) (track 12)
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (1938-07-24) (track 3)
Manhattan Center in New York, New York, United States (1950-01-04) (track 16)
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (1952) (track 9)
Webster Hall in New York, New York, United States (1956-04-04) (track 4)
Webster Hall in New York, New York, United States (1956-07-09) (track 11)
Webster Hall in New York, New York, United States (1957-03-04) (track 13)
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (1957-04-19) (track 6)
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (1958-01-29) (track 19)
Webster Hall in New York, New York, United States (1962) (track 15)
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (1962-01-30) (track 5)
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (2004-05-04) (track 1)
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (2004-05-05) (track 2)
cover recording of:
Night and Day (Cole Porter song) (track 19)
is the basis for:
Divine biguine (french) (track 3)
J'aime Paris (track 11)
later parody versions:
later translated versions:
Beguine (track 3)
Mené par le bout du nez (tracks 5, 18)
Que de-lindo (track 6)
Tout le jour, toute la nuit (Night and Day; du film "Joyeuse divorcée") (tracks 7, 17, 19)
Você é o mel (track 2)
Ночь и день (tracks 7, 17, 19)
later versions:
Begin the Beguine (unknown language, not English) (track 3)
I Love Paris (French version) (track 11)
You're the Top (Barbra Streisand's Back to Brooklyn version) (track 2)
part of:
Anything Goes (tracks 1–2, 16)
Born to Dance (tracks 12, 15)
Can‐Can (track 11)
Can‐Can (1960 musical film) (tracks 5, 11, 13, 18)
Fifty Million Frenchmen (tracks 5, 18)
Gay Divorce (tracks 7, 17, 19)
High Society (stage musical) (tracks 11, 13)
Jubilee (tracks 3, 13)
Panama Hattie (1942 film) (track 13)
Red, Hot and Blue (1936 Cole Porter musical) (track 6)
Kiss Me, Kate (musical) (track 4)
recording of:
Anything Goes (track 1)
Begin the Beguine (track 3)
Easy to Love (track 12)
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (track 4)
I Love Paris (Can-Can [Pistache, Company]) (track 11)
It’s De-Lovely (track 6)
Let’s Misbehave (track 8)
Night and Day (Cole Porter song) (tracks 7, 17)
You Do Something to Me (tracks 5, 18)
You’re the Top (track 2)
You’d Be So Nice to Come Home To (1942-07-30) (track 10)