It’s De Lovely: The Authentic Cole Porter Collection

~ Release by Cole Porter (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Anything Goes
vocals:
Cole Porter (composer)
arranger:
Vince Giordano
recorded at:
Victor Studio #3 (Cherokee C) (on 1934-11-27) and Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 2004-05-04)
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Cole Porter with Vince Giordano and The Nighthawks3:11
2You’re the Top
vocals:
Cole Porter (composer)
arranger:
Vince Giordano
recorded at:
Victor Studio #3 (Cherokee C) (on 1934-11-26) and Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 2004-05-05)
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter with Vince Giordano and The Nighthawks3:27
3Begin the Beguine
recorded at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Artie Shaw and His Orchestra3:17
4From This Moment On
recorded at:
Webster Hall in New York, New York, United States (on 1956-04-04)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
Lena Horne1:58
5You Do Something to Me
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1962-01-30)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Sonny Rollins6:48
6It’s DeLovely
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1957-04-19)
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Shorty Rogers and His Giants2:31
7Night and Day
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-01-19)
alto saxophone:
Fred Stulce (on 1942-01-19)
bass:
Hank Stern (Jazz bassist) (on 1942-01-19)
cello:
Cy Bernard (on 1942-01-19)
clarinet:
Heinie Beau (on 1942-01-19)
guitar:
Clark Yocum (on 1942-01-19)
harp:
Ann Mason (American harpist) (on 1942-01-19)
instruments:
Manny Gershman (on 1942-01-19)
oboe:
Charles Strickfaden (on 1942-01-19)
piano:
Skitch Henderson (on 1942-01-19)
tenor saxophone:
Don Lodice (on 1942-01-19)
violin:
Harry Bluestone (on 1942-01-19), Sam Freed (on 1942-01-19), Nick Pisani (on 1942-01-19) and Mischa Russell (violinist) (on 1942-01-19)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1942-01-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Axel Stordahl (on 1942-01-19)
arranger:
Axel Stordahl
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1942-01-19)
part of:
V Disc (by matrix number) (number: VP 65)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1942-01-19)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Frank Sinatra3:05
8Let’s Misbehave
recorded in:
Hollywood, Los Angeles, California, United States (on 1928-03-01)
vocals:
Phil Saxe & chorus (on 1928-03-01)
recording of:
Let’s Misbehave (Paris musical) (on 1928-03-01)
lyricist and composer:
Cole Porter (composer) (in 1927)
Irving Aaronson and His Commanders2:53
9Don’t Fence Me In
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (in 1952)
recording of:
Don’t Fence Me In
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Roy Rogers2:48
10You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-07-30)
vocals:
Dinah Shore (on 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (on 1942-07-30)
conductor:
Paul Weston (on 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (on 1942-07-30)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Dinah Shore2:56
11I Love Paris
tenor saxophone:
Coleman Hawkins
arranger:
Manny Albam
recorded at:
Webster Hall in New York, New York, United States (on 1956-07-09)
recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Coleman Hawkins with Manny Albam and His Orchestra3:34
12Easy to Love
recorded at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1936-09-25)
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Ray Noble & His Orchestra3:14
13Just One of Those Things
recorded at:
Webster Hall in New York, New York, United States (on 1957-03-04)
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Lena Horne2:03
14What Is This Thing Called Love
recorded at:
Liederkranz Hall in New York, New York, United States (on 1930-01-20)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Leo Reisman and His Orchestra3:21
15I’ve Got You Under My Skin
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
harp:
Gloria Agostini (Harp) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
recorded at:
Webster Hall in New York, New York, United States (in 1962)
instrumental recording of:
I’ve Got You Under My Skin (on 1961-10-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Paul Desmond4:34
16I Get a Kick Out of You
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1950-01-04)
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Tommy Dorsey and His Orchestra2:56
17Night and Day
reeds:
Jess Smith (reeds in Leo Reisman & His Orchestra) (on 1932-11-22) and Burt Williams (on 1932-11-22)
trombone:
Ernie Gibbs (on 1932-11-22)
trumpet:
Lew Sherwood (on 1932-11-22)
violin:
Lew Conrad (on 1932-11-22) and Sammy Schklar (on 1932-11-22)
vocals:
Fred Astaire (on 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (on 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (on 1932-11-22)
recorded at:
Victor Studio #1 (Cherokee A) in New York, New York, United States (on 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1932-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Leo Reisman and His Orchestra with Fred Astaire53:28
18You Do Something to Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-08-15)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Rosemary Clooney & Pérez Prado and His Orchestra1:36
19Night and Day
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1958-01-29)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Esquivel and His Orchestra32:39