Klara Top 100

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Stabat Mater dolorosa
countertenor vocals:
Philippe Jaroussky (countertenor)
soprano vocals:
Julia Lezhneva (soprano)
orchestra:
I Barocchisti
conductor:
Diego Fasolis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:30
2Spiegel im Spiegel
producer:
Andrew Keener (engineer/editor/producer)
piano:
Martin Roscoe (English classical pianist) (from 1993-09-17 until 1993-09-18, in 1993-11)
violin:
Tasmin Little (violinist) (from 1993-09-17 until 1993-09-18, in 1993-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Church, Milton Abbey School in Milton Abbas, Dorset, England, United Kingdom (in 1993-11)
recording of:
Spiegel im Spiegel (for violin and piano) (from 1993-09-17 until 1993-09-18)
composer:
Arvo Pärt (in 1978)
Arvo Pärt8:16
3Carmina Burana: O Fortuna
engineer:
Mike Clements (engineer) (from 2004-12-29 until 2004-12-31)
producer:
Stephen Johns (producer)
editor:
Jennifer Howells, Simon Kiln and Jørn Pedersen
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2004-12-29 until 2004-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-12-29 until 2004-12-31)
conductor:
Simon Rattle (conductor) (from 2004-12-29 until 2004-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-12-29 until 2004-12-31)
live recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 2004-12-29 until 2004-12-31)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:20
4Carmina Burana: Fortune plango vulnera
engineer:
Mike Clements (engineer) (from 2004-12-29 until 2004-12-31)
producer:
Stephen Johns (producer)
editor:
Jennifer Howells, Simon Kiln and Jørn Pedersen
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2004-12-29 until 2004-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-12-29 until 2004-12-31)
conductor:
Simon Rattle (conductor) (from 2004-12-29 until 2004-12-31)
chorus master:
Simon Halsey (conductor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-12-29 until 2004-12-31)
live recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 2004-12-29 until 2004-12-31)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:41
5De vier seizoenen: De Lente: Allegro
engineer:
Lucienne Rosset
editor:
Roberto Chinellato
solo violin:
Enrico Onofri (in 1993-09)
orchestra:
Il Giardino Armonico (Italian baroque ensemble) (in 1993-09)
conductor:
Giovanni Antonini (conductor and flautist) (in 1993-09)
recorded at:
Radio Televisione della Svizzera Italiana: Studio 1 in Lugano, Ticino, Switzerland (in 1993-09)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (in 1993-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:31
6De vier seizoenen: De Lente: Largo
engineer:
Lucienne Rosset
editor:
Roberto Chinellato
solo violin:
Enrico Onofri (in 1993-09)
orchestra:
Il Giardino Armonico (Italian baroque ensemble) (in 1993-09)
conductor:
Giovanni Antonini (conductor and flautist) (in 1993-09)
recorded at:
Radio Televisione della Svizzera Italiana: Studio 1 in Lugano, Ticino, Switzerland (in 1993-09)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1993-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:59
7De vier seizoenen: De Lente: Allegro
engineer:
Lucienne Rosset
editor:
Roberto Chinellato
solo violin:
Enrico Onofri (in 1993-09)
orchestra:
Il Giardino Armonico (Italian baroque ensemble) (in 1993-09)
conductor:
Giovanni Antonini (conductor and flautist) (in 1993-09)
recorded at:
Radio Televisione della Svizzera Italiana: Studio 1 in Lugano, Ticino, Switzerland (in 1993-09)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1993-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:47
8Orfeo ed Euridice: Che faro senza Euridice
countertenor vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:50
9Gloria in D RV589: Gloria in excelsis Deo
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of Ancient Music
conductor:
Stephen Cleobury (organist, conductor)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:25
10Requiem: Pie Jesu
choir vocals:
Eric Ericsons Kammarkör
soprano vocals:
Barbara Hendricks (soprano)
treble vocals:
Ola Samnegård
orchestra:
Sveriges Radios Symfoniorkester (Swedish Radio Symphony Orchestra)
conductor:
Eric Ericson
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Andrew Lloyd Webber3:12
11Mijn Vaderland: De Moldau
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-12-13 until 1990-12-14)
conductor:
Libor Pešek (conductor) (from 1990-12-13 until 1990-12-14)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-12-13 until 1990-12-14)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (from 1990-12-13 until 1990-12-14)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana11:58
12Symfonie nr.9 ‘Uit de nieuwe wereld’ - Scherzo
recording engineer:
Michael Brammann (sound engineer) (in 1999-10) and Tobias Lehmann (in 1999-10)
assistant engineer:
Jörg Mohr (in 1999-10)
producer:
Friedemann Engelbrecht
editor:
Jens Schünemann
orchestra:
Royal Concertgebouw Orchestra (in 1999-10)
conductor:
Nikolaus Harnoncourt (conductor) (in 1999-10)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
live recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace — Poco sostenuto) (in 1999-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák8:20
13Peer Gynt Suite: Ochtendstemming
producer and balance engineer:
Maido Maadik
orchestra:
Orchestre Symphonique National d'Estonie (Estonian National Symphony Orchestra) (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:11
14Mattheuspassie BWV244: Erbarme dich
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (on 1992-06-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:03
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1Symfonie nr.6 ‘Pastorale’: Ontwaken van vrolijke gevoelns bij aankomst op het land (Allegro ma non troppo)
orchestra:
Chamber Orchestra of Europe (on 1990-07-01)
conductor:
Nikolaus Harnoncourt (conductor) (on 1990-07-01)
recorded at:
Stefaniensaal in Graz, Steiermark (Styria), Austria (on 1990-07-01)
live recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (on 1990-07-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:12
2Rusalka: Lied aan de maan
soprano vocals:
Lesley Garrett (soprano) and Lucia Popp (soprano)
soprano vocals [Rusalka]:
Lucia Popp (soprano)
orchestra:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) and Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:52
3Messiah: Hallelujah
conductor:
Emmanuelle Haïm (conductor)
performer:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:35
4Danse macabre
recording engineer:
Frédéric Briand (engineer)
producer and editor:
Étienne Collard
violin:
Renaud Capuçon (violinist) (from 2000-11-29 until 2000-12-01)
orchestra:
Deutsche Kammerphilharmonie Bremen (from 2000-11-29 until 2000-12-01)
conductor:
Daniel Harding (conductor) (from 2000-11-29 until 2000-12-01)
recorded at:
Gut Varrel in Stuhr, Niedersachsen (Lower Saxony), Germany (from 2000-11-29 until 2000-12-01)
recording of:
Danse macabre, op. 40 (original for orchestra) (from 2000-11-29 until 2000-12-01)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns6:25
5Jazzsuite nr.2. Wals nr.2
orchestra:
The Philadelphia Orchestra
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Дмитрий Дмитриевич Шостакович3:42
6Nabucco: Slavenkoor 'Va pensiero'
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:54
7Cantilene
cello:
Marien van Staalen (cellist and conductor) (in 1998)
piano:
Jozef de Beenhouwer (Belgian pianist) (in 1998)
recording of:
Cantilène (in 1998)
composer:
August de Boeck (Belgian composer & organist)
August de Boeck5:33
8Miserere
choir vocals:
Choir of King’s College, Cambridge
conductor:
Stephen Cleobury (organist, conductor)
phonographic copyright (℗) by:
Warner Classics (in 2010)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri13:41
9Mandolineconcerto in C RV425: Allegro
engineer, editor and balance engineer:
Alessandra Galleron
executive producer:
Alain Lanceron
producer:
Nicolas Bartholomée
cello:
Maurizio Naddeo (cellist)
harpsichord and organ:
Sergio Ciomei
mandolin [Mandoline]:
Giovanni Scaramuzzino (mandolinist) (from 2001-10-09 until 2001-10-12)
solo mandolin:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci and Giangiacomo Pinardi
viola:
Ernesto Braucher, Stefano Marcocchi and Diego Mecca (violist)
violin:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni and Renata Spotti (Classical violinist)
violone:
Francisco Montero (double bassist)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2001-10-09 until 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-10-09 until 2001-10-12, in 2002)
recorded at:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2001-10-09 until 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (from 2001-10-09 until 2001-10-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (in 2002)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:09
10Mandolineconcerto in C RV425: Largo
engineer, editor and balance engineer:
Alessandra Galleron
executive producer:
Alain Lanceron
producer:
Nicolas Bartholomée
cello:
Maurizio Naddeo (cellist)
harpsichord and organ:
Sergio Ciomei
mandolin and solo mandolin:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci and Giangiacomo Pinardi
viola:
Ernesto Braucher, Stefano Marcocchi and Diego Mecca (violist)
violin:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni and Renata Spotti (Classical violinist)
violone:
Francisco Montero (double bassist)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2001-10-09 until 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-10-09 until 2001-10-12, in 2002)
performer:
Fabio Bondi (conductor/violinist)
recorded at:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2001-10-09 until 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo (from 2001-10-09 until 2001-10-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo (in 2002)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:52
11Mandolineconcerto in C RV425: Allegro
engineer, editor and balance engineer:
Alessandra Galleron
executive producer:
Alain Lanceron
producer:
Nicolas Bartholomée
cello:
Maurizio Naddeo (cellist)
harpsichord and organ:
Sergio Ciomei
mandolin and solo mandolin:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci and Giangiacomo Pinardi
viola:
Ernesto Braucher, Stefano Marcocchi and Diego Mecca (violist)
violin:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni and Renata Spotti (Classical violinist)
violone:
Francisco Montero (double bassist)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2001-10-09 until 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-10-09 until 2001-10-12, in 2002)
recorded at:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2001-10-09 until 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro (from 2001-10-09 until 2001-10-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro (in 2002)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:06
12Enigma Variaties op.36: Nimrod
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1993-08-28 until 1993-08-29)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:22
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1Rhapsody In Blue
producer:
Christopher Bishop (conductor/producer)
clarinet:
Gervase de Peyer (clarinetist) (on 1971-06-04, on 1971-06-06)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
orchestra:
London Symphony Orchestra (on 1971-06-04, on 1971-06-06)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-06-04, on 1971-06-06)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (on 1971-06-04)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin14:48
2Canon in D
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:41
3Requiem: Lacrimosa
choir vocals:
Les Arts Florissants (French baroque ensemble) (from 1994-11-22 until 1994-11-24)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 1994-11-22 until 1994-11-24)
conductor:
William Christie (harpsichordist and conductor) (from 1994-11-22 until 1994-11-24)
concertmaster:
Monica Huggett (violinist) (from 1994-11-22 until 1994-11-24)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-11-22 until 1994-11-24)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1994-11-22 until 1994-11-24)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:20
4Stabat Mater RV621: Stabat Mater dolorosa
recording engineer, mixer and editor:
Michel Pierre (audio engineer)
producer:
Étienne Collard
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
orchestra:
Ensemble Artaserse (from 2014-03-20 until 2014-03-28)
conductor:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2014-03-20 until 2014-03-28)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (from 2014-03-20 until 2014-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:05
5Weinachtsoratorium BWV248: Jauchzet, frohlocket
choir vocals:
Chorus of Collegium Vocale, Ghent (in 1989-01)
orchestra:
Orchestra of Collegium Vocale, Ghent (in 1989-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1989-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:45
6Greensleeves To A Ground
engineer:
Mike Hatch (engineer/editor)
cello:
Jonathan Cohen (British conductor, cellist & keyboardist) (in 2009-06) and William Conway (UK cellist) (in 2009-06)
double bass:
Enno Senft (double bass player) (in 2009-06)
harpsichord:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) (in 2009-06)
lute:
Stefan Maas (in 2009-06)
percussion:
Hans‐Kristian Kjos Sørensen (in 2009-06)
solo violin:
Daniel Hope (violinist) (in 2009-06)
theorbo:
Stephan Rath (lutenist and theorbist) (in 2009-06)
viola:
Stewart Eaton (violist) (in 2009-06)
violin:
Lucy Gould (violinist) (in 2009-06)
recording of:
Greensleeves to a Ground (arr. by Olivier Fourés) (in 2009-06)
composer:
[anonymous] (special purpose artist)
arranger:
Olivier Fourés
arrangement of:
Variations on the Theme of "Greensleeves to a Ground" for recorder and guitar
[anonymous]4:41
7Mariavespers 1610: Nisi Dominus
conductor:
William Christie (harpsichordist and conductor) (from 1997-07-14 until 1997-07-20)
performer:
Les Arts Florissants (French baroque ensemble) (from 1997-07-14 until 1997-07-20)
recorded at:
Fondation Eugène-Napoléon in Paris, Île-de-France, France (from 1997-07-14 until 1997-07-20)
recording of:
Vespro della Beata Vergine, SV 206: VIII. Psalmus IV "Nisi Dominus" (from 1997-07-14 until 1997-07-20)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:47
8Mattheuspassie BWV244: Wir setzen uns mit Tränen nieder
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:59
9Bolero
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-10-16 until 1990-10-21)
conductor:
Simon Rattle (conductor) (from 1990-10-16 until 1990-10-21)
balance engineer:
Mike Clements (engineer) (from 1990-10-16 until 1990-10-21)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-10-16 until 1990-10-21)
recording of:
Boléro (from 1990-10-16 until 1990-10-21)
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel16:08
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1Pianoconcerto nr.3: Allegro ma non tanto
piano:
Leif Ove Andsnes (pianist)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
composer:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Сергей Рахманинов16:42
2Celloconcerto: Adagio - Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
3Strijkkwartet ‘Der Tod und das Mädchen’: Andante con Moto
string quartet:
Artemis Quartet
recording of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: II. Andante con moto
composer:
Franz Schubert (composer)
part of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”
Franz Schubert13:15
4Pianoconcerto nr.2: Moderato
piano:
Nikolai Lugansky (pianist) (from 2005-01-04 until 2005-01-06)
orchestra:
City of Birmingham Symphony Orchestra (from 2005-01-04 until 2005-01-06)
conductor:
Sakari Oramo (conductor) (from 2005-01-04 until 2005-01-06)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 2005-01-04 until 2005-01-06)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 2005-01-04 until 2005-01-06)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Рахманинов10:57
5Celloconcerto: Finale (Allegro moderato)
cello:
Truls Mørk (Norwegian cellist) (in 1993)
orchestra:
City of Birmingham Symphony Orchestra (in 1993)
conductor:
Simon Rattle (conductor) (in 1993)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (in 1993)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák12:10
6Bloemenduet
recording engineer:
Daniel Michel (recording engineer)
mezzo-soprano vocals [Mallika]:
Delphine Haidan (mezzo-soprano) (from 1997-06-24 until 1997-07-02)
soprano vocals:
Natalie Dessay (soprano)
soprano vocals [Lakmé]:
Natalie Dessay (soprano) (from 1997-06-24 until 1997-07-02)
orchestra:
Orchestre du Capitole de Toulouse (from 1997-06-24 until 1997-07-02)
conductor:
Michel Plasson (conductor) (from 1997-06-24 until 1997-07-02)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1997-06-24 until 1997-07-02)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1997-06-24 until 1997-07-02)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes4:46
7Soledad
bandoneón:
Per Arne Glorvigen (bandoneon player)
double bass:
Alois Posch (double bass player)
piano:
Вадим Васильевич Сахаров
violin:
Gidon Kremer (violinist)
recording of:
Tangata (Silfo y Ondina): Soledad
composer:
Astor Piazzolla (composer and bandoneón player) (in 1969)
part of:
Tangata (Silfo y Ondina)
Astor Piazzolla7:47
8Bist Du Bei Mir
recording engineer, producer and editor:
John Hadden (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist) (in 1991-04)
viola da gamba:
Erin Headley (American lirone player, teacher, and director) (in 1991-04)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (in 1991-04)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
Johann Sebastian Bach2:53
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1Toccata & Fuga in d BWV565
organ:
Marie‐Claire Alain (organist) (in 1994)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 37) and Bach-Werke-Verzeichnis (number: BWV 565)
Johann Sebastian Bach8:03
2Didos And Aeneas: When I Am Laid In Earth
soprano vocals:
Joyce DiDonato (mezzo-soprano) (from 2016-03-13 until 2016-03-20)
orchestra:
Il Pomo d’Oro (from 2016-03-13 until 2016-03-20)
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist) (from 2016-03-13 until 2016-03-20)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 2016-03-13 until 2016-03-20)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 2016-03-13 until 2016-03-20)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:04
3Recuerdos de la Alhambra
classical guitar:
Thibaut Garcia
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega4:07
4Symfonie nr.9: Slotkoor 'Alle Menschen werden Brüder - Freude schöner Götterfunken' (Presto - Allegro)
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 2002)
baritone vocals:
Thomas Hampson (baritone) (in 2002)
soprano vocals:
Barbara Bonney (soprano) (in 2002)
tenor vocals:
Kurt Streit (tenor) (in 2002)
orchestra:
City of Birmingham Symphony Orchestra Chorus (in 2002) and Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven17:31
5In de steppen van Midden-Azië
orchestra:
Hallé Orchestra (in 1988)
conductor:
Vernon Handley (conductor) (in 1988)
recording of:
In the Steppes of Central Asia (in 1988)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
Александр Порфирьевич Бородин6:19
6Carmen: L'amour est un oiseau rebelle
assistant engineer:
Julian Steger (engineer)
engineer:
René Möller
producer and editor:
Christoph Franke (engineer/producer)
choir vocals:
Chor der Deutschen Staatsoper Berlin (from 2012-04-16 until 2012-04-21)
mezzo-soprano vocals [Carmen]:
Magdalena Kožená (mezzo-soprano) (from 2012-04-16 until 2012-04-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-04-16 until 2012-04-21)
conductor:
Simon Rattle (conductor) (from 2012-04-16 until 2012-04-21)
chorus master:
Nicholas Jenkins (chorus master) (from 2012-04-16 until 2012-04-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-04-16 until 2012-04-21)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 2012-04-16 until 2012-04-21)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:21
7Rinaldo HWV7: Lascia ch'io pianga
soprano vocals:
Joyce DiDonato (mezzo-soprano) (from 2016-03-13 until 2016-03-20)
orchestra:
Il Pomo d’Oro (from 2016-03-13 until 2016-03-20)
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist) (from 2016-03-13 until 2016-03-20)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 2016-03-13 until 2016-03-20)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (from 2016-03-13 until 2016-03-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel5:31
8L'incoronazione di Poppea: Pur ti miro
countertenor vocals:
Derek Lee Ragin (countertenor)
soprano vocals:
Suzie LeBlanc (soprano)
orchestra:
Teatro Lirico
conductor:
Stephen Stubbs (US early music lutenist)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
arranger:
Corrado Guarino and Gianluigi Trovesi
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi3:52
9Magnificat in D BWV243: Magnificat
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:48
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1Strijkkwintet in C D956: Adagio
recording engineer and mixer:
Fabrice Planchat
producer and editor:
Jean‐Marc Laisné
cello:
Gautier Capuçon (cellist) (from 2015-09-26 until 2015-10-12) and Raphaël Merlin (French cellist/conductor/composer) (from 2015-09-26 until 2015-10-12)
string quartet:
Quatuor Ébène (from 2015-09-26 until 2015-10-12)
viola:
Adrien Boisseau (from 2015-09-26 until 2015-10-12)
violin:
Pierre Colombet (violinist) (from 2015-09-26 until 2015-10-12) and Gabriel Le Magadure (from 2015-09-26 until 2015-10-12)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2015-09-26 until 2015-10-12)
recording of:
String Quintet in C major, D. 956: II. Adagio (from 2015-09-26 until 2015-10-12)
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert15:09
2The Mission: Gabriel’s Oboe
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:15
3Gayaneh Suite nr.3: Sabeldans
assistant engineer:
Franck Berger (from 2002-12-16 until 2003-06-06) and Djaisan Taouss (from 2002-12-16 until 2003-06-06)
producer:
Arnaud Moral (French audio)
editor:
Sylvain Dangoise
orchestra:
Orchestre philharmonique de Radio France (from 2002-12-16 until 2003-06-06)
conductor:
Paavo Järvi (conductor) (from 2002-12-16 until 2003-06-06)
balance engineer:
Joël Soupiron (from 2002-12-16 until 2003-06-06)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France (from 2002-12-16 until 2003-06-06)
recording of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance (from 2002-12-16 until 2003-06-06)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer, Aram Khachaturian) (in 1942)
part of:
Gayaneh: Act III, Scene VII (Expiation)
Aram Katsjatoerjan2:26
4Suite bergamasque: Clair de lune
piano:
Leif Ove Andsnes (pianist)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:39
5Le Sacre du printemps
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1987-12-21)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1987-12-21)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1987-12-21)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1987-12-21)
edit of:
Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
partial recording of:
Le Sacre du printemps (from 1987-12-19 until 1987-12-21)
composer:
Igor Stravinsky (Russian composer) (from 1911 until 1913)
premiered by:
Pierre Monteux (conductor) (on 1931-05-29)
premiered at:
[concert] (1913-05-29) (premier of Le Sacre du printemps)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1913-05-29)
part of:
Fantasia (Disney soundtrack)
Игорь Фёдорович Стравинский4:59
6Requiem: Pie Jesu
assistant engineer:
Mélina Avenati (from 2011-11-08 until 2011-11-13) and Aude-Marie Piloz (from 2011-11-08 until 2011-11-13)
producer:
Philip Traugott
choir vocals:
Chœur de l'Orchestre de Paris (from 2011-11-08 until 2011-11-13)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2011-11-08 until 2011-11-13)
vocals:
Philippe Jaroussky (countertenor)
orchestra:
Orchestre de Paris (from 2011-11-08 until 2011-11-13)
conductor:
Paavo Järvi (conductor) (from 2011-11-08 until 2011-11-13)
balance engineer:
Aurélie Messonier (engineer) (from 2011-11-08 until 2011-11-13)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (from 2011-11-08 until 2011-11-13)
live recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 2011-11-08 until 2011-11-13)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: Pie Jesu (for saxophone and orchestra, Bauch)
composer:
Gabriel Fauré (French composer)
arranger:
Ronnie Bauch
arrangement of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
Gabriel Fauré3:37
7Klarinetconcerto in A KV622: Adagio
basset clarinet:
Sabine Meyer (clarinetist) (from 1990-06-06 until 1990-06-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1990-06-06 until 1990-06-08)
conductor:
Hans Vonk (conductor) (from 1990-06-06 until 1990-06-08)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1990-06-06 until 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1990-06-06 until 1990-06-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart6:35
8Xerxes HWV40 Ombra Mai Fu
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:23
9Die Zauberflöte: Der Hölle Rache
engineer and mixer:
Hugues Deschaux
producer and editor:
Daniel Zalay
soprano vocals:
Sabine Devieilhe (soprano) (from 2015-01-12 until 2015-01-18)
orchestra:
Ensemble Pygmalion (French baroque ensemble) (from 2015-01-12 until 2015-01-18)
conductor:
Raphaël Pichon (conductor and counter-tenor) (from 2015-01-12 until 2015-01-18)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2015-01-12 until 2015-01-18)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 2015-01-12 until 2015-01-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:46
10The Lark Ascending
producer:
David Groves (classical music producer at EMI) (in 1997-07) and Nigel Kennedy (violinist) (in 1997-07)
violin:
Nigel Kennedy (violinist) (from 1997-07-08 until 1997-07-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-07-10)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1997-07-08 until 1997-07-10)
balance engineer:
Michael Sheady (engineer) (from 1997-07-08 until 1997-07-10)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-07-10)
recording of:
The Lark Ascending (for violin and orchestra) (from 1997-07-08 until 1997-07-10)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams17:35
11Thaïs: Méditation
recording engineer:
Frédéric Briand (engineer)
producer and editor:
Étienne Collard
violin:
Renaud Capuçon (violinist) (from 2000-11-29 until 2000-12-01, in 2001)
orchestra:
Deutsche Kammerphilharmonie Bremen (from 2000-11-29 until 2000-12-01, in 2001)
conductor:
Daniel Harding (conductor) (from 2000-11-29 until 2000-12-01, in 2001)
recorded at:
Gut Varrel in Stuhr, Niedersachsen (Lower Saxony), Germany (from 2000-11-29 until 2000-12-01)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 2000-11-29 until 2000-12-01)
composer:
Jules Massenet (French Romantic composer) (, in 1894)
part of:
Thaïs: Acte II
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 2001)
composer:
Jules Massenet (French Romantic composer) (, in 1894)
part of:
Thaïs: Acte II
Jules Massenet5:16
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1Symfonie Nr.5: Adagietto
engineer:
Andy Beer (from 2002-09-07 until 2002-09-10) and Graham Kirkby (engineer) (from 2002-09-07 until 2002-09-10)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2002-09-07 until 2002-09-10)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2002-09-07 until 2002-09-10)
balance engineer:
Mike Clements (engineer) (from 2002-09-07 until 2002-09-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2002-09-07 until 2002-09-10)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 2002-09-07 until 2002-09-10)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:31
2Dahomeese Rapsodie
orchestra:
Vlaams Radio Orkest (Brussels Philharmonic)
conductor:
Marc Soustrot (conductor)
recording of:
Dahomeyan Rhapsody
composer:
August de Boeck (Belgian composer & organist) (in 1893)
August de Boeck4:26
3Pianoconcerto nr.5 ‘Keizersconcerto’: Rondo
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-06-21 until 2002-06-24)
orchestra:
Chamber Orchestra of Europe (from 2002-06-21 until 2002-06-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 2002-06-21 until 2002-06-24)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (from 2002-06-21 until 2002-06-24)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:57
4Gymnopedie nr.1: Lent et douloureux
piano:
Anne Queffélec (pianist)
orchestra:
London Symphony Orchestra
recording of:
Première Gymnopédie: Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Gymnopédies
Erik Satie3:33
5Hoboconcerto in d: Adagio
conductor:
Giovanni Antonini (conductor and flautist) (from 2001-01-29 until 2001-02-02)
performer:
Il Giardino Armonico (Italian baroque ensemble) (from 2001-01-29 until 2001-02-02)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio) (from 2001-01-29 until 2001-02-02)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello3:07
6Suite voor cello solo in G BWV1007: Prelude
cello:
Nina Kotova
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:32
7Jesu, meines Lebens Leben
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
chorus master:
Heinz Hennig (conductor)
recording of:
Jesu, meine Lebens Leben, BuxWV 62
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 62)
Dieterich Buxtehude7:35
8Erlkönig
producer:
John Fraser (UK producer)
editor:
Rosie Fox and Simon Kiln
piano:
Julius Drake (pianist) (from 1996-02 until 1996-03)
tenor vocals:
Ian Bostridge (tenor) (from 1996-02 until 1996-03)
balance engineer:
Jonathan Allen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1996-02 until 1996-03)
recording of:
Erlkönig, D. 328 (from 1996-02 until 1996-03)
lyricist:
Johann Wolfgang von Goethe (in 1782)
composer:
Franz Schubert (composer) (in 1815)
publisher:
Cappi & Diabelli (in 1821)
premiered at:
Theater am Kärntnertor in Wien (Vienna), Austria (on 1821-03-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328)
is based on:
Erlkönig (Goethe’s poem)
Franz Schubert4:19
9Liebestraum nr.3
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:55
10Vioolconcerto nr.1: Finale
recording engineer:
Ulrich Ruscher (in 1993-09)
assistant engineer:
Wolfram Nehls (in 1993-09) and Jens Schünemann (in 1993-09)
producer:
Friedemann Engelbrecht (in 1993-09)
editor:
Wolfram Nehls
violin:
Maxim Vengerov (violinist) (in 1993-09)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1993-09)
conductor:
Kurt Masur (conductor) (in 1993-09)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 1993-09)
recording of:
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico (in 1993-09)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:35
11Fantasie nr.3
piano:
Jozef de Beenhouwer (Belgian pianist)
recording of:
Fantaisie no. 3, op. 18
composer:
Peter Benoit (Belgian/Flemish 19th century classical composer)
Peter Benoit5:01
12Orfeo - Toccata
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
recording of:
L’Orfeo: Toccata
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:38
13Orfeo - Proloog 'La Musica': Ritornello
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L’Orfeo: Prologo, Ritornello (first occurrence)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Prologo
Claudio Monteverdi0:40
14Orfeo - Dal Mio Permesso
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L’Orfeo: Prologo, Dal mio Permesso (La Musica)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Prologo
Claudio Monteverdi0:41
15Orfeo - Ritornello
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (in 2004)
conductor:
Emmanuelle Haïm (conductor) (in 2004)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo) (in 2004)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi0:15
16Orfeo - Lo La Musica Son
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L’Orfeo: Prologo, Io la Musica son (La Musica)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Prologo
Claudio Monteverdi0:34
17Orfeo - Ritornello
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (in 2004)
conductor:
Emmanuelle Haïm (conductor) (in 2004)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo) (in 2004)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi0:15
18Orfeo - Lo Su Cetera
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L’Orfeo: Prologo, Io su cetera d’or (La Musica)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Prologo
Claudio Monteverdi0:39
19Orfeo - Ritornello
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L’Orfeo: Prologo, Ritornello (fourth occurrence)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Prologo
Claudio Monteverdi0:14
20Orfeo - Quinci A Dir d'Orfeo
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L’Orfeo: Prologo, Quinci a dirvi d’Orfeo (La Musica)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Prologo
Claudio Monteverdi0:34
21Orfeo - Ritornello
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L’Orfeo: Prologo, Ritornello (fifth occurrence)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Prologo
Claudio Monteverdi0:18
22Orfeo - Hor Mentre I Canti Alterno
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L’Orfeo: Prologo, Hor mentre i canti alterno (La Musica)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Prologo
Claudio Monteverdi1:31
23La Nozze di Figaro: Voi che sapete
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1994)
orchestra:
Concentus Musicus Wien (in 1994)
conductor:
Nikolaus Harnoncourt (conductor) (in 1994)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1994)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:58
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