Thomas Moore’s Irish Melodies

~ Release by Invocation, Timothy Roberts (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Dear Harp of My Country (The Farewell to My Harp)
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
Dear Harp of My Country (The Farewell to My Harp) (from 1995-01-17 until 1995-01-19)
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
arranger:
Sir John Andrew Stevenson
Sir John Andrew Stevenson2:49
2Erin! The Smile and the Tear in Thine Eyes
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19) and Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
Erin! The Smile and the Tear in Thine Eyes (from 1995-01-17 until 1995-01-19)
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
arranger:
Sir John Andrew Stevenson
Sir John Andrew Stevenson2:12
3How Sweet the Answer Echo Makes
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19) and Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
How Sweet the Answer Echo Makes (from 1995-01-17 until 1995-01-19)
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
arranger:
Sir John Andrew Stevenson
Sir John Andrew Stevenson2:18
4Silent, Oh Moyle! Be the Roar of Thy Water (The Song of Fionnuala)
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
Silent, Oh Moyle! Be the Roar of Thy Water (The Song of Fionnuala) (from 1995-01-17 until 1995-01-19)
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
arranger:
Sir John Andrew Stevenson
Sir John Andrew Stevenson2:26
5Rich and Rare Were the Gems She Wore
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
Rich and Rare Were the Gems She Wore (from 1995-01-17 until 1995-01-19)
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
arranger:
Sir John Andrew Stevenson
Sir John Andrew Stevenson4:17
6The Twisting of the Rope
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
wire-strung harp [metal-strung harp]:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
The Twisting of the Rope (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist)
piano arranger:
Edward Bunting
Edward Bunting0:53
7Joice's Tune
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
Joice's Tune (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist)
piano arranger:
Edward Bunting
Edward Bunting1:17
8The Summer Is Coming
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
wire-strung harp [metal-strung harp]:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
The Summer Is Coming (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist)
piano arranger:
Edward Bunting
Edward Bunting0:41
9Carolan's Concerto
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
wire-strung harp [metal-strung harp]:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
Carolan’s Concerto (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist) and Toirdhealbhach Ó Cearbhalláin (Turlough O’Carolan)
piano arranger:
Edward Bunting
arranger:
Edward Bunting
arrangement of:
Mrs. Power (O'Carolan's Concerto)
Edward Bunting1:59
10The Harp That Once, Thro' Tara's Halls
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19) and Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson2:56
11Nanny McDermotroe
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson1:23
12The Valley Lay Smiling Before Me (The Song of O'Ruark, Prince of Breffni)
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson2:50
13Abigail Judge
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson2:38
14Avenging and Bright
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson2:08
15The Minstrel-Boy
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19) and Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson1:45
16Lament for Owen O'Neill
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson2:22
17'Tis Believed That This Harp (The Origin of the Harp)
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson3:58
18Come, Rest in This Bosom
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson2:45
19She Is Far From the Land
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson3:09
20Come O'Er the Sea
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson1:38
21'Tis the Last Rose of Summer
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19) and Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson3:18
22Girls, Have You Seen George?
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
wire-strung harp [metal-strung harp]:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
Girls, Have You Seen George? (for piano, arr. Bunting) (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist)
piano arranger:
Edward Bunting
Edward Bunting1:20
23The Pretty Girl Milking the Cows
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
wire-strung harp [metal-strung harp]:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
The Pretty Girl Milking the Cows (for piano, arr. Bunting) (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist)
piano arranger:
Edward Bunting
Edward Bunting1:16
24John, Heir of the Glen
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
wire-strung harp [metal-strung harp]:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
John, Heir of the Glen (for piano, arr. Bunting) (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist)
piano arranger:
Edward Bunting
Edward Bunting1:36
25Love in Secret
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
Love in Secret (for piano, arr. Bunting) (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist)
piano arranger:
Edward Bunting
Edward Bunting1:28
26The Jointure
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
wire-strung harp [metal-strung harp]:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
recording of:
The Jointure (for piano, arr. Bunting) (from 1995-01-17 until 1995-01-19)
composer:
[traditional] (special purpose artist)
piano arranger:
Edward Bunting
Edward Bunting2:57
27How Dear to Me the Hour
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson3:01
28Fly Not Yet
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19) and Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson1:34
29At the Mid Hour of Night
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19) and Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson2:33
30What the Bee Is to the Floweret
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson1:36
31Fill the Bumper Fair!
recording engineer:
Antony Howell (engineer) (from 1995-01-17 until 1995-01-19)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp [harp/metal-strung harp]:
Frances Kelly (harpist) (from 1995-01-17 until 1995-01-19)
bass vocals:
Christopher Purves (operatic bass) (from 1995-01-17 until 1995-01-19)
soprano vocals:
Julia Gooding (soprano) (from 1995-01-17 until 1995-01-19) and Ana-Maria Rincon (soprano) (from 1995-01-17 until 1995-01-19)
tenor vocals:
Rufus Müller (tenor) (from 1995-01-17 until 1995-01-19)
conductor:
Timothy Roberts (conductor and keyboardist) (from 1995-01-17 until 1995-01-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1995-01-17 until 1995-01-19)
Sir John Andrew Stevenson2:43

Credits

Release

photography:David Farrell (photographer)
Rik Walton (photographer)
liner notes:Timothy Roberts (conductor and keyboardist)
graphic design:Terry Shannon (designer)
executive producer:Nick Flower
Joanna Gamble (producer)
illustration:John S. Clifton (British painter)
copyrighted (©) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
ASIN:UK: B000002ZVM [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66774 [info]