Love, Lost & Found

~ Release by Frank Morgan (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Nearness of You
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
The Nearness of You (in 1995-03)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
7:52
2Last Night When We Were Young
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
Last Night When We Were Young (in 1995-03)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) and S.A. Music Co.
5:06
3What Is This Thing Called Love
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1995-03)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
5:52
4Skylark
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
Skylark (in 1995-03)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部
4:50
5Once I Loved
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
Once I Loved (in 1995-03)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Ray Gilbert
publisher:
Corcovado Music Corp. and Ipanema Music Corp.
translated version of:
O amor em paz
7:47
6I Can’t Get Started With You
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
I Can’t Get Started (in 1995-03)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:59
7It’s Only a Paper Moon
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
It’s Only a Paper Moon (in 1995-03)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
4:32
8My One and Only Love
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
My One and Only Love (in 1995-03)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京
version of:
Music from Beyond the Moon (My One and Only Love)
5:33
9Someday My Prince Will Come
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
Someday My Prince Will Come (in 1995-03)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
4:46
10All the Things You Are
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1995-03)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
5:10
11Don’t Blame Me
recording engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1995-03-07 until 1995-03-09)
double bass [bass]:
Ray Brown (jazz bassist) (from 1995-03-07 until 1995-03-09)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1995-03-07 until 1995-03-09)
piano:
Cedar Walton (from 1995-03-07 until 1995-03-09)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-03-07 until 1995-03-09)
instrumental recording of:
Don’t Blame Me (in 1995-03)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
6:28

Credits

Release

art direction and design:Anilda Carrasquillo
photography:Peter Gridley (photographer)