For You, For Me, Forevermore

~ Release by Morgana King (see all versions of this release, 1 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1For You, for Me, Forever More
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
For You, for Me, for Evermore (from 1956-03-20 until 1956-03-29)
lyricist:
Ira Gershwin (from 1936 until 1937)
composer:
George Gershwin (composer) (from 1936 until 1937)
publisher:
Gershwin Publishing Corp (in 1946)
part of:
An American in Paris (2015 Broadway musical)
part of:
The Shocking Miss Pilgrim (movie score)
3:03
A2Here I'll Stay
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
Here I’ll Stay (from “Love Life”) (from 1956-03-20 until 1956-03-29)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
part of:
Love Life (Musical by Lerner & Weill)
3:08
A3There's a Lull in My Life
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
There’s a Lull in My Life (from 1956-03-20 until 1956-03-29)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
3:14
A4Delovely
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
It’s De‐Lovely (from 1956-03-20 until 1956-03-29)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:12
A5Down in the Depths
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (from 1956-03-20 until 1956-03-29)
lyricist and composer:
Cole Porter (composer) (in 1936)
3:06
A6The Song Is You
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
The Song Is You (from 1956-03-20 until 1956-03-29)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
2:17
B1In the Wee Small Hours of the Morning
recorded in:
New York, New York, United States (in 1956-03)
guitar:
Al Caiola or Mundell Lowe (in 1956-03)
piano:
Hank Jones (piano) (in 1956-03)
trombone:
Chauncey Welsch (in 1956-03)
vocals:
Morgana King (in 1956-03)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
In the Wee Small Hours of the Morning (in 1956-03)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
2:27
B2Ev'rything I Love
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
Everything I Love (Let’s Face It! musical) (from 1956-03-20 until 1956-03-29)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
3:15
B3If You Could See Me Now
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
If You Could See Me Now (jazz standard) (from 1956-03-20 until 1956-03-29)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:20
B4I'll String Along With You
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
I’ll String Along With You (from 1956-03-20 until 1956-03-29)
lyricist:
Al Dubin (in 1934)
composer:
Harry Warren (US composer and lyricist) (in 1934)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:13
B5Everything I've Got
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
Ev’rything I’ve Got (from 1956-03-20 until 1956-03-29)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:58
B6You're Not So Easy to Forget
recorded in:
New York, New York, United States (from 1956-03-20 until 1956-03-29)
producer:
Bob Shad
guitar:
Al Caiola (from 1956-03-20 until 1956-03-29)
piano:
Hank Jones (piano) (from 1956-03-20 until 1956-03-29)
trombone:
Chauncey Welsch (from 1956-03-20 until 1956-03-29)
vocals:
Morgana King (from 1956-03-20 until 1956-03-29)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
You're Not So Easy to Forget (from 1956-03-20 until 1956-03-29)
lyricist:
Herb Magidson
composer:
Ben Oakland
2:33