Complete Edition, Volume 6: Preludes / Scherzos

~ Release by Frédéric Chopin (see all versions of this release, 10 available)

Tracklist

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CD 1: Preludes
#TitleRatingLength
1Prelude in C major "Reunion", Op. 28 No. 1
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
0:31
2Prelude in A minor "Presentiment of Death", Op. 28 No. 2
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 2 in A minor, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
2:10
3Prelude in G major "Thou Art so Like a Flower", Op. 28, No. 3
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:51
4Prelude in E minor "Suffocation", Op. 28 No. 4
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:51
5Prelude in D major "Uncertainty", Op. 28 No. 5
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 5 in D major, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:30
6Prelude in B minor "Tolling Bells", Op. 28 No. 6
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:46
7Prelude in A major "The Polish Dance", Op. 28 No. 7
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (in 1975-10)
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
0:44
8Prelude in F sharp minor "Desperation", Op. 28 No. 8
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 8 in F-sharp minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:29
9Prelude in E major "Vision", Op. 28 No. 9
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 9 in E major, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:30
10Prelude in C sharp minor "The Night Moth", Op. 28 No. 10
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 10 in C-sharp minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:24
11Prelude in B major "Dragonfly", Op. 28 No. 11
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 11 in B major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:33
12Prelude in G sharp minor "Duel", Op. 28 No. 12
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 12 in G-sharp minor, op. 28: Presto (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:58
13Prelude in F sharp major "Loss", Op. 28 No. 13
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 13 in F-sharp major, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
2:44
14Prelude in E flat minor "Fear", Op. 28 No. 14
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 14 in E-flat minor, op. 28: Allegro (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
0:29
15Prelude in D flat major "Raindrop", Op. 28 No. 15
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
4:51
16Prelude in B flat minor "Hades", Op. 28 No. 16
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 16 in B-flat minor, op. 28: Presto con fuoco (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
0:59
17Prelude in A flat major "A Scene on the Place de Notre Dame de Paris", Op. 28 No. 17
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 17 in A-flat major, op. 28: Allegretto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
2:50
18Prelude in F minor "Suicide", Op. 28 No. 18
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
0:47
19Prelude in E flat major "Heartfelt Happiness", Op. 28 No. 19
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 19 in E-flat major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:04
20Prelude in C minor "Funeral March", Op. 28 No. 20
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:32
21Prelude in B flat major "Sunday", Op. 28 No. 21
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 21 in B-flat major, op. 28: Cantabile (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
1:34
22Prelude in G minor "Impatience", Op. 28 No. 22
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 22 in G minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:34
23Prelude in F major "A Pleasure Boat", Op. 28 No. 23
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
0:43
24Prelude in D minor "The Storm", Op. 28 No. 24
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
2:16
25Prelude in C sharp minor, Op. 45
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prelude in C-sharp minor, op. 45 (in 1977-02)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 45)
4:03
26Prelude in A flat major, B. 86
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prelude in A-flat major, Op. posth.: Presto con leggierezza (in 1977-02)
composer:
Fryderyk Chopin (composer) (in 1834)
0:45
27Impromptu No. 1 in A flat major, Op. 29
engineer and producer:
Gernot von Schultzendorff (Engineer)
executive producer:
Hanno Rinke
piano:
Станислав Бунин (pianist) (in 1987-12)
recording of:
Impromptu no. 1 in A-flat major, op. 29: Allegro assai (in 1987-12)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 29)
4:46
28Impromptu No. 2 in F sharp major, Op. 36
engineer and producer:
Gernot von Schultzendorff (Engineer)
executive producer:
Hanno Rinke
piano:
Станислав Бунин (pianist) (in 1987-12)
recording of:
Impromptu no. 2 in F-sharp major, op. 36: Andantino (in 1987-12)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 36)
6:43
29Impromptu No. 3 in G flat major, Op. 51
engineer and producer:
Gernot von Schultzendorff (Engineer)
executive producer:
Hanno Rinke
piano:
Станислав Бунин (pianist) (in 1987-12)
recording of:
Impromptu no. 3 in G-flat major, op. 51: Vivace (in 1987-12)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 51)
6:18
30Impromptu No. 4 in C sharp minor "Fantasy-Impromptu", Op. 66
engineer and producer:
Gernot von Schultzendorff (Engineer)
executive producer:
Hanno Rinke
piano:
Станислав Бунин (pianist) (in 1987-12)
recording of:
Fantaisie-impromptu in C-sharp minor, op. 66 (in 1987-12)
composer:
Fryderyk Chopin (composer) (in 1834)
part of:
Works of Fryderyk Chopin by opus number (number: op. 66)
4:56
CD 2: Scherzi
#TitleRatingLength
1Scherzo No. 1 in B minor "La banquet infernal", Op. 20
engineer:
Günter Hermanns (producer/engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Werner Mayer (classical producer)
piano:
Maurizio Pollini (pianist) (in 1990-09)
recording of:
Scherzo no. 1 in B minor, op. 20 (in 1990-09)
composer:
Fryderyk Chopin (composer) (from 1831 until 1832)
dedicated to:
Thomas Albrecht (friend of Chopin)
part of:
Works of Fryderyk Chopin by opus number (number: op. 20)
9:35
2Scherzo No. 2 in B flat minor, Op. 31
engineer:
Günter Hermanns (producer/engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Werner Mayer (classical producer)
piano:
Maurizio Pollini (pianist) (in 1990-09)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1990-09)
recording of:
Scherzo no. 2 in B-flat minor, op. 31 (in 1990-09)
composer:
Fryderyk Chopin (composer) (in 1837)
dedicated to:
Adele Fürstensein
part of:
Works of Fryderyk Chopin by opus number (number: op. 31)
19:55
3Scherzo No. 3 in C sharp minor Op. 39
engineer:
Günter Hermanns (producer/engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Werner Mayer (classical producer)
piano:
Maurizio Pollini (pianist) (in 1990-09)
recording of:
Scherzo no. 3 in C-sharp minor, op. 39 (in 1990-09)
composer:
Fryderyk Chopin (composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39)
7:23
4Scherzo No. 4 in E major, Op. 54
engineer:
Günter Hermanns (producer/engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Werner Mayer (classical producer)
piano:
Maurizio Pollini (pianist) (in 1990-09)
recording of:
Scherzo no. 4 in E major, op. 54 (in 1990-09)
composer:
Fryderyk Chopin (composer) (in 1842)
part of:
Works of Fryderyk Chopin by opus number (number: op. 54)
10:36
5Rondo in C minor, Op. 1
engineer:
Helmut Burk
executive producer:
Marion Thiem
piano:
Lilya Zilberstein (pianist) (in 1999-03)
recording of:
Rondo in C minor, op. 1 (in 1999-03)
composer:
Fryderyk Chopin (composer) (in 1825)
part of:
Works of Fryderyk Chopin by opus number (number: op. 1)
10:17
6Rondo à la Mazur in F major, Op. 5
engineer:
Helmut Burk
executive producer:
Marion Thiem
piano:
Lilya Zilberstein (pianist) (in 1999-03)
recording of:
Rondo à la Mazur in F major, op. 5 (in 1999-03)
composer:
Fryderyk Chopin (composer) (in 1826)
part of:
Works of Fryderyk Chopin by opus number (number: op. 5)
9:24
7Introduction in C minor and Rondo in E flat major, Op. 16
engineer:
Rainer Maillard
executive producer:
Nigel Boon
producer:
Christian Gansch (conductor)
piano:
Михаил Плетнёв (pianist & conductor) (in 1996-11)
recording of:
Introduction and Rondo in E-flat major, op. 16 (in 1996-11)
composer:
Fryderyk Chopin (composer) (in 1832)
part of:
Works of Fryderyk Chopin by opus number (number: op. 16)
10:05
8Rondo in C major, Op. 73
engineer:
Heinz Wildhagen (engineer, producer)
producer:
Karl-Heinz Schneider (producer)
piano:
Kurt Bauer (German pianist/teacher) (in 1958-05) and Heidi Bung (pianist) (in 1958-05)
recording of:
Rondo in C major for two pianos, op. 73 (in 1958-05)
composer:
Fryderyk Chopin (composer) (in 1828)
part of:
Works of Fryderyk Chopin by opus number (number: op. 73)
9:24