Varèse Sarabande: A 30th Anniversary Celebration

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Peter Pan: Flying
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Annica Ackerman
producer:
James Newton Howard (American score composer) and Jim Weidman (music editor, producer)
editor:
David Olson (engineer, producer) and Jim Weidman (music editor, producer)
orchestra:
The Hollywood Studio Symphony
conductor:
Pete Anthony
orchestrator:
Pete Anthony, Jeff Atmajian, Brad Dechter, James Newton Howard (American score composer) and Conrad Pope
concertmaster:
Endre Granat (Hungarian violinist)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Flying
composer:
James Newton Howard (American score composer)
part of:
Peter Pan
James Newton Howard3:33
2Elf: Buddy's Journey
recording engineer:
Wolfgang Amadeus (music mixer/engineer, *NOT* the classical composer)
producer:
John Debney (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Jeff Carson (editor) and Tanya Hill
orchestra:
Hollywood Studio Symphony
conductor:
John Debney (American score composer)
orchestrator:
Brad Dechter
phonographic copyright (℗) by:
New Line Productions Inc.
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Buddy's Journey
composer:
John Debney (American score composer)
John Debney2:38
3Mr. Magorium's Wonder Emporium: Finale
recording engineer:
Stephen Kempster
producer:
Aaron Zigman (American score composer)
mixer:
Michael Stern (engineer)
orchestra:
Hollywood Studio Symphony
conductor:
Aaron Zigman (American score composer)
phonographic copyright (℗) by:
Walden Media LLC
recording of:
Mr. Magorium's Wonder Emporium
composer:
Alexandre Desplat (French score composer) and Aaron Zigman (American score composer)
Alexandre Desplat & Aaron Zigman2:40
4Taken: Main Title
Laura Karpman1:03
5Robots: Robots Overture
editor:
Tom Carlson (editor), Dan Lerner and Josh Winget
conductor:
Pete Anthony
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
John Powell4:04
6Looney Tunes: Back in Action: Car Trouble
recorded at:
Eastwood Scoring Stage in Burbank, California, United States (from 2003-09-10 until 2003-09-12, on 2003-09-20) and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 2003-10-04 until 2003-10-05)
Jerry Goldsmith3:46
7Wallace and Gromit: The Curse of the Were-Rabbit: A Grand Day Out
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Chris Barratt, Nick Cervonaro, Jake Jackson (recording engineer), Richard Lancaster and Ian Wood (engineer)
producer:
Mark Wherry and Hans Zimmer (German score composer)
mixer:
Geoff Foster (sound engineer)
editor:
Simon Changer (editor) and Michael Connell
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Aardman Animations Limited and DreamWorks Animation L.L.C.
recording of:
A Grand Day Out
orchestrator:
Nic Raine
composer:
Jim Dooley (composer) and Julian Nott
Julian Nott1:56
8Flicka: Main Title
Aaron Zigman1:48
9Racing Stripes: The Big Race
recording engineer and mixer:
Stephen Krause
producer:
Mark Isham (American musician and score composer)
editor:
Curtis Roush
conductor:
Kenneth Kugler
orchestrator:
Kenneth Kugler
recording of:
The Big Race
orchestrator:
Kenneth Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham7:20
10We Are Marshall: Theme
recording engineer and mixer:
Casey Stone (engineer)
miscellaneous support:
Sandy De Crescent (task: orchestra contractor)
co-producer:
Casey Stone (engineer)
executive producer:
Robert Townson (soundtrack producer)
producer:
Christophe Beck (Canadian score composer)
assistant mixer:
Joe Dzuban
additional editor:
Kevin Globerman
editor:
Fernand Bos
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony
additional orchestrator:
Adam Blau and John Ashton Thomas
orchestrator:
Kevin Kliesch
concertmaster:
Endre Granat (Hungarian violinist)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Todd-AO West in Santa Monica, California, United States
Christophe Beck3:14
11Being Julia: Curtain Up / The Real World
Mychael Danna2:47
12Nicholas Nickleby: Main Titles
Rachel Portman5:36
13Nanny McPhee: Snow in August
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Snow in August
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle7:02
14Shrek 2: Prince Charming
recording engineer and engineer:
Nick Wollage
assistant engineer:
Toby Chu (American film composer), Olga FitzRoy, Meri Gavin, Jake Jackson (recording engineer) and Gregg Silk
producer:
Harry Gregson‐Williams (English score composer)
mixer:
Alan Meyerson
editor:
Mark Jan Wlodarkiewicz
phonographic copyright (℗) by:
DreamWorks Animation SKG
recording of:
Prince Charming
composer:
Harry Gregson‐Williams (English score composer)
Harry Gregson‐Williams2:04
15The Ant Bully: Sweet Rock
John Debney3:23
16The Astronaut Farmer: Opening Titles
Stuart Matthewman2:07
17The Sisterhood of the Traveling Pants: The Traveling Song
Cliff Eidelman3:18
18The Pursuit of Happyness: OpeningAndrea Guerra3:11
19The Holiday: Maestro
recording engineer and mixer:
Alan Meyerson
assistant editor:
Ryan Rubin and Daniel Schweiger
editor:
Ramiro Belgardt, Daniel Pinder and Andrew Silver (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Rupert Gregson‐Williams (English score composer)
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc.
recording of:
Maestro
composer:
Hans Zimmer (German score composer)
Hans Zimmer4.53:54
20The Family Stone: It's Snowing
recording engineer:
Danny Wallin and Christine Sirois
engineer:
Bill Talbott
producer:
Michael Giacchino (American score composer)
assistant mixer:
Adam Olmsted
mixer:
Danny Wallin
assistant editor:
Alan Schlaifer
editor:
Stephen M. Davis and Alex Levy (editor)
conductor:
Tim Simonec
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
It's Snowing
composer:
Michael Giacchino (American score composer)
Michael Giacchino5:10
21The Great Raid: Closing Titles
Trevor Rabin4:28
CD 2
#TitleArtistRatingLength
1Sea of Dreams: Sea of Dreams
producer:
Luis Bacalov and David Franco
recording of:
Sea of Dreams
orchestrator and composer:
Luis Bacalov
Luis Bacalov2:38
2Beat the Drum: The Village
recording engineer:
Valentin Ivanov
engineer:
Stefka Majdrakova
producer:
Dessie Markovsky
mixer:
Rumen Entchev and Stephen Krause
editor:
Ciaran Hope
orchestra:
Boyana Symphony Orchestra
conductor:
Djimi Krumbach
phonographic copyright (℗) by:
Z Productions
recording of:
The Village
orchestrator:
Penka Kouneva
composer:
Klaus Badelt (German score composer) and Ramin Djawadi (Iranian‐German score composer)
Klaus Badelt & Ramin Djawadi5:32
3Duma: Xan and Duma Day Goodbye
John Debney3:22
4Blood Diamond: Solomon Vandy
recording engineer:
Geoff Foster (sound engineer)
producer:
James Newton Howard (American score composer) and Jim Weidman (music editor, producer)
mixer:
Geoff Foster (sound engineer) and Alan Meyerson
editor:
David Olson (engineer, producer) and Jim Weidman (music editor, producer)
conductor:
Pete Anthony
orchestrator:
Jeff Atmajian, Bruce Babcock, Brad Dechter and Jon Kull
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
mixed at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Solomon Vandy
composer:
James Newton Howard (American score composer)
James Newton Howard2:11
5The Quiet American: The Quiet American
recording engineer and mixer:
Matt Dunkley
assistant engineer:
Chris Barrett (engineer)
engineer:
Jake Jackson (recording engineer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
IMF Internationale Medien
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
The Quiet American
composer and arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong5:57
6The Gospel of John: Follow Me
recording engineer and mixer:
Brad Haehnel
assistant engineer:
Mat Bartram (studio engineer.), Olga FitzRoy, Jake Jackson (recording engineer) and Tom Jenkins (English sound engineer)
producer:
Jeff Danna (Canadian score composer)
editor:
Kevin Banks M.P.S.E (editor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Nicholas Dodd (conductor)
phonographic copyright (℗) by:
The Book of John, Inc. and The Gospel of John, Inc.
mixed at:
Angel Studios in Kingston upon Hull, England, United Kingdom
recording of:
Follow Me
orchestrator:
Nicholas Dodd (conductor)
composer:
Jeff Danna (Canadian score composer)
Jeff Danna4:36
7Water: House of Windows
assistant engineer:
Abhishek Khandelwal
engineer:
Lokesh Dhawan, Shantanu Hudlikar, Laco Krajcovic and Otto Nopp (producer and engineer)
producer:
Mychael Danna (Canadian score composer)
editor:
Ian Suddarth (engineer)
orchestra:
Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra)
conductor:
Peter Breiner (pianist, conductor, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
edited at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
House of Windows
orchestrator:
Nicholas Dodd (conductor)
composer:
Mychael Danna (Canadian score composer)
Mychael Danna5:19
8Partition: Partition
recording of:
Partition
composer:
Brian Tyler (American score composer)
Brian Tyler2:56
9As You Like It: Violin Romance
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Violin Romance
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle5:04
10Nomad: Kazakhstan 1710
Carlo Siliotto2:55
11Lost: Parting Words
recording engineer:
Dan Wallin
miscellaneous support:
Reggie Wilson (orchestra contractor)
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
editor:
Michael T. Andreas and Stephen M. Davis
bass trombone:
William Reichenbach (trombone) and Craig Ware (trombonist)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Timothy Lauderer (cellist), Victor Lawrence (cellist), Miguel Martinez (cellist), Richard Naill (cellist), Steven Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
guitar:
Lorin Ellis Lathrop (guitar player), Kevin Riepl and Carl Verheyen
harp:
Marcia Dickstein, Katie Kirkpatrick, Gayle Levant (American studio musician, harpist) and Amy Shulman
percussion:
Daniel Greco (percussion), Emil Radocchia and Alan Vavrin
trombone:
William Booth (US trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Andy Martin (jazz trombonist), Bob McChesney and Bruce Otto
viola:
Robert Becker (strings), Caroline Buckman (violist), Alma Fernandez, Pamela Goldsmith, Darrin McCann, Jorge Moraga, Maria Newman, Andrew Picken (violist), Karie Prescott, Shanti Randall, Richard Rintoul (viola player), Harry Shirinian, David Stenske, Jean Sudbury, Marda Todd and Evan Wilson (viola player)
violin:
Robert Brosseau, Becky Bunnell, Susan Chatman, Ron Clark (violinist), Charles Everett, Armen Garabedian, Berj Garabedian, Terry Glenny, Harris Goldman, Galina Golovin, Alan Grunfeld, Steve Holtman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Robert Matsuda, Alyssa Park (violinist), Vladimir Polimatidi (violinist), Debra L. Price, Mark Robertson (US violinist), Shalini Vijayan, John Wittenberg, Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States, O’Henry Sound Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Parting Words
composer:
Michael Giacchino (American score composer)
Michael Giacchino5:32
12United 93: Dedication
additional recording engineer:
Daniel Lerner
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
miscellaneous support:
Isobel Griffiths (task: orchestral contractor) and Fiesta Mei Ling (task: music copyist)
assistant engineer:
Rob Houston
producer:
John Powell (English score composer)
editor:
Mike Higham (British score composer)
conductor:
Gavin Greenaway
orchestrator:
John A. Coleman and John Ashton Thomas
concertmaster:
Gavyn Wright (UK violinist)
recorded at and mixed at:
Abbey Road, Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
John Powell3:53
13Beyond Borders: Chechnya IV
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
David Marquette
producer:
James Horner (American score composer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant editor:
Nancy Fogarty and Barbara McDermott
editor:
Dick Bernstein, Jim Henrikson, Joe E. Rand (editor) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
MP Film Management UNLS Productions GmbH & Co. KG and Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Chechnya IV
composer:
James Horner (American score composer)
James Horner6:10
14Goodbye Bafana: The Harbour
Dario Marianelli3:45
15Flight of the Phoenix: Heat Dream
recording engineer:
Kevin Globerman, John Kurlander (engineer) and John Rodd (engineer)
engineer:
Bill Talbott
producer:
Marco Beltrami (American score composer)
mixer:
John Kurlander (engineer)
editor:
Bill Abbott
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at and mixed at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Heat Dream
composer:
Marco Beltrami (American score composer)
Marco Beltrami4:24
16Carnivale: Carnivale End Title (Ben's Theme)
recording of:
Carnivàle End Title (Ben's Theme)
composer:
Jeff Beal (American score composer)
Jeff Beal1:05
17Out of Time: Out of Time ThemeGraeme Revell4:10
18Tears of the Sun: The Journey / Kopano, Part III
recording of:
Kopano, Part III
composer:
Hans Zimmer (German score composer)
part of:
Tears of the Sun
recording of:
The Journey
composer:
Hans Zimmer (German score composer)
part of:
Tears of the Sun
Hans Zimmer8:17
CD 3
#TitleArtistRatingLength
1The Good German: Unrecht Oder Recht (Main Title)
Thomas Newman2:28
2Firewall: Firewall
recording engineer and mixer:
Dennis Sands (American sound engineer)
engineer:
Larry Mah
producer:
Alexandre Desplat (French score composer)
assistant editor:
Barbara McDermott
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at and mixed at:
The Eastwood Scoring Stage in Burbank, California, United States
recording of:
Firewall
orchestrator and composer:
Alexandre Desplat (French score composer)
Alexandre Desplat3:17
3Rush Hour 3: Parachute Down
Lalo Schifrin2:14
4Annapolis: Showdown
Brian Tyler5:48
5Flyboys: Heroes
Trevor Rabin4:33
6Stealth: Main Title
producer:
Brian Transeau
recording of:
Stealth Main Title
composer:
Brian Transeau
BT4:14
7The Bourne Supremacy: Bim Bam Smash
additional recording engineer and additional mixer:
Steve Kempster
recording engineer and mixer:
Dennis Sands (American sound engineer)
programming and producer:
John Powell (English score composer)
additional editor:
Peter Myles
editor:
Tom Carlson (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony
arranger:
John Powell (English score composer)
concertmaster:
Bruce Dukov
recorded at:
The Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Bim Bam Smash
orchestrator:
Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
composer:
John Powell (English score composer)
John Powell5:09
8Grindhouse: Planet Terror: Grindhouse (Main Titles)
Robert Rodriguez3:31
9Hellboy: Main Title
recording engineer:
John Kurlander (engineer) and André Zweers
assistant engineer:
Judy Kirschner and Dann Thompson (sound engineer)
producer:
Marco Beltrami (American score composer)
mixer:
John Kurlander (engineer)
editor:
André Zweers
orchestra:
Skywalker Symphony Orchestra
phonographic copyright (℗) by:
Revolution Studios Distribution Company, LLC
recorded at:
Skywalker Sound Scoring Stage in Nicasio, California, United States
recording of:
Main Title (Hellboy)
composer:
Marco Beltrami (American score composer)
Marco Beltrami1:09
10Ghostrider: Ghostrider
Christopher Young3:16
11Serenity: End Credits
recording engineer and mixer:
Bruce Botnick
producer:
David Newman (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
David Newman (American score composer)
orchestrator:
Greg Jamrok
recording of:
End Credits (Serenity)
composer:
David Newman (American score composer)
David Newman1:39
12The Kingdom: Waiting
producer:
Bill Abbott and Danny Elfman (American singer and score composer)
mixer:
Dennis Sands (American sound engineer)
editor:
Bill Abbott
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Varèse Sarabande Records Inc. (not for release label use!)
recording of:
Waiting
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:21
13Sin City: Sin City End Titles
Robert Rodriguez3:18
14The Fast and the Furious: Tokyo Drift: The Fast and the Furious: Tokyo Drift
Brian Tyler7:52
15S.W.A.T.: Bullet Frenzy II
recording engineer and mixer:
Joel Iwataki and Steve McLaughlin (British producer, engineer, musician and film producer)
producer:
Teese Gohl and Elliot Goldenthal (American score composer)
editor:
Will Kaplan, Daryl Kell and Curtis Roush
conductor:
Steven Mercurio (conductor and composer)
orchestrator:
Robert Elhai and Elliot Goldenthal (American score composer)
concertmaster:
Barry Finclair
recorded at and mixed at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States
Elliot Goldenthal1:39
16Mission: Impossible III: Schifrin and Variations
recording engineer and mixer:
Dan Wallin
producer:
Michael Giacchino (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
Michael Giacchino3:05
17Fantastic Four: Main Titles
John Ottman2:35
18Stargate: Atlantis: Main Title
Joel Goldsmith1:07
19Star Trek Nemesis: Final Fight
assistant recording engineer and assistant mixer:
Norm Diugatch (Engineer), Dominic Gonzales and Paul Wertheimer (engineer)
recording engineer and mixer:
Bruce Botnick (from 2002-08-13 until 2002-09-09)
programming:
Nick Vidar
bass:
Árni Egilsson, Drew Dembowski, Steve Edelman (Session Musician), Oscar Hidalgo (double bassist), Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney (double bass)
bassoon:
Ken Munday (bassoon), Michael O'Donovan and David Riddles
cello:
Antony Cooke, Chris Ermcoff, Paul Cohen (cello, Session Musician), Steve Erdody, Vanessa Freebairn–Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan (cellist)
clarinet:
Emily Bernstein (Clarinetist), Gary Bovyer (clarinetist) and James Kanter (clarinetist)
flute:
Louise DiTullio, Peter Sheridan (Session Musician) and Sheridon Stokes (American flautist, composer, and studio musician)
French horn:
David Allen Duke (US french horn player), Brian O’Connor (French hornist), Steven Becknell (hornist), Jim Thatcher, Rick Todd and Phil Yao
harp:
Katie Kirkpatrick
keyboard:
Michael Lang (Session Musician)
oboe:
Phillip Ayling, Earle Dumler (multi-instrumentalist) and John Ellis (oboist)
percussion:
Alan Estes, Greg Goodall, Peter Limonick (Session Musician), Steve Schaeffer (drummer) and Donald J. Williams (US percussionist, composer, arranger)
trombone:
Bill Booth (US trombonist), Andy Malloy (Session Musician) and Phil Teele
trumpet:
Rick Baptist, Warren Luening and Malcolm McNab
tuba:
Tommy Johnson (Session musician - Tuba)
viola:
Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell (violist), Karen Van Sant (Session Musician), David Walther (Viola player) and Mihail Zinovyev
violin:
Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson (Session Musician), Julie Gigante, Endre Granat (Hungarian violinist), Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson (Violinist), Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy (violinist), Rene Mandel (violinist), Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik (violinist), Mark Robertson (US violinist), Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton (violinist), Irina Voloshina, Roger Wilkie (violinist) and Ken Yerke
orchestra:
Hollywood Studio Symphony
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Conrad Pope
concertmaster:
Endre Granat (Hungarian violinist)
recorded at and mixed at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
Jerry Goldsmith3:47
20Night at the Museum: Night at the Museum
recording engineer and mixer:
Dennis Sands (American sound engineer)
additional engineer:
John Richards (engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Kenneth Karman
orchestra:
The Hollywood Studio Symphony
conductor:
Alan Silvestri (American score composer)
orchestrator:
John Ashton-Thomas, Conrad Pope and David Slonaker
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
Night at the Museum
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:38
21X-Men: The Last Stand: The Last Stand
John Powell5:21
22Evan Almighty: The Flood
recording engineer and mixer:
Shawn Murphy (producer/engineer)
engineer:
Jimmy Hoyson
producer:
John Debney (American score composer)
editor:
Jeff Carson (editor) and Jim Harrison (music editor)
conductor:
John Debney (American score composer)
orchestrator:
Brad Dechter
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
The Flood
composer:
John Debney (American score composer)
John Debney6:56
CD 4
#TitleArtistRatingLength
1Four Brothers: Four Brothers
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
David Arnold (English score composer)
editor:
Robbie Boyd (engineer)
conductor:
Nicholas Dodd (conductor)
phonographic copyright (℗) by:
Paramount Pictures
recording of:
Four Brothers
orchestrator:
Nicholas Dodd (conductor)
composer:
David Arnold (English score composer)
David Arnold2:46
2Inside Man: Good and Ready
engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Terence Blanchard (American trumpeter and score composer) and Spike Lee
editor:
Todd Bozung
orchestra:
The Hollywood Studio Symphony
conductor:
Terence Blanchard (American trumpeter and score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
Terence Blanchard2:20
324: Main Title (orchestral videogame version)
producer:
Sean Callery (composer)
mixer:
Larold Rebhun
performer:
Sean Callery (composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
"24" Theme
composer:
Sean Callery (composer)
Sean Callery2.754:40
4American Gangster: Frank Lucas
Marc Streitenfeld2:41
5Zodiac: Graysmith’s Theme
David Shire2:28
6Breach: Dangerous World
recording engineer and mixer:
Brad Haehnel
producer:
Mychael Danna (Canadian score composer)
editor:
Jen Monnar
orchestra:
Hollywood Studio Symphony
conductor:
Nicholas Dodd (conductor)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
recording of:
Dangerous World
orchestrator:
Nicholas Dodd (conductor)
composer:
Mychael Danna (Canadian score composer)
Mychael Danna4:38
7Million Dollar Baby: Blue Morgan (End Credits)
engineer:
Robert Fernandez (engineer)
producer:
Clint Eastwood (American actor and director)
orchestra:
Hollywood Studio Symphony
conductor:
Lennie Niehaus (American saxophonist and score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
recording of:
Blue Morgan (End Credits)
orchestrator:
Lennie Niehaus (American saxophonist and score composer)
composer:
Clint Eastwood (American actor and director)
Clint Eastwood4:31
8An Unfinished Life: Main Title
Deborah Lurie3:28
9The Lives of Others: The Invisible Front
recording engineer and mixer:
Jan Holzner
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Adam Klemens
recorded at and mixed at:
Barrandov Studios in Praha, Czechia
Gabriel Yared & Stéphane Moucha2:41
10All the King’s Men: Give Me the Hammer and I’ll Nail ’em Up!
James Horner5:56
11Lions for Lambs: Last Shift
Mark Isham5:00
12House of Sand and Fog: The Waves of the Caspian Sea
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
synthesizer programming:
Randy Kerber and Ian Underwood
assistant engineer:
David Marquette
producer:
James Horner (American score composer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Ramiro Belgardt and Simon Rhodes (senior recording engineer at Abbey Road Studios)
orchestra:
Hollywood Studio Symphony
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
James Horner4:02
13Sylvia: Opening
Gabriel Yared2:29
14Hostel II: Suite
Nathan Barr6:33
15The Grudge 2: Ju-On 2
Christopher Young2:54
16The Reaping: The Boy
recording engineer:
Casey Stone (engineer)
engineer:
Dave Collins (US mastering engineer)
producer:
John Frizzell (American score composer) and Frederik Wiedmann
mixer:
Larry Mah and Casey Stone (engineer)
editor:
Jim Harrison (music editor)
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Eastwood Scoring Stage in Burbank, California, United States
recording of:
The Boy
composer:
John Frizzell (American score composer)
John Frizzell4:46
17Gothika: Miranda’s Theme
John Ottman1:50
181408: Fire!
Gabriel Yared4:42
19I Know Who Killed Me: Prelude / Reunited
Joel McNeely3:22
20The Day After Tomorrow: The Day After TomorrowHarald Kloser3:29
21I, Robot: I, Robot Theme (End Credits)
recording engineer:
Kevin Globerman, John Kurlander (engineer), Matt Patterson (engineer) and John Rodd (engineer)
engineer:
Bill Talbott and William Stein (engineer)
producer:
Marco Beltrami (American score composer)
mixer:
John Kurlander (engineer)
assistant editor:
Jeremy Raub
editor:
Alex Gibson (musician/editor)
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Robert Wise Stage
recording of:
End Credits (I, Robot)
composer:
Marco Beltrami (American score composer)
Marco Beltrami3:15

Credits

Release

ASIN:US: B0015I2OFU [info]