Otello

~ Release by Giuseppe Verdi; Plácido Domingo, Renata Scotto, Sherrill Milnes, National Philharmonic Orchestra, James Levine (see all versions of this release, 7 available)

Annotation

rerelease

Annotation last modified on 2015-12-28 07:59 UTC.

Tracklist

| |
▼ CD 1: CD 1
#TitleArtistRatingLength
1Otello: Atto I. "Una vela! una vela!" (Montano, Cassio, Jago, Roderigo, Ciprioti)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
bass vocals:
Malcolm King (operatic bass) (in 1978)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
tenor vocals:
Paul Crook (operatic tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 1. “Una vela! una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi4:12
2Otello: Atto I. "Esultate!" (Otello, Ciprioti, Jago, Roderigo)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
tenor vocals:
Paul Crook (operatic tenor) (in 1978) and Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 1. “Esultate!” (Otello, Ciprioti) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi4:57
3Otello: Atto I. "Fuoco di gioia!" (Ciprioti)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:30
4Otello: Atto I. "Roderigo, beviam!" (Jago, Cassio, Ciprioti, Roderigo)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
tenor vocals:
Paul Crook (operatic tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 1. “Roderigo, beviam!” (Iago, Cassio, Ciprioti, Roderigo) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi1:31
5Otello: Atto I. "Inaffia l'ugola!" (Jago, Cassio, Roderigo, Coro)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
tenor vocals:
Paul Crook (operatic tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 1. “Qua ragazzi” … “Inaffia l'ugola! Trinca, tracanna” (Iago, Cassio, Roderigo, Coro) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi3:43
6Otello: Atto I. "Capitano, v'attende la fazione ai baluardi" (Montano, Cassio, Jago, Roderigo, Ciprioti)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
bass vocals:
Malcolm King (operatic bass) (in 1978)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
tenor vocals:
Paul Crook (operatic tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 1. “Capitano, v'attende la fazione al baluardi” (Montano, Cassio, Iago, Roderigo, Ciprioti) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi1:23
7Otello: Atto I. "Abasso le spade!..Olà! che avvien?" (Otello, Jago, Cassio, Montano)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
bass vocals:
Malcolm King (operatic bass) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 2. “Abbasso, le spade!” (Otello, Iago, Cassio, Montano) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi3:09
8Otello: Atto I. "Già nella notte densa" (Otello, Desdemona)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 3. “Già nella notte densa” (Otello, Desdemona) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:30
9Otello: Atto I. "Quando narravi l'esule tua vita" (Desdemons, Otello)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 3. “Quando narravi l'esule tua vita. Ed io vedea fra le tue tempie” (Otello, Desdemona) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi3:08
10Otello: Atto I. "Venga la morte! e mi colga nell'estasi" (Otello, Desdemona)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Renata Scotto (operatic soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto I, scena 3. “Venga la morte! e mi colga nell'estasi” (Otello, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Otello: Atto I
Giuseppe Verdi4:12
11Otello: Atto II. "Non ti crucciar" (Jago, Cassio)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Non ti crucciar” (Iago, Cassio) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:48
12Otello: Atto II. "Credo in un Dio crudel" (Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:23
13Otello: Atto II. "Eccola...Cassio..a te..." (Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Eccola … Cassio … a te” (Iago) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:22
14Otello: Atto II. "Ciò m'accora.." (Jago, Otello)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Ciò m’accora” (Iago, Otello) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:23
15Otello: Atto II. "Dove guardi splendono raggi" (Coro, Desdemona, Otello, Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Dove guardi splendono raggi, avvampan cuori” (Ciprioti, Iago, Donne, Fanciulli, Marinai, Desdemona, Otello) (Flower Chorus) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:34
16Otello: Atto II. "D'un uom che geme sotto il tuo disdegno" (Desdemona, Otello, Jago, Emilia)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
mezzo-soprano vocals:
Jean Kraft (American mezzo-soprano vocalist) (in 1978)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “D’un uom che geme sotto il tuo disdegno” (Desdemona, Otello, Iago, Emilia) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:58
17Otello: Atto II. "Desdemona rea" (Otello, Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Desdemona rea!” (Otello, Iago) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:38
18Otello: Atto II. "Ora e per sempre addio" (Otello, Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Ed ora” … “Ora e per sempre addio” (Otello) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi3:33
19Otello: Atto II. "Era la notte, Cassio dormia" (Otello, Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Era la notte, Cassio dormia…” (Otello, Iago) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:15
20Otello: Atto II. "Sì, pel ciel marmoreo giuro!" (Otello, Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:27
▼ CD 2: CD 2
#TitleArtistRatingLength
1Otello: Atto III. Introduction
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. Introduzione (in 1978)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Otello: Atto III
Giuseppe Verdi1:05
2Otello: Atto III. "La vedetta del porto ha segnalato" (Araldo, Otello, Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
solo bass vocals:
Malcolm King (operatic bass) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. “La vedetta del porto ha segnalato” (Araldo, Otello, Iago) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:13
3Otello: Atto III. "Dio ti giocondi, o sposo dell'alma" (Desdemona, Otello)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. “Dio ti giocondi, o sposo dell’alma” (Desdemona, Otello) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
part of:
Otello: Atto III
Giuseppe Verdi10:25
4Otello: Atto III. "Dio! mi potevi scagliar" (Otello, Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
part of:
Otello: Atto III
Giuseppe Verdi4:11
5Otello: Atto III. "Vieni, l'aula è deserta" (Jago, Cassio, Otello)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. “Vieni, l’aula è deserta” (Iago, Cassio, Otello) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi3:41
6Otello: Atto III. "Questa è una ragna" (Jago, Cassio, Otello)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. “Questa è una ragna” (Iago, Cassio, Otello) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:47
7Otello: Atto III. "Come la ucciderò?" (Otello, Jago, Ciprioti)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. “Come la ucciderò?” (Otello, Iago, Ciprioti) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:29
8Otello: Atto III. "Viva il Leon di San Marco!" (Tutti, Lodovico, Otello, Desdemona, Emilia, Jago)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
bass vocals:
Paul Plishka (operatic bass) (in 1978)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978)
mezzo-soprano vocals:
Jean Kraft (American mezzo-soprano vocalist) (in 1978)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. “Viva! Evviva! Viva il Leon di San Marco” (Tutti, Lodovico, Otello, Desdemona, Emilia, Iago) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi5:07
9Otello: Atto III. "A terra!...sì...nel livido fango" (Otello)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto III. “A terra… sì… nel livido fango…” (Desdemona, Emilia, Cassio, Roderigo, Lodovico, Dame, Cavalieri, Otello, Iago, Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi8:11
10Otello: Atto IV. "Era più calmo?" (Emilia, Desdemona)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Jean Kraft (American mezzo-soprano vocalist)
soprano vocals:
Renata Scotto (operatic soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto IV. “Era più calmo?” (Emilia, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi3:37
11Otello: Atto IV. Willow Song "Mia madre avena una povera ancella" (Desdemona, Emilia)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Jean Kraft (American mezzo-soprano vocalist)
soprano vocals:
Renata Scotto (operatic soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi7:51
12Otello: Atto IV. "Ave Maria..." (Desdemona)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi7:00
13Otello: Atto IV. "Che è là? Otello?" (Desdemona, Otello)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto IV. “Chi è là? Otello?” (Desdemona, Otello) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi3:16
14Otello: Atto IV. "Calma come la tomba" (Otello, Emilia, Desdemona) / "Quai grida! Orrore! Orrore!" (Cassio, Jago, Lodovicio, Emilia, Otello, Montano)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1978)
bass vocals:
Malcolm King (operatic bass) (in 1978) and Paul Plishka (operatic bass) (in 1978)
mezzo-soprano vocals:
Jean Kraft (American mezzo-soprano vocalist) (in 1978)
soprano vocals:
Renata Scotto (operatic soprano) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto IV. “Calma come la tomba” (Otello, Emilia, Desdemona) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Quai grida! Orrore! Orror!” (Cassio, Iago, Lodovico, Emilia, Otello, Montano) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi3:32
15Otello: Atto IV. "Niun mi tema" (Lodovico, Cassio, Montano, Otello)
recording engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
bass vocals:
Malcolm King (operatic bass) (in 1978) and Paul Plishka (operatic bass) (in 1978)
tenor vocals:
Plácido Domingo (tenor) (in 1978) and Frank Little (tenor) (in 1978)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1978)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:44