Eye for an Eye

~ Release by James Newton Howard (see all versions of this release, 1 available)

Annotation

Limited edition of 1500 units

Annotation last modified on 2014-09-11 13:08 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Main Title
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Main Title
composer:
James Newton Howard (American score composer)
1:51
2Birthday Preparations
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Birthday Preparations
composer:
James Newton Howard (American score composer)
1:00
3Rape and Murder
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Rape and Murder
composer:
James Newton Howard (American score composer)
3:03
4Overnight at Dolly's / Where's Julie?
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Overnight at Dolly's / Where's Julie?
composer:
James Newton Howard (American score composer)
3:00
5Julie's Pillow
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Julie's Pillow
composer:
James Newton Howard (American score composer)
1:01
6Tar Pits / Private Meeting
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Tar Pits / Private Meeting
composer:
James Newton Howard (American score composer)
2:29
7Dirty Pillow / We Got Him
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Dirty Pillow / We Got Him
composer:
James Newton Howard (American score composer)
2:49
8Courtroom / Case Dismissed / Still in Bed
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Courtroom / Case Dismissed / Still in Bed
composer:
James Newton Howard (American score composer)
3:47
9Following Doob / Marking Territory
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Following Doob / Marking Territory
composer:
James Newton Howard (American score composer)
2:53
10Denillo Warns Doob
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Denillo Warns Doob
composer:
James Newton Howard (American score composer)
1:26
11Video Sting / Playground
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Video Sting / Playground
composer:
James Newton Howard (American score composer)
2:21
12After School / Tucked In / Can You Help Me?
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
After School / Tucked In / Can You Help Me?
composer:
James Newton Howard (American score composer)
3:21
13We Can Help You
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
We Can Help You
composer:
James Newton Howard (American score composer)
0:42
14Training Montage / Backyard / Karen Is Followed
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Training Montage / Backyard / Karen Is Followed
composer:
James Newton Howard (American score composer)
2:43
15Are You Still Mad? / Phone Tap
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Are You Still Mad? / Phone Tap
composer:
James Newton Howard (American score composer)
3:08
16Karen Leaves Angel's / Crime Scene / Doob Is Released
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Karen Leaves Angel's / Crime Scene / Doob Is Released
composer:
James Newton Howard (American score composer)
2:27
17Trashing Apartment
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Trashing Apartment
composer:
James Newton Howard (American score composer)
3:53
18Setup / It's Very Personal
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Setup / It's Very Personal
composer:
James Newton Howard (American score composer)
4:03
19Mack Arrives Home
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
Mack Arrives Home
composer:
James Newton Howard (American score composer)
1:17
20End Credits
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant editor:
David Olson (engineer, producer)
editor:
Dan Goldwasser and Jim Weidman (music editor, producer)
conductor:
Artie Kane
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States
recording of:
End Credits
composer:
James Newton Howard (American score composer)
4:11
21Trashing Apartment (alternate)
3:52
22Mack Arrives Home (alternate)
1:57