Tracklist

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CD 1
# Title Rating Length
1 Fugue from Violin Sonata No. 1, BWV 1001 - J.S. Bach 5:16
2 Estudio brillante - F. Tarrega 2:06
3 Etude No. 1 in E minor - H. Villa-Lobos 1:55
4 Recuerdos de la Alhambra - F. Tarrega 3:56
5 Leyenda - I. Albeniz, trans. Segovia 6:23
6 Romance - Anon., arr. Marshall 1:55
7 Rumores de la Caleta - I. Albeniz, arr. Parkening 3:35
8 Capricho Arabe - F. Tarrega 5:09
9 Jesu, Joy of Man's Desiring - J.S. Bach, trans. Foster 3:06
10 Prelude No. 1 from Well-tempered Clavier - J.S. Bach, trans. Parkening 2:03
11 Prelude No. 6 from Well-tempered Clavier - J.S. Bach, trans. Parkening 1:42
12 Sleepers Awake from Cantata 140 - J.S. Bach, trans. Parkening 4:33
13 Allegro from Prelude, Fugue & Allegro - J.S. Bach, trans. Williams 3:03
14 Shee May Safely Graze from Cantata 208 - J.S. Bach, trans. Foster 4:47
15 Les Barricades mysterieuses - F. Couperin, arr. Parkening 2:14
16 Preambulo & Allegro vivo - M. Ponce 4:19
17 Passacaglia - S.L. Weiss, arr. Parkening 3:58
18 The Girl with the Flaxen Hair - C. Debussy, arr. Marshall 2:33
19 Gymnopedie No. 1 - E. Satie, arr. Parkening 2:50
20 Empress of the Pagodas - M. Ravel, arr. Hyman 3:24
21 Afro-Cuban Lullaby - Trad., arr. Marshall 2:37
CD 2
# Title Rating Length
1 Praludium from Fourth Lute Suite - J.S. Bach, trans. Parkening 3:39
2 Fairest Lord Jesus - Trad., arr. Ravenscroft 2:01
3 Praise Ye the Lord, K. 339 - W. Mozart, trans. Ravenscroft 3:42
4 Simple Gifts - Trad. Shaker hymn, arr. Ravenscroft & Sutherland 2:41
5 Hymn of Christian Joy - G. Young, trans. Ravenscroft 2:43
6 We Thank Thee, Lord, from Cantata 29 - J.S. Bach, trans. Ravenscroft/Parkening 4:05
7 Arioso from Cantata 156 - J.S. Bach, adapted Russ 3:03
8 What God Hath Done from Cantata 99 - J.S. Bach/W. Walton, adapted Ravenscroft 2:43
9 Canon - G. Telemann, trans. Parkening 1:34
10 Berceuse from Dolly Suite - G. Faure, trans. Russ 2:53
11 Spanish Dance No. 1 from La Vida Breve - M. Falla, trans. Pujol 3:13
12 Terezinha de Jesus - H. Villa-Lobos, trans. Pujol 2:38
13 Prelude (in the Baroque Style) - M. Ponce, trans. Ravenscroft 2:27
14 Intermezzo from Goyescas - E. Granados, trans. Pujol 4:30
15 Fugue from Prelude & Fugue No. 4 in E - M. Castelnuovo-Tedesco 1:56
16 Evening Dance - A. York 4:06
17 Variations on a Theme of Mozart - F. Sor, ed. Parkening 6:16
18 Canarios - G. Sanz, trans. Parkening 1:26
19 La Maja de Goya - E. Granados, trans. Russ 4:57
20 El Noi de la Mare - Trad., arr. Segovia/Llobet 2:11
21 Adagio from Concierto de Aranjuez - J. Rodrigo 10:31

Credits

CD 1

classical guitar:
Christopher Parkening (guitarist) (tracks 2–7, 9–12, 14–17, 20)
classical guitar arranger:
Christopher Parkening (guitarist) (track 17)
guitar:
Christopher Parkening (guitarist) (tracks 1, 18–19, 21)
guitar arranger:
Christopher Parkening (guitarist) (track 15)
arranger:
Christopher Parkening (guitarist) (tracks 10–12)
Jerry Hyman (guitarist teacher, arranger) (track 20)
Jack Marshall (guitarist, conductor, and composer) (track 21)
Rick Foster (track 9)
composer:
Isaac Albéniz (track 5)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 9–12, 14)
François Couperin (French composer of the Baroque era) (track 15)
Manuel María Ponce (track 16)
Erik Satie (French composer) (track 19)
Francisco Tárrega (tracks 2, 4)
Sylvius Leopold Weiss (composer) (track 17)
[traditional] (Special Purpose Artist) (track 21)
Isaac Albéniz (1886 – 1887) (track 7)
Maurice Ravel (classical composer) (1908 – 1910) (track 20)
Claude Debussy (1909-12 – 1910-02) (track 18)
Heitor Villa‐Lobos (1929) (track 3)
orchestra:
publisher:
Das Maschine GMBH (track 19)
Hanseatic Musikverlag GmbH & Co. KG (2001-2017) (track 19)
Londek Edition (track 19)
arrangement of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains) (track 20)
arrangements:
Cosmic Chorale (track 9)
Les Baricades mystérieuses (catch-all for arrangements) (track 15)
Les Barricades mistérieuses (for five players, Adès) (track 15)
Recuerdos de la Alhambra (for violin, Ricci) (track 4)
Recuerdos de la Alhambra (catch-all for arrangements) (track 4)
is the basis for:
Rancho das flores (track 9)
Étude (Mike Oldfield instrumental) (track 4)
神様 見てよ (track 9)
later parody versions:
part of:
12 estudos, W235 (track 3)
recording of:
Afro-Cuban Lullaby (track 21)
Ma mère l'Oye: III. Laideronnette, impératrice des pagodes (catch-all for arrangements) (track 20)
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (track 19)
Recuerdos de viaje, op. 71: VI. Rumores de la caleta (catch-all for arrangements) (track 7)
Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga (catch-all for arrangements) (track 1)
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements) (track 5)
referred to in medleys:

CD 2

classical guitar:
David Brandon (classical guitarist) (tracks 9–16)
Christopher Parkening (guitarist) (tracks 3, 6–16, 18, 20)
classical guitar arranger:
Christopher Parkening (guitarist) (track 9)
guitar:
Christopher Parkening (guitarist) (track 21)
arranger:
Miguel Llobet Solés (composer for guitar) (track 20)
Emilio Pujol (composer) (track 11)
audio engineer:
Robert Norberg (tracks 9–16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 6)
Manuel de Falla (Spanish composer) (track 11)
Gabriel Fauré (French composer) (track 10)
Enrique Granados (composer) (track 14)
Manuel María Ponce (track 13)
Gaspar Sanz (track 18)
Andrew York (track 16)
[traditional] (Special Purpose Artist) (track 20)
Johann Sebastian Bach (German Baroque period composer & musician) (1729) (track 7)
Georg Philipp Telemann (composer) (1738) (track 9)
Wolfgang Amadeus Mozart (classical composer) (1780) (track 3)
Heitor Villa‐Lobos (1926) (track 12)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (track 21)
Mario Castelnuovo‐Tedesco (composer) (1962) (track 15)
conductor:
Andrew Litton (conductor) (track 21)
Ronald Ravenscroft (track 8)
Paul Shure (tracks 6–7)
engineer:
Robert Norberg (tracks 6–8)
orchestra:
orchestrator:
Leopold Stokowski (conductor) (track 7)
producer:
Patti Laursen (tracks 6–8)
arrangement of:
Dolly Suite, op. 56: I. Berceuse (for piano four hands) (track 10)
El noi de la mare (track 20)
Goyescas, H.65: Cuadro I. Intermedio (for orchestra) (track 14)
arrangements:
Cirandas, W220, nº 1: Terezinha de Jesus (for two guitars, Pujol) (track 12)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 21)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 21)
Suite E-Dur, BWV 1006a: I. Prélude (catch all for arrangements) (track 1)
instrumental cover recording of:
is the basis for:
Concerto de Aranjuez: Adagio (Tomita arrangement) (track 21)
Follow Me (track 21)
Spain (track 21)
orchestration of:
part of:
Dolly Suite, op. 56 (catch-all for arrangements) (movement) (track 10)
Cirandas, W220 (track 12)
Suite E-Dur, BWV 1006a (for lute) (track 1)
Concierto de Aranjuez (movement) (track 21)
partial recording of:
recording of:
Arioso (Sinfonia from Cantata BWV 156, Stokowski orchestration) (track 7)
Canarios (track 18)
Danza de La vida breve (for two guitars, Pujol) (track 11)
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements) (track 10)
El noi de la mare (Miguel Llobet guitar arrangement) (track 20)
Evening Dance (track 16)
Goyescas, H. 65: Intermezzo (for guitar) (track 14)
Vesperae solennes de confessore, K. 339: V. Laudate dominum (catch-all for arrangements) (track 3)