Die kompletten Werke, Volume 3: Kantaten, BWV 27-37

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. November 1981, Februar 1982 (BWV 28); Februar/Oktober 1982 (BWV 27); Februar 1984 (BWV 29)
CD2 Aufnahme: Gedächtniskirche Stuttgart (BWV 30, 31); Südwest-Tonstudio, Stuttgart (BWV 31). März/April/Mai 1976 (BWV 31); Februar 1984 (BWV 30)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Februar 1972 (BWV 34); Februar/Oktober 1979 (BWV 33); November 1981 (BWV 32)
CD4 Aufnahme: Gedächtniskirche Stuttgart. Februar 1979 (BWV 37); August 1980/Februar 1981/März 1982 (BWV 36); Oktober 1982 (BWV 35)

Annotation last modified on 2014-06-21 22:01 UTC.

Tracklist

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▼ CD 1: BWV 27-29
#TitleArtistRatingLength
1Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?"
French horn:
Bernhard Schmid (classical trumpetist)
alto vocals:
Gabriele Schreckenbach (contralto)
bass vocals:
Walter Heldwein
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Edith Wiens (soprano)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach5:08
2Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel"
French horn:
Bernhard Schmid (classical trumpetist)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:03
3Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen"
French horn:
Bernhard Schmid (classical trumpetist)
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach5:10
4Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!"
French horn:
Bernhard Schmid (classical trumpetist)
soprano vocals:
Edith Wiens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:09
5Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!"
French horn:
Bernhard Schmid (classical trumpetist)
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Walter Heldwein
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:19
6Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde"
French horn:
Bernhard Schmid (classical trumpetist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:18
7Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach5:01
8Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach4:58
9Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:57
10Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:18
11Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet"
alto vocals:
Gabriele Schreckenbach (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach2:17
12Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 124)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:20
13Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:21
14Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach2:49
15Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:11
16Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:07
17Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe"
soprano vocals:
Ulrike Sonntag
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach4:36
18Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand"
alto vocals:
Elisabeth Graf (contralto)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:36
19Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht"
alto vocals:
Elisabeth Graf (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:42
20Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 272)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:52
▼ CD 2: BWV 30,31
#TitleArtistRatingLength
1Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, I. Coro "Freue dich, erlöste Schar"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, I. Coro "Freue dich, erlöste Schar" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach3:55
2Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, II. Recitativo (Basso) "Wir haben Rast"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, II. Recitativo (Basso) "Wir haben Rast" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach0:56
3Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, III. Aria (Basso) "Gelobet sei Gott, gelobet sein Name"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, III. Aria (Basso) "Gelobet sei Gott, gelobet sein Name" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach4:47
4Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
alto vocals:
Mechthild Georg (German mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach0:47
5Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder"
alto vocals:
Mechthild Georg (German mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach5:34
6Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, VI. Choral "Eine Stimme lässt sich hören"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, VI. Choral "Eine Stimme lässt sich hören" (in 1984-02)
lyricist:
Johann Olearius
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Breitkopf 389 Choralgesänge (number: 103)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach1:12
7Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, VII. Recitativo (Basso) "So bist du denn, mein Heil, bedacht"
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, VII. Recitativo (Basso) "So bist du denn, mein Heil, bedacht" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach1:10
8Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, VIII. Aria (Basso) "Ich will nun hassen"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, VIII. Aria (Basso) "Ich will nun hassen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach5:45
9Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, IX. Recitativo (Soprano) "Und obwohl sonst der Unbestand"
soprano vocals:
Costanza Cuccaro (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, IX. Recitativo (Soprano) "Und obwohl sonst der Unbestand" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach1:02
10Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, X. Aria (Soprano) "Eilt, ihr Stunden, kommt herbei"
soprano vocals:
Costanza Cuccaro (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, X. Aria (Soprano) "Eilt, ihr Stunden, kommt herbei" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach5:19
11Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, XI. Recitativo (Tenore) "Geduld, der angenehme Tag"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, XI. Recitativo (Tenore) "Geduld, der angenehme Tag" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach1:13
12Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, XII. Coro "Freude dich, geheilgte Schar"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil II, XII. Coro "Freude dich, geheilgte Schar" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach3:51
13Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata (from 1976-03 until 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:56
14Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": II. Coro "Der Himmel lacht! die Erde jubilieret"
choir vocals:
Indiana University Chamber Singers
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": II. Coro "Der Himmel lacht! die Erde jubilieret" (from 1976-03 until 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach4:37
15Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": III. Recitativo (Basso) "Erwünschter Tag! sei, Seele, wieder froh!"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": III. Recitativo (Basso) "Erwünschter Tag! sei, Seele, wieder froh!" (from 1976-03 until 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:13
16Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IV. Aria (Basso) "Fürst des Lebens, starker Streiter"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IV. Aria (Basso) "Fürst des Lebens, starker Streiter" (from 1976-03 until 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:28
17Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": V. Recitativo (Tenore) "So stehe dann, du gottergebne Seele"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": V. Recitativo (Tenore) "So stehe dann, du gottergebne Seele" (from 1976-03 until 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach1:25
18Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VI. Aria (Tenore) "Adam muss in uns verwesen"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VI. Aria (Tenore) "Adam muss in uns verwesen" (from 1976-03 until 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:31
19Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VII. Recitativo (Soprano) "Weil dann das Haupt sein Glied"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VII. Recitativo (Soprano) "Weil dann das Haupt sein Glied" (from 1976-03 until 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach1:04
20Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein" (from 1976-03 until 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach4:09
21Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IX. Choral "So fahr ich hin zu Jesu Christ"
choir vocals:
Indiana University Chamber Singers
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-05)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IX. Choral "So fahr ich hin zu Jesu Christ" (from 1976-03 until 1976-05)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Breitkopf 389 Choralgesänge (number: 357)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach1:05
▼ CD 3: BWV 32-34
#TitleArtistRatingLength
1Kantate, BWV 32 "Liebster Jesu, mein Verlangen": I. Aria (Soprano) "Liebster Jesu, mein Verlangen"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-11)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": I. Aria (Soprano) "Liebster Jesu, mein Verlangen" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach6:15
2Kantate, BWV 32 "Liebster Jesu, mein Verlangen": II. Recitativo (Basso) "Was ists, dass du mich gesuchet?"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-11)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": II. Recitativo (Basso) "Was ists, dass du mich gesuchet?" (in 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach0:39
3Kantate, BWV 32 "Liebster Jesu, mein Verlangen": III. Aria (Basso) "Hier, in meines Vaters Stätte"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-11)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": III. Aria (Basso) "Hier, in meines Vaters Stätte" (in 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach6:38
4Kantate, BWV 32 "Liebster Jesu, mein Verlangen": IV. Recitativo (Dialog: Soprano, Basso) "Ach! heiliger und großer Gott"
bass vocals:
Walter Heldwein
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-11)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": IV. Recitativo (Dialog: Soprano, Basso) "Ach! heiliger und großer Gott" (in 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach3:01
5Kantate, BWV 32 "Liebster Jesu, mein Verlangen": V. Aria (Duetto: Soprano, Basso) "Nun verschwinden alle Plagen"
bass vocals:
Walter Heldwein
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-11)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": V. Aria (Duetto: Soprano, Basso) "Nun verschwinden alle Plagen" (in 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach4:57
6Kantate, BWV 32 "Liebster Jesu, mein Verlangen": VI. Choral "Mein Gott, öffne mir die Pforten"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-11)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": VI. Choral "Mein Gott, öffne mir die Pforten" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1647)
part of:
Breitkopf 389 Choralgesänge (number: 102)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach1:24
7Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": I. Coro "Allein zu dir, Herr Jesu Christ"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": I. Coro "Allein zu dir, Herr Jesu Christ" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach5:07
8Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": II. Recitativo (Basso) "Mein Gott und Richter"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": II. Recitativo (Basso) "Mein Gott und Richter" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach1:12
9Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten meine Schritte"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten meine Schritte" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach7:59
10Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": IV. Recitativo (Tenore) "Mein Gott, verwirf mich nicht"
tenor vocals:
Frieder Lang (German tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": IV. Recitativo (Tenore) "Mein Gott, verwirf mich nicht" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach1:19
11Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": V. Aria (Duetto: Tenore, Basso) "Gott, der du die Liebe heißt"
bass vocals:
Philippe Huttenlocher (baritone)
tenor vocals:
Frieder Lang (German tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": V. Aria (Duetto: Tenore, Basso) "Gott, der du die Liebe heißt" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach3:55
12Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": VI. Choral "Ehr sei Gott in dem höchsten Thron"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": VI. Choral "Ehr sei Gott in dem höchsten Thron" (from 1979-02 until 1979-10)
lyricist:
Johannes Schneesing (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 16)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach1:31
13Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe"
Johann Sebastian Bach8:40
14Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe"
Johann Sebastian Bach0:52
15Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe"
Johann Sebastian Bach5:54
16Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe"
Johann Sebastian Bach0:38
17Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe"
Johann Sebastian Bach2:47
▼ CD 4: BWV 35-37
#TitleArtistRatingLength
1Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, I. Sinfonia (in 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach5:53
2Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, II. Aria (Alto) "Geist und Seele wird verwirret"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, II. Aria (Alto) "Geist und Seele wird verwirret" (in 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach7:58
3Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, III. Recitativo (Alto) "Ich wundre mich, denn alles, was man sieht"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, III. Recitativo (Alto) "Ich wundre mich, denn alles, was man sieht" (in 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach1:50
4Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" (in 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach3:00
5Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, V. Sinfonia
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, V. Sinfonia (in 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach3:20
6Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VI. Recitativo (Alto) "Ach, starker Gott, laß mich doch"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VI. Recitativo (Alto) "Ach, starker Gott, laß mich doch" (in 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach1:20
7Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VII. Aria (Alto) "Ich wünsche mir, bei Gott zu leben"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VII. Aria (Alto) "Ich wünsche mir, bei Gott zu leben" (in 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach3:09
8Kantate, BWV 36 "Schwingt freudig euch empor": I. Coro "Schwingt freudig euch empor"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1982-03)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": I. Coro "Schwingt freudig euch empor" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach4:40
9Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02, from 1980-08 until 1982-03)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach4:06
10Kantate, BWV 36 "Schwingt freudig euch empor": III. Aria (Tenore) "Die Liebe zieht mit sanften Schritten"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02, from 1980-08 until 1982-03)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": III. Aria (Tenore) "Die Liebe zieht mit sanften Schritten" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach5:31
11Kantate, BWV 36 "Schwingt freudig euch empor": IV. Choral "Zwingt die Saiten in Cythara"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1982-03)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": IV. Choral "Zwingt die Saiten in Cythara" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach1:46
12Kantate, BWV 36 "Schwingt freudig euch empor": V. Aria (Basso) "Willkommen, werter Schatz!"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1982-03)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": V. Aria (Basso) "Willkommen, werter Schatz!" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach3:48
13Kantate, BWV 36 "Schwingt freudig euch empor": VI. Choral (Tenore) "Der du bist dem Vater gleich"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1982-03)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VI. Choral (Tenore) "Der du bist dem Vater gleich" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach1:57
14Kantate, BWV 36 "Schwingt freudig euch empor": VII. Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1982-03)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VII. Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach6:07
15Kantate, BWV 36 "Schwingt freudig euch empor": VIII. Choral "Lob sei Gott, dem Vater g'ton"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1982-03)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VIII. Choral "Lob sei Gott, dem Vater g'ton" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach0:52
16Kantate, BWV 37 "Wer da gläubet und getauft wird": I. Coro "Wer da gläubet und getauft wird, der wird selig werden"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": I. Coro "Wer da gläubet und getauft wird, der wird selig werden" (from 1980-08 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach3:00
17Kantate, BWV 37 "Wer da gläubet und getauft wird": II. Aria (Tenore) "Der Glaube ist das Pfand der Liebe"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": II. Aria (Tenore) "Der Glaube ist das Pfand der Liebe" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach5:13
18Kantate, BWV 37 "Wer da gläubet und getauft wird": III. Choral (Soprano, Alto) "Herr Gott Vater, mein starker Held!"
alto vocals:
Andrew Watkinson (violinist/conductor)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": III. Choral (Soprano, Alto) "Herr Gott Vater, mein starker Held!" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach3:10
19Kantate, BWV 37 "Wer da gläubet und getauft wird": IV. Recitativo (Basso) "Ihr Sterblichen, verlanget ihr"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": IV. Recitativo (Basso) "Ihr Sterblichen, verlanget ihr" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach1:04
20Kantate, BWV 37 "Wer da gläubet und getauft wird": V. Aria (Basso) "Der Glaube schafft der Seele Flügel"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": V. Aria (Basso) "Der Glaube schafft der Seele Flügel" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach2:42
21Kantate, BWV 37 "Wer da gläubet und getauft wird": VI. Choral "Den Glauben mir verleihe"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": VI. Choral "Den Glauben mir verleihe" (in 1979-02)
lyricist:
Johannes Kolrose (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 178)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach1:11