CD 1
# Title Artist Rating Length
1 Symphonie Nr. 5: I. Allegro con brio Ludwig van Beethoven 7:25
2 Symphonie Nr. 40, K. 550: I. Molto allegro Wolfgang Amadeus Mozart 6:41
3 The Four Seasons: The Spring: Allegro Antonio Vivaldi 1 3:34
4 Libestraum Franz Liszt 4:30
5 Hungarian Dance No. 5 in g Minor: Allegro Johannes Brahms 2:25
6 Walter Nr. 6 op. 61: Minute Waltz Frédéric Chopin 1:53
7 Aida: Triumphmarsch Giuseppe Verdi 5:08
8 Mondscheinsonate, Op. 27 No. 2: I. Adagio sostenuto Ludwig van Beethoven 6:06
9 Symphonie Nr. 41: Menuetto Wolfgang Amadeus Mozart 4:53
10 The Trout: Thema con variazioni Franz Schubert 7:38
11 A Midsummer Night's Dream: Wedding March Felix Mendelssohn 4:52
12 The Nutcracker: Flower Waltz Пётр Ильич Чайковский 7:09
13 Brandenburgisches Konzert Nr. 3: Allegro moderato Johann Sebastian Bach 6:41
14 Carmen: Les Toreadors Georges Bizet 2:18
15 Nabucco: The Prisoners' Choir Giuseppe Verdi 4:30


CD 1

J. Brezina (violinist) (track 13)
Hélène Gàl (pianist, an Alfred Scholz pseudonym) (tracks 4, 6)
Debra Ruth Zobel (track 8)
Silvia Čápová (track 8)
Dubravka Tomšič (pianist) (1986-04) (track 8)
choir vocals:
Johann Sebastian Bach (German Baroque period composer & musician) (track 13)
Georges Bizet (French romantic composer) (track 14)
Johannes Brahms (track 5)
Franz Liszt (track 4)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 12)
Giuseppe Verdi (Italian opera composer) (tracks 7, 7)
Antonio Vivaldi (1723) (track 3)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-07-25) (track 2)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-08-10) (track 9)
Ludwig van Beethoven (1801) (track 8)
Ludwig van Beethoven (1804 – 1808) (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (1819) (track 10)
Giuseppe Verdi (Italian opera composer) (1841) (track 15)
Felix Mendelssohn (composer) (1842) (track 11)
Fryderyk Chopin (composer) (1846 – 1847) (track 6)
Henry Adolph (conductor, an Alfred Scholz pseudonym) (track 12)
Julian Armstrong (conductor, Alfred Scholz pseudonym) (track 5)
Loic Bertrand (track 14)
Karel Brazda (an Alfred Scholz pseudonym) (track 13)
Cesare Cantieri (an Alfred Scholz pseudonym) (track 5)
Pietro di la Corona (Alfred Scholz pseudonym) (track 12)
Eugen Duvier (conductor, an Alfred Scholz pseudonym) (track 13)
Richard Edlinger (conductor and composer) (tracks 2, 9)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 3, 12)
Francesco Macci (an Alfred Scholz pseudonym) (track 13)
Takao Matsumo (conductor, an Alfred Scholz pseudonym) (track 12)
Heribert Münchner (conductor, an Alfred Scholz pseudonym) (track 13)
Alexander von Pitamic (an Alfred Scholz pseudonym) (track 3)
Rudolf Pribil (Alfred Scholz pseudonym) (track 13)
Alfred Scholz (tracks 5, 11)
Giuseppe Sinopoli (conductor) (track 7)
Pavel Urbanek (conductor) (track 5)
Bohdan Warchal (violinist) (track 3)
Gabor Ötvös (track 13)
Temistocle Solera (track 15)
Berlin Festival Orchestra (possibly another Scholtz pseudonym) (track 12)
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (track 5)
Camerata Labacensis (track 13)
Camerata Romana (an Alfred Scholz pseudonym) (track 13)
Collegium Aureum (track 13)
Hamburger Symphoniker (tracks 12–13)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 2, 5, 11–12)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 2, 9)
Musici di San Marco (an Alfred Scholz pseudonym) (tracks 3, 13)
The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) (track 12)
Philharmonia Slavonia (an Alfred Scholz pseudonym) (tracks 5, 13)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (tracks 1, 14)
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti) (track 3)
Symphonic Festival Orchestra (Alfred Scholz pseudonym) (track 12)
Süddeutsche Philharmonie (an Alfred Scholz pseudonym) (track 11)
Südwest-Studioorchester (an Alfred Scholz pseudonym) (track 13)
Tokyo Festival Orchestra (an Alfred Scholz pseudonym) (track 12)
Martin Schmeling (track 5)
G. Henle Verlag (track 10)
compiled in:
arrangement of:
Aida: Grand March (catch-all for arrangements) (track 7)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (for piano, Friedman) (track 13)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro) (catch-all for arrangements) (track 13)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (for piano four hands, Reger) (track 13)
Carmen (arrangement for strings by Louise-Andrée Baril) (track 14)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 14)
Grand March from "Aida" (for organ, Lemare) (track 7)
Nabucco: Atto III. “Va, pensiero” (Coro) (catch-all for arrangements) (track 15)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 1)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 1)
The 5th (track 1)
The Nutcracker: Valse des fleurs (for organ, Goss-Custard) (track 12)
Valse, op. 64 no. 1 (The Minute Waltz) (for trombone and piano, Jacobsen) (track 6)
Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute Waltz” (catchall work for all unspecified transcriptions. Please do not add an arranger AR to this work, create a new arrangement work instead) (track 6)
Waltz no. 7 in C-sharp minor, op. 64 no. 2 (arr. Davydov for piano and cello) (track 6)
is based on:
Carmen: Prélude (track 14)
is the basis for:
Mephistopheles (track 8)
Moonlight (The Piano Guys) (track 8)
Overture (track 8)
What Is Eternal (track 8)
月光 (Mondscheinsonate+drumloops) (track 8)
later versions:
orchestration of:
Moonlight Sonata (orch. Stokowski) (track 8)
part of:
Hungarian Dances for orchestra (Schmeling orchestration) (track 5)
Nabucco: Atto III (track 15)
Symphony no. 40 in G minor, K. 550 “Great” (2nd version) (movement) (track 2)
Waltzes, op. 64 (track 6)
Carmen Suite no. 1 (track 14)
Aida: Atto Secondo (track 7)
recording of:
Aida: Grand March (catch-all for arrangements) (track 7)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 14)
Nabucco: Atto III, Scena IV. “Va, pensiero” (Coro) (Chorus of the Hebrew Slaves) (track 15)
referred to in medleys:
Hooked on Bach (track 13)
Hooked on Romance (track 8)
revision of: