Tatum Art: Art Tatum Live Performances 1934-1956

~ Release by Art Tatum (see all versions of this release, 1 available)

Annotation

Alto Saxophone – Payton Laguere (tracks: 2-12/13), Skeets Herfurt (tracks: 2-12/13)
Bass – Clinton Nordquist (tracks: 1-15/16/17/18/19/20), Jud Denaut (tracks: 2-12/13), Slam Stewart (tracks: 1-9/10/11/12/13/14/21, 2-1/2/3/4)
Clarinet – Murray McEachern (tracks: 2-12/13)
Drums – Specs Powell (tracks: 2-8)
Guitar – Calvin Gooden (tracks: 1-15/16/17/18/19/20), Les Paul (tracks: 1-15/16/17/18/19/20), Les Paul (tracks: 2-12/13), Remo Palmieri (tracks: 2-8), Tiny Grimes (tracks: 1-9/10/11/12/13/14/21, 2-1/2/3/4)
Piano – Art Tatum
Tenor Saxophone – Babe Russin (tracks: 2-12/13)
Trombone – Bob McReynolds (tracks: 2-12/13), Les Jenkins (tracks: 2-12/13), Murray McEachern (tracks: 2-12/13), Ray Coniff (tracks: 2-12/13)
Trumpet – Bob Goodrich (tracks: 2-12/13), Gene LaFrenier (tracks: 2-12/13), Philip Candreva (tracks: 2-12/13)
Vocals – Jack Martin (tracks: 2-13), Martha Stewart (tracks: 2-13), Mel Tormé And The Mel Tones* (tracks: 2-13)

"This boxed set consists of 10 CD and one DVD comprising 212 tracks and 12½ hours of playing time. They range in date from early 1934 to mid-October 1956, only three weeks before Tatum’s death. None of the tracks in this box was recorded in a studio for ultimate sale to the public. With the exception of some recordings made for the U.S. government, they are all live performances, from a wide variety of sources, including off-the-air radio broadcasts, the audio portion of his limited TV appearances, private parties, night club performances, after-hours clubs, transcriptions, recordings in private homes (including his own), and tracks from pressings made gratis for the Voice of America, and for the U.S. Armed Forces during World War II. 212 tracks, including Valse In C # Minor, Opus 64, #2."

Barcode (Text): 7 17101 86032 6
Barcode (String): 717101860326
Matrix / Runout (CD 1): DANCD 000 0000 CD1 A839202-01
Matrix / Runout (CD 2): DANCD 000 0000 CD2 A839203-01
Matrix / Runout (CD 3): DANCD 000 0000 CD3 A839205-01
Matrix / Runout (CD 4): DANCD 000 0000 CD4 A839206-01
Matrix / Runout (CD 5): DANCD 000 0000 CD5 A839207-01
Matrix / Runout (CD 6): DANCD 000 0000 CD6 A839208-01
Matrix / Runout (CD 7): DANCD 000 0000 CD7 A839211-01
Matrix / Runout (CD 8): DANCD 000 0000 CD8 A839213-01
Matrix / Runout (CD 9): DANCD 000 0000 CD9 A839214-01
Matrix / Runout (CD 10): DANCD 000 0000 CD10 A839215-01
Mastering SID Code (CDs 1/3/5): IFPI L573
Mastering SID Code (CDs 2/4/6/7/8/9/10): IFPI L572
Mould SID Code (All CDs): IFPI 9723
Matrix / Runout (DVD): DANCD 1088603 11 D850970-01
Mastering SID Code (DVD): IFPI L573
Mould SID Code (DVD): IFPI 9735
Rights Society: BIEM

Annotation last modified on 2017-03-29 17:27 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Young and Healthy
piano:
Art Tatum (US jazz pianist) (on 1934-02-27)
live instrumental recording of:
Young And Healthy (on 1934-02-27)
lyricist:
Al Dubin (in 1932)
composer:
Harry Warren (US composer and lyricist) (in 1932)
part of:
42nd Street (full musical)
Art Tatum1:32
2Morning, Noon and Night
piano:
Art Tatum (US jazz pianist) (on 1934-02-27)
live instrumental recording of:
Morning, Noon and Night (I’m Spending the Day in My Blue Room) (on 1934-02-27)
lyricist:
Arthur Swanstrom (in 1933)
composer:
Louis Alter (in 1933)
Art Tatum3:27
3When Day Is Done
piano:
Art Tatum (US jazz pianist) (on 1934-02-27)
live instrumental recording of:
When Day Is Done (on 1934-02-27)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
Art Tatum3:07
4Star Dust
piano:
Art Tatum (US jazz pianist) (on 1934-02-27)
live instrumental recording of:
Stardust (the jazz standard) (on 1934-02-27)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Art Tatum3:06
5Chinatown, My Chinatown
piano:
Art Tatum (US jazz pianist) (on 1934-02-27)
live instrumental recording of:
Chinatown, My Chinatown (on 1934-02-27)
lyricist:
William Jerome (in 1910)
composer:
Jean Schwartz (in 1910)
publisher:
Beuscher and Sim (Related to Éditions Sim)
Art Tatum1:47
6Body and Soul
piano:
Art Tatum (US jazz pianist) (in 1938-08)
live instrumental recording of:
Body and Soul (in 1938-08)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Art Tatum2:34
7Can't We Be Friends
piano:
Art Tatum (US jazz pianist) (in 1938-08)
live instrumental recording of:
Can’t We Be Friends? (in 1938-08)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
Art Tatum2:23
8I Gotta Right to Sing the Blues
piano:
Art Tatum (US jazz pianist) (in 1939-08)
live instrumental recording of:
I Gotta Right to Sing the Blues (in 1939-08)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Art Tatum2:15
9Melody in F
double bass:
Slam Stewart (on 1943-03-22)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1943-03-22)
piano:
Art Tatum (US jazz pianist) (on 1943-03-22)
live recording of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano) (on 1943-03-22)
composer:
Антон Рубинштейн (Russian composer Anton Rubinstein) (in 1852)
part of:
2 Mélodies, op. 3
Art Tatum Trio5:41
10Let Me Off Uptown
double bass:
Slam Stewart (on 1943-03-22)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1943-03-22)
piano:
Art Tatum (US jazz pianist) (on 1943-03-22)
live instrumental recording of:
Let Me Off Uptown (on 1943-03-22)
lyricist:
Redd Evans
composer:
Earl Bostic
Art Tatum Trio3:48
11Tiny's Exercise
double bass:
Slam Stewart (on 1943-03-22)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1943-03-22)
piano:
Art Tatum (US jazz pianist) (on 1943-03-22)
live recording of:
Tiny’s Exercise (on 1943-03-22)
composer:
Tiny Grimes (US jazz/R&B guitarist)
Art Tatum Trio5:18
12Exactly Like You
double bass:
Slam Stewart (on 1943-03-22)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1943-03-22)
piano:
Art Tatum (US jazz pianist) (on 1943-03-22)
live instrumental recording of:
Exactly Like You (on 1943-03-22)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1930)
composer:
Jimmy McHugh (songwriter) (in 1930)
Art Tatum Trio3:58
13Sweet Lorraine
double bass:
Slam Stewart (on 1943-03-22)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1943-03-22)
piano:
Art Tatum (US jazz pianist) (on 1943-03-22)
live instrumental recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Art Tatum Trio3:56
14I Know That You Know
piano:
Art Tatum (US jazz pianist) (in 1944)
live instrumental recording of:
I Know That You Know (Caldwell & Youmans) (in 1944)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
Art Tatum Trio2:41
15Ja-Da
guitar:
Les Paul (in 1944)
piano:
Art Tatum (US jazz pianist) (in 1944)
live instrumental recording of:
Ja-Da (in 1944)
composer:
Bob Carleton
Art Tatum with Les Paul Trio3:29
16Humoresque
guitar:
Les Paul (in 1944)
piano:
Art Tatum (US jazz pianist) (in 1944)
live recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (in 1944)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Art Tatum with Les Paul Trio4:03
17It Had to Be You
guitar:
Les Paul (in 1944)
piano:
Art Tatum (US jazz pianist) (in 1944)
live instrumental recording of:
It Had to Be You (in 1944)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Art Tatum with Les Paul Trio3:54
18I've Found a New Baby
guitar:
Les Paul (in 1944)
piano:
Art Tatum (US jazz pianist) (in 1944)
live instrumental recording of:
I’ve Found a New Baby (in 1944)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
Art Tatum with Les Paul Trio3:35
19Oh, Lady Be Good
guitar:
Les Paul (in 1944)
piano:
Art Tatum (US jazz pianist) (in 1944)
live instrumental recording of:
Oh, Lady Be Good! (in 1944)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Art Tatum with Les Paul Trio3:24
20Somebody Loves Me
guitar:
Les Paul (in 1944)
piano:
Art Tatum (US jazz pianist) (in 1944)
live instrumental recording of:
Somebody Loves Me (in 1944)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
Art Tatum with Les Paul Trio4:38
21Exactly Like You
piano:
Art Tatum (US jazz pianist) (in 1944-04)
live instrumental recording of:
Exactly Like You (in 1944-04)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1930)
composer:
Jimmy McHugh (songwriter) (in 1930)
Art Tatum Trio5:14
▼ CD 2
#TitleArtistRatingLength
1Stormy Weather
double bass:
Slam Stewart (in 1944-04)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (in 1944-04)
piano:
Art Tatum (US jazz pianist) (in 1944-04)
live instrumental recording of:
Stormy Weather (in 1944-04)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Art Tatum Trio4:58
2Sweet Lorraine
double bass:
Slam Stewart (in 1944-04)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (in 1944-04)
piano:
Art Tatum (US jazz pianist) (in 1944-04)
live instrumental recording of:
Sweet Lorraine (in 1944-04)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Art Tatum Trio4:25
3Humoresque
double bass:
Slam Stewart (on 1944-05-21)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1944-05-21)
piano:
Art Tatum (US jazz pianist) (on 1944-05-21)
live recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (on 1944-05-21)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Art Tatum Trio2:42
4I Know That You Know
double bass:
Slam Stewart (on 1944-05-21)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1944-05-21)
piano:
Art Tatum (US jazz pianist) (on 1944-05-21)
live instrumental recording of:
I Know That You Know (Caldwell & Youmans) (on 1944-05-21)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
Art Tatum Trio3:44
5Humoresque
solo piano:
Art Tatum (US jazz pianist) (on 1944-07-05)
live recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (on 1944-07-05)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Art Tatum4:46
6Ain't Misbehavin'
solo piano:
Art Tatum (US jazz pianist) (in 1944)
live instrumental recording of:
Ain’t Misbehavin’ (in 1944)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Art Tatum4:25
7Smoke Gets in Your Eyes
solo piano:
Art Tatum (US jazz pianist) (on 1944-09-18)
live instrumental recording of:
Smoke Gets in Your Eyes (on 1944-09-18)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
translated version of:
Sen jag mötte dig
part of:
Roberta
Art Tatum2:56
8I Can't Give You Anything but Love
drums (drum set):
Specs Powell (on 1944-12-29)
guitar:
Remo Palmier (on 1944-12-29)
piano:
Art Tatum (US jazz pianist) (on 1944-12-29)
live instrumental recording of:
I Can’t Give You Anything but Love, Baby (on 1944-12-29)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Art Tatum Trio3:52
9Danny Boy
solo piano:
Art Tatum (US jazz pianist) (in 1945)
live instrumental recording of:
Danny Boy (in 1945)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
Art Tatum3:07
10How High the Moon
solo piano:
Art Tatum (US jazz pianist) (in 1945)
live instrumental recording of:
How High the Moon (in 1945)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Art Tatum2:13
11Begin the Beguine
alto saxophone:
Skeets Herfurt (in 1945)
double bass:
Jud DeNaut (in 1945)
guitar:
Les Paul (in 1945)
piano:
Art Tatum (US jazz pianist) (in 1945)
tenor saxophone:
Irving "Babe" Russin (in 1945)
trombone:
Ray Conniff (in 1945) and Les Jenkins (in 1945)
trumpet:
Bob Goodrich (in 1945) and Gene LaFreniere (in 1945)
live instrumental recording of:
Begin the Beguine (in 1945)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Murray McEachern & His AFRS Orchestra3:36
12Cherokee
alto saxophone:
Skeets Herfurt (in 1945)
double bass:
Jud DeNaut (in 1945)
guitar:
Les Paul (in 1945)
piano:
Art Tatum (US jazz pianist) (in 1945)
tenor saxophone:
Irving "Babe" Russin (in 1945)
trombone:
Ray Conniff (in 1945) and Les Jenkins (in 1945)
trumpet:
Bob Goodrich (in 1945) and Gene LaFreniere (in 1945)
live instrumental recording of:
Cherokee (in 1945)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Murray McEachern & His AFRS Orchestra5:47
13Down by the Old Mill Stream
alto saxophone:
Skeets Herfurt (in 1945)
double bass:
Jud DeNaut (in 1945)
guitar:
Les Paul (in 1945)
piano:
Art Tatum (US jazz pianist) (in 1945)
tenor saxophone:
Irving "Babe" Russin (in 1945)
trombone:
Ray Conniff (in 1945) and Les Jenkins (in 1945)
trumpet:
Bob Goodrich (in 1945) and Gene LaFreniere (in 1945)
live instrumental recording of:
Down by the Old Mill Stream (in 1945)
lyricist and composer:
“Tell” Taylor (Tin Pan Alley songwriter, 1876–1937) (in 1908)
Murray McEachern & His AFRS Orchestra4:08
14Sweet Lorraine
piano:
Art Tatum (US jazz pianist) (on 1945-10-23)
live instrumental recording of:
Sweet Lorraine (on 1945-10-23)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Art Tatum2:22
15How High the Moon
piano:
Art Tatum (US jazz pianist) (on 1945-10-23)
live instrumental recording of:
How High the Moon (on 1945-10-23)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Art Tatum2:20
16Gershwin Medley
piano:
Art Tatum (US jazz pianist) (on 1945-10-26)
live medley including a instrumental recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (on 1945-10-26)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
live medley including a instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1945-10-26)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
live medley including a instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1945-10-26)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
live medley including a instrumental recording of:
The Man I Love (on 1945-10-26)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Art Tatum4:27
17She's Funny That Way
piano:
Art Tatum (US jazz pianist) (on 1945-10-26)
live instrumental recording of:
She’s Funny That Way (on 1945-10-26)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
Art Tatum4:14
18Lover
piano:
Art Tatum (US jazz pianist) (on 1945-10-26)
live instrumental recording of:
Lover (on 1945-10-26)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Art Tatum4:04
19Body and Soul
piano:
Art Tatum (US jazz pianist) (on 1945-10-26)
live instrumental recording of:
Body and Soul (on 1945-10-26)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Art Tatum3:34
20I'm Beginning to See the Light
piano:
Art Tatum (US jazz pianist) (on 1945-10-26)
live instrumental recording of:
I’m Beginning to See the Light (on 1945-10-26)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Art Tatum3:15
21Nine Twenty Special
piano:
Art Tatum (US jazz pianist) (on 1945-10-26)
live instrumental recording of:
9:20 Special (on 1945-10-26)
lyricist:
William Engvick (in 1941)
writer:
Jack Palmer (Jazz pianist and composer) (in 1941)
composer:
William Engvick (in 1941) and Earle Warren (in 1941)
Art Tatum2:30
▼ CD 3
#TitleRatingLength
1Stay as Sweet as You Are
solo piano:
Art Tatum (US jazz pianist) (in 1945)
live instrumental recording of:
Stay as Sweet as You Are (in 1945)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Chappell & Co.
2:46
2Where or When
solo piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
live instrumental recording of:
Where or When (from “Babes in Arms”) (on 1946-01-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
4:07
3Louise
solo piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
live instrumental recording of:
Louise (from "Innocents of Paris") (on 1946-01-21)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Richard A. Whiting
3:10
4Song of the Vagabonds
solo piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
live instrumental recording of:
The Vagabond King, Act I: Song of the Vagabonds (Villon, Chorus) (on 1946-01-21)
composer:
Rudolf Friml
librettist:
Brian Hooker and William H. Post
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
translated version of:
蒲田行進曲
part of:
The Vagabond King: Act I
2:21
5Night and Day
solo piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
live instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1946-01-21)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
1:31
6Poor Butterfly
solo piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
live instrumental recording of:
Poor Butterfly (on 1946-01-21)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
3:31
7Indiana
solo piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
live instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1946-01-21)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:44
8Sweet Lorraine
solo piano:
Art Tatum (US jazz pianist) (on 1947-04-05)
live instrumental recording of:
Sweet Lorraine (on 1947-04-05)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
2:47
9Yesterdays
piano:
Art Tatum (US jazz pianist) (in 1948)
live instrumental recording of:
Yesterdays (in 1948)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:43
10Smoke Gets in Your Eyes
piano:
Art Tatum (US jazz pianist) (on 1947-04-05)
live instrumental recording of:
Smoke Gets in Your Eyes (on 1947-04-05)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
translated version of:
Sen jag mötte dig
part of:
Roberta
2:34
11Dialogue
1:04
12The Very Thought of You
solo piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
The Very Thought of You (in 1949-11)
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
6:39
13Somebody Loves Me
solo piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Somebody Loves Me (in 1949-11)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
4:33
14The Continental
solo piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
The Continental (from the 1934 film "The Gay Divorcee") (in 1949-11)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 7) and The 7th Academy Award for Best Original Song (number: 1)
2:59
15I Cover the Waterfront
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
I Cover the Waterfront (in 1949-11)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:59
16Don't Blame Me
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Don’t Blame Me (in 1949-11)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:15
17Dardanella
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Dardanella (in 1949-11)
lyricist:
Fred Fisher
composer:
Felix Bernard and Johnny S. Black
4:10
18The Very Thought of You
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
The Very Thought of You (in 1949-11)
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
4:58
19Come Rain or Come Shine
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Come Rain or Come Shine (in 1949-11)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
6:02
20Someone to Watch Over Me
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1949-11)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
4:27
21Waltz in C# Minor, Opus 64, #2
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live partial recording of:
Waltz no. 7 in C-sharp minor, op. 64 no. 2 (in 1949-11)
composer:
Fryderyk Chopin (composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
3:43
▼ CD 4
#TitleArtistRatingLength
1If I Had You
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
If I Had You (jazz standard) (in 1949-11)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
Art Tatum with The Club Norman Orchestra3:55
2Night and Day
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1949-11)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Art Tatum with The Club Norman Orchestra8:37
3Fine and Dandy
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Fine and Dandy (in 1949-11)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
Art Tatum with The Club Norman Orchestra3:42
4Fine and Dandy
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Fine and Dandy (in 1949-11)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
Art Tatum with The Club Norman Orchestra2:57
5Fine and Dandy
piano:
Art Tatum (US jazz pianist) (in 1949-11)
live instrumental recording of:
Fine and Dandy (in 1949-11)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
Art Tatum with The Club Norman Orchestra3:58
6Humoresque
piano:
Art Tatum (US jazz pianist) (on 1951-09-02)
live recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (on 1951-09-02)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Art Tatum4:02
7Poor Butterfly
piano:
Art Tatum (US jazz pianist) (in 1950)
live instrumental recording of:
Poor Butterfly (in 1950)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
Art Tatum3:31
8Willow Weep for Me
piano:
Art Tatum (US jazz pianist) (in 1950)
live instrumental recording of:
Willow Weep for Me (in 1950)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
Art Tatum3:07
9I Gotta Right to Sing the Blues
piano:
Art Tatum (US jazz pianist) (in 1950)
live instrumental recording of:
I Gotta Right to Sing the Blues (in 1950)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Art Tatum1:55
10Taboo
piano:
Art Tatum (US jazz pianist) (in 1950)
live instrumental recording of:
Taboo (1961 English lyrics version of Tabú) (in 1950)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Margarita Lecuona (Cuban composer)
publisher:
Peer International Corporation (BMI), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Japan, subsidiary of Nichion)
translated version of:
Tabú (original 1934 spanish lyrics)
Art Tatum2:26
11Gershwin Medley
piano:
Art Tatum (US jazz pianist) (in 1950-07)
live medley including a instrumental recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (in 1950-07)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
live medley including a instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1950-07)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
live medley including a instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1950-07)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
live medley including a instrumental recording of:
The Man I Love (in 1950-07)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Art Tatum4:03
12I Know That You Know
piano:
Art Tatum (US jazz pianist) (in 1950-07)
live instrumental recording of:
I Know That You Know (Caldwell & Youmans) (in 1950-07)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
Art Tatum2:52
13Sweet Lorraine
piano:
Art Tatum (US jazz pianist) (in 1950-07)
live instrumental recording of:
Sweet Lorraine (in 1950-07)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Art Tatum2:40
14Rosetta
piano:
Art Tatum (US jazz pianist) (in 1950-07)
live instrumental recording of:
Rosetta (in 1950-07)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
Art Tatum2:33
15A Ghost of a Chance
piano:
Art Tatum (US jazz pianist) (in 1950-07)
live instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (in 1950-07)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
Art Tatum4:13
16Hallelujah
piano:
Art Tatum (US jazz pianist) (in 1950-07)
live instrumental recording of:
Hallelujah! (in 1950-07)
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
Art Tatum5:11
17Someone to Watch Over Me
piano:
Art Tatum (US jazz pianist) (in 1950-07)
live instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1950-07)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Art Tatum3:44
18Taboo
piano:
Art Tatum (US jazz pianist) (in 1950-07)
live instrumental recording of:
Tabú (original 1934 spanish lyrics) (in 1950-07)
lyricist and composer:
Margarita Lecuona (Cuban composer) (in 1934)
Art Tatum3:32
▶ CD 5
▶ CD 6
▶ CD 7
▶ CD 8
▶ CD 9
▶ CD 10
▶ DVD-Video 11