| # | Title | Artist | Rating | Length |
|---|
| 1 | Sleeping Satellite | Tasmin Archer | 4.25 | 4:40 |
| 2 | Call Me- producer:
- Giorgio Moroder
- bass guitar:
- Nigel Harrison (in 1979)
- drums (drum set):
- Clem Burke (in 1979)
- guitar:
- Frank Infante (in 1979) and Chris Stein (in 1979)
- keyboard:
- Jimmy Destri (in 1979)
- lead vocals:
- Deborah Harry (in 1979)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- recording of:
- Call Me (in 1979)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:31 |
| 3 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- bass:
- Paul Bushnell
- drums (drum set) [drums]:
- Josh Freese
- guitar [guitars] and background vocals:
- Meredith Brooks
- keyboard [keyboards]:
- David Ricketts
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 4.25 | 4:13 |
| 4 | Cloudbusting- assistant engineer:
- Pearse Dunne
- engineer:
- Haydn Bendall , James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker
- producer:
- Kate Bush
- mixer:
- Brian Tench
- drums (drum set):
- Stuart Elliott and Charlie Morgan
- strings:
- The Medici Sextet
- background vocals:
- Brian Bath, John Carder Bush, Paddy Bush and Del Palmer
- vocals:
- Kate Bush
- strings arranger:
- Dave Lawson
- phonographic copyright (℗) by:
- EMI America Records (in 1985), EMI Korea (in 1985), EMI Records (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (in 1993), Universal Domestic Division (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
- recorded at:
- Wickham Farm Home Studio in Welling, Bexley, London , England, United Kingdom
- engineered at:
- Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
- recording of:
- Cloudbusting
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Ltd. , Kate Bush Ltd. and Screen Gems–EMI Music, Inc.
| Kate Bush | 4 | 5:08 |
| 5 | The Emperor’s New Clothes | Sinéad O’Connor | 4.5 | 5:16 |
| 6 | Diamonds Are Forever | Shirley Bassey | 4.15 | 2:40 |
| 7 | Is There Something I Should Know? (Monster mix) | Duran Duran | | 6:41 |
| 8 | Too Shy | Kajagoogoo | 4 | 3:45 |
| 9 | Lonesome Loser | Little River Band | | 4:00 |
| 10 | Long Cool Woman | The Hollies | 4.2 | 3:17 |
| 11 | Assassing | Marillion | 5 | 7:02 |
| 12 | Life’s What You Make It | Talk Talk | 3.55 | 4:28 |
| 13 | Johnny B. Goode | Peter Tosh | | 4:02 |
| 14 | I Want a New Drug | Huey Lewis and the News | | 3:30 |
| 15 | Hyperactive! | Thomas Dolby | 5 | 4:09 |
| 16 | Burning Down the House | Talking Heads | | 4:06 |
| 17 | Year of the Cat | Al Stewart | 4.35 | 6:34 |
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