Come On-A My House: The Very Best Of

~ Release by Rosemary Clooney (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Come On-A My House
producer:
Al Ham and Mitch Miller
double bass:
Frank Carroll (US bass player) (on 1951-06-06)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1951-06-06)
guitar:
Mundell Lowe (on 1951-06-06)
harpsichord:
Stan Freeman (on 1951-06-06)
vocals:
Rosemary Clooney (on 1951-06-06)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
Come On‐a My House (on 1951-06-06)
writer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) and William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and シンコーミュージック・エンタテイメント
1:59
2Half as Much
producer:
Al Ham and Mitch Miller
vocals:
Rosemary Clooney (on 1951-08-23)
conductor:
Percy Faith (on 1951-08-23)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
Half as Much (on 1951-08-23)
lyricist and composer:
Curley Williams (in 1951)
publisher:
Fred Rose Music, Inc. (in 1951) and Acuff-Rose Publications, Inc. (BMI) (on 1951-10-17)
2:48
3Botch-A-Me (Ba-Ba-Baciami Piccina)
producer:
Al Ham and Mitch Miller
double bass:
Frank Carroll (US bass player) (on 1952-04-18)
drums (drum set):
Terry Snyder (on 1952-04-18)
guitar:
Mundell Lowe (on 1952-04-18) and Sal Salvador (on 1952-04-18)
harpsichord:
Stan Freeman (on 1952-04-18)
vocals:
Rosemary Clooney (on 1952-04-18)
recording of:
Botch‐a‐Me (Ba‐ba‐baciami piccina)
lyricist:
Riccardo Morbelli
composer:
Luigi Astore
translator:
Eddie Stanley
translated version of:
Ba ba baciami piccina
2:18
4Tenderly
producer:
Al Ham and Mitch Miller
vocals:
Rosemary Clooney (on 1951-11-21)
conductor:
Percy Faith (on 1951-11-21)
arranger:
Percy Faith
recording of:
Tenderly (on 1951-11-21)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:30
5This Ole House
producer:
Al Ham and Mitch Miller
vocals:
Rosemary Clooney (on 1954-05-22)
orchestra:
Buddy Cole and His Orchestra (on 1954-05-22)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
This Ole House (on 1954-05-22)
lyricist and composer:
Stuart Hamblen
2:24
6Hey There
producer:
Al Ham and Mitch Miller
vocals:
Rosemary Clooney (on 1954-05-22)
orchestra:
Buddy Cole and His Orchestra (on 1954-05-22)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
recording of:
Hey There (The Pajama Game) (on 1954-05-22)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
4.52:59
7Get Me to the Church on Time
engineer:
Al Schmitt
producer:
Dick Peirce
cello, harp, viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-06-02)
double bass:
Joe Comfort (on 1960-06-02)
drums (drum set):
Frank Flynn (on 1960-06-02) and Alvin Stoller (on 1960-06-02)
guitar:
Bob Bain (guitarist) (on 1960-06-02)
piano:
Bill Miller (pianist) (on 1960-06-02)
saxophone:
Buddy Collette (on 1960-06-02), Plas Johnson (on 1960-06-02), Harry Klee (on 1960-06-02), Joe Koch (on 1960-06-02) and Wilbur Schwartz (on 1960-06-02)
trombone:
Dick Noel (trombone) (on 1960-06-02), Pullman “Tommy” Pederson (on 1960-06-02), George Roberts (american bass trombone) (on 1960-06-02) and Tommy Shepard (trombonist) (on 1960-06-02)
trumpet:
Pete Candoli (on 1960-06-02), Don Fagerquist (on 1960-06-02), Carroll Lewis (trumpeter) (on 1960-06-02) and Shorty Sherock (on 1960-06-02)
vocals:
Rosemary Clooney (on 1960-06-02)
conductor:
Nelson Riddle (on 1960-06-02)
arranger:
Nelson Riddle
cover recording of:
Get Me to the Church on Time (My Fair Lady) (on 1960-06-02)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:11
8How About You?
engineer:
Dayton “Bones” Howe
producer:
Simon Rady
double bass:
Joe Mondragon (in 1958)
drums (drum set) and percussion:
Ralph Hansell (in 1958), Milt Holland (in 1958), Louis Singer (percussionist) (in 1958) and Alvin Stoller (in 1958)
guitar:
Barney Kessel (in 1958)
harp:
Verlye Mills (in 1958)
piano:
Buddy Cole (in 1958)
saxophone:
Buddy Collette (in 1958), Fred Fallensby (in 1958), Jules Jacob (US jazz woodwind player) (in 1958), Ted Nash (40s-80s US swing reedman, uncle of the other) (in 1958) and Wilbur Schwartz (in 1958)
trombone:
Ed Kusby (in 1958), Murray McEachern (in 1958), George Roberts (american bass trombone) (in 1958) and Si Zentner (in 1958)
trumpet:
Frank Beach (trombone, trumpet) (in 1958), Pete Candoli (in 1958), Uan Rasey (in 1958) and Shorty Sherock (in 1958)
tuba:
Phil Stephens (bass and tuba player) (in 1958)
vocals:
Rosemary Clooney (in 1958) and Bing Crosby (in 1958)
conductor:
Billy May (in 1958)
arranger:
Billy May
recording of:
How About You? (in 1958)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
3:14
9I Only Have Eyes for You
producer:
Herman Diaz, Jr. and Dick Peirce
vocals:
Rosemary Clooney (on 1959-07-31)
conductor:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer) (on 1959-07-31)
recording of:
I Only Have Eyes for You (on 1959-07-31)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
2:09
10By Myself
producer:
Dick Peirce
cello, harp, viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-06-02)
double bass:
Joe Comfort (on 1960-06-02)
drums (drum set):
Frank Flynn (on 1960-06-02) and Alvin Stoller (on 1960-06-02)
guitar:
Bob Bain (guitarist) (on 1960-06-02)
piano:
Bill Miller (pianist) (on 1960-06-02)
saxophone:
Buddy Collette (on 1960-06-02), Plas Johnson (on 1960-06-02), Harry Klee (on 1960-06-02), Joe Koch (on 1960-06-02) and Wilbur Schwartz (on 1960-06-02)
trombone:
Dick Noel (trombone) (on 1960-06-02), Pullman “Tommy” Pederson (on 1960-06-02), George Roberts (american bass trombone) (on 1960-06-02) and Tommy Shepard (trombonist) (on 1960-06-02)
trumpet:
Pete Candoli (on 1960-06-02), Don Fagerquist (on 1960-06-02), Carroll Lewis (trumpeter) (on 1960-06-02) and Shorty Sherock (on 1960-06-02)
vocals:
Rosemary Clooney (on 1960-06-02)
conductor:
Nelson Riddle (on 1960-06-02)
arranger:
Nelson Riddle
recording of:
By Myself (on 1960-06-02)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Chappell & Co., Inc. (USA) and Round Hill Songs III
part of:
The Band Wagon (1953 film)
2:29
11I Can't Get Started
engineer:
Dayton “Bones” Howe
producer:
Simon Rady
double bass:
Ralph Peña (on 1958-08-11)
drums (drum set):
Larry Bunker (on 1958-08-11)
guitar:
Laurindo Almeida (on 1958-08-11), Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-08-11) and Allan Reuss (on 1958-08-11)
harp:
Verlye Mills (on 1958-08-11)
piano:
Buddy Cole (on 1958-08-11)
saxophone:
Buddy Collette (on 1958-08-11), Fred Fallensby (on 1958-08-11), Jules Jacob (US jazz woodwind player) (on 1958-08-11), Jules Kinsler (on 1958-08-11) and Wilbur Schwartz (on 1958-08-11)
trombone:
Ed Kusby (on 1958-08-11), Murray McEachern (on 1958-08-11), George Roberts (american bass trombone) (on 1958-08-11) and Si Zentner (on 1958-08-11)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-08-11), Pete Candoli (on 1958-08-11), Conrad Gozzo (on 1958-08-11), Manny Klein (on 1958-08-11), Uan Rasey (on 1958-08-11) and Joseph Triscari (on 1958-08-11)
tuba:
Phil Stephens (bass and tuba player) (on 1958-08-11)
vocals:
Bing Crosby (on 1958-08-11)
conductor:
Billy May (on 1958-08-11)
arranger:
Billy May
recording of:
I Can’t Get Started (on 1958-08-11)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:50
12Mack the Knife
producer:
Herman Diaz, Jr. and Dick Peirce
vocals:
Rosemary Clooney (on 1959-07-30)
conductor:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer) (on 1959-07-30)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1959-07-30)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
2:01
13How Am I to Know?
cello, harp, viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-05-27)
double bass:
Joe Comfort (on 1960-05-27)
drums (drum set):
Frank Flynn (on 1960-05-27) and Alvin Stoller (on 1960-05-27)
guitar:
Al Hendrickson (on 1960-05-27)
piano:
Bill Miller (pianist) (on 1960-05-27)
saxophone:
Buddy Collette (on 1960-05-27), Plas Johnson (on 1960-05-27), Joe Koch (on 1960-05-27), Abe Most (on 1960-05-27) and Wilbur Schwartz (on 1960-05-27)
trombone:
Dick Noel (trombone) (on 1960-05-27), Pullman “Tommy” Pederson (on 1960-05-27), George Roberts (american bass trombone) (on 1960-05-27) and Tommy Shepard (trombonist) (on 1960-05-27)
trumpet:
Pete Candoli (on 1960-05-27), Don Fagerquist (on 1960-05-27), Carroll Lewis (trumpeter) (on 1960-05-27) and Shorty Sherock (on 1960-05-27)
vocals:
Rosemary Clooney (on 1960-05-27)
2:51
14Clap Hands! Here Comes Rosie / Everything's Coming Up Roses
producer:
Dick Peirce
piano:
Jimmy Rowles (on 1960-02-18)
saxophone:
Ronnie Lang (on 1960-02-18), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-02-18) and Bud Shank (on 1960-02-18)
trombone:
Milt Bernhart (on 1960-02-18)
trumpet:
Pete Candoli (on 1960-02-18) and Don Fagerquist (on 1960-02-18)
vocals:
Rosemary Clooney (on 1960-02-18)
conductor:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader) (on 1960-02-18)
medley including a recording of:
Clap Hands, Here Comes Charley (on 1960-02-18)
lyricist:
Ballard MacDonald and Billy Rose (lyricist and Broadway producer)
composer:
Ballard MacDonald (in 1925), Joseph Meyer (US songwriter) (in 1925) and Billy Rose (lyricist and Broadway producer) (in 1925)
publisher:
Lawrence Wright Music Co., Ltd. (on 1937-03-24)
medley including a recording of:
Everything’s Coming Up Roses (Gypsy) (on 1960-02-18)
lyricist:
Stephen Sondheim
composer:
Jule Styne
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Gypsy
2:16

Credits

Release

ASIN:US: B000G7PNGI [info]