Annotation

label: Editio Classica77151

Annotation last modified on 2006-01-05 03:26 UTC.

Tracklist

Medium 1
# Title Artist Rating Length
1 Kaffee-Kantate, BWV 211: I. Recitativo (Erzähler): Schweigt stille, plaudert nicht
Johann Sebastian Bach 0:39
2 Kaffee-Kantate, BWV 211: II. Aria (Schlendrian): Hat man nicht mit seinen Kindern
Johann Sebastian Bach 3:14
3 Kaffee-Kantate, BWV 211: III. Recitativo (Schlendrian): Du böses Kind, du loses Mädchen
Johann Sebastian Bach 0:44
4 Kaffee-Kantate, BWV 211: IV. Aria (Lieschen): Ei, wie schmeckt der Coffee süße
Johann Sebastian Bach 4:45
5 Kaffee-Kantate, BWV 211: V. Recitativo (Schlendrian): Wenn du mir nicht den Coffee läßt
Johann Sebastian Bach 1:20
6 Kaffee-Kantate, BWV 211: VI. Aria (Schlendrian): Mädchen, die von harten Sinnen
Johann Sebastian Bach 3:30
7 Kaffee-Kantate, BWV 211: VII. Recitativo (Schlendrian): Nun folge, was dein Vater spricht
Johann Sebastian Bach 0:55
8 Kaffee-Kantate, BWV 211: VIII. Aria (Lieschen): Heute noch, heute noch
Johann Sebastian Bach 6:55
9 Kaffee-Kantate, BWV 211: IX. Recitativo (Erzähler): Nun geht und sucht der alte Schlendrian
Johann Sebastian Bach 0:45
10 Kaffee-Kantate, BWV 211: X. Coro: Die Katze läßt das Mausen nicht
Johann Sebastian Bach 5:05
11 Bauern-Kantate, BWV 212: I. Sinfonia
Johann Sebastian Bach 2:23
12 Bauern-Kantate, BWV 212: II. Duetto: Mer han en neue Oberkeet
Johann Sebastian Bach 0:40
13 Bauern-Kantate, BWV 212: III. Recitativo (Basso): Nu, Miecke, gib dein Guschel immer her
Johann Sebastian Bach 0:54
14 Bauern-Kantate, BWV 212: IV. Aria (Soprano): Ach es schmeckt doch gar zu gut
Johann Sebastian Bach 1:03
15 Bauern-Kantate, BWV 212: V. Recitativo (Basso): Der Herr ist gut
Johann Sebastian Bach 0:26
16 Bauern-Kantate, BWV 212: VI. Aria (Basso): Ach, Herr Schösser, geht nicht gar zu schlimm
Johann Sebastian Bach 1:16
17 Bauern-Kantate, BWV 212: VII. Recitativo (Soprano): Es bleibt dabei, daß unser Herr der beste sei
Johann Sebastian Bach 0:23
18 Bauern-Kantate, BWV 212: VIII. Aria (Soprano): Unser trefflicher lieber Kammerherr
Johann Sebastian Bach 1:53
19 Bauern-Kantate, BWV 212: IX. Recitativo (Basso): Er hilft uns allen, alt und jung
Johann Sebastian Bach 0:29
20 Bauern-Kantate, BWV 212: X. Aria (Soprano): Das ist galant
Johann Sebastian Bach 1:17
21 Bauern-Kantate, BWV 212: XI. Recitativo (Basso): Und unsre gnädige Frau ist nicht ein prinkel stolz
Johann Sebastian Bach 0:42
22 Bauern-Kantate, BWV 212: XII. Aria (Basso): Fünfzig Taler bares Geld
Johann Sebastian Bach 0:50
23 Bauern-Kantate, BWV 212: XIII. Recitativo (Soprano): Im Ernst ein Wort!
Johann Sebastian Bach 0:27
24 Bauern-Kantate, BWV 212: XIV. Aria (Soprano): Klein Zschocher müsse so zart und süße
Johann Sebastian Bach 6:21
25 Bauern-Kantate, BWV 212: XV. Recitativo (Basso): Das ist zu klug vor dich
Johann Sebastian Bach 0:20
26 Bauern-Kantate, BWV 212: XVI. Aria (Basso): Es nehme zehntausend Ducaten
Johann Sebastian Bach 0:41
27 Bauern-Kantate, BWV 212: XVII. Recitativo (Soprano): Das klingt zu liederlich
Johann Sebastian Bach 0:20
28 Bauern-Kantate, BWV 212: XVIII. Aria (Soprano): Gib, Schöne, viel Söhne von artger Gestalt
Johann Sebastian Bach 0:31
29 Bauern-Kantate, BWV 212: XIX. Recitativo (Basso): Du hast wohl recht
Johann Sebastian Bach 0:18
30 Bauern-Kantate, BWV 212: XX. Aria (Basso): Dein Wachstum sei feste und lache vor Lust
Johann Sebastian Bach 6:15
31 Bauern-Kantate, BWV 212: XXI. Recitativo (Soprano): Und damit sei es auch genug
Johann Sebastian Bach 0:20
32 Bauern-Kantate, BWV 212: XXII. Recitativo (Basso): Und daß ihr's alle wißt
Johann Sebastian Bach 0:45
33 Bauern-Kantate, BWV 212: XXIII. Aria (Soprano): Mein Schatz, erraten!
Johann Sebastian Bach 0:31
34 Bauern-Kantate, BWV 212: XXIV. Coro: Wir gehn nun, wo der Tudelsack
Johann Sebastian Bach 1:16
Medium 2
# Title Artist Rating Length
1 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Weichet nur, betrübte Schatten
Johann Sebastian Bach 7:05
2 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Die Welt wird wieder neu
Johann Sebastian Bach 0:32
3 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Phöbus eilt mit schnellen Pfeilen
Johann Sebastian Bach 3:49
4 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Drum sucht auch Amor sein Vergnügen
Johann Sebastian Bach 0:42
5 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Wenn die Frühlingslüfte streichen
Johann Sebastian Bach 3:01
6 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Und dieses ist das Glücke
Johann Sebastian Bach 0:46
7 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sich üben im Lieben
Johann Sebastian Bach 5:19
8 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: So sei das Band der keuschen Liebe
Johann Sebastian Bach 0:26
9 Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sehet in Zufriedenheit
Johann Sebastian Bach 1:51
10 Kantate "Non sà che sia dolore", BWV 209: Sinfonia
Johann Sebastian Bach 7:15
11 Kantate "Non sà che sia dolore", BWV 209: Non sà che sia dolore
Johann Sebastian Bach 1:04
12 Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore
Johann Sebastian Bach 9:14
13 Kantate "Non sà che sia dolore", BWV 209: Tuo saver al tempo e l'età
Johann Sebastian Bach 0:45
14 Kantate "Non sà che sia dolore", BWV 209: Recitti gramezza e pavento
Johann Sebastian Bach 6:29

Credits

Medium 1

composed in:
Leipzig, Sachsen, Germany (1734 – 1735) (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8–9, 9–10, 10)
Leipzig, Sachsen, Germany (1742) (tracks 11, 11–12, 12–13, 13–14, 14–15, 15–16, 16–17, 17–18, 18–19, 19–20, 20–21, 21–22, 22–23, 23–24, 24–25, 25–26, 26–27, 27–28, 28–29, 29–30, 30–31, 31–32, 32–33, 33–34, 34)
premiered in:
Leipzig, Sachsen, Germany (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8–9, 9–10, 10)
Leipzig, Sachsen, Germany (1742-08-30) (tracks 11, 11–12, 12–13, 13–14, 14–15, 15–16, 16–17, 17–18, 18–19, 19–20, 20–21, 21–22, 22–23, 23–24, 24–25, 25–26, 26–27, 27–28, 28–29, 29–30, 30–31, 31–32, 32–33, 33–34, 34)
bass vocals:
Siegmund Nimsgern (bass-baritone) (1964 – 1968) (tracks 2–3, 5–7, 10, 12–13, 15–16, 19, 21–22, 25–26, 29–31, 33–34)
composer:
Johann Sebastian Bach (1734 – 1735) (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8–9, 9–10, 10)
Johann Sebastian Bach (1742) (tracks 11, 11–12, 12–13, 13–14, 14–15, 15–16, 16–17, 17–18, 18–19, 19–20, 20–21, 21–22, 22–23, 23–24, 24–25, 25–26, 26–27, 27–28, 28–29, 29–30, 30–31, 31–32, 32–33, 33–34, 34)
conductor:
Franzjosef Maier (German violinist and conductor) (tracks 1–34)
librettist:
Christian Friedrich Henrici (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8, 11, 11–12, 12–13, 13–14, 14–15, 15–16, 16–17, 17–18, 18–19, 19–20, 20–21, 21–22, 22–23, 23–24, 24–25, 25–26, 26–27, 27–28, 28–29, 29–30, 30–31, 31–32, 32–33, 33–34, 34)
[anonymous] (Special Purpose Artist) (tracks 9, 9–10, 10)
orchestra:
Collegium Aureum (tracks 1–34)
performer:
Collegium Aureum (1964 – 1968) (tracks 1–34)
soprano vocals:
Elly Ameling (1964 – 1968) (tracks 3–5, 7–8, 10, 12–14, 17–20, 23–24, 27–28, 31–34)
tenor vocals:
Gerald English (English tenor) (1964 – 1968) (tracks 1, 9–10)
vocals:
Elly Ameling (tracks 2, 8)
Siegmund Nimsgern (bass-baritone) (tracks 2, 8)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8–9, 9–10, 10)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (1964 – 1968) (tracks 1–34)
is based on:
Folia (tracks 18, 18)
later translated versions:
Good Fellows Be Merry (tracks 30, 30)
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht" (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8–9, 9–10, 10)
Kantate, BWV 212 "Mer hahn en neue Oberkeet" (tracks 11, 11–12, 12–13, 13–14, 14–15, 15–16, 16–17, 17–18, 18–19, 19–20, 20–21, 21–22, 22–23, 23–24, 24–25, 25–26, 26–27, 27–28, 28–29, 29–30, 30–31, 31–32, 32–33, 33–34, 34)
recording of:

Medium 2

composed in:
Leipzig, Sachsen, Germany (tracks 10, 10–11, 11–12, 12–13, 13–14, 14)
premiered in:
Leipzig, Sachsen, Germany (1729) (tracks 10, 10–11, 11–12, 12–13, 13–14, 14)
composer:
Johann Sebastian Bach (1718 – 1723) (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8–9, 9)
Johann Sebastian Bach (1729) (tracks 10, 10–11, 11–12, 12–13, 13–14, 14)
conductor:
Franzjosef Maier (German violinist and conductor) (tracks 10–14)
Reinhard Peters (tracks 1–9)
librettist:
[anonymous] (Special Purpose Artist) (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8–9, 9–10, 10–11, 11–12, 12–13, 13–14, 14)
orchestra:
Collegium Aureum (tracks 1–14)
performer:
Collegium Aureum (1964 – 1968) (tracks 1–14)
soprano vocals:
Elly Ameling (tracks 1–9, 11–14)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (1964 – 1968) (tracks 1–14)
arrangements:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (catch all for arrangements) (tracks 10, 10)
part of:
Kantate, BWV 209 "Non sa che sia dolore" (tracks 10, 10–11, 11–12, 12–13, 13–14, 14)
Kantate, BWV 202 "Weichet nur, betrübte Schatten" (tracks 1, 1–2, 2–3, 3–4, 4–5, 5–6, 6–7, 7–8, 8–9, 9)
recording of: