Vier weltliche Kantaten

~ Release by Johann Sebastian Bach; Elly Ameling, Gerald English, Siegmund Nimsgern, Collegium Aureum (see all versions of this release, 2 available)

Annotation

label: Editio Classica77151

Annotation last modified on 2006-01-05 03:26 UTC.

Tracklist

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▼ Medium 1
#TitleArtistRatingLength
1Kaffee-Kantate, BWV 211: I. Recitativo (Erzähler): Schweigt stille, plaudert nicht
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:39
2Kaffee-Kantate, BWV 211: II. Aria (Schlendrian): Hat man nicht mit seinen Kindern
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 1964 until 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:14
3Kaffee-Kantate, BWV 211: III. Recitativo (Schlendrian): Du böses Kind, du loses Mädchen
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:44
4Kaffee-Kantate, BWV 211: IV. Aria (Lieschen): Ei, wie schmeckt der Coffee süße
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:45
5Kaffee-Kantate, BWV 211: V. Recitativo (Schlendrian): Wenn du mir nicht den Coffee läßt
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:20
6Kaffee-Kantate, BWV 211: VI. Aria (Schlendrian): Mädchen, die von harten Sinnen
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:30
7Kaffee-Kantate, BWV 211: VII. Recitativo (Schlendrian): Nun folge, was dein Vater spricht
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:55
8Kaffee-Kantate, BWV 211: VIII. Aria (Lieschen): Heute noch, heute noch
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 1964 until 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:55
9Kaffee-Kantate, BWV 211: IX. Recitativo (Erzähler): Nun geht und sucht der alte Schlendrian
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:45
10Kaffee-Kantate, BWV 211: X. Coro: Die Katze läßt das Mausen nicht
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:05
11Bauern-Kantate, BWV 212: I. Sinfonia
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:23
12Bauern-Kantate, BWV 212: II. Duetto: Mer han en neue Oberkeet
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:40
13Bauern-Kantate, BWV 212: III. Recitativo (Basso): Nu, Miecke, gib dein Guschel immer her
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:54
14Bauern-Kantate, BWV 212: IV. Aria (Soprano): Ach es schmeckt doch gar zu gut
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:03
15Bauern-Kantate, BWV 212: V. Recitativo (Basso): Der Herr ist gut
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:26
16Bauern-Kantate, BWV 212: VI. Aria (Basso): Ach, Herr Schösser, geht nicht gar zu schlimm
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:16
17Bauern-Kantate, BWV 212: VII. Recitativo (Soprano): Es bleibt dabei, daß unser Herr der beste sei
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
18Bauern-Kantate, BWV 212: VIII. Aria (Soprano): Unser trefflicher lieber Kammerherr
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:53
19Bauern-Kantate, BWV 212: IX. Recitativo (Basso): Er hilft uns allen, alt und jung
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
20Bauern-Kantate, BWV 212: X. Aria (Soprano): Das ist galant
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:17
21Bauern-Kantate, BWV 212: XI. Recitativo (Basso): Und unsre gnädige Frau ist nicht ein prinkel stolz
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:42
22Bauern-Kantate, BWV 212: XII. Aria (Basso): Fünfzig Taler bares Geld
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:50
23Bauern-Kantate, BWV 212: XIII. Recitativo (Soprano): Im Ernst ein Wort!
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:27
24Bauern-Kantate, BWV 212: XIV. Aria (Soprano): Klein Zschocher müsse so zart und süße
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:21
25Bauern-Kantate, BWV 212: XV. Recitativo (Basso): Das ist zu klug vor dich
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
26Bauern-Kantate, BWV 212: XVI. Aria (Basso): Es nehme zehntausend Ducaten
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
27Bauern-Kantate, BWV 212: XVII. Recitativo (Soprano): Das klingt zu liederlich
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
28Bauern-Kantate, BWV 212: XVIII. Aria (Soprano): Gib, Schöne, viel Söhne von artger Gestalt
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:31
29Bauern-Kantate, BWV 212: XIX. Recitativo (Basso): Du hast wohl recht
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:18
30Bauern-Kantate, BWV 212: XX. Aria (Basso): Dein Wachstum sei feste und lache vor Lust
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:15
31Bauern-Kantate, BWV 212: XXI. Recitativo (Soprano): Und damit sei es auch genug
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
32Bauern-Kantate, BWV 212: XXII. Recitativo (Basso): Und daß ihr's alle wißt
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:45
33Bauern-Kantate, BWV 212: XXIII. Aria (Soprano): Mein Schatz, erraten!
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:31
34Bauern-Kantate, BWV 212: XXIV. Coro: Wir gehn nun, wo der Tudelsack
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:16
▼ Medium 2
#TitleArtistRatingLength
1Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Weichet nur, betrübte Schatten
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach7:05
2Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Die Welt wird wieder neu
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:32
3Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Phöbus eilt mit schnellen Pfeilen
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:49
4Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Drum sucht auch Amor sein Vergnügen
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:42
5Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Wenn die Frühlingslüfte streichen
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:01
6Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Und dieses ist das Glücke
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:46
7Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sich üben im Lieben
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach5:19
8Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: So sei das Band der keuschen Liebe
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:26
9Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sehet in Zufriedenheit
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:51
10Kantate "Non sà che sia dolore", BWV 209: Sinfonia
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (in 1966)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach7:15
11Kantate "Non sà che sia dolore", BWV 209: Non sà che sia dolore
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (in 1966)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach1:04
12Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (in 1966)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach9:14
13Kantate "Non sà che sia dolore", BWV 209: Tuo saver al tempo e l'età
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (in 1966)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach0:45
14Kantate "Non sà che sia dolore", BWV 209: Recitti gramezza e pavento
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (in 1966)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach6:29