Used Songs: 1973–1980

~ Release by Tom Waits (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Heartattack and Vine
engineer:
Dayton “Bones” Howe (from 1980-06-16 until 1980-07-15) and Geoff Howe (from 1980-06-16 until 1980-07-15)
producer:
Dayton “Bones” Howe
baritone saxophone and tenor saxophone:
Plas Johnson (from 1980-06-16 until 1980-07-15)
bass:
Larry Taylor (US bassist) (from 1980-06-16 until 1980-07-15)
drums (drum set):
John Thomassie (from 1980-06-16 until 1980-07-15)
electric guitar:
Tom Waits (from 1980-06-16 until 1980-07-15)
vocals:
Tom Waits (from 1980-06-16 until 1980-07-15)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1980-06-16 until 1980-07-15)
recording of:
Heartattack and Vine (from 1980-06-16 until 1980-07-15)
lyricist and composer:
Tom Waits
publisher:
Jalma Music
Tom Waits4:44
2Eggs and Sausage (In a Cadillac With Susan Michelson)
engineer and producer:
Bones Howe
double bass [upright bass]:
Jim Hughart (from 1975-07-30 until 1975-07-31)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (from 1975-07-30 until 1975-07-31)
electric piano:
Mike Melvoin (from 1975-07-30 until 1975-07-31)
piano:
Tom Waits (from 1975-07-30 until 1975-07-31)
tenor saxophone:
Pete Christlieb (from 1975-07-30 until 1975-07-31)
vocals:
Tom Waits (from 1975-07-30 until 1975-07-31)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1975-07-30 until 1975-07-31)
live recording of:
Eggs and Sausage (In a Cadillac With Susan Michelson) (from 1975-07-30 until 1975-07-31)
lyricist and composer:
Tom Waits
Tom Waits34:23
3A Sight for Sore Eyes
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
vocals:
Tom Waits (from 1977-07-28 until 1977-08-15)
recording of:
A Sight for Sore Eyes (from 1977-07-28 until 1977-08-15)
lyricist and composer:
Tom Waits
Tom Waits4:41
4Whistlin’ Past the Graveyard
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Scott Edwards (bassist) (from 1978-07 until 1978-08)
drums (drum set):
Earl Palmer (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Alvin Robinson (from 1978-07 until 1978-08)
piano:
Harold Battiste (from 1978-07 until 1978-08)
tenor saxophone:
Herb Hardesty (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Whistlin’ Past the Graveyard (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
Tom Waits4.53:16
5Burma Shave
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
vocals:
Tom Waits (from 1977-07-28 until 1977-08-15)
conductor:
Bob Alcivar (from 1977-07-28 until 1977-08-15)
recording of:
Burma Shave (from 1977-07-28 until 1977-08-15)
orchestrator:
Bob Alcivar
lyricist and composer:
Tom Waits
Tom Waits46:33
6Step Right Up
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Step Right Up (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
Tom Waits25:41
7Ol’ ’55
engineer:
Richie Moore (engineer)
producer:
Jerry Yester
double bass:
Bill Plummer
guitar:
Peter Klimes
membranophone and background vocals:
John Seiter
piano:
Tom Waits
vocals:
Tom Waits
recording of:
Ol’ ’55
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
Tom Waits3:58
8I Never Talk to Strangers
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
vocals:
Bette Midler (from 1977-07-28 until 1977-08-15) and Tom Waits (from 1977-07-28 until 1977-08-15)
conductor:
Bob Alcivar (from 1977-07-28 until 1977-08-15)
performer:
Bette Midler (from 1977-07-28 until 1977-08-15)
recording of:
I Never Talk to Strangers (from 1977-07-28 until 1977-08-15)
orchestrator:
Bob Alcivar
lyricist and composer:
Tom Waits
Tom Waits feat. Bette Midler3:39
9Mr. Siegal
engineer:
Dayton “Bones” Howe (from 1980-06-16 until 1980-07-15) and Geoff Howe (from 1980-06-16 until 1980-07-15)
producer:
Dayton “Bones” Howe
bass:
Larry Taylor (US bassist) (from 1980-06-16 until 1980-07-15)
drums (drum set):
John Thomassie (from 1980-06-16 until 1980-07-15)
electric guitar:
Roland Bautista (from 1980-06-16 until 1980-07-15) and Tom Waits (from 1980-06-16 until 1980-07-15)
piano:
Ronnie Barron (from 1980-06-16 until 1980-07-15)
vocals:
Tom Waits (from 1980-06-16 until 1980-07-15)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1980-06-16 until 1980-07-15)
recording of:
Mr. Siegal (from 1980-06-16 until 1980-07-15)
lyricist and composer:
Tom Waits
Tom Waits5:14
10Jersey Girl
engineer:
Dayton “Bones” Howe (from 1980-06-16 until 1980-07-15) and Geoff Howe (from 1980-06-16 until 1980-07-15)
producer:
Dayton “Bones” Howe
12 string guitar:
Roland Bautista (from 1980-06-16 until 1980-07-15)
bass:
Greg Cohen (from 1980-06-16 until 1980-07-15)
drums (drum set):
John Thomassie (from 1980-06-16 until 1980-07-15)
electric guitar:
Tom Waits (from 1980-06-16 until 1980-07-15)
glockenspiel and percussion:
Victor Feldman (jazz musician) (from 1980-06-16 until 1980-07-15)
vocals:
Tom Waits (from 1980-06-16 until 1980-07-15)
conductor:
Jerry Yester (from 1980-06-16 until 1980-07-15)
arranger:
Jerry Yester
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1980-06-16 until 1980-07-15)
recording of:
Jersey Girl (from 1980-06-16 until 1980-07-15)
lyricist and composer:
Tom Waits
Tom Waits5:11
11Christmas Card From a Hooker in Minneapolis
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
electric piano:
George Duke (from 1978-07 until 1978-08)
piano:
Tom Waits (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Christmas Card From a Hooker in Minneapolis (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
Tom Waits44:32
12Blue Valentines
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Blue Valentines (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
Tom Waits45:51
13(Looking for) The Heart of Saturday Night
sound engineer, engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
(Looking for) The Heart of Saturday Night (in 1974)
lyricist and composer:
Tom Waits
Tom Waits33:52
14Muriel
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
vocals:
Tom Waits (from 1977-07-28 until 1977-08-15)
recording of:
Muriel (from 1977-07-28 until 1977-08-15)
lyricist and composer:
Tom Waits
Tom Waits3:35
15Wrong Side of the Road
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Jim Hughart (from 1978-07 until 1978-08)
drums (drum set):
Chip White (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
organ:
Charles Kynard (from 1978-07 until 1978-08)
tenor saxophone:
Frank Vicari (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Wrong Side of the Road (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
Tom Waits45:14
16Tom Traubert’s Blues (Four Sheets to the Wind in Copenhagen)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
cello:
Jesse Ehrlich (from 1976-07-15 until 1976-07-29), Edgar Lustgarten (from 1976-07-15 until 1976-07-29), Kathleen Lustgarten (from 1976-07-15 until 1976-07-29) and Ray Kelley (from 1976-07-15 until 1976-07-29)
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
viola:
Samuel Boghossian (from 1976-07-15 until 1976-07-29), Allan Harshman (from 1976-07-15 until 1976-07-29) and David Schwartz (violist) (from 1976-07-15 until 1976-07-29)
violin:
Murray Adler (from 1976-07-15 until 1976-07-29), Israel Baker (violinist) (from 1976-07-15 until 1976-07-29), Harry Bluestone (from 1976-07-15 until 1976-07-29), Nathan Kaproff (from 1976-07-15 until 1976-07-29), George Kast (from 1976-07-15 until 1976-07-29), Marvin Limonick (from 1976-07-15 until 1976-07-29), Alfred Lustgarten (from 1976-07-15 until 1976-07-29), Nathan Ross (from 1976-07-15 until 1976-07-29) and Sheldon Sanov (violinist) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
conductor:
Jerry Yester (from 1976-07-15 until 1976-07-29)
strings arranger:
Jerry Yester
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Tom Traubert’s Blues (Four Sheets to the Wind in Copenhagen) (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
is based on:
Waltzing Matilda
Tom Waits36:35