Cantatas, BWV 179–181

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Kantate, BWV 179 “Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei”: I. Coro “Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": I. Coro "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei" (in 1974-02)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach3:38
2Kantate, BWV 179 “Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei”: II. Recitativo (Tenor) “Das heutge Christentum ist leider schlecht bestellt”
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": II. Recitativo (Tenor) "Das heutge Christentum ist leider schlecht bestellt" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:06
3Kantate, BWV 179 “Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei”: III. Aria (Tenor) “Falscher Heuchler Ebenbild”
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": III. Aria (Tenor) "Falscher Heuchler Ebenbild" (in 1974-02)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach2:50
4Kantate, BWV 179 “Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei”: IV. Recitativo (Bass) “Wer so von innen wie von außen ist”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": IV. Recitativo (Bass) "Wer so von innen wie von außen ist" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:47
5Kantate, BWV 179 “Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei”: V. Aria (Sopran) “Liebster Gott, erbarme dich”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Aria (Sopran) "Liebster Gott, erbarme dich" (in 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach6:19
6Kantate, BWV 179 “Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei”: VI. Choral “Ich armer Mensch, ich armer Sünder”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": VI. Choral "Ich armer Mensch, ich armer Sünder" (in 1974-02)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Christoph Tietze (in 1663)
part of:
Breitkopf 389 Choralgesänge (number: 371)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:10
7Kantate, BWV 180 “Schmücke dich, o liebe Seele”: I. Choral “Schmücke dich, o liebe Seele”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach6:11
8Kantate, BWV 180 “Schmücke dich, o liebe Seele”: II. Aria (Tenor) “Ermuntre dich: dein Heiland klopft”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": II. Aria (Tenor) "Ermuntre dich: dein Heiland klopft" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach5:54
9Kantate, BWV 180 “Schmücke dich, o liebe Seele”: III. Recitativo e Choral (Sopran) “Wie teuer sind des heilgen Mahles Gaben”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo e Choral (Sopran) "Wie teuer sind des heilgen Mahles Gaben" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:25
10Kantate, BWV 180 “Schmücke dich, o liebe Seele”: IV. Recitativo (Alt) “Mein Herz fühlt in sich Furcht und Freude”
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": IV. Recitativo (Alt) "Mein Herz fühlt in sich Furcht und Freude" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:30
11Kantate, BWV 180 “Schmücke dich, o liebe Seele”: V. Aria (Sopran) “Lebens Sonne, Licht der Sinnen”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": V. Aria (Sopran) "Lebens Sonne, Licht der Sinnen" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:52
12Kantate, BWV 180 “Schmücke dich, o liebe Seele”: VI. Recitativo (Bass) “Herr, laß an mir dein treues Lieben”
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VI. Recitativo (Bass) "Herr, laß an mir dein treues Lieben" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:09
13Kantate, BWV 180 “Schmücke dich, o liebe Seele”: VII. Choral “Jesu, wahres Brot des Lebens”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 304)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:13
14Kantate, BWV 181 “Leichtgesinnte Flattergeister”: I. Aria (Bass) “Leichtgesinnte Flattergeister”
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (Bass) "Leichtgesinnte Flattergeister" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach3:14
15Kantate, BWV 181 “Leichtgesinnte Flattergeister”: II. Recitativo (Alt) “O unglückselger Stand verkehrter Seelen”
alto vocals:
Gabriele Schnaut (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": II. Recitativo (Alt) "O unglückselger Stand verkehrter Seelen" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach1:53
16Kantate, BWV 181 “Leichtgesinnte Flattergeister”: III. Aria (Tenor) “Der schädlichen Dornen unendliche Zahl”
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": III. Aria (Tenor) "Der schädlichen Dornen unendliche Zahl" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach2:42
17Kantate, BWV 181 “Leichtgesinnte Flattergeister”: IV. Recitativo (Sopran) “Von diesen wird die Kraft erstickt”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": IV. Recitativo (Sopran) "Von diesen wird die Kraft erstickt" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach0:51
18Kantate, BWV 181 “Leichtgesinnte Flattergeister”: V. Coro “Laß, Höchster, uns zu allen Zeiten”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Coro "Laß, Höchster, uns zu allen Zeiten" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach5:03

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 54) (order: 54)