Annotation

5 CDs of superb­ classical perf­ormances from s­uch acclaimed o­rchestras as th­e Orchestra Of ­St John s Smith­ Square, Royal ­Philharmonic Or­chestra, London­ Symphony Orche­stra and many m­ore. Featuring ­ever popular wo­rks by Beethove­n, Dvorak, Hand­el, Mozart and ­many more 100 G­reatest Classic­s is the perfec­t introduction ­to classical mu­sic.

Annotation last modified on 2013-08-11 19:26 .

Tracklist

CD 1: 100 Greatest Classics, Volume One
# Title Artist Rating Length
1 Abdelazar - Rondeau
Henry Purcell 1:45
2 Canon in D major
Johann Pachelbel 5:17
3 Prince Of Denmark’s March “Trumpet Voluntary”
Jeremiah Clarke 2:18
4 Suite no. 3 - Air on the G string
Johann Sebastian Bach 5:16
5 Brandenburg Concerto no. 1, BWV 1046: II. Adagio
Johann Sebastian Bach 3:59
6 Brandenburg Concerto no. 2, BWV 1047: III. Adagio assai
Johann Sebastian Bach 3:01
7 Toccata and Fugue in D minor - Toccata
Johann Sebastian Bach 3:11
8 Coronation Anthem - Zadok the Priest
Georg Friedrich Händel 5:38
9 Solomon - Sinfonia: The Arrival of the Queen of Sheba
Georg Friedrich Händel 3:04
10 Messiah - Hallelujah Chorus
Georg Friedrich Händel 3:58
11 Orfeo ed Euridice - Melody “Dance of the Blessed Spirits”
Christoph Willibald Gluck 3:02
12 The Lark - 1st movement: Allegro moderatto
Joseph Haydn 5:39
13 The Marriage of Figaro - Overture
Wolfgang Amadeus Mozart 4:17
14 Horn Concerto no. 4, K. 495: III. Rondo
Wolfgang Amadeus Mozart 3:47
15 German Dance no. 1
Wolfgang Amadeus Mozart 1:55
16 Ave Verum Corpus
Wolfgang Amadeus Mozart 3:29
17 Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
Wolfgang Amadeus Mozart 3:10
18 String Sonata no. 1, 3rd movement: Allegro
Gioachino Rossini 2:29
19 Piano Sonata no. 8, op. 13 “Pathétique”: II. Adagio cantabile
Ludwig van Beethoven 6:02
20 Egmont, op. 84: Overture
Ludwig van Beethoven 8:36
CD 2: 100 Greatest Classics, Volume Two
# Title Artist Rating Length
1 Guitar Quintet “Fandango” - 4th movement
Luigi Boccherini 5:32
2 Schwanengesang (Swansong) - Serenade (Standchen)
Franz Schubert 4:02
3 Piano Quintet “The Trout”, 5th movement: Theme & 1st Variation
Franz Schubert 2:08
4 The Childhood of Christ - The Shepherds’
Hector Berlioz 4:50
5 Symphonie Fantastique - The Ball
Hector Berlioz 6:38
6 Radetzky March
Johann Strauss I 2:54
7 Octet, 3rd movement: Scherzo
Felix Mendelssohn 4:37
8 O for the Wings of a Dove
Felix Mendelssohn 5:53
9 Fantaisie: Impromptu
Frédéric Chopin 4:59
10 Waltz in D-flat major, op. 64 no. 1, “The Minute Waltz’’
Frédéric Chopin 1:49
11 Kinderszenen (Scenes From Childhood) - Traumerei (Dreaming)
Robert Schumann 3:28
12 Liebestraum no. 3
Franz Liszt 4:47
13 La Traviata - Prelude, Act III
Giuseppe Verdi 4:15
14 Die Walkure - The Ride of the Valkyries
Richard Wagner 5:09
15 Lohengrin - Prelude, Act III
Richard Wagner 3:07
16 The Tales Of Hoffmann - Barcarolle
Jacques Offenbach 3:08
17 Serenade no. 1 - Minuetto 1 & 2
Johannes Brahms 4:02
18 Hungarian Dance no. 1
Johannes Brahms 3:01
19 Carmen - Prelude
Georges Bizet 2:29
20 L’Arlesienne - Farandole
Georges Bizet 3:01
CD 3: 100 Greatest Classics, Volume Three
# Title Artist Rating Length
1 Blue Danube Waltz (Abridged)
Johann Strauss II 4:16
2 Pizzicato Polka
Johann Strauss II 2:34
3 String Quartet no. 2 - Nocturne (“And This Is My Beloved’’)
Александр Порфирьевич Бородин 4:53
4 Violin Concerto no. 1 in G minor, op. 26
Max Bruch 8:00
5 Danse Macabre
Camille Saint‐Saëns 7:05
6 Carnival of the Animals - The Swan
Camille Saint‐Saëns 2:59
7 Swan Lake - Scene
Пётр Ильич Чайковский 3:12
8 Swan Lake - Dance of the Little Swans
Пётр Ильич Чайковский 1:31
9 Serenade For Strings - Waltz
Пётр Ильич Чайковский 3:57
10 The Nutcracker - Dance of the Sugar-Plum Fairy
Пётр Ильич Чайковский 1:58
11 Serenade For Strings, op. 22: I. Moderato
Antonín Dvořák 4:47
12 Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
Antonín Dvořák 4:26
13 Slavonic Dance no. 8
Antonín Dvořák 4:04
14 Thais - Meditation
Jules Massenet 4:44
15 Sadko - Song of India
Николай Андреевич Римский‐Корсаков 3:37
16 Dolly Suite - Berceuse
Gabriel Fauré 3:02
17 Après un rêve (After a Dream)
Gabriel Fauré 3:02
18 Holberg Suite - Praeludium
Edvard Grieg 2:23
19 Peer Gynt - Morning
Edvard Grieg 5:35
20 Lyric Suite - March of the Dwarfs
Edvard Grieg 3:35
CD 4: 100 Greatest Classics, Volume Four
# Title Artist Rating Length
1 Organ Symphony no. 5 - Toccata
Charles‐Marie Widor ?:??
2 España - Rapsodie
Emmanuel Chabrier ?:??
3 Serenade For Strings - Larghetto
Sir Edward Elgar ?:??
4 Salut D’Amour
Sir Edward Elgar ?:??
5 Caucasian Sketches - Procession of the Sardar
Михаил Михайлович Ипполитов‐Иванов ?:??
6 Espana - Tango
Isaac Albéniz ?:??
7 Italian Serenade
Hugo Wolf ?:??
8 Irmelin - Prelude
Frederick Delius ?:??
9 Suite Bergamasque - Clair de Lune
Claude Debussy ?:??
10 Preludes - The Girl With the Flaxen Hair (La Fille Aux Cheveux De Lin)
Claude Debussy ?:??
11 Children’s Corner - The Golliwog’s Cakewalk
Claude Debussy ?:??
12 Gymnopedie no. 1
Erik Satie ?:??
13 Danzas Espanolas - Andaluza (Playera)
Enrique Granados ?:??
14 Fantasia on “Greensleeves”
Ralph Vaughan Williams ?:??
15 Suite no. 2 - Fantasia On “The Dargason” (Including “Greensleeves”)
Gustav Holst ?:??
16 Rhapsody On A Theme Of Paganini - 18th Variation
Сергей Васильевич Рахманинов ?:??
17 Country Gardens
Percy Grainger ?:??
18 Shepherd’s Hey
Percy Grainger ?:??
19 La Vida Breve - Spanish Dance no. 1
Manuel de Falla ?:??
20 El Amor Brujo (Love, The Magician) - Ritual Fire Dance
Manuel de Falla ?:??
CD 5: 100 Greatest Classics, Volume Five
# Title Artist Rating Length
1 Daybreak - Daphnis et Chloé
Maurice Ravel 5:18
2 Pavane for a Dead Infanta (Pavane pour une Infante Defunte)
Maurice Ravel 5:09
3 The Planets: Jupiter, the Bringer of Jollity (excerpt)
Gustav Holst 5:12
4 Serenata - The Jewels of the Madonna
Ermanno Wolf-Ferrari 3:30
5 Bailéro
Joseph Canteloube 3:45
6 The Firebird - The Princesses’ Round Dance (Khorovod)
Игорь Фёдорович Стравинский 4:00
7 By the Sleepy Lagoon
Eric Coates 4:06
8 Winter Bonfire - The Departure
Сергей Сергеевич Прокофьев 2:44
9 Romeo and Juliet - The Montagues and the Capuletes
Сергей Сергеевич Прокофьев 5:34
10 Lieutenant Kijé, op. 60: Troika
Сергей Сергеевич Прокофьев 3:09
11 Capriol Suite - Pieds-en-l’air & Mattachins
Peter Warlock 3:21
12 Rodeo - Hoedown
Aaron Copland 3:16
13 Fantasia para un Gentilhombre - Espanoleta
Joaquín Rodrigo 4:20
14 Spartacus - Adagio of Spartacus and Phrigia (“The Onedin Line” theme)
Արամ Խաչատրյան 3:50
15 Gayaneh - Sabre dance
Արամ Խաչատրյան 2:30
16 Fantasia Concertante on a Theme of Corelli - “Akenfield” Theme
Michael Tippett 4:37
17 Simple Symphony - Playful Pizzicato
Benjamin Britten 3:12
18 The Gadfly - Romance
Дмитрий Дмитриевич Шостакович 2:23
19 Little Suite no. 1 - Prelude
Malcolm Arnold 2:05
20 The Spritfire Prelude & Fugue
Sir William Walton 7:31

Credits

CD 1: 100 Greatest Classics, Volume One

premiered in:
Wien, Austria (1810-06-15) (track 20)
organ:
Richard Marlow (track 7)
choir vocals:
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 5–7)
Wolfgang Amadeus Mozart (classical composer) (track 15)
Henry Purcell (baroque composer) (track 1)
George Frideric Handel (German‐British baroque composer) (1727) (track 8)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 4)
George Frideric Handel (German‐British baroque composer) (1741) (track 10)
George Frideric Handel (German‐British baroque composer) (1748) (track 9)
Wolfgang Amadeus Mozart (classical composer) (1786) (tracks 13–14)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 17)
Wolfgang Amadeus Mozart (classical composer) (1787-02-06 – 1878-02-06) (track 15)
Wolfgang Amadeus Mozart (classical composer) (1789) (track 15)
Wolfgang Amadeus Mozart (classical composer) (1791) (tracks 15–16)
Ludwig van Beethoven (1798) (track 19)
Ludwig van Beethoven (1809-10 – 1810-06) (track 20)
conductor:
Philip Ledger (track 10)
John Lubbock (track 1)
Martin Neary (organist and choral conductor) (track 10)
Sir John Pritchard (track 8)
Alfred Scholz (track 15)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) (track 15)
Salzberger Solisten (an Alfred Scholz pseudonym, not the Salzburg Orchester Solisten) (track 9)
publisher:
premiered at:
Westminster Abbey in London, England, United Kingdom (1727-10-11) (track 8)
recorded at:
part of:
Händel-Werke-Verzeichnis (number: HWV 258) (track 8)
Köchelverzeichnis (original numbering) (number: 618) (track 16)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618) (track 16)
arrangements:
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 4)
Air in D, BWV 1068 (arr. Heimer Sjöblom for organ) (track 4)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 4)
Air on the G String (for cello and orchestra, arr. Cullen) (track 4)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 4)
Ave verum corpus (for band, Buehlman) (track 16)
Ave verum corpus de Mozart, S. 461a (for piano solo, Liszt) (track 16)
Ave verum corpus de Mozart, S. 674d (for organ, Liszt) (track 16)
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (catch all for arrangements) (track 5)
Egmont, op. 84: Overture (for brass, Frackenpohl) (track 20)
Le nozze di Figaro, K. 492: Overture (catch-all for arrangements) (track 13)
Motet in D major, K. 618: "Ave verum corpus" (catch-all for arrangements) (track 16)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 4)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 4)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 4)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 4)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 4)
Ouvertüre zu "Egmont" (arr. Posch for band) (track 20)
Solo Amore (track 4)
The Arrival of the Queen of Sheba (arranged by Beecham) (track 9)
The Four Coronation Anthems: "Zadok The Priest", HWV 258 (catch-all for arrangements) (track 8)
Toccata (for brass band, Sykes) (track 7)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 7)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 7)
is the basis for:
Bach Aire (track 4)
Concerto (track 19)
Great Expectations (track 19)
Interludio (track 19)
Mozart/Figaro (track 13)
Regeneration (track 20)
Sweetest Love (track 4)
This Night (track 19)
Toccata (lyrics by Tanzwut) (track 7)
the Fifth Death (UnEpic) (track 7)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 16)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 16)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 16)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 16)
ゴルイ (track 20)
later parody versions:
later translated versions:
later versions:
Toccata (track 7)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 4)
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 7)
part of:
Egmont, op. 84 (track 20)
Sechs deutsche Tänze, K. 509 (for small orchestra) (track 15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (track 16)
German Dance No. 1 (track 15)
referred to in medleys:
Hooked on Romance (tracks 4, 19)

CD 2: 100 Greatest Classics, Volume Two

composer:
Hector Berlioz (track 4)
Franz Schubert (Austrian composer Franz Peter Schubert) (1828) (track 2)
Hector Berlioz (1830) (track 5)
Fryderyk Chopin (composer) (1834) (track 9)
Robert Schumann (German classical composer) (1838) (track 11)
Fryderyk Chopin (composer) (1846 – 1847) (track 10)
Richard Wagner (1846 – 1848) (track 15)
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (1848) (track 6)
Johannes Brahms (1858) (track 17)
dedicated to:
lyricist:
Hector Berlioz (track 4)
Ludwig Rellstab (track 2)
premiered at:
Wasserglacis in Wien, Austria (1848-08-31) (track 6)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228) (track 6)
Works of Fryderyk Chopin by opus number (number: op. 66) (track 9)
arrangements:
Fantaisie-impromptu in C-sharp minor, op. 66 (catch all for arrangements) (track 9)
Kinderszenen, op. 15: No. 7. Träumerei (for string quartet and piano, arr. Paul Cassidy) (track 11)
Kinderszenen, op. 15: Träumerei (catch-all for arrangements) (track 11)
Kinderszenen, op. 15: Träumerei (for violin and piano, arr. Catherine) (track 11)
Lohengrin: Act III. Vorspiel (for brass band, Wright) (track 15)
Plesový marš (track 6)
Radetzky March (for handbell ensemble) (track 6)
Radetzky March, op. 228 (catch-all for arrangements) (track 6)
Radetzky-Marsch (choir arrangement by Karl Hlinak) (track 6)
Schwanengesang, D. 957: IV. Ständchen (for guitar solo, Mertz) (track 2)
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements) (track 2)
Schwanengesang, S. 560: No. 7. Ständchen (for solo piano, Liszt) (track 2)
Serenade (Leise flehen meine Lieder, D. 957) (for violin and orchestra, arr. Stephens) (track 2)
Ständchen, D. 957 Nr. 4 (for flute and piano, Böhm) (track 2)
Ständchen, D. 957 no. 4 (arr. Mischa Elman for violin and piano) (track 2)
Ständchen, S. 560 no. 7/a (for solo piano, Liszt) (track 2)
Symphonie fantastique, S. 470: II. Un bal (for piano solo, Liszt) (track 5)
Three Songs from Schwanengesang: Ständchen (for cello octet, Birchall) (track 2)
Valse, op. 64 no. 1 (The Minute Waltz) (for trombone and piano, Jacobsen) (track 10)
Waltz no. 6 in D-flat major, op. 64 no. 1 "Minute Waltz" (catchall work for all unspecified transcriptions. Please do not add an arranger AR to this work, create a new arrangement work instead) (track 10)
Waltz no. 6 in D-flat major, op. 64 no. 1 "Minute Waltz" (arranged by Michałowski) (track 10)
Waltz no. 7 in C-sharp minor, op. 64 no. 2 (arr. Davydov for piano and cello) (track 10)
シューベルトのセレナーデ (translated) (track 2)
is the basis for:
Radetzky Waltz (track 6)
later versions:
Chopin w Indiach (track 9)
Symphonie fantastique, op. 14: II. Un bal (alternative version with cornet obbligato) (track 5)
orchestrations:
Kinderszenen, op. 15: Träumerei (orchestrated by R. Tilling) (track 11)
Kinderszenen, op. 15: Träumerei (orchestrated by Josef Strauss) (track 11)
Kinderszenen, op. 15: Träumerei (orchestrated by Herbeck) (track 11)
Schwanengesang, D. 957: IV. Ständchen (orchestrated by Offenbach) (track 2)
Ständchen, D. 957 no. 4 (orch. Felix Mottl) (track 2)
part of:
Lohengrin: Act III (track 15)
Waltzes, op. 64 (track 10)
recording of:
Kinderszenen, op. 15: Träumerei (for piano) (track 11)
referred to in medleys:

CD 3: 100 Greatest Classics, Volume Three

composer:
Max Bruch (1866) (track 4)
Camille Saint‐Saëns (1874) (track 5)
Antonín Dvořák (1875-05-03 – 1875-05-14) (track 11)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 12)
Jules Massenet (1894) (track 14)
conductor:
Claus Peter Flor (track 11)
dedicated to:
Joseph Joachim (track 4)
orchestra:
performer:
revised by:
Max Bruch (1867) (track 4)
Antonín Dvořák (1878) (track 11)
premiered at:
[concert] (1868-01-05) (track 4)
publisher:
Aug. Cranz (1868) (track 4)
part of:
Works of Max Bruch by opus number (number: op. 26) (track 4)
arrangements:
Danse Macabre, op. 40 (catch-all for arrangements) (track 5)
Danse macabre, S. 555, R. 240 (for piano, Liszt) (track 5)
Danse macabre, op 40 (for Brass Quintet / David Marlatt) (track 5)
Danse macabre, op. 40 (arr. for organ / Edwin Lemare) (track 5)
Meditation from Thaïs (catch-all for arrangements) (track 14)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 14)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 14)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 14)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (catch-all for arrangements) (track 12)
is based on:
Danse macabre (song for voice and piano) (track 5)
is the basis for:
A New World (track 12)
Goin’ Home (track 12)
Más allá (track 12)
夕陽下 (track 12)
later versions:
D2 (track 5)
Going Home (Largo "From the New World") (James Last pop arrangement) (track 12)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 12)
part of:
Thaïs: Acte II (track 14)
partial recording of:
parts:
recording of:
referred to in medleys:

CD 4: 100 Greatest Classics, Volume Four

arranger:
Percy Grainger (1918 – 1952) (track 17)
Ralph Greaves (1934) (tracks 14, 14)
composer:
Manuel de Falla (Spanish composer) (track 20)
Enrique Granados (track 13)
[traditional] (Special Purpose Artist) (track 17)
Charles‐Marie Widor (French organist, composer and teacher) (1879) (track 1)
Emmanuel Chabrier (1883) (track 2)
Isaac Albéniz (1890) (track 6)
Claude Debussy (1890 – 1905) (track 9)
Edward Elgar (1892) (track 3)
Claude Debussy (1906 – 1908-07) (track 11)
Claude Debussy (1909-12 – 1910-02) (track 10)
Gustav Holst (1911) (track 15)
Ralph Vaughan Williams (1924 – 1928) (track 14)
Frederick Delius (1931) (track 8)
Sergei Rachmaninoff (1934-07-03 – 1934-08-18) (track 16)
conductor:
Loris Tjeknavorian (1991) (track 5)
dedicated to:
Charles Lamoureux (track 2)
orchestra:
premiered at:
[concert] (1910-06-02) (track 10)
publisher:
Schott & Co. Ltd. (track 17)
G. Schirmer Inc. (1919) (track 17)
Oxford University Press (1936) (track 14)
recorded at:
arrangements:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for cello and piano, Calvo) (track 13)
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (track 13)
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for violin and piano, Kreisler) (track 13)
Children's Corner, L. 113: No. 6. Golliwog's Cake-walk (for saxophone, Bauch) (track 11)
Children's Corner, L. 113: VI. Golliwogg's Cake-Walk (catch-all for arrangements) (track 11)
Clair de lune (for cello and piano) (track 9)
Danza ritual del fuego (for cello and piano, Piatigorsky) (track 20)
El amor brujo: VIII. Danza ritual del fuego (catch-all for arrangements) (track 20)
España (for voice and piano) (track 2)
España (catch-all for arrangements) (track 2)
España (for 2 pianos 8 hands, Chevillard) (track 2)
España, seis hojas de álbum, op. 165: II. Tango (for piano, Godowsky version) (track 6)
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (track 6)
España, seis hojas de álbum, op. 165: II. Tango (for cello and piano, Maréchal) (track 6)
España, seis hojas de álbum, op. 165: II. Tango (for guitar duo, Hill) (track 6)
España, seis hojas de álbum, op. 165: II. Tango (for violin and piano, Dushkin) (track 6)
España, seis hojas de álbum, op. 165: II. Tango (for violin and piano, arr. Kreisler) (track 6)
Golliwog's Cakewalk (for violin and piano, arr. Heifetz) (track 11)
La fille aux cheveux de lin (for violin and piano, arr. Hartmann) (track 10)
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (for violin and piano, Kreisler) (track 16)
Suite bergamasque : III. Clair de lune (arr. Phyllis Schlomovitz for harp) (track 9)
Suite bergamasque : III. Clair de lune (for cello and orchestra, arr. Palmer) (track 9)
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (track 9)
is based on:
Greensleeves (track 14)
Lovely Joan (traditional English folk song) (track 14)
Sir John in Love (track 14)
is the basis for:
Carry (track 10)
E Sarà Così (song based on "Rhapsody on a theme of Paganini") (track 16)
later versions:
Hover Bovver (Tune 2) (C64 Game) (track 17)
orchestrations:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for orchestra, Ferrer) (track 13)
Children's Corner: VI. Golliwogg's Cake-Walk (André Caplet orchestration) (track 11)
Clair de lune (orch. Mouton) (track 9)
Clair de lune from Suite bergamasque (orch. Stokowski) (track 9)
Clair de lune from Suite bergamasque (orch. Caplet) (track 9)
Suite bergamasque : III. Clair de lune (orch. A. Reed) (track 9)
part of:
Suite bergamasque, L. 75, CD 82a (for piano) (track 9)
Children’s Corner, L. 113, CD 119 (original piano version) (movement) (track 11)
El amor brujo (for symphony orchestra) (track 20)
Préludes, Livre I, L. 117, CD 125 (part of collection) (track 10)
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra) (track 16)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake-Walk (original piano version) (track 11)
Country Gardens (track 17)
España (rhapsody for orchestra) (track 2)
Irmelin Prelude (track 8)
referred to in medleys:
Alma Barca (track 13)

CD 5: 100 Greatest Classics, Volume Five

composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (track 13)
Gustav Holst (1914 – 1916) (track 3)
Сергей Сергеевич Прокофьев (Russian composer) (1933) (track 10)
Benjamin Britten (1933-12 – 1934-02) (track 17)
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (1942) (track 15)
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (1955) (track 14)
conductor:
Loris Tjeknavorian (track 15)
orchestra:
writer:
Jack Lawrence (US songwriter) (track 7)
Eric Coates (1930) (track 7)
arrangement of:
arrangements:
Jupiter Hymn (excerpt from Jupiter/The Planets) (track 3)
Jupiter, The Bringer of Jollity (Arranged for organ) (track 3)
Spartacus: Adagio of Spartacus & Phrygia (catch-all for arrangements) (track 14)
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for brass quintet and organ) (track 3)
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for wind ensemble, Reed/McAlister) (track 3)
is the basis for:
Hammerheart (track 3)
Joybringer (track 3)
The Hula Hoop (track 15)
ジュピター (track 3)
later versions:
Thaxted (track 3)
じゅぴにゃー (track 3)
orchestration of:
part of:
Spartacus, op. 82 (track 14)
The Planets Suite for Orchestra, op. 32 (with "Pluto" by Colin Matthews) (track 3)
The Planets, op. 32 (original version) (track 3)
partial recording of:
recording of:
By the Sleepy Lagoon (BBC Desert Island Discs theme) (track 7)
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) (track 15)