Jazz Beginnings

~ Release by John T. Williams (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1The Most Beautiful Girl in the World
bass:
Joe Mondragon (on 1956-10-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-03)
membranophone:
Jack Sperling (drummer) (on 1956-10-03)
piano:
John Williams (American score composer) (on 1956-10-03)
performer:
John T. Williams Quartet (on 1956-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-03)
instrumental recording of:
The Most Beautiful Girl in the World (on 1956-10-03)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Jumbo
John T. Williams Quartet2:54
2In a Little Spanish Town
bass:
Joe Mondragon (on 1956-10-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-03)
membranophone:
Jack Sperling (drummer) (on 1956-10-03)
piano:
John Williams (American score composer) (on 1956-10-03)
performer:
John T. Williams Quartet (on 1956-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-03)
instrumental recording of:
In a Little Spanish Town (’Twas on a Night Like This) (on 1956-10-03)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Mabel Wayne
John T. Williams Quartet2:27
3I’ll Take Romance
bass:
Joe Mondragon (on 1956-10-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-03)
membranophone:
Jack Sperling (drummer) (on 1956-10-03)
piano:
John Williams (American score composer) (on 1956-10-03)
performer:
John T. Williams Quartet (on 1956-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-03)
instrumental recording of:
I’ll Take Romance (on 1956-10-03)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
John T. Williams Quartet3:01
4Zigeuner
bass:
Joe Mondragon (on 1956-10-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-03)
membranophone:
Jack Sperling (drummer) (on 1956-10-03)
piano:
John Williams (American score composer) (on 1956-10-03)
performer:
John T. Williams Quartet (on 1956-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-03)
instrumental recording of:
Bitter Sweet, Act III: Zigeuner (on 1956-10-03)
lyricist and composer:
Noël Coward
part of:
Bitter Sweet (Noel Coward operetta)
John T. Williams Quartet4:20
5Tenderly
bass:
Joe Mondragon (on 1956-10-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-18)
membranophone:
Jack Sperling (drummer) (on 1956-10-18)
piano:
John Williams (American score composer) (on 1956-10-18)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-10-18)
conductor:
Russell Garcia (on 1956-10-18)
performer:
John T. Williams Quartet (on 1956-10-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-18)
instrumental recording of:
Tenderly (on 1956-10-18)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
John T. Williams Quartet, Russell Garcia3:56
6Diane
bass:
Joe Mondragon (on 1956-10-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-18)
membranophone:
Jack Sperling (drummer) (on 1956-10-18)
piano:
John Williams (American score composer) (on 1956-10-18)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-10-18)
conductor:
Russell Garcia (on 1956-10-18)
performer:
John T. Williams Quartet (on 1956-10-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-18)
instrumental recording of:
Diane (from 1927 film “Seventh Heaven”) (on 1956-10-18)
lyricist:
Lew Pollack
composer:
Ernö Rapée
part of:
The Girl’s Suite
John T. Williams Quartet, Russell Garcia2:49
7Dear to My Heart
bass:
Joe Mondragon (on 1956-10-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-18)
membranophone:
Jack Sperling (drummer) (on 1956-10-18)
piano:
John Williams (American score composer) (on 1956-10-18)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-10-18)
conductor:
Russell Garcia (on 1956-10-18)
performer:
John T. Williams Quartet (on 1956-10-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-18)
instrumental recording of:
Dear to My Heart (on 1956-10-18)
composer:
Walter Gross (American composer)
John T. Williams Quartet, Russell Garcia3:30
8While We’re Young
bass:
Joe Mondragon (on 1956-10-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-18)
membranophone:
Jack Sperling (drummer) (on 1956-10-18)
piano:
John Williams (American score composer) (on 1956-10-18)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-10-18)
conductor:
Russell Garcia (on 1956-10-18)
performer:
John T. Williams Quartet (on 1956-10-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-18)
instrumental recording of:
While We’re Young (on 1956-10-18)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder
publisher:
Ludlow Music, Inc., Regent Music (BMI) and ロックンロール ミュージック
John T. Williams Quartet, Russell Garcia3:03
9Wait Till You See Her
bass:
Joe Mondragon (on 1956-10-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-18)
membranophone:
Jack Sperling (drummer) (on 1956-10-18)
piano:
John Williams (American score composer) (on 1956-10-18)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-10-18)
conductor:
Russell Garcia (on 1956-10-18)
performer:
John T. Williams Quartet (on 1956-10-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-18)
instrumental recording of:
Wait Till You See Her (on 1956-10-18)
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers (composer)
composer:
Richard Rodgers (composer) (in 1942)
John T. Williams Quartet, Russell Garcia2:32
10One Love
bass:
Joe Mondragon (on 1956-10-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-10-18)
membranophone:
Jack Sperling (drummer) (on 1956-10-18)
piano:
John Williams (American score composer) (on 1956-10-18)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-10-18)
conductor:
Russell Garcia (on 1956-10-18)
performer:
John T. Williams Quartet (on 1956-10-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-18)
instrumental recording of:
One Love (on 1956-10-18)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
David Rose (songwriter, pianist and orchestra leader)
John T. Williams Quartet, Russell Garcia2:37
11Bess, Oh Where’s My Bess
piano:
John Williams (American score composer) (on 1956-10-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-18)
instrumental recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess” (on 1956-10-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
John T. Williams Octet2:24
12Hello
piano:
John Williams (American score composer) (on 1956-10-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-18)
recording of:
Hello (for piano solo) (on 1956-10-18)
composer:
John Williams (American score composer)
John T. Williams Octet2:41
13Aunt Orsavella
bass:
Curtis Counce (on 1956-11-02)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-11-02)
membranophone:
Jerry Williams (US percussionist) (on 1956-11-02)
piano:
John Williams (American score composer) (on 1956-11-02)
performer:
John T. Williams Quartet (on 1956-11-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-02)
recording of:
Aunt Orsavella (on 1956-11-02)
composer:
John Williams (American score composer)
John T. Williams Quartet2:29
14Spring Is Here
bass:
Curtis Counce (on 1956-11-02)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-11-02)
membranophone:
Jerry Williams (US percussionist) (on 1956-11-02)
piano:
John Williams (American score composer) (on 1956-11-02)
performer:
John T. Williams Quartet (on 1956-11-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-02)
instrumental recording of:
Spring Is Here (on 1956-11-02)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
John T. Williams Quartet3:14
15Anything Goes
bass:
Curtis Counce (on 1956-11-02)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-11-02)
membranophone:
Jerry Williams (US percussionist) (on 1956-11-02)
piano:
John Williams (American score composer) (on 1956-11-02)
performer:
John T. Williams Quartet (on 1956-11-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-02)
instrumental recording of:
Anything Goes (on 1956-11-02)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
John T. Williams Quartet2:33
16Caribe
bass:
Curtis Counce (on 1956-11-02)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1956-11-02)
membranophone:
Jerry Williams (US percussionist) (on 1956-11-02)
piano:
John Williams (American score composer) (on 1956-11-02)
performer:
John T. Williams Quartet (on 1956-11-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-02)
recording of:
Caribe (on 1956-11-02)
composer:
John Williams (American score composer)
John T. Williams Quartet2:16
17One Love
bass:
Rolly Bundock (on 1957-05-08)
guitar:
Bob Gibbons (on 1957-05-08)
membranophone:
Jack Sperling (drummer) (on 1957-05-08)
piano:
John Williams (American score composer) (on 1957-05-08)
performer:
John T. Williams Quartet (on 1957-05-08)
recorded at:
Glen Sound Stage in Hollywood, Los Angeles, California, United States (on 1957-05-08)
recording of:
One Love (on 1957-05-08)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
David Rose (songwriter, pianist and orchestra leader)
John T. Williams Quartet2:01
18Our Waltz
bass:
Rolly Bundock (on 1957-05-08)
guitar:
Bob Gibbons (on 1957-05-08)
membranophone:
Jack Sperling (drummer) (on 1957-05-08)
piano:
John Williams (American score composer) (on 1957-05-08)
performer:
John T. Williams Quartet (on 1957-05-08)
recorded at:
Glen Sound Stage in Hollywood, Los Angeles, California, United States (on 1957-05-08)
recording of:
Our Waltz (on 1957-05-08)
lyricist:
Nat Burton (US songwriter)
composer:
David Rose (songwriter, pianist and orchestra leader)
John T. Williams Quartet1:58
▼ CD 2
#TitleArtistRatingLength
1I’ve Got the World on a String
alto saxophone:
Herb Geller (on 1957-10-03)
baritone saxophone:
Marty Berman (on 1957-10-03)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-03)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-03)
piano:
John Williams (American score composer) (on 1957-10-03)
tenor saxophone:
Gene Cipriano (on 1957-10-03) and Buddy Collette (on 1957-10-03)
performer:
John T. Williams Septet (on 1957-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-03)
instrumental recording of:
I’ve Got the World on a String (on 1957-10-03)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
John T. Williams Septet3:00
2Get Happy
alto saxophone:
Herb Geller (on 1957-10-03)
baritone saxophone:
Marty Berman (on 1957-10-03)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-03)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-03)
piano:
John Williams (American score composer) (on 1957-10-03)
tenor saxophone:
Gene Cipriano (on 1957-10-03) and Buddy Collette (on 1957-10-03)
performer:
John T. Williams Septet (on 1957-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-03)
instrumental recording of:
Get Happy (on 1957-10-03)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
John T. Williams Septet2:35
3That Old Black Magic
alto saxophone:
Herb Geller (on 1957-10-03)
baritone saxophone:
Marty Berman (on 1957-10-03)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-03)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-03)
piano:
John Williams (American score composer) (on 1957-10-03)
tenor saxophone:
Gene Cipriano (on 1957-10-03) and Buddy Collette (on 1957-10-03)
performer:
John T. Williams Septet (on 1957-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-03)
instrumental recording of:
That Old Black Magic (on 1957-10-03)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
John T. Williams Septet3:16
4Over the Rainbow
alto saxophone:
Herb Geller (on 1957-10-03)
baritone saxophone:
Marty Berman (on 1957-10-03)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-03)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-03)
piano:
John Williams (American score composer) (on 1957-10-03)
tenor saxophone:
Gene Cipriano (on 1957-10-03) and Buddy Collette (on 1957-10-03)
performer:
John T. Williams Septet (on 1957-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-03)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1957-10-03)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1939 film soundtrack)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
John T. Williams Septet2:32
5Let’s Fall in Love
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-04)
instrumental recording of:
Let’s Fall in Love (on 1957-10-04)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
John T. Williams Octet2:33
6Stormy Weather
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-04)
instrumental recording of:
Stormy Weather (on 1957-10-04)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
John T. Williams Octet2:53
7My Shining Hour
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-04)
instrumental recording of:
My Shining Hour (The Sky’s the Limit) (on 1957-10-04)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
John T. Williams Octet2:09
8Between the Devil and the Deep Blue Sea
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-04)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1957-10-04)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
John T. Williams Octet3:21
9Come Rain or Come Shine
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-04)
instrumental recording of:
Come Rain or Come Shine (on 1957-10-04)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
John T. Williams Octet3:27
10Here’s What I’m Here For
baritone saxophone:
Marty Berman (on 1957-10-14)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-14)
piano:
John Williams (American score composer) (on 1957-10-14)
tenor saxophone:
Richie Kamuca (on 1957-10-14)
trombone:
Dick Noel (trombone) (on 1957-10-14)
valve trombone:
Bob Enevoldsen (on 1957-10-14)
performer:
Jerry Williams (US percussionist) (on 1957-10-14) and John T. Williams Septet (on 1957-10-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-14)
instrumental recording of:
Here’s What I’m Here For (A Star is Born) (on 1957-10-14)
lyricist:
Ira Gershwin
composer:
Harold Arlen
John T. Williams Septet3:19
11Hit the Road to Dreamland
baritone saxophone:
Marty Berman (on 1957-10-14)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-14)
piano:
John Williams (American score composer) (on 1957-10-14)
tenor saxophone:
Richie Kamuca (on 1957-10-14)
trombone:
Dick Noel (trombone) (on 1957-10-14)
valve trombone:
Bob Enevoldsen (on 1957-10-14)
performer:
Jerry Williams (US percussionist) (on 1957-10-14) and John T. Williams Septet (on 1957-10-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-14)
instrumental recording of:
Hit the Road to Dreamland (on 1957-10-14)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
John T. Williams Septet2:46
12A Sleepin’ Bee
baritone saxophone:
Marty Berman (on 1957-10-14)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-14)
piano:
John Williams (American score composer) (on 1957-10-14)
tenor saxophone:
Richie Kamuca (on 1957-10-14)
trombone:
Dick Noel (trombone) (on 1957-10-14)
valve trombone:
Bob Enevoldsen (on 1957-10-14)
performer:
Jerry Williams (US percussionist) (on 1957-10-14) and John T. Williams Septet (on 1957-10-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-10-14)
instrumental recording of:
A Sleepin’ Bee (House of Flowers) (on 1957-10-14)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
John T. Williams Septet3:11
13All of You
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
All of You (Silk Stockings musical) (from 1958-01-15 until 1958-01-20)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
John T. Williams Orchestra feat. Johnny Desmond2:20
14The Last Time I Saw Paris
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
The Last Time I Saw Paris (from 1958-01-15 until 1958-01-20)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
The 14th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 14)
John T. Williams Orchestra feat. Johnny Desmond2:15
15I Can’t Get Started
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
I Can’t Get Started (from 1958-01-15 until 1958-01-20)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
John T. Williams Orchestra feat. Johnny Desmond2:52
16I Got Plenty O’Nuttin’
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (from 1958-01-15 until 1958-01-20)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
John T. Williams Orchestra feat. Johnny Desmond2:44
17It’s the Talk of the Town
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
It’s the Talk of the Town (from 1958-01-15 until 1958-01-20)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
John T. Williams Orchestra feat. Johnny Desmond2:40
18You’d Be So Nice to Come Home To
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
You’d Be So Nice to Come Home To (from 1958-01-15 until 1958-01-20)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
John T. Williams Orchestra feat. Johnny Desmond2:19
19It Ain’t Necessarily So
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-01-15 until 1958-01-20)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
John T. Williams Orchestra feat. Johnny Desmond2:22
20Tenderly
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
Tenderly (from 1958-01-15 until 1958-01-20)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
John T. Williams Orchestra feat. Johnny Desmond2:39
21This Can't Be Love
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
This Can’t Be Love (from 1958-01-15 until 1958-01-20)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
John T. Williams Orchestra feat. Johnny Desmond2:08
22Old Devil Moon
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (from 1958-01-15 until 1958-01-20)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
part of:
Finian’s Rainbow (1947 Broadway musical)
John T. Williams Orchestra feat. Johnny Desmond2:00
23My Happy Time
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
My Happy Time (from 1958-01-15 until 1958-01-20)
lyricist and composer:
Johnny Desmond
John T. Williams Orchestra feat. Johnny Desmond2:23
24There's a Small Hotel
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
There’s a Small Hotel (from “On Your Toes”) (from 1958-01-15 until 1958-01-20)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
John T. Williams Orchestra feat. Johnny Desmond2:12