Ars Britannica

~ Release by Pro Cantione Antiqua (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Alma proles
organ:
Alan Cuckston
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
John Cooke4:29
2Crux fidelis
organ:
Alan Cuckston
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
John Dunstable5:50
3Qualis est dilectus
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Qualis est dilectus
composer:
Forest (English composer, early 15th century)
John Forest3:16
4O crux gloriosa
organ:
Alan Cuckston
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
recording of:
O crux gloriosa, MB 53
composer:
John Dunstable (English Renaissance composer)
John Dunstable4:37
5Gloria
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
Pycard2:53
6Salve porta paradisi
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Salve porta paradisi
composer:
Thomas Damett (English composer, c. 1389-1436)
Thomas Damett1:26
7Gaude virgo
organ:
Alan Cuckston
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Gaude virgo salutata
composer:
John Dunstable (English Renaissance composer)
John Dunstable5:33
8Credo
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
Leonel Power4:42
9Albanus roseo rutilat
organ:
Alan Cuckston
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
John Dunstable6:49
10Agnus Dei
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1977-07)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1977-07)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (in 1977-07)
Robert Chirbury2:16
11Those Sweet Delightful Lilies
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (from 1978-07 until 1979-03)
conductor:
Geoffrey Mitchell (from 1978-07 until 1979-03)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1978-07 until 1979-03)
Thomas Weelkes2:22
12Some Men Desire Spouses
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (from 1978-07 until 1979-03)
conductor:
Geoffrey Mitchell (from 1978-07 until 1979-03)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1978-07 until 1979-03)
Thomas Weelkes3:00
13Retire, My Troubled Soul
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (from 1978-07 until 1979-03)
conductor:
Geoffrey Mitchell (from 1978-07 until 1979-03)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1978-07 until 1979-03)
recording of:
Retire, my Troubled Soul
composer:
John Ward (17th century composer) (in 1613)
John Ward3:25
14Hark Jolly Shepherds
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (from 1978-07 until 1979-03)
conductor:
Geoffrey Mitchell (from 1978-07 until 1979-03)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1978-07 until 1979-03)
Thomas Morley2:05
15Come Woeful Orpheus
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (from 1978-07 until 1979-03)
conductor:
Geoffrey Mitchell (from 1978-07 until 1979-03)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1978-07 until 1979-03)
recording of:
Come woeful Orpheus (from 1978-07 until 1979-03)
composer:
William Byrd (English composer)
William Byrd5:04
16Come Sirrah Jack Ho!
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (from 1978-07 until 1979-03)
conductor:
Geoffrey Mitchell (from 1978-07 until 1979-03)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1978-07 until 1979-03)
recording of:
Ayres or Phantasticke Spirits for Three Voices: VI. Come, Sirrah Jack, Ho! (from 1978-07 until 1979-03)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Ayres or Phantasticke Spirits for Three Voices
Thomas Weelkes1:21
17O My Thoughts Surcease
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (from 1978-07 until 1979-03)
conductor:
Geoffrey Mitchell (from 1978-07 until 1979-03)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1978-07 until 1979-03)
John Ward2:11
18Die Now, My Heart
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (from 1978-07 until 1979-03)
conductor:
Geoffrey Mitchell (from 1978-07 until 1979-03)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1978-07 until 1979-03)
Thomas Morley3:20
▼ CD 2
#TitleArtistRatingLength
1O Let Me Die for True Love
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Geoffrey Mitchell
Thomas Tomkins4:40
2Lady, When I Behold
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Geoffrey Mitchell
John Wilbye2:41
3Come, Let's Begin to Revel't Out
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Geoffrey Mitchell
Thomas Weelkes2:00
4Care for Thy Soul
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Geoffrey Mitchell
Francis Pilkington4:57
5As Matchless Beauty
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Geoffrey Mitchell
John Wilbye2:55
6Weep, O Mine Eyes
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Geoffrey Mitchell
recording of:
The Second Set of Madrigals for 3-6 voices: XXIII. Weepe, Weepe Mine Eyes
composer:
John Wilbye (English baroque composer)
part of:
The Second Set of Madrigals for 3-6 voices
John Wilbye2:23
7You Black Bright Stars
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Geoffrey Mitchell
Thomas Morley1:39
8Oyez, Has Any Found a Lad?
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Geoffrey Mitchell
Thomas Tomkins2:05
9Diaphenia
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
Francis Pilkington2:29
10Thinkst Thou Kate
lute:
Christopher Wilson (lute and theorbo player)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
Robert Jones2:00
11Down-A-Down
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
Francis Pilkington2:59
12A Shepherd in a Shade
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
The Second Booke of Songs or Ayres, No. 17: "A shepherd in a shade"
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland3:10
13Fine Knacks for Ladies
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
The Second Booke of Songs or Ayres, No. 12: "Fine Knacks for Ladies"
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland2:51
14Where Sin Sore Wounding
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
A Pilgrimes Solace: No. 17. Where Sinne sore wounding
composer:
John Dowland (composer and lutenist) (in 1612)
part of:
A Pilgrimes Solace
John Dowland2:36
15Never Weather-Beaten Sail
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1978-07)
conductor:
Ian Partridge (tenor) (in 1978-07)
recorded at:
Church of St. Dunstan (Cheam) in Surrey, England, United Kingdom (in 1978-07)
recording of:
Never Weather-Beaten Saile More Willing Bent to Shore (in 1978-07)
composer:
Thomas Campion (English composer, poet & physician, 1567-1620)
Thomas Campion2:47
16Jack and Jone
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
Jacke and Jone They Thinke No Ill
composer:
Thomas Campion (English composer, poet & physician, 1567-1620)
Thomas Campion2:21
17Since First I Saw
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
Since First I Saw Your Face
composer:
Thomas Ford (composer)
Thomas Ford3:09
18There Is a Lady
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
Passing By (There Is a Lady Sweet and Kind)
lyricist:
Thomas Ford (composer)
composer:
[traditional] (special purpose artist)
Thomas Ford3:39
19I Must Complain
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
The Third Booke of Songs or Ayres, No. 17: "I must complain"
composer:
John Dowland (composer and lutenist) (in 1603)
part of:
The Third Booke of Songs or Ayres
John Dowland3:31
20A Secret Love
lute:
Christopher Wilson (lute and theorbo player)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
Thomas Campion2:08
21Sweet, Stay Awhile
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
John Dowland4:33
22Mr. Dowland's Midnight
lute:
Christopher Wilson (lute and theorbo player)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
Mr. Dowland's Midnight, P. 99
composer:
John Dowland (composer and lutenist)
part of:
John Dowland's lute works (number: P. 99)
John Dowland1:46
23Now, Oh Now I Needs Must Part
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba:
William Hunt (UK string musician, (viol, double bass, etc.))
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Ian Partridge (tenor)
recording of:
The First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part"
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland4:21