Speak Low: Songs by Kurt Weill & The Seven Deadly Sins

~ Release by Kurt Weill; Anne Sofie von Otter, John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Die sieben Todsünden: Prolog
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:24
2Die sieben Todsünden: I. Faulheit
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:47
3Die sieben Todsünden: II. Stolz
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:19
4Die sieben Todsünden: III. Zorn
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:00
5Die sieben Todsünden: IV. Völlerei
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:58
6Die sieben Todsünden: V. Unzucht
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:38
7Die sieben Todsünden: VI. Habsucht
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:57
8Die sieben Todsünden: VII. Neid
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:06
9Die sieben Todsünden: Epilog
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill1:56
10Lady in the Dark: My Ship
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Lady in the Dark: My Ship (in 1993-09)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Lady in the Dark: Act II. Childhood Dream
Kurt Weill2:42
11Lady in the Dark: One Life to Live
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Lady in the Dark: One Life to Live (in 1993-09)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act I. Glamour Dream
Kurt Weill3:04
12Buddy on the Nightshift
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Buddy on the Nightshift (in 1993-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Kurt Weill (composer)
Kurt Weill2:09
13Nannas Lied
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Lied eines Freudenmädchens (Nanna's Lied) (music by Kurt Weill) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1939-12)
dedicated to:
Lotte Lenya
Kurt Weill4:06
14Happy End: Bilbao‐Song
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 1. No. 1: Bilbao‐Song. “Bills Ballhaus in Bilbao” (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Kurt Weill4:27
15Happy End: Surabaya‐Johnny
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya-Johnny. "Ich war jung, Gott, erst sechzehn Jahre" (original German version) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill6:01
16Happy End: Das Lied von der harten Nuss
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 3. No. 11: Das Lied von der harten Nuss. "Wer will einen großen Mann hab'n" (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill1:08
17Je ne t’aime pas
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
engineer and audio engineer:
Ulrich Vette (engineer) (in 1993-09)
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
grand piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Je ne t’aime pas (in 1993-09)
lyricist:
Maurice Magre
composer:
Kurt Weill (composer) (in 1934)
was commissioned by:
Heugel & Cie. (in 1934)
Kurt Weill4:29
18Schickelgruber
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Schickelgruber (in 1993-09)
lyricist:
Howard Dietz (librettist)
composer:
Kurt Weill (composer)
Kurt Weill2:51
19Der Abschiedsbrief
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Der Abschiedsbrief (in 1993-09)
lyricist:
Erich Kästner
composer:
Kurt Weill (composer)
Kurt Weill3:28
20One Touch of Venus: Foolish Heart
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Foolish Heart (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill2:28
21One Touch of Venus: Speak Low
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Speak Low (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:59
22One Touch of Venus: I’m a Stranger Here Myself
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
I’m a Stranger Here Myself (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:13