Tracklist

CD 1
# Title Artist Rating Length
1 Peer Gynt : Le Matin, op. 23
Edvard Grieg 4:19
2 Concerto pour flûte, harpe et orchestre en Ut majeur, K. 299 : Andantino
Wolfgang Amadeus Mozart 9:34
3 Cavatina
Stanley Myers 4:19
4 Concerto pour flûte, cordes et basse continue en Ut majeur, PV 79 : Largo
Antonio Vivaldi 3:03
5 Concerto pour piano et orchestre no. 21 en Ut majeur, K. 467 : Andante
Wolfgang Amadeus Mozart 7:49
6 Orphée et Eurydice : Danses des ombres heureuses
Christoph Willibald Gluck 7:54
7 Madama Butterfly : Chœur à bouche fermée
Giacomo Puccini 3:13
8 Suite pour orchestre no. 3 en Ré majeur, BWV 1068 : Air
Johann Sebastian Bach 5:36
9 Le Carnaval des animaux : Le Cygne
Camille Saint‐Saëns 3:09
10 Vocalise
Сергей Васильевич Рахманинов 6:10
11 Gymnopédie III
Erik Satie 2:59
12 Adagio
Tomaso Giovanni Albinoni, arr. Remo Giazotto 8:26
13 Gianni Schicchi: "O mio babbino caro"
Giacomo Puccini 2:29
14 Nocturne en Mi bémol majeur, op. 9 no. 2
Frédéric Chopin 4:11
CD 2
# Title Artist Rating Length
1 Quintette à cordes en Mi majeur, op. 13 no. 5 : Menuet
Luigi Boccherini 3:29
2 Andante pour flute et orchestre en Ut majeur
Wolfgang Amadeus Mozart 7:09
3 Concerto pour hautbois, cordes et continuo en Ré mineur : Adagio
Alessandro Marcello 3:44
4 Je te veux (Valse)
Erik Satie 5:27
5 Fantasia para un Gentilhombre: Espanoleta
Joaquín Rodrigo 4:46
6 Quatuor à cordes en Fa majeur "Sérénades", op. 3 no. 5
Roman Hoffstetter 5:47
7 Adagio pour cordes
Samuel Barber 8:09
8 Impromptu pour piano no. 3 en Sol bémol majeur, op. 90
Franz Schubert 6:09
9 Suite pour orchestre no. 2 en Si mineur : Badinerie
Johann Sebastian Bach 1:39
10 Une petite musique de nuit : Romance
Wolfgang Amadeus Mozart 5:18
11 Peer Gynt : Chanson de Solveig
Edvard Grieg 5:55
12 Valse triste
Jean Sibelius 4:33
13 Suite pour clavecin en Ré mineur : Sarabande
Georg Friedrich Händel 2.5 3:01
14 Gymnopédie I
Erik Satie 3:29
15 Canon
Johann Pachelbel 6:28
CD 3
# Title Artist Rating Length
1 Sinfonia from Cantata BWV 156
Johann Sebastian Bach 2:48
2 Sicilienne from Pelleas et Melisande
Gabriel Fauré 3:51
3 On Wings of Song
Felix Mendelssohn 2:59
4 Violin Concerto no. 3 in G major, K. 216: II. Adagio
Wolfgang Amadeus Mozart 10:06
5 Waltz no. 9
Frédéric Chopin 4:40
6 Menuet from L'Arlesienne (Suite no. 1)
Georges Bizet 4:20
7 Berceuse
Armas Järnefelt 3:07
8 Larghetto from Clarinet Quintet
Wolfgang Amadeus Mozart 6:24
9 Jesus Joy of Man's Desiring from Cantata BWV 147
Johann Sebastian Bach 3:26
10 Berceuse from L'Oiseau de feu
Игорь Фёдорович Стравинский 2:49
11 Clair de lune from Suite Bergamasque
Claude Debussy 5:04
12 Largo from Serse
Georg Friedrich Händel 5:52
13 Waltz no. 15
Johannes Brahms 1:50
14 Largo e cantabile from Concerto for Flute and Strings in F
Antonio Vivaldi 2:39
15 Larghetto from Piano Concerto no. 2
Frédéric Chopin 9:41
16 Liebestraum no. 3
Franz Liszt 5:27
CD 4
# Title Artist Rating Length
1 Menuet en sol majeur
Ludwig van Beethoven 2:54
2 Thaïs : Méditation
Jules Massenet 4:40
3 Scènes d'enfants, op. 15 : Rêverie
Robert Schumann 2:52
4 Humoresque, op. 101, no. 7
Antonín Dvořák 3:51
5 Rhapsodie sur un thème de Paganini : Andante cantabile
Сергей Васильевич Рахманинов 2:42
6 Concerto pour violon, hautbois et cordes en ut mineur BWV 1060 : Adagio
Johann Sebastian Bach 7:01
7 Quatuor à cordes en fa majeur "Sérénades", op. 3 no. 5
Joseph Haydn 5:43
8 Les Patineurs : Andante espressivo
Giacomo Meyerbeer 2:31
9 Adagio pour violon et orchestre, en mi majeur, K 261
Wolfgang Amadeus Mozart 7:52
10 Carmen, Suite no. 1 : Intermezzo
Georges Bizet 2:46
11 Symphonie no. 5 en si bémol majeur D 485 : Andante
Franz Schubert 10:06
12 Fantaisie sur "Greensleeves"
Ralph Vaughan Williams 5:03
13 Emmanuel
Michel Colombier 2:50
14 Enigma Variations, op. 36 : Nimrod
Sir Edward Elgar 3:55

Credits

CD 1

cello:
Yo-Yo Ma (track 9)
flute:
Jean‐Pierre Rampal (tracks 2, 4)
guitar:
John Williams (classical guitarist) (track 3)
piano:
Philippe Entremont (tracks 9, 11, 14)
Robert Casadesus (French pianist/composer) (1961-11-03 – 1961-11-05) (track 5)
Robert Casadesus (French pianist/composer) (1961-11-05) (track 5)
piano and violin arranger:
Camille Saint‐Saëns (1886) (track 9)
harp:
Marielle Nordmann (track 2)
arranger:
Harry van Hoof (track 2)
choir vocals:
composer:
Remo Giazotto (track 12)
Stanley Myers (track 3)
Giacomo Puccini (Italian composer) (tracks 7, 13)
Antonio Vivaldi (track 4)
Johann Sebastian Bach (1730) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1778-04) (track 2)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (tracks 5, 5, 5)
Fryderyk Chopin (composer) (1830 – 1832) (track 14)
Edvard Grieg (1875) (tracks 1, 1)
Camille Saint‐Saëns (1886-02) (track 9)
Erik Satie (French composer) (1888) (track 11)
conductor:
Lazar Gosman (track 10)
Raymond Leppard (tracks 6, 8)
Lorin Maazel (track 7)
Eugene Ormandy (track 9)
Sir John Pritchard (track 13)
János Rolla (track 2)
Claudio Scimone (conductor) (track 4)
George Szell (1961-11-03 – 1961-11-05) (track 5)
George Szell (1961-11-05) (track 5)
engineer:
librettist:
Giovacchino Forzano (track 13)
Henrik Ibsen (1867) (track 1)
orchestra:
Franz Liszt Chamber Orchestra (Franz Liszt Chamber Orchestra) (track 2)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (track 7)
I Solisti Veneti (track 4)
Cleveland Orchestra (1961-11-03 – 1961-11-05) (track 5)
Members of the Cleveland Orchestra (1961-11-05) (track 5)
orchestrator:
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 12)
producer:
Thomas Frost (track 5)
Georges Kadar (track 12)
revised by:
Edvard Grieg (1888) (track 1)
soprano vocals:
Kiri Te Kanawa (track 13)
vocals:
publisher:
EMI Music Publishing (do not use as a release label!) (track 3)
Ricordi London (Casa Ricordi sublabel for Classical music) (track 12)
recorded at:
Severance Hall in Cleveland, Ohio, United States (1961-11-03 – 1961-11-05) (track 5)
Severance Hall in Cleveland, Ohio, United States (1961-11-05) (track 5)
arrangement of:
Le Carnaval des animaux: XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 9)
arrangements:
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 12)
Adagio of the Sky (track 12)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 8)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 8)
Air on the G String (for cello and orchestra, arr. Cullen) (track 8)
Ballet des ombres heureuses (for solo piano, Friedman) (track 6)
Cavatina (catch-all for arrangements) (track 3)
Cold is Being (track 12)
Gianni Schicchi: "O mio babbino caro" (catch-all for arrangements) (track 13)
Gymnopédie no. 3 (for saxophone, Bauch) (track 11)
Le Carnaval des animaux: XIII. Le Cygne (catch-all for unknown arrangement) (track 9)
Le Carnaval des animaux: XIII. Le Cygne (for organ, Guilmant) (track 9)
Le Carnaval des animaux: XIII. Le Cygne (for solo piano, Godowsky) (track 9)
Le Carnaval des animaux: XIII. Le Cygne (for solo piano, Siloti) (track 9)
Le Carnaval des animaux: XIII. Le Cygne (for violin and piano, arr. Heifetz) (track 9)
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer) (track 9)
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (track 6)
Mélodie de Gluck (Dance of the Blessed Spirits, arr. Sgambati for solo piano) (track 6)
Nocturne no. 2 in E-flat major, op. 9 no. 2 (for cello and orchestra, arr. Cullen) (track 14)
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (catch-all for arrangements) (track 14)
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (for violin and piano, arr. Sarasate) (track 14)
Nocturne, op. 9 no. 2 (for guitar, Tárrega) (track 14)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 8)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 8)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 6)
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (catch-all for arrangements) (track 1)
Peer Gynt, op. 23: Morgenstemning (for cello and piano, arr. Goltermann) (track 1)
Solo Amore (track 8)
Troisième Gymnopédie: Lent et grave (catch-all for arrangements) (track 11)
is the basis for:
Adagio (track 12)
Anytime, Anywhere (track 12)
Bach Aire (track 8)
Chopin's Nocturne in E Flat (Greeley adaptation) (track 14)
My Twilight Dream (track 14)
Sex'n fax (tracks 5, 5, 5)
Sweetest Love (track 8)
Tornerai (track 7)
原野是我家 (track 3)
later translated versions:
私のお父さん (track 13)
later versions:
Chopin w Brazylii (track 14)
He Was Beautiful (track 3)
白鳥 (track 9)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (for voice and piano, original version) (track 10)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 8)
Gymnopédies: I. Lent et grave (Satie: Gymnopédie No. 3 orchestrated by Debussy) (track 11)
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (track 9)
part of:
Gianni Schicchi (track 13)
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (track 6)
Nocturnes, op. 9 (track 14)
Gymnopédies (track 11)
Peer Gynt, op. 23 (track 1)
partial recording of:
recording of:
Cavatina (theme from The Deer Hunter) (track 3)
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer) (track 9)
Le Carnaval des animaux: XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 9)
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (track 6)
Vocalise, op. 34 no. 14 (arr. by composer for orchestra) (track 10)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (1961-11-03 – 1961-11-05) (track 5)
referred to in medleys:
Hooked on Romance (track 8)
version of:

CD 2

oboe:
Neil Black (oboist) (track 3)
flute:
piano:
Philippe Entremont (track 14)
composer:
George Frideric Handel (German‐British baroque composer) (track 13)
Roman Hoffstetter (track 6)
Johann Pachelbel (track 15)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (track 5)
Wolfgang Amadeus Mozart (classical composer) (1778) (track 2)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 10)
Franz Schubert (Austrian composer Franz Peter Schubert) (1827) (track 8)
Erik Satie (French composer) (1888-02 – 1888-04) (track 14)
Erik Satie (French composer) (1897) (track 4)
Jean Sibelius (1903) (track 12)
Samuel Barber (1936) (track 7)
conductor:
Lazar Gosman (tracks 6–7)
Raymond Leppard (tracks 3, 13, 15)
Zubin Mehta (conductor) (track 2)
Esa‐Pekka Salonen (1990-09) (track 12)
lyricist:
Henry Pacory (poet) (track 4)
orchestra:
English Chamber Orchestra (tracks 3, 13, 15)
Swedish Radio Symphony Orchestra (1990-09) (track 12)
orchestrator:
Samuel Barber (1938) (track 7)
previously attributed to:
Joseph Haydn (track 6)
revised by:
Jean Sibelius (1904) (track 12)
premiered at:
Konsertti (1904-04-25) (track 12)
[radio broadcast] (1938-11-05) (track 7)
premiered at:
Svenska Teatern in Helsinki, Uusimaa, Finland (1904-04-25) (track 12)
recorded at:
Berwaldhallen in Stockholm, Stockholm, Sweden (1990-09) (track 12)
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 285e) (track 2)
Köchelverzeichnis (original numbering) (number: 315) (track 2)
arrangement of:
arrangements:
Adagio for Strings (arr. Lucien Cailliet for clarinet choir) (track 7)
Adagio for Strings (arr. John O'Reilly for woodwind band) (track 7)
Adagio for Strings (for organ, Strickland) (track 7)
Adagio for Strings (Lee Jackson arrangement) (track 7)
Adagio for Strings (catch-all for arrangements) (track 7)
Agnus Dei (arr. Samuel Barber for chorus) (track 7)
Andante in C major for Flute and Orchestra, K. 285e/315 (catch-all for arrangements) (track 2)
Andante in C major, K. 285e/315 (for flute and string trio, arr. Mordechai Rechtman) (track 2)
Cabaret Chansons: I. Je te veux (for voice, sax and accordion, Bonnen) (track 4)
Impromptu in G major, D. 899 no. 3 (for violin and piano, arr. Heifetz) (track 8)
Impromptu in G-flat major, S. 565b no. 2 (edited by Liszt) (track 8)
In the Garden (track 15)
In the Garden (track 15)
Je te veux (for piano solo) (track 4)
Je te veux (catch-all for arrangements) (track 4)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 9)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 9)
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (track 14)
Valse Triste, op. 44 no. 1 (catch-all for arrangements) (track 12)
Valse triste, op. 44 no. 1 (for cello and piano, arr. Hermann) (track 12)
is the basis for:
Canon in F (track 15)
Dov’è l’amore (track 7)
Drifting, Dreaming (track 14)
Earth Angel (track 15)
Kuolema, op. 44: I. Valse triste (for piano) (track 12)
Peace Planet (track 9)
later versions:
Andante cantabile (Stokowski orchestration) (track 6)
Trois Gymnopedies (first movement) (Gary Numan version) (track 14)
orchestrations:
Gymnopédie no. 1: Lent et douloureux (orchestrated by Lenehan & Kennedy) (track 14)
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy) (track 14)
part of:
2 Pieces from Kuolema, op. 44 (part of collection) (track 12)
Gymnopédies (track 14)
partial recording of:
recording of:
Adagio for Strings (track 7)
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 15)
Je te veux (track 4)
Valse triste, op. 44 no. 1 (for orchestra) (1990-09) (track 12)
referred to in medleys:
Hooked on Bach (track 9)
revision of:

CD 3

premiered in:
Leipzig, Sachsen, Germany (1729) (track 1)
clarinet:
Harold Wright (clarinetis) (1968-08-06) (track 8)
violin:
Mats Zetterqvist (track 7)
Pinchas Zukerman (track 4)
Isidore Cohen (1968-08-06) (track 8)
Alexander Schneider (violinist and conductor) (1968-08-06) (track 8)
cello:
Mats Rondin (track 7)
Leslie Parnas (1968-08-06) (track 8)
oboe:
Neil Black (oboist) (track 1)
viola:
Samuel Rhodes (1968-08-06) (track 8)
composer:
George Frideric Handel (German‐British baroque composer) (track 12)
Johann Sebastian Bach (1729) (track 1)
Wolfgang Amadeus Mozart (classical composer) (1775-04 – 1775-12) (track 4)
Wolfgang Amadeus Mozart (classical composer) (1789) (track 8)
Fryderyk Chopin (composer) (1829 – 1830) (track 15)
Felix Mendelssohn (1836) (track 3)
Johannes Brahms (1865) (track 13)
Claude Debussy (1890 – 1905) (track 11)
Armas Järnefelt (1904) (track 7)
conductor:
Pinchas Zukerman (track 4)
Richard Kapp (conductor) (track 9)
Raymond Leppard (track 1)
Eugene Ormandy (track 12)
dedicated to:
Sigrid Lindberg (track 7)
lyricist:
Heinrich Heine (German poet) (track 3)
orchestra:
performer:
publisher:
Breitkopf & Härtel (1905) (track 7)
recorded at:
part of:
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands) (track 13)
arrangements:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch all for arrangements) (track 3)
Berceuse (Kehtolaulu) (catch-all for arrangements) (track 7)
Cosmic Chorale (track 9)
Kehtolaulu (track 7)
Kehtolaulu (for big band, Halkosalmi) (track 7)
On Wings of Song, op. 34 no. 2 (for violin and piano, arr. Achron) (track 3)
On Wings of Song, op. 34 no. 2 (for string quartet, arr. Paul Cassidy) (track 3)
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto (for clarinet (or violin) and piano, arr. [anonymous]) (track 8)
is based on:
is the basis for:
Till My Love Comes to Me (from the 1954 Doris Day and Frank Sinatra album "Young at Heart") (track 3)
神様 見てよ (track 9)
orchestrations:
Arioso (Sinfonia from Cantata BWV 156, Stokowski orchestration) (track 1)
part of:
6 Gesänge, op. 34 (track 3)
recording of:
Berceuse (Kehtolaulu) (for violin and orchestra) (track 7)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 9)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (track 12)
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (track 11)
Waltz, op. 39 no. 15 (catch-all for unknown arrangements) (track 13)
referred to in medleys:

CD 4

violin:
Cho-Liang Lin (track 9)
Teiko Maehasi (Classical violinist) (track 2)
Isaac Stern (1963-06-12 – 1963-06-14) (track 4)
Isaac Stern (1966-02-07) (track 6)
David Nadien (1969-12-08) (track 12)
oboe:
Harold Gomberg (1966-02-07) (track 6)
soprano saxophone:
Branford Marsalis (track 13)
flute:
Julius Baker (flautist) (1967-05-15) (track 10)
saxophone:
Branford Marsalis (track 13)
piano:
Philippe Entremont (track 5)
Hiroko Nakamura (track 3)
harpsichord:
Leonard Bernstein (American composer and conductor) (1966-02-07) (track 6)
arranger:
Arthur Harris (track 4)
Constant Lambert (track 8)
Ralph Greaves (1934) (track 12)
composer:
Georges Bizet (French romantic composer) (track 10)
Michel Colombier (track 13)
Antonín Dvořák (track 4)
Roman Hoffstetter (track 7)
Giacomo Meyerbeer (track 8)
Wolfgang Amadeus Mozart (classical composer) (1776) (track 9)
Franz Schubert (Austrian composer Franz Peter Schubert) (1816) (track 11)
Robert Schumann (German classical composer) (1838) (track 3)
Antonín Dvořák (1894) (track 4)
Jules Massenet (1894) (track 2)
Edward Elgar (1899) (track 14)
Ralph Vaughan Williams (1924 – 1928) (track 12)
Сергей Васильевич Рахманинов (1934-07-03 – 1934-08-18) (track 5)
conductor:
Stanley Black (track 1)
Lazar Gosman (track 7)
Kazuhiro Koizumi (conductor) (track 2)
Raymond Leppard (track 9)
Andrew Litton (track 13)
Eugene Ormandy (track 8)
Leonard Bernstein (American composer and conductor) (1963-02-06) (track 11)
Milton Katims (1963-06-12 – 1963-06-14) (track 4)
Leonard Bernstein (American composer and conductor) (1966-02-07) (track 6)
Leonard Bernstein (American composer and conductor) (1967-05-15) (track 10)
Leonard Bernstein (American composer and conductor) (1969-12-08) (track 12)
Andrew Davis (conductor, keyboardist, composer, arranger) (1981-12-29) (track 14)
dedicated to:
Augustus J. Jaeger (track 14)
engineer:
Bud Graham (classical sound engineer) (track 13)
orchestra:
New York Philharmonic (1963-02-06) (track 11)
Columbia Symphony Orchestra (1963-06-12 – 1963-06-14) (track 4)
New York Philharmonic (1966-02-07) (track 6)
New York Philharmonic (1967-05-15) (track 10)
New York Philharmonic (1969-12-08) (track 12)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1981-12-29) (track 14)
orchestrator:
Michel Colombier (track 13)
Nathaniel Shilkret (track 4)
previously attributed to:
Joseph Haydn (track 7)
producer:
Thomas Frost (track 4)
David Mottley (producer) (track 14)
Thomas Mowrey (track 13)
publisher:
phonographic copyright by:
CBS, Inc. (US broadcasting company; file no releases here!) (track 13)
publisher:
Oxford University Press (1936) (track 12)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (1963-02-06) (track 11)
Manhattan Center in New York, New York, United States (1963-06-12 – 1963-06-14) (track 4)
David Geffen Hall (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (1966-02-07) (track 6)
David Geffen Hall (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (1967-05-15) (track 10)
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (1969-12-08) (track 12)
part of:
Köchelverzeichnis (original numbering) (number: 261) (track 9)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 261) (track 9)
arrangement of:
arrangements:
Concerto for Violin & Oboe in D minor, BWV 1060R: II. Adagio (catch all for arrangements) (track 6)
Kinderszenen, op. 15: No. 7. Träumerei (for string quartet and piano, arr. Paul Cassidy) (track 3)
Kinderszenen, op. 15: Träumerei (for violin and piano, arr. Catherine) (track 3)
Kinderszenen, op. 15: Träumerei (catch-all for arrangements) (track 3)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 2)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 2)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 2)
Meditation from Thaïs (catch-all for arrangements) (track 2)
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (for violin and piano, Kreisler) (track 5)
is based on:
Carmen: Acte II. Entr’acte (intermission between Acts II & III) (track 10)
Greensleeves (track 12)
Lovely Joan (traditional English folk song) (track 12)
Sir John in Love (track 12)
is the basis for:
E Sarà Così (song based on "Rhapsody on a theme of Paganini") (track 5)
Sanctus (based on "Nimrod" from Variations on an Original Theme ('Enigma'), op. 36) (track 14)
Sanctus Dei (track 14)
The Globalist (track 14)
later versions:
Andante cantabile (Stokowski orchestration) (track 7)
Nimrod (track 14)
orchestration of:
orchestrations:
Kinderszenen, op. 15: Träumerei (orchestrated by Josef Strauss) (track 3)
Kinderszenen, op. 15: Träumerei (orchestrated by Herbeck) (track 3)
Kinderszenen, op. 15: Träumerei (orchestrated by R. Tilling) (track 3)
part of:
Thaïs: Acte II (track 2)
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings) (track 6)
Carmen Suite no. 1 (track 10)
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra) (track 5)
partial recording of:
Les Patineurs (track 8)
parts:
Adagio for Violin and Orchestra in E major, K. 261 (catch-all for arrangements) (track 9)
recording of:
Emmanuel (track 13)
Kinderszenen, op. 15: Träumerei (for piano) (track 3)
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (1963-06-12 – 1963-06-14) (track 4)
Humoresque, op. 101 no. 7 (orch. Shilkret) (1963-06-12 – 1963-06-14) (track 4)
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (1966-02-07) (track 6)
Carmen Suite no. 1: III. Intermezzo (based on Carmen: Entr’acte between Acts II and III) (1967-05-15) (track 10)
Fantasia on “Greensleeves” (1969-12-08) (track 12)
referred to in medleys: