Tracklist

CD 1
# Title Artist Rating Length
1 Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Gustav Mahler 9:42
2 Symphony no. 9 in D: IV. Adagio. Sehr langsam und noch zurückhaltend
Gustav Mahler 25:58
3 Symphony no. 10 (Cooke version): I. Adagio
Gustav Mahler 25:16
4 Symphony no. 2 in C minor “Resurrection”: Finale: Langsam. Misterioso: „Aufersteh'n, ja aufersteh'n wirst du“ (Klopstock/Mahler) – Etwas bewegter – Mit Aufschwung, aber nicht eilen
Gustav Mahler 14:34
CD 2
# Title Artist Rating Length
1 The Planets, op. 32: I. Mars, the Bringer of War
Gustav Holst, 7:24
2 Prélude à l'après-midi d'un faune
Claude Debussy 10:19
3 The Nutcracker: No. 12. Divertissement: Chocolate: Spanish Dance / Coffee: Arabian Dance / Tea: Chinese Dance / Trepak: Russian Dance / Dance of the Reed Pipes
Pyotr Ilyich Tchaikovsky 10:03
4 Hungarian Dance no. 3 in F
Johannes Brahms 2:18
5 Carmina Burana: Uf dem Anger: Tanz
Carl Orff 1:51
6 Le sacre du printemps (1947 version): Première Partie: L'Adoration de la terre
Igor Stravinsky 15:41
7 Symphonie Dances, op. 45: I. Non allegro
Sergei Rachmaninov 11:54
8 Polovtzian Dances (from Prince Igor)
Alexander Borodin 12:07
9 Pictures at an Exhibition: The Great Gate of Kiev
Modest Mussorgsky 5:55
CD 3
# Title Artist Rating Length
1 Fidelio: Overture
Ludwig van Beethoven 6:52
2 Symphony no. 88 in G: IV. Finale. Allegro con spirito
Joseph Haydn 3:41
3 Symphony no. 9 in C “The Great”: IV. Finale. Allegro vivace
Franz Schubert 12:12
4 Piano Quartet no. 1, op. 25 in G minor: IV. Rondo alla Zingarese
Johannes Brahms 9:05
5 Symphonie fantastique: V. Songe d'une nuit du Sabbat
Hector Berlioz 10:02
6 Gymnopédie no. 3
Erik Satie 2:44
7 Carmen: Prélude
Georges Bizet 3:24
8 Slavonic Dance, op. 46: No. 3 in A-flat
Antonín Dvořák 4:57
9 Pomp and Circumstance March, op. 39: No. 4 in G
Edward Elgar 5:00
10 Ma Mère l'Oye
Maurice Ravel 5:31
11 Candide: Overture
Leonard Bernstein 4:18
12 The Perfume: Story of a Murderer: Awaiting Execution
Tom Tykwer, Reinhold Heil, Johnny Klimek 3:12
13 The Flower is a Key (A Rap for Mozart)
Sergio Cárdenas 7:09

Credits

CD 1

additional arranger:
Berthold Goldschmidt (1989) (track 3)
Colin Matthews (1989) (track 3)
David Matthews (British orchestral, chamber composer) (1989) (track 3)
additional composer:
Deryck Cooke (1960 – 1972) (track 3)
balance engineer:
Mike Clements (engineer) (track 3)
Mike Clements (engineer) (2002-09-07 – 2002-09-10) (track 1)
composer:
Gustav Mahler (1888 – 1894) (track 4)
Gustav Mahler (1901 – 1902) (track 1)
Gustav Mahler (1908 – 1909) (track 2)
Gustav Mahler (1910-07 – 1910-09) (track 3)
conductor:
Sir Simon Rattle (1999-09-24 – 1999-09-25) (track 3)
Sir Simon Rattle (2002-09-07 – 2002-09-10) (track 1)
Sir Simon Rattle (2007-10-24 – 2007-10-27) (track 2)
Sir Simon Rattle (2010-10-28 – 2010-10-30) (track 4)
engineer:
Andy Beer (2002-09-07 – 2002-09-10) (track 1)
Graham Kirkby (2002-09-07 – 2002-09-10) (track 1)
Mike Clements (engineer) (2007-10-24 – 2007-10-27) (track 2)
René Moeller (2010-10-28 – 2010-10-30) (track 4)
librettist:
Gustav Mahler (1888 – 1894) (track 4)
orchestra:
Berliner Philharmoniker (1999-09-24 – 1999-09-25) (track 3)
Berliner Philharmoniker (2002-09-07 – 2002-09-10) (track 1)
Berliner Philharmoniker (2007-10-24 – 2007-10-27) (track 2)
Berliner Philharmoniker (2010-10-28 – 2010-10-30) (track 4)
producer:
Christoph Franke (producer and sound engineer) (track 4)
Stephen Johns (producer) (tracks 1–3)
recorded at:
Berliner Philharmonie in Berlin, Germany (1999-09-24 – 1999-09-25) (track 3)
Berliner Philharmonie in Berlin, Germany (2002-09-07 – 2002-09-10) (track 1)
Berliner Philharmonie in Berlin, Germany (2007-10-24 – 2007-10-27) (track 2)
edits:
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 1)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 1)
Symphony no. 2 in C minor: V. Im Tempo des Scherzos. Wild herausfahrend (arr. Bruno Walter for piano 4 hands) (track 4)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 1)
is the basis for:
live partial recording of:
live recording of:
Symphony no. 10 in F-sharp major: I. Adagio (Cooke performing version III) (1999-09-24 – 1999-09-25) (track 3)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (2002-09-07 – 2002-09-10) (track 1)
part of:
Symphony no. 10 in F-sharp major (Cooke performing version III) (movement) (track 3)
Symphony no. 5 (movement) (track 1)
Symphony no. 9 in D major (movement) (track 2)
Symphony no. 2 “Resurrection” (movement) (track 4)
revision of:
Symphony no. 10 in F-sharp major: I. Adagio (original incomplete version) (track 3)
Symphony no. 10 in F-sharp major: I. Adagio (Cooke performing version II) (track 3)

CD 2

flute:
Emmanuel Pahud (2004-09-17 – 2004-09-19) (track 2)
arranger:
balance engineer:
Mike Clements (engineer) (2004-09-17 – 2004-09-19) (track 2)
Mike Clements (engineer) (2006-03-15 – 2006-03-18) (track 1)
Mike Clements (engineer) (2007-12-29 – 2007-12-31) (tracks 8–9)
composer:
Johannes Brahms (track 4)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (tracks 3, 3, 3, 3, 3)
Модест Петрович Мусоргский (composer) (1874-06-02 – 1874-06-22) (track 9)
Claude Debussy (1891 – 1894-09) (track 2)
Igor Stravinsky (composer) (1911 – 1913) (track 6)
Gustav Holst (1914 – 1916) (track 1)
Carl Orff (1936) (track 5)
conductor:
Sir Simon Rattle (tracks 3–4)
Sir Simon Rattle (2004-09-17 – 2004-09-19) (track 2)
Sir Simon Rattle (2004-12-29 – 2004-12-31) (track 5)
Sir Simon Rattle (2006-03-15 – 2006-03-18) (track 1)
Sir Simon Rattle (2007-12-29 – 2007-12-31) (tracks 8–9)
Sir Simon Rattle (2010-11-04 – 2010-11-05) (track 7)
Sir Simon Rattle (2012-11) (track 6)
dedicated to:
Raymond Bonheur (track 2)
editor:
Christoph Franke (producer and sound engineer) (track 7)
Stephen Frost (track 2)
Raphael Mouterde (track 2)
engineer:
Andy Beer (track 2)
Jochen Hofmann (track 2)
Tobias Lehmann (track 2)
Mike Clements (engineer) (2004-12-29 – 2004-12-31) (track 5)
mixer:
Alexander Feucht (track 7)
orchestra:
Berliner Philharmoniker (tracks 3–4)
Berliner Philharmoniker (2004-09-17 – 2004-09-19) (track 2)
Berliner Philharmoniker (2004-12-29 – 2004-12-31) (track 5)
Berliner Philharmoniker (2006-03-15 – 2006-03-18) (track 1)
Berliner Philharmoniker (2007-12-29 – 2007-12-31) (tracks 8–9)
Berliner Philharmoniker (2010-11-04 – 2010-11-05) (track 7)
Berliner Philharmoniker (2012-11) (track 6)
orchestrator:
Johannes Brahms (1873) (track 4)
Maurice Ravel (classical composer) (1922) (track 9)
producer:
Stephen Johns (producer) (tracks 1–2, 5, 8–9)
Christoph Franke (producer and sound engineer) (track 7)
recorded by:
René Moeller (2010-11-04 – 2010-11-05) (track 7)
premiered at:
[concert] (1894-12-22) (track 2)
publisher:
Eugène Fromont (1895-10) (track 2)
recorded at:
Berliner Philharmonie in Berlin, Germany (2004-09-17 – 2004-09-19) (track 2)
Berliner Philharmonie in Berlin, Germany (2004-12-29 – 2004-12-31) (track 5)
Berliner Philharmonie in Berlin, Germany (2006-03-15 – 2006-03-18) (track 1)
Berliner Philharmonie in Berlin, Germany (2007-12-29 – 2007-12-31) (tracks 8–9)
Berliner Philharmonie in Berlin, Germany (2010-11-04 – 2010-11-05) (track 7)
Berliner Philharmonie in Berlin, Germany (2012-11) (track 6)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 86) (track 2)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 87) (track 2)
arrangements:
Extract from "The Afternoon of a Faun" (for violin and piano, Heifetz) (track 2)
Le Sacre du printemps: I. L'Adoration de la terre (for piano solo, Achatz) (track 6)
Mars (from The Planets) (for large brass ensemble, Sauer) (track 1)
Mars, The Bringer of War (Arranged for organ) (track 1)
Polovtsian Dances (for brass band, Snell) (track 8)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (catch-all for arrangements) (track 2)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (track 2)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Debussy) (track 2)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Ravel) (track 2)
Prélude à l’après-midi d’un faune (for flute and piano, arr. Samazeuilh) (track 2)
The Dance (track 5)
The Planets, op. 32: I. Mars, the Bringer of War (for brass quintet and organ) (track 1)
has revision:
is the basis for:
Prince Igor (Rapsody) (track 8)
Prélude à L'après-midi d'un faune (arr. Tomita) (track 2)
(track 8)
later versions:
live recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (2004-12-29 – 2004-12-31) (track 5)
Tableaux d'une exposition: X. La grande porte de Kiev (orchestrated by Ravel) (2007-12-29 – 2007-12-31) (track 9)
Symphonic Dances, op. 45: I. Non allegro - Lento - Tempo I (2010-11-04 – 2010-11-05) (track 7)
orchestration of:
part of:
Hungarian Dances for orchestra, WoO 1 (Brahms orchestration) (track 4)
The Planets Suite for Orchestra, op. 32 (with "Pluto" by Colin Matthews) (track 1)
The Planets, op. 32 (original version) (track 1)
Tableaux d'une exposition (orchestrated by Ravel) (track 9)
parts:
recording of:
Prélude à l’après-midi d’un faune, L. 86, CD 87 (for orchestra) (2004-09-17 – 2004-09-19) (track 2)
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (2007-12-29 – 2007-12-31) (track 8)
referred to in medleys:
Hooked on a Song (track 8)
Prelude to Madness (track 1)

CD 3

cello:
additional conductor:
Nicholas Jenkins (2012-04-16 – 2012-04-21) (track 7)
assistant engineer:
Julian Steger (engineer) (track 7)
balance engineer:
Mike Clements (engineer) (track 5)
Mike Clements (engineer) (2002-04-14 – 2002-04-15) (tracks 9–10)
Mike Clements (engineer) (2003-04-25 – 2003-04-28) (track 1)
choir vocals:
State Choir Latvia (track 12)
composer:
Leonard Bernstein (track 11)
Georges Bizet (track 7)
Johannes Brahms (track 4)
Sergio Cárdenas (conductor) (track 13)
Joseph Haydn (1787) (track 2)
Ludwig van Beethoven (1814) (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (1825-07 – 1826-07) (track 3)
Hector Berlioz (1830) (track 5)
Antonín Dvořák (1878) (track 8)
Erik Satie (French composer) (1888) (track 6)
Edward Elgar (1907) (track 9)
Maurice Ravel (classical composer) (1908 – 1910) (track 10)
conductor:
Sir Simon Rattle (tracks 6, 8, 11–12)
Sir Simon Rattle (2002-04-14 – 2002-04-15) (tracks 9–10)
Sir Simon Rattle (2003-04-25 – 2003-04-28) (track 1)
Sir Simon Rattle (2005-06-08 – 2005-06-11) (track 3)
Sir Simon Rattle (2007-02) (track 2)
Sir Simon Rattle (2008-05-30 – 2008-06-01) (track 5)
Sir Simon Rattle (2009-10-30 – 2009-11-07) (track 4)
Sir Simon Rattle (2012-04-16 – 2012-04-21) (track 7)
editor:
Christoph Franke (producer and sound engineer) (track 7)
Simon Kiln (track 5)
engineer:
Mike Cox (engineer) (track 5)
René Möller (track 7)
orchestra:
Berliner Philharmoniker (tracks 6, 8, 11–12)
Berliner Philharmoniker (2002-04-14 – 2002-04-15) (tracks 9–10)
Berliner Philharmoniker (2003-04-25 – 2003-04-28) (track 1)
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (2005-06-08 – 2005-06-11) (track 3)
Berliner Philharmoniker (2007-02) (track 2)
Berliner Philharmoniker (2008-05-30 – 2008-06-01) (track 5)
Berliner Philharmoniker (2009-10-30 – 2009-11-07) (track 4)
Berliner Philharmoniker (2012-04-16 – 2012-04-21) (track 7)
orchestrator:
Arnold Schönberg (track 4)
Claude Debussy (1897) (track 6)
Maurice Ravel (classical composer) (1911) (track 10)
performer:
producer:
Stephen Johns (producer) (tracks 1, 5, 9–10)
Christoph Franke (producer and sound engineer) (track 7)
spoken vocals:
Sir Simon Rattle (track 13)
spoken vocals [speaker]:
Sir Simon Rattle (track 13)
premiered at:
Queen’s Hall in London, England, United Kingdom (1907-08-24) (track 9)
recorded at:
Berliner Philharmonie in Berlin, Germany (2002-04-14 – 2002-04-15) (tracks 9–10)
Berliner Philharmonie in Berlin, Germany (2003-04-25 – 2003-04-28) (track 1)
Berliner Philharmonie in Berlin, Germany (2005-06-08 – 2005-06-11) (track 3)
Berliner Philharmonie in Berlin, Germany (2007-02) (track 2)
Jesus‐Christus‐Kirche (Dahlem, Berlin) in Berlin, Germany (2008-05-30 – 2008-06-01) (track 5)
Berliner Philharmonie in Berlin, Germany (2009-10-30 – 2009-11-07) (track 4)
Berliner Philharmonie in Berlin, Germany (2012-04-16 – 2012-04-21) (track 7)
arrangements:
Candide Overture (for band, Grundman) (track 11)
is the basis for:
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 7)
Shining (track 5)
live recording of:
Fidelio, op. 72: Overture (1814 version, sometimes Op. 72c) (2003-04-25 – 2003-04-28) (track 1)
orchestration of:
part of:
Candide (track 11)
Carmen (tracks 7, 7)
Fidelio, op. 72 (1814 version) (track 1)
Gymnopédies (orchestrated by Debussy) (track 6)
Slavonic Dances, op. 46, B. 83 (for orchestra) (track 8)
Piano Quartet no. 1 in G minor, op. 25 (Schönberg orchestration) (track 4)
Ma mère l'Oye (pour orchestre) (track 10)
recording of:
Candide: Overture (track 11)
Gymnopédies: I. Lent et grave (Satie: Gymnopédie No. 3 orchestrated by Debussy) (track 6)
Ma mère l'Oye: V. Le Jardin féerique (pour orchestre) (2002-04-14 – 2002-04-15) (track 10)
Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese. Presto (Schönberg orchestration) (2009-10-30 – 2009-11-07) (track 4)
Carmen: Prélude (2012-04-12 – 2012-04-21) (track 7)
referred to in medleys:
version of:
Ma mère l'Oye: V. Le Jardin féerique (pour piano à quatre mains) (track 10)

Release

ASIN: UK: B01948IS4I [info]