| # | Title | Artist | Rating | Length |
|---|
| 1 | Also sprach Zarathustra, op. 30: Opening Fanfare (from “2001: A Space Odyssey”) | Richard Strauss | 5 | 1:32 |
| 2 | Clair de lune (from “Twilight”) | Claude Debussy | | 5:13 |
| 3 | Carmina Burana: I. O Fortuna (from “Jackass: The Movie”) | Carl Orff | | 2:29 |
| 4 | Adagio for Strings (from “Platoon”) | Samuel Barber | | 8:12 |
| 5 | The Valkyrie: Ride of the Valkyries (from “Apocalypse Now”) | Richard Wagner | | 5:21 |
| 6 | String Quintet, op. 11 no. 5 in E major: II. Menuet (from “When Harry Met Sally”) | Luigi Boccherini | | 3:33 |
| 7 | Hungarian Dance no. 5 (from “Hotel”) | Johannes Brahms | | 3:12 |
| 8 | Concerto for Piano, Strings and Continuo no. 5 in F minor, BWV 1056: II. Largo (from “Lara Croft: Tomb Raider”) | Johann Sebastian Bach | | 3:20 |
| 9 | Music for the Royal Fireworks, HWV 351: IV. La Rèjouissance. Allegro (from “Johnny English”) | Georg Friedrich Händel | | 1:48 |
| 10 | Requiem Mass in D minor, K. 626: VII. Lacrimosa (from “The Big Lebowski”) | Wolfgang Amadeus Mozart | | 3:15 |
| 11 | Bolero (from “10”) | Maurice Ravel | | 15:26 |
| 12 | Spring Song, op. 62 no. 6 (from “Titanic”) | Felix Mendelssohn | | 2:28 |
| 13 | Toccata and Fugue in D minor, BWV 565: I. Toccata (from “Bad Boys II”) | Johann Sebastian Bach | | 2:47 |
| 14 | Solomon: Act III. Sinfonia (from “Four Weddings and a Funeral”) | Georg Friedrich Händel | | 3:17 |
| 15 | Cantata, BWV 147: Jesu, Joy of Man’s Desiring (from “Minority Report”) | Johann Sebastian Bach | | 3:50 |
| 16 | Requiem Mass in D minor, K. 626: III. Dies irae (from “X2”) | Wolfgang Amadeus Mozart | | 1:48 |
| 17 | Mandolin Concerto in C major, RV 425: I. Allegro (from “Casanova”) | Antonio Vivaldi | | 3:11 |
| 18 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air (from “Heartbreakers”) | Johann Sebastian Bach | 3 | 4:26 |
| 19 | The Messiah, HWV 56: Part II, no. 44 “Hallelujah” (from “Bridget Jones”) | Georg Friedrich Händel | | 4:19 |
| 20 | Clarinet Concerto in A major, K.622: II. Adagio (from “27 Dresses”) | Wolfgang Amadeus Mozart | | 7:01 |
| 21 | Symphony no. 3 in E‐flat major, op. 55, “Eroica”: Finale. Allegro molto (from “Ocean’s Twelve”) | Ludwig van Beethoven | | 11:44 |
| 22 | Prelude in D‐flat major, op. 28: no. 15, “Raindrop” (from “xXx”) | Fryderyk Chopin | | 5:36 |
| 23 | Flight of the Bumblebee (from “8 Mile”) | Николай Андреевич Римский‐Корсаков | | 1:36 |
| 24 | Nabucco: Act III. Chorus of the Hebrew Slaves “Va, pensiero” (from “The Godfather Part III”) | Giuseppe Verdi | | 5:19 |
| 25 | Wedding March (from “The Wedding Planner”) | Felix Mendelssohn | | 5:00 |
| 26 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from “Spider‐Man 3”) | Сергей Васильевич Рахманинов | | 11:22 |
| 27 | Peer Gynt: In the Hall of the Mountain King (from “Rat Race”) | Edvard Grieg | | 2:43 |
| 28 | Vienna Blood Waltz, op. 354 (from “My Big Fat Greek Wedding”) | Johann Strauss II | | 9:29 |
| 29 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (from “The Age of Innocence”) | Ludwig van Beethoven | | 5:00 |
| 30 | Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai (from “The Patriot”) | Johann Sebastian Bach | | 2:47 |
| 31 | Lullaby (from “The Truman Show”) | Johannes Brahms | | 1:49 |
| 32 | Die Moldau (from “The Tree of Life”) | Bedřich Smetana | | 12:50 |
| 33 | Quintet in A major, op. 114, “The Trout”: IV. Andante (from “The Sixth Sense”) | Franz Schubert | | 3:04 |
| 34 | The Marriage of Figaro: Overture (from “Zombieland”) | Wolfgang Amadeus Mozart | 4 | 4:18 |
| 35 | Ave Maria (from “Alive”)- solo cello:
- Károly Botvay
- orchestra:
- Budapest Strings
- conductor and concertmaster:
- Béla Bánfalvi
- recording of:
- Ave Maria
- lyricist:
- [anonymous]
- composer:
- Franz Schubert
- version of:
- Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”
- recording of:
- Ave Maria, D. 839
- composer:
- Franz Schubert
- arrangement of:
- Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”
- instrumental recording of:
- Ave Maria, D. 839
- composer:
- Franz Schubert
- arrangement of:
- Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”
- recording of:
- Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”
- lyricist:
- Sir Walter Scott
- composer:
- Franz Schubert (in 1825)
- translator:
- Adam Storck
- part of:
- Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
| Franz Schubert | 4.5 | 4:46 |
| 36 | Lohengrin: Act III, Scene I. Bridal Chorus (from “The Father of the Bride”) | Richard Wagner | | 9:22 |
| 37 | Träumerei (from “Sophie’s Choice”) | Robert Schumann | | 3:05 |
| 38 | O mio babbino caro (from “A Room With a View”) | Giacomo Puccini | | 1:51 |
| 39 | Impromptu no. 2 in E‐flat, D 899 (from “The Pianist”) | Franz Schubert | | 4:32 |
| 40 | Finlandia, op. 26 (from “Die Hard 2”) | Jean Sibelius | | 9:05 |
| 41 | Barcarole (from “Life Is Beautiful”) | Jacques Offenbach | | 3:27 |
| 42 | The Nutcracker, op. 71 no. 13: Waltz of the Flowers (from “Caddyshack”) | Пётр Ильич Чайковский | | 7:02 |
| 43 | Carnival of the Animals: XIII. The Swan (from “Mona Lisa Smile”) | Camille Saint‐Saëns | | 3:10 |
| 44 | Love Dream (from “All About Eve”) | Franz Liszt | | 4:13 |
| 45 | Sabre Dance (from “Punchline”) | Արամ Խաչատրյան | | 2:32 |
| 46 | Madama Butterfly: Act II. “Un bel dì vedremo” (from “Fatal Attraction”) | Giacomo Puccini | | 4:29 |
| 47 | The Thieving Magpie: Overture (from “A Clockwork Orange”) | Gioachino Rossini | | 10:44 |
| 48 | L’elisir d’amore: Act II. “Una furtiva lagrima” (from “Match Point”) | Gaetano Donizetti | | 5:00 |
| 49 | The Barber of Seville: Act I. “Largo al factotum” (from “Mrs. Doubtfire”) | Gioachino Rossini | | 5:06 |
| 50 | Cavalleria rusticana: Intermezzo sinfonico (from “Raging Bull”) | Pietro Mascagni | | 3:33 |
| 51 | La traviata: Act I. Brindisi “Libiamo ne’lieti calici” (from “Pretty Woman”) | Giuseppe Verdi | | 3:08 |
| 52 | Carmen Suite no. 2: Habanera (from “Carmen Jones”) | Georges Bizet | | 4:03 |
| 53 | La bohème: “Che gelida manina” (from “Moonstruck”) | Giacomo Puccini | | 4:54 |
| 54 | Les Pêcheurs de perles: “Au fond du temple saint” (from “Gallipoli”) | Georges Bizet | | 4:57 |
| 55 | Twilight of the Gods: Siegfried’s Death and Funeral March (from “Excalibur”) | Richard Wagner | | 6:54 |
| 56 | Für Elise (from “Rosemary’s Baby”) | Ludwig van Beethoven | | 2:51 |
| 57 | Symphony no. 4 in A major, “Italian”: IV. Saltarello presto (from “Breaking Away”) | Felix Mendelssohn | | 6:01 |
| 58 | Concerto for Two Violins, Strings and Continuo in D minor, BWV 1043: II. Largo ma non tanto (from “Children of a Lesser God”) | Johann Sebastian Bach | | 7:10 |
| 59 | Symphony No.40 in G Minor: I. Molto allegro (from “The Living Daylights”) | Wolfgang Amadeus Mozart | | 7:53 |
| 60 | Piano Concerto No.5 in E Flat Major, Op.73, “Emperor”: II. Adagio un poco mosso (from “Dead Poets Society”) | Ludwig van Beethoven | | 7:30 |
| 61 | Eine kleine Nachtmusik: I. Allegro (from “There’s Something About Mary”) | Wolfgang Amadeus Mozart | | 5:53 |
| 62 | Rinaldo: “Lascia ch’io pianga” (from “Antichrist”) | Georg Friedrich Händel | | 3:50 |
| 63 | Symphony no. 7 in A major, op. 92: II. Allegretto (from “Immortal Beloved”) | Ludwig van Beethoven | | 9:41 |
| 64 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro (from “American Gigolo”) | Johann Sebastian Bach | | 10:52 |
| 65 | Xerxes, HWV 40, Act I: “Ombra mai fu” (from “Dangerous Liaisons”) | Georg Friedrich Händel | | 4:28 |
| 66 | Concerto for Two Pianos and Orchestra in E‐flat major, K. 365: III. Rondo. Allegro (from “Amadeus”) | Wolfgang Amadeus Mozart | | 6:48 |
| 67 | String Quartet no. 77 in C major, “Emperor”: II. Poco adagio cantabile (from “Casablanca”) | Joseph Haydn | | 5:24 |
| 68 | Emperor Waltz, op. 437 (from “The Last Emperor”) | Johann Strauss II | | 11:58 |
| 69 | Ave verum corpus, K.618 (from “Lorenzos Oil”) | Wolfgang Amadeus Mozart | | 2:21 |
| 70 | Symphony no. 9 in D minor, op. 125, “Choral”: II. Molto vivace (from “A Clockwork Orange”) | Ludwig van Beethoven | | 10:41 |
| 71 | The Ice Skaters Waltz, op. 183 (from “Chariots of Fire”) | Émile Waldteufel | | 7:13 |
| 72 | A Night on the Bare Mountain (from “Natural Born Killers”) | Модест Петрович Мусоргский | | 11:17 |
| 73 | La Wally: Act I. Wally’s Aria (from “Diva”) | Alfredo Catalani | | 3:39 |
| 74 | Aufschwung (from “Heat and Dust”) | Robert Schumann | | 3:12 |
| 75 | William Tell: Overture (from “Armageddon”) | Gioachino Rossini | | 12:52 |
| 76 | Manon Lescaut: “Sola, perduta, abbandonata” (from “Hanna and Her Sisters”) | Giacomo Puccini | | 4:54 |
| 77 | La Gioconda: Dance of the Hours (from “Fantasia”) | Amilcare Ponchielli | | 9:35 |
| 78 | Tannhäuser: Act III. Pilgrims Choir (from “Unfaithfully Yours”)- baritone vocals:
- Hermann Prey
- choir vocals:
- Chor der Philharmonie Bratislava
- vocals:
- Chor der Philharmonie Bratislava
- orchestra:
- Philharmonie Bratislava
- conductor:
- Kurt Wöss
- performer:
- Bratislava Philharmonic Orchestra
- recording of:
- Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich”
- composer:
- Richard Wagner (from 1843 until 1845-04-13)
- librettist:
- Richard Wagner (from 1842-06 until 1843-04)
- part of:
- Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. "Wohl wüsst ich hier sie im Gebet zu finden"
- recording of:
- Pilgerchor aus Tannhäuser, S. 443/1
- composer:
- Franz Liszt
- is based on:
- Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
- partial recording of:
- Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. "Wohl wüsst ich hier sie im Gebet zu finden"
- composer:
- Richard Wagner (from 1843 until 1845-04-13)
- librettist:
- Richard Wagner (from 1842-06 until 1843-04)
- part of:
- Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
- recording of:
- Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. "Wohl wüsst ich hier sie im Gebet zu finden"
- composer:
- Richard Wagner (from 1843 until 1845-04-13)
- librettist:
- Richard Wagner (from 1842-06 until 1843-04)
- part of:
- Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
| Richard Wagner | | 5:33 |
| 79 | Eine kleine Nachtmusik: III. Menuetto. Allegretto – IV. Rondo. Allegro (from “Ace Ventura: Pet Detective”) | Wolfgang Amadeus Mozart | | 6:04 |
| 80 | Semiramide: Overture (from “Unfaithfully Yours”) | Gioachino Rossini | | 13:07 |
| 81 | Turandot: Nessun dorma (from “The Witches of Eastwick”) | Giacomo Puccini | | 3:06 |
| 82 | Peer Gynt Suite no. 1, op. 46: I. Morning (from “Song of Norway”) | Edvard Grieg | | 3:34 |
| 83 | Piano Concerto no. 21 in C major, K. 467: II. Andante (from “Elvira Madigan”) | Wolfgang Amadeus Mozart | 3 | 5:36 |
| 84 | Rigoletto: Act III. Duca’s Aria “La donna è mobile” (from “Captain Corelli’s Mandolin”) | Giuseppe Verdi | | 2:14 |
| 85 | Symphony no. 5 in E minor op. 64: II. Andante cantabile (from “Save the Last Dance”) | Пётр Ильич Чайковский | | 13:12 |
| 86 | Carmen: Toreador Song (from “Carmen”) | Georges Bizet | | 4:49 |
| 87 | Madama Butterfly: Finale “Con onor muore” (from “Fatal Attraction”) | Giacomo Puccini | | 4:56 |
| 88 | Tales from the Vienna Woods, op. 325 (from “Heat and Dust”) | Johann Strauss II | | 12:32 |
| 89 | Violin Concerto no. 3, K. 216: III. Rondo. Allegro (from “Master and Commander”) | Wolfgang Amadeus Mozart | | 9:33 |
| 90 | Symphony no. 6 in F major, op. 68, “Pastorale”: II. Andante molto mosso (from “Fantasia”) | Ludwig van Beethoven | | 13:14 |
| 91 | Hungarian Rhapsody no. 2 (from “Who Framed Roger Rabbit”) | Franz Liszt | | 10:19 |
| 92 | Symphony no. 6 in B minor op. 74, “Pathétique”: IV. Finale. Adagio lamentoso (from “The Music Lovers”) | Пётр Ильич Чайковский | | 10:06 |
| 93 | The Flying Dutchman: Overture (from “Shadow of the Vampire”) | Richard Wagner | | 9:50 |
| 94 | Symphony no. 5: Adagietto (from “Death in Venice”) | Gustav Mahler | | 9:43 |
| 95 | The Beautiful Blue Danube, op. 314 (from “Austin Powers”) | Johann Strauss II | | 10:59 |
| 96 | Can‐Can (from “Moulin Rouge”) | Jacques Offenbach | | 1:40 |
| 97 | Thaïs: Méditation (from “Titanic”) | Jules Massenet | | 5:08 |
| 98 | 1812 Overture, op. 49 (from “V for Vendetta”) | Пётр Ильич Чайковский | | 16:13 |
| 99 | Rhapsody in Blue (from “Manhattan”) | George Gershwin | | 16:47 |
| 100 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from “Starsky & Hutch”) | Ludwig van Beethoven | | 7:34 |
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