I Lombardi

~ Release by Giuseppe Verdi; June Anderson, Richard Leech, Luciano Pavarotti, Samuel Ramey, Metropolitan Opera Orchestra & Chorus, James Levine (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1I Lombardi alla prima Crociata: Act I (La vendetta). Prelude / "Oh nobile esempio!"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi5:26
2I Lombardi alla prima Crociata: Act I (La vendetta). "Qui nel luogo santo e pio"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Viclinda]:
Patricia Racette (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi0:55
3I Lombardi alla prima Crociata: Act I (La vendetta). "T'assale un tremito! Padre, che fia?"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
bass vocals [Pirro]:
Ildebrando d’Arcangelo (operatic bass) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Viclinda]:
Patricia Racette (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:17
4I Lombardi alla prima Crociata: Act I (La vendetta). "Or s'ascolti il voler cittadino!"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
tenor vocals [Un priore della città di Milano]:
Anthony Dean Griffey (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:09
5I Lombardi alla prima Crociata: Act I (La vendetta). "A te nell'ora infausta"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:26
6I Lombardi alla prima Crociata: Act I (La vendetta). "Sciagurata! Hai tu creduto"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
bass vocals [Pirro]:
Ildebrando d’Arcangelo (operatic bass) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi6:47
7I Lombardi alla prima Crociata: Act I (La vendetta). "Tutta tremante anco l'anima io sento..."
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
mezzo-soprano vocals [Viclinda]:
Patricia Racette (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:23
8I Lombardi alla prima Crociata: Act I (La vendetta). "Ave Maria"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:30
9I Lombardi alla prima Crociata: Act I (La vendetta). "Vieni! Già pose Arvino"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
bass vocals [Pirro]:
Ildebrando d’Arcangelo (operatic bass) (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Viclinda]:
Patricia Racette (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi1:56
10I Lombardi alla prima Crociata: Act I (La vendetta). "Orror! Mostro d'averno orribile"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:12
11I Lombardi alla prima Crociata: Act I (La vendetta). "Parricida!"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:45
12I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "È dunque vero?"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
baritone vocals [Acciano]:
Yanni Yannissis (baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:02
13I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Oh madre mia, che fa colei?"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi1:08
14I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "La mia letizia infondere"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:33
15I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Come poteva un angelo"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:45
16I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "E ancor silenzio!"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
bass vocals [Pirro]:
Ildebrando d’Arcangelo (operatic bass) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi8:04
17I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Sei tu l'uom della caverna?"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:42
18I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "La bella straniera"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:00
19I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Oh madre, dal cielo soccorri al mio pianto"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi6:12
20I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "No! no! giusta causa non è d'Iddio"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:30
▼ CD 2
#TitleArtistRatingLength
1I Lombardi alla prima Crociata: Act III (La conversione). "Gerusalem!... Gerusalem!"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi5:32
2I Lombardi alla prima Crociata: Act III (La conversione). "Dove sola m'inoltro?"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:57
3I Lombardi alla prima Crociata: Act III (La conversione). "Oh belle, a questa misera, tende lombarde"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:50
4I Lombardi alla prima Crociata: Act III (La conversione). "Che vid'io mai?"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:21
5I Lombardi alla prima Crociata: Act III (La conversione). Prelude
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:21
6I Lombardi alla prima Crociata: Act III (La conversione). "Qui posa il fianco"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:25
7I Lombardi alla prima Crociata: Act III (La conversione). "Qual voluttà trascorrere sento"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:11
8I Lombardi alla prima Crociata: Act IV (Santo Sepolcro). "Componi, o cara vergine"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:54
9I Lombardi alla prima Crociata: Act IV (Santo Sepolcro). "In cielo benedetto"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:07
10I Lombardi alla prima Crociata: Act IV (Santo Sepolcro). "Qual prodigio!..."
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:34
11I Lombardi alla prima Crociata: Act IV (Santo Sepolcro). "O Signore, dal tetto natìo ci chiamasti"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:55
12I Lombardi alla prima Crociata: Act IV (Santo Sepolcro). "Al Siloe! al Siloe!"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:10
13I Lombardi alla prima Crociata: Act IV (Santo Sepolcro). "Questa è mia tenda..."
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:45
14I Lombardi alla prima Crociata: Act IV (Santo Sepolcro). "Un breve istante"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:00
15I Lombardi alla prima Crociata: Act IV (Santo Sepolcro). "Te lodiamo, gran Dio di vittoria"
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:01

Credits

Release

orchestra:Metropolitan Opera Orchestra
conductor:James Levine (US conductor and pianist)
bass vocals:Samuel Ramey (bass-baritone)
soprano vocals:June Anderson (soprano)
tenor vocals:Richard Leech (operatic tenor)
Luciano Pavarotti (tenor)
Discogs:https://www.discogs.com/release/2024588 [info]
ASIN:US: B0000042GP [info]