Something Cool

~ Release by June Christy (see all versions of this release, 5 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Not I
2:46
2Whee Baby
3:01
3Why Do You Have to Go Home
3:16
4You're Making Me Crazy
2:32
5Something Cool
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-08-14)
baritone saxophone:
Chuck Gentry (on 1953-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1953-08-14)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-14)
trombone:
Milt Bernhart (on 1953-08-14), Herbie Harper (on 1953-08-14) and Tommy Pederson (on 1953-08-14)
trumpet:
Maynard Ferguson (on 1953-08-14), Conrad Gozzo (on 1953-08-14) and Shorty Rogers (trumpet) (on 1953-08-14)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1953-08-14)
vocals:
June Christy (on 1953-08-14)
conductor:
Pete Rugolo (on 1953-08-14)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-14)
recording of:
Something Cool (on 1953-08-14)
lyricist and composer:
Billy Barnes (composer and lyricist)
4:20
6Magazines
2:42
7Midnight Sun
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-12-27)
baritone saxophone:
Chuck Gentry (on 1953-12-27)
bass:
Joe Mondragon (on 1953-12-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-12-27)
trombone:
Tommy Pederson (on 1953-12-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1953-12-27) and Conrad Gozzo (on 1953-12-27)
vocals:
June Christy (on 1953-12-27)
conductor:
Pete Rugolo (on 1953-12-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-12-27)
recording of:
Midnight Sun (on 1953-12-27)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
3:16
8Lonely House
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-18)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
John Graas (on 1954-01-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18)
piano:
Russ Freeman (pianist) (on 1954-01-18)
trombone:
Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
trumpet:
Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (trumpet) (on 1954-01-18)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18) and Harry Klee (on 1954-01-18)
vocals:
June Christy (on 1954-01-18)
conductor:
Pete Rugolo (on 1954-01-18)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18)
recording of:
Lonely House (from “Street Scene”) (on 1954-01-18)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
is based on:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
4:00
9I Should Care
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-18)
drums (drum set):
Larry Bunker (on 1954-01-18) and Shelly Manne (US jazz drummer) (on 1954-01-18)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
Vincent DeRosa (on 1954-01-18) and John Graas (on 1954-01-18)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-18) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18)
piano:
Joe Castro (on 1954-01-18) and Russ Freeman (pianist) (on 1954-01-18)
reeds:
Chuck Gentry (on 1954-01-18)
trombone:
Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18), Frank Rosolino (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-18), Conte Candoli (on 1954-01-18), Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (trumpet) (on 1954-01-18)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18) and Phil Stephens (bass and tuba player) (on 1954-01-18)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18), Paul Horn (on 1954-01-18) and Harry Klee (on 1954-01-18)
vocals:
June Christy (on 1954-01-18)
conductor:
Pete Rugolo (on 1954-01-18)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18)
recording of:
I Should Care (on 1954-01-18)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
2:12
10It Could Happen to You
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18, on 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18, on 1960-04-27)
bass trombone:
George Roberts (american bass trombone) (on 1960-04-27)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-18) and Larry Bunker (on 1960-04-27)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
John Graas (on 1954-01-18) and Vincent DeRosa (on 1960-04-27)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1960-04-27)
piano:
Russ Freeman (pianist) (on 1954-01-18) and Joe Castro (on 1960-04-27)
reeds:
Buddy Collette (on 1960-04-27) and Chuck Gentry (on 1960-04-27)
trombone:
Milt Bernhart (on 1954-01-18, on 1960-04-27), Harry Betts (on 1954-01-18), Tommy Pederson (on 1954-01-18) and Frank Rosolino (on 1960-04-27)
trumpet:
Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18, on 1960-04-27), Shorty Rogers (trumpet) (on 1954-01-18), Frank Beach (trombone, trumpet) (on 1960-04-27) and Conte Candoli (on 1960-04-27)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18) and Phil Stephens (bass and tuba player) (on 1960-04-27)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18, on 1960-04-27), Harry Klee (on 1954-01-18) and Paul Horn (on 1960-04-27)
vocals:
June Christy (on 1954-01-18, on 1960-04-27)
conductor:
Pete Rugolo (on 1954-01-18, on 1960-04-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1960-04-27)
recording of:
It Could Happen to You (on 1954-01-18)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
1:58
11The First Thing You Know, You're in Love
2:33
12A Stranger Called the Blues
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
John Graas (on 1954-01-19)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Russ Freeman (pianist) (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
A Stranger Called the Blues (on 1954-01-19)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
3:59
13I'll Take Romance
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-19)
drums (drum set):
Larry Bunker (on 1954-01-19) and Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
Vincent DeRosa (on 1954-01-19) and John Graas (on 1954-01-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Joe Castro (on 1954-01-19) and Russ Freeman (pianist) (on 1954-01-19)
reeds:
Buddy Collette (on 1954-01-19) and Chuck Gentry (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19), Frank Rosolino (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-19), Conte Candoli (on 1954-01-19), Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19) and Phil Stephens (bass and tuba player) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19), Paul Horn (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-01-19) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
I’ll Take Romance (on 1954-01-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
2:22
14Look Out Up There
2:34
15Softly as in a Morning Sunrise
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-12-29)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-12-29)
bass:
Joe Mondragon (on 1954-12-29)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-29)
drums (drum set):
Larry Bunker (on 1954-12-29) and Shelly Manne (US jazz drummer) (on 1954-12-29)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-12-29) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-12-29)
piano:
Joe Castro (on 1954-12-29)
reeds:
Chuck Gentry (on 1954-12-29)
tenor saxophone:
Jimmy Giuffre (on 1954-12-29)
trombone:
Milt Bernhart (on 1954-12-29), Herbie Harper (on 1954-12-29) and Frank Rosolino (on 1954-12-29)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-12-29), Conte Candoli (on 1954-12-29), Conrad Gozzo (on 1954-12-29), Ollie Mitchell (on 1954-12-29) and Shorty Rogers (trumpet) (on 1954-12-29)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-12-29), Paul Horn (on 1954-12-29) and Harry Klee (on 1954-12-29)
vocals:
June Christy (on 1954-12-29)
conductor:
Pete Rugolo (on 1954-12-29)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-12-29) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-29)
recording of:
Softly, as in a Morning Sunrise (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
2:13
16Out of Somewhere
2:03
17Love Doesn't Live Here Anymore
3:09
18I'm Thrilled
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
recording of:
I’m Thrilled (on 1955-05-10)
writer:
Sylvia Dee (American lyricist) and Sidney Lippman (American songwriter)
2:43
19This Time the Dream's on Me
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
1:33
20The Night We Called It a Day
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
4:52
21Kicks
2:10
22Pete Kelly's Blues
2:57
23Until the Real Thing Comes Along
2:47
24I Never Want to Look Into Those Eyes Again
2:55