Toccata und Fuge - Die schönsten Melodien von Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

▼ Vinyl 1
#TitleRatingLength
1Jesus bleibt meine Freude, BWV 147
orchestra:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:25
2Es ist gewisslich an der Zeit, BWV 307/734
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1975-04)
recording of:
Es ist gewisslich an der Zeit, BWV 307 (for piano, Kempff) (in 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Wilhelm Kempff (pianist)
arrangement of:
Choralsatz, BWV 307 "Es ist gewißlich an der Zeit"
2:39
3O Jesulein Süss, BWV 493
executive producer:
Dr. Gerd Ploebsch
producer:
Reimar Bluth
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-09)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1978-09)
balance engineer:
Eberhard Richter (engineer) (in 1978-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Freiberger Dom in Freiberg, Sachsen, Germany (in 1978-09)
recording of:
Geistliches Lied, BWV 493 "O Jesulein süß" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 493)
1:43
4Nun Komm, der Heiden Heiland, BWV 659
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1975-04)
recording of:
Nun komm' der Heiden Heiland, BWV 659 (for piano, Kempff) (in 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Wilhelm Kempff (pianist)
arrangement of:
Nun komm, der Heiden Heiland, BWV 659
4:31
5Schafe können sicher weiden, BWV 208
orchestra:
Boston Pops Orchestra (ended)
conductor:
Arthur Fiedler (conductor) (ended)
arranger:
William Walton (composer and conductor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (ended)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:47
6Englische Suite No. 2 A-moll, BWV 807: I. Prélude
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: I. Prélude (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
4:21
7Englische Suite No. 2 A-moll, BWV 807: II. Sarabande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: IV. Sarabande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
4:08
8Englische Suite No. 2 A-moll, BWV 807: Bourrée 1 - Bourrée 2
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: VI. Bourrée II - Bourrée I da capo (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
3:58
9Fuge E-dur, BWV 878
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
strings:
Lucerne Festival Strings
orchestra:
Festival Strings Lucerne (in 1967-05)
conductor:
Rudolf Baumgartner (conductor) (in 1967-05)
arranger:
Wolfgang Amadeus Mozart (classical composer)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Verkehrshaus in Lucerne, Luzern, Switzerland (in 1967-05)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 3 in E major (BWV 878) (in 1967-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 9 in E major, BWV 878: Fugue
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 9 in E major, BWV 878: Fugue
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
part of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 9 in E major, BWV 878
3:14
10Largo, BWV 1056
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1975-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (catch-all for arrangements) (in 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 (catch-all for unknown arrangements)
3:41
11Ich ruf zu Dir, Herr Jesu Christ, BWV 639
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1975-04)
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (for piano, Kempff) (in 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Wilhelm Kempff (pianist)
arrangement of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
2:30
12Konzert für Orgel No. 5 D-moll, BWV 596: I. [ohne Satzbezeichnung]
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft, Switzerland
recording of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: I. (ohne Bezeichnung) (in 1973)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596
recording of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: II. Largo e spiccato (for piano, Philipp) (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Isidor Philipp
arrangement of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: IV. Largo e spiccato
part of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596 (for piano, Philipp)
1:24
13Konzert für Orgel No. 5 D-moll, BWV 596: II. Fuga
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft, Switzerland
recording of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: III. Fuga (in 1973)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596
3:54
14Konzert für Orgel No. 5 D-moll, BWV 596: III. Largo
producer:
Dr. Gerd Ploebsch
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-09)
balance engineer:
Wolfgang Mitlehner
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft, Switzerland (in 1973-09)
recording of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: IV. Largo e spiccato (in 1973-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596
2:29
15Konzert für Orgel No. 5 D-moll, BWV 596: IV. Finale
producer:
Dr. Gerd Ploebsch
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-09)
balance engineer:
Wolfgang Mitlehner
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft, Switzerland (in 1973-09)
recording of:
Concerto d‐Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: V. (Allegro) (in 1973-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596
3:26
16In dulci jubilo, BWV 751
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1975-04)
recording of:
Choral "In dulci jubilo" BWV 751 (catch all for arrangements) (in 1975-04)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Choral "In dulci jubilo" (wrongly attributed to Johann Sebastian Bach, as BWV 751)
2:09
17Toccata und Fuge D-moll, BWV 565
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata und Fuge d-Moll, BWV 565
9:45
18Siciliano G-moll, BWV 1031
piano:
Wilhelm Kempff (pianist)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (for piano, Kempff)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Wilhelm Kempff (pianist)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
3:38
19Ich steh' an deiner Krippen hier, BWV 469
executive producer:
Dr. Gerd Ploebsch
producer:
Reimar Bluth
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-09)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1978-09)
balance engineer:
Eberhard Richter (engineer) (in 1978-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Freiberger Dom in Freiberg, Sachsen, Germany (in 1978-09)
recording of:
Geistliches Lied, BWV 469 „Ich steh an deiner Krippen hier“ (in 1978-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Bach-Werke-Verzeichnis (number: BWV 469)
is based on:
Ich steh an deiner Krippen hier (just the lyrics, no melody)
1:35
20Sinfonia, BWV 249
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
4:17