Top Gear: Seriously Cool Driving Music

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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CD 1: Cool
#TitleArtistRatingLength
1Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
producer:
Jeff Saltzman (music attorney and record producer) and The Killers (American rock band)
mixer:
Mark Needham
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 4), NME: Greatest “Indie” Anthems Ever: 2007 (number: 33) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 378)
recording of:
Mr. Brightside
writer:
Brandon Flowers and Dave Keuning
publisher:
The Killers Publishing and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.253:44
2Chelsea Dagger
recording of:
Chelsea Dagger
composer:
The Fratellis (Scottish rock band)
The Fratellis33:23
3Valerie
assistant engineer:
Tom Stanley
engineer:
Cenzo Townshend (engineer)
producer:
Stephen Street (famous producer, songwriter)
recording of:
Valerie (in 2006)
writer:
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) and Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Zutons3.653:56
4Suddenly I See
assistant engineer:
Graham Deas
engineer:
Bruno Ellingham
producer:
Steve Osborne (producer)
mixer:
Ren Swan
baritone guitar and bass:
Arnulf Lindner
cajón, drums (drum set) and percussion:
Luke Bullen
guitar:
KT Tunstall (Scottish singer‐songwriter)
vocals:
KT Tunstall (Scottish singer‐songwriter)
phonographic copyright (℗) by:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
mixed at:
Metrophonic in London (Greater London), England, United Kingdom
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, United Kingdom
recording of:
Suddenly I See
lyricist and composer:
KT Tunstall (Scottish singer‐songwriter)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部
KT Tunstall3.63:20
5How to Save a Life
assistant recording engineer:
Kevin Loyal and James Masterson
recording engineer and editor:
Paul Mahern
additional engineer:
Tim Hoagland and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
assistant engineer:
Alex Uychocde
producer:
Mike Flynn (A&R executive) and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
mixer:
Mark Endert
additional editor:
Warren Huart
recording of:
How to Save a Life
writer:
Joe King (guitarist and vocalist in The Fray) and Isaac Slade
The Fray4.24:22
6Speed of SoundColdplay3.54:23
7Live Forever
engineer:
Mark Coyle, Anjali Dutt, Dave Scott (UK sound mixer & engineer) and Roy Spong
additional producer:
Owen Morris
producer:
Mark Coyle and Oasis (1991–2009 Britpop)
mixer:
Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set):
Tony McCarroll
electric guitar and background vocals:
Noel Gallagher
guitar:
Paul Arthurs (Oasis) and Noel Gallagher
vocals:
Liam Gallagher (English musician, lead singer of Oasis)
music videos:
Live Forever (UK version) by Oasis (1991–2009 Britpop)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 1) and Indie 88: Top 500 Indie Rock Songs (number: 223)
recording of:
Live Forever
lyricist and composer:
Noel Gallagher
Oasis3.94:36
8A Design for Life
engineer and mixer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 30)
recording of:
A Design for Life
lyricist:
Nicky Wire
composer:
James Dean Bradfield and Sean Moore (Manic Street Preachers)
publisher:
Sony/ATV Music Publishing, LLC (1995–2020)
Manic Street Preachers3.74:17
9Fill My Little World
mixer:
Adrian Bushby
recording of:
Fill My Little World
writer:
Dan Gillespie Sells, Ciaran Jeremiah, Kevin Jeremiah, Richard Jones (bassist with The Feeling) and Paul Stewart (drummer with The Feeling)
The Feeling23:39
10The BucketKings of Leon42:56
11Everything Is Average Nowadays
assistant recording engineer:
Alex Mackenzie
recording engineer:
Tom Stanley and Cenzo Townshend (engineer)
producer:
Stephen Street (famous producer, songwriter)
mixer:
Stephen Street (famous producer, songwriter) and Cenzo Townshend (engineer)
phonographic copyright (℗) by:
B‐Unique Records (in 2007)
recorded at:
Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
Everything Is Average Nowadays by Kaiser Chiefs
recording of:
Everything Is Average Nowadays
writer:
Nick Baines, Nick J.D. Hodgson (ex Kaiser Chiefs), Simon Rix, Andrew White (Guitarist for the Kaiser Chiefs) and Ricky Wilson (Kaiser Chiefs)
Kaiser Chiefs42:43
12Heavyweight Champion of the World
engineer:
Jon Gray (UK producer & engineer)
producer:
Jagz Kooner and Alan Smyth (producer) (lead vocals [vocals])
assistant mixer:
Neil Comber (engineer)
mixer:
Cenzo Townshend (engineer)
congas:
Bert ‘Bongo Bert’ Rogers
recording of:
Heavyweight Champion of the World
writer:
Ed Cosens, Jon McClure and Alan Smyth (producer)
Reverend and the Makers3.23:27
13Club Foot
additional producer and additional mixer:
Jim Abbiss
producer:
Kasabian
mixer:
Simon “Barny” Barnicott
bass guitar, electric guitar and synthesizer:
Christopher Karloff
electric guitar and synthesizer and background vocals:
Sergio Pizzorno
lead vocals:
Tom Meighan
music videos:
Club Foot (music video) by Kasabian
recording of:
Club Foot
lyricist and writer:
Sergio Pizzorno
composer:
Christopher Karloff and Sergio Pizzorno
Kasabian4.253:35
14Young Folks
music videos:
Young Folks by Peter Bjorn and John
recording of:
Young Folks
writer:
John Eriksson (Swedish drummer and percussionist), Peter Morén and Björn Yttling
Peter Bjorn and John feat. Victoria Bergsman3.754:02
15Driftwood
producer and mixer:
Nigel Godrich (English record producer)
phonographic copyright (℗) by:
Independiente Ltd (company behind Independiente for copyright and other purposes) (in 1999)
recorded at:
Rak Studios in London (Greater London), England, United Kingdom (in 1998-11)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom (in 1999-01)
recording of:
Driftwood (in 1998-11)
lyricist and composer:
Fran Healy
publisher:
Sony/ATV Songs LLC
Travis43:35
16El Salvador
recording of:
El Salvador
writer:
Joel Pott, Steve Roberts (drummer of Athlete), Tim Wanstall and Carey Willets
publisher:
Chrysalis Music Ltd. (music publisher)
Athlete3:13
17Nature's Law
recording of:
Nature’s Law
Embrace2.353:16
18Let Me Out
recording of:
Let Me Out
writer:
Rosi Golan and Jamie Hartman
Ben's Brother4:00
19People Help the PeopleCherry Ghost3:57
20Hey There Delilah
recording of:
Hey There Delilah
lyricist and composer:
Tom Higgenson (Plain White T's lead singer)
Plain White T’s3.753:47
21Street Spirit (Fade Out)
recording engineer:
Jonny Greenwood (English musician and score composer)
sound engineer:
Jim Warren (producer/engineer)
assistant engineer:
Guy Massey (UK producer/engineer) and Shelley Saunders
engineer:
Chris Brown (engineer), Nigel Godrich (English record producer), John Leckie and Jim Warren (producer/engineer)
producer:
John Leckie
mixer:
John Leckie, Paul Q. Kolderee, Radiohead and Sean Slade
editor:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
bass guitar:
Colin Greenwood (from 1994-02 until 1994-11)
cello:
Caroline Lavelle (from 1994-02 until 1994-11)
drums (drum set) and percussion:
Philip Selway (from 1994-02 until 1994-11)
guitar:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11), Ed O’Brien (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
organ and synthesizer:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11)
piano:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
viola and violin:
John Matthias (from 1994-02 until 1994-11)
background vocals:
Ed O’Brien (from 1994-02 until 1994-11)
vocals:
Thom Yorke (from 1994-02 until 1994-11)
strings arranger:
Jonny Greenwood (English musician and score composer) and Thom Yorke
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1995)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1994-02 until 1994-11), RSK in London (Greater London), England, United Kingdom (from 1994-02 until 1994-11) and The Manor in Oxfordshire, England, United Kingdom (from 1994-02 until 1994-11)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Fort Apache in Cambridge, Massachusetts, United States
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
music videos:
Street Spirit (Fade Out) (music video) by Radiohead
recording of:
Street Spirit (Fade Out) (from 1994-02 until 1994-11)
writer:
Colin Greenwood, Jonny Greenwood (English musician and score composer), Ed O’Brien, Philip Selway and Thom Yorke
publisher:
Warner Chappell Ltd.
Radiohead4.54:12
CD 2: Sub-Zero
#TitleArtistRatingLength
1In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
John Giblin (in 1980)
drum machine, drums (drum set), Rhodes piano, synthesizer and vocoder:
Phil Collins (of Genesis) (in 1980)
guitar:
Daryl Stuermer (in 1980)
violin:
Sharokav (in 1980)
lead vocals:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishers) Limited, Imagem Music, Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
Phil Collins4.35:28
2Purple Rain
phonographic copyright (℗) by:
NPG Records, Inc. (in 2017)
edit of:
Purple Rain (live, 1983-08-03: Minnesota Dance Theatre, First Avenue Nightclub, Minneapolis, MN, USA, with overdubs) by Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
Purple Rain
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
Prince & The Revolution14:06
3Big Log
producer:
Benji Lefevre, Pat Moran (UK male singer, keyboardist sound engineer and producer) and Robert Plant (of Led Zeppelin)
recording of:
Big Log
composer:
Robbie Blunt, Robert Plant (of Led Zeppelin) and Gerald Woodruffe
Robert Plant4.25:03
4Is This Love
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer, enginner, UK, 60’s–80’s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guitar and background vocals:
John Sykes
keyboard:
Don Airey
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
WB Music Corp. (1929–2019), Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Whitesnake4.154:44
5Alive and Kicking
recording of:
Alive and Kicking
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Publishing Ltd.
Simple Minds4:33
6Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc., Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.23:58
7Live and Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
The 46th Academy Award for Best Original Song (number: 2)
Paul McCartney & Wings4.13:08
8Children of the Revolution
recording of:
Children of the Revolution
lyricist and composer:
Marc Bolan
publisher:
Wizard (Bahamas) Ltd. and Wizard Publishing Ltd. (publisher, Marc Bolan)
T. Rex4.52:28
9Suffragette City
sound engineer:
Dennis MacKay (70s-present UK producer/engineer)
producer:
David Bowie (English singer‐songwriter) and Ken Scott (UK record producer & engineer)
12 string guitar and lead vocals:
David Bowie (English singer‐songwriter) (on 1972-02-04)
bass guitar:
Trevor Bolder (British bassist) (on 1972-02-04)
drums (drum set):
Mick Woodmansey (British drummer) (on 1972-02-04)
electric guitar, piano and synthesizer [ARP synthesizer]:
Mick Ronson (British guitarist) (on 1972-02-04)
background vocals:
David Bowie (English singer‐songwriter) (on 1972-02-04) and Mick Ronson (British guitarist) (on 1972-02-04)
arranger:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972), Jones Music (publishers associated with David Bowie) (in 1990) and Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1990)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1972-02-04)
recording of:
Suffragette City (on 1972-02-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Chrysalis Music Group Inc., Mainman Saag (New York), Tintoretto Music, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), 渡辺音楽出版 CM事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
David Bowie4.253:26
10Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor-Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor-Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor-Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor-Taylor
publisher:
Chrysalis Music Ltd. (music publisher) and Dandy Warhols Music (BMI)
The Dandy Warhols4.23:32
11The Boys Are Back in Town
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham and Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.254:23
12BurnDeep Purple26:01
13Rebel Yell
engineer:
Michael Frondelli
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass guitar:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
bass, guitar and keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
keyboard:
Judi Dozier (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Rebel Yell by Billy Idol (English rock singer‐songwriter)
recording of:
Rebel Yell (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Rare Blue Music, Rock Steady Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol4.64:47
14I Drove All Night
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Jeff Lynne
guitar and lead vocals:
Roy Orbison (in 1987)
instruments:
Jeff Lynne (from 1987 until 1991)
phonographic copyright (℗) by:
Estate Of Roy Orbison (Rights company of the late Roy Orbison) (in 1991)
produced for:
Trembler Prods. Inc. (Jeff Lynne production company)
recording of:
I Drove All Night (from 1987 until 1991)
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Sony/ATV Music Publishing Ltd. and Warner Chappell Music Ltd.
Roy Orbison4.653:41
15House of the King (Saxondale Theme Music)Focus2:49
16Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recording of:
Because the Night
publisher:
Bruce Springsteen
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music
Patti Smith Group4.653:21
17Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
George Thorogood & the Destroyers4.254:50
18FreebirdLynyrd Skynyrd4.99:09

Credits

Release

ASIN:UK: B000WD66EO [info]