Symphonie fantastique / Lélio / Tristia

~ Release by Berlioz; Chœur et Orchestre symphonique de Montréal, Charles Dutoit (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Symphonie fantastique, op. 14: I. Rêveries - Passions
recording engineer and balance engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Alison McBride
orchestra:
Orchestre symphonique de Montréal (in 1984-05)
conductor:
Charles Dutoit (conductor) (in 1984-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1985)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1984-05)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (in 1984-05)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz515:51
2Symphonie fantastique, op. 14: II. Un bal
recording engineer and balance engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Alison McBride
orchestra:
Orchestre symphonique de Montréal (in 1984-05)
conductor:
Charles Dutoit (conductor) (in 1984-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1985)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1984-05)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1984-05)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz56:37
3Symphonie fantastique, op. 14: III. Scène aux champs
recording engineer and balance engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Alison McBride
orchestra:
Orchestre symphonique de Montréal (in 1984-05)
conductor:
Charles Dutoit (conductor) (in 1984-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1985)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1984-05)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (in 1984-05)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz517:05
4Symphonie fantastique, op. 14: IV. Marche au supplice
recording engineer and balance engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Alison McBride
orchestra:
Orchestre symphonique de Montréal (in 1984-05)
conductor:
Charles Dutoit (conductor) (in 1984-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1985)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1984-05)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1984-05)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz54:55
5Symphonie fantastique, op. 14: V. Songe d'une nuit du sabbat
recording engineer and balance engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Alison McBride
orchestra:
Orchestre symphonique de Montréal (in 1984-05)
conductor:
Charles Dutoit (conductor) (in 1984-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1985)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1984-05)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (in 1984-05)
composer:
Hector Berlioz (composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz510:26
▼ CD 2
#TitleArtistRatingLength
1Lélio, ou Le retour à la vie, op. 14b: I. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: Ia. Narration : « Dieu ! Je vis encore » (Lélio)
composer:
Hector Berlioz (composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz3:18
2Lélio, ou Le retour à la vie, op. 14b: II. Le Pêcheur
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
piano:
Rolf Bertsch
tenor vocals:
Richard Clement (tenor)
orchestra:
Orchestre symphonique de Montréal (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: I. Le Pêcheur « L'onde frémit, l'onde s'agite » (Horatio) (from 1996-10-17 until 1996-10-18)
lyricist:
Hector Berlioz (composer)
composer:
Hector Berlioz (composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz5:36
3Lélio, ou Le retour à la vie, op. 14b: III. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IIa. Narration « Étrange persistance » (Lélio)
composer:
Hector Berlioz (composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz2:11
4Lélio, ou Le retour à la vie, op. 14b: IV. Choeur d'ombres
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chœur de l’Orchestre symphonique de Montréal
orchestra:
Orchestre symphonique de Montréal (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
chorus master:
Iwan Edwards
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: II. Chœur d'ombres « Froid de la mort » (Chœur) (from 1996-10-17 until 1996-10-18)
composer:
Hector Berlioz (composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz5:55
5Lélio, ou Le retour à la vie, op. 14b: V. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
Hector Berlioz2:44
6Lélio, ou Le retour à la vie, op. 14b: VI. Chanson de brigands
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
baritone vocals:
Philippe Rouillon (baritone)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal
orchestra:
Orchestre symphonique de Montréal (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
chorus master:
Iwan Edwards
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: III. Chanson de brigands « J’aurais cent ans » (Le Capitaine, Chœur) (from 1996-10-17 until 1996-10-18)
composer:
Hector Berlioz (composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz3:42
7Lélio, ou Le retour à la vie, op. 14b: VII. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IVa. Narration « Comme mon esprit flotte incertain ! » (Lélio)
composer:
Hector Berlioz (composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz1:34
8Lélio, ou Le retour à la vie, op. 14b: VIII. Chant de bonheur. Hymne
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
harp:
Jennifer Schwartz
tenor vocals:
Gordon Gietz (tenor)
orchestra:
Orchestre symphonique de Montréal (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IV. Chant de bonheur « Ô mon bonheur » (La voix imaginaire de Lélio) (from 1996-10-17 until 1996-10-18)
lyricist:
Hector Berlioz (composer)
composer:
Hector Berlioz (composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz5:10
9Lélio, ou Le retour à la vie, op. 14b: IX. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: Va. Narration « Oh ! que ne puis‐je la trouver » (Lélio)
composer:
Hector Berlioz (composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz1:16
10Lélio, ou Le retour à la vie, op. 14b: X. La Harpe éolienne. Souvenirs
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Orchestre symphonique de Montréal (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: V. La Harpe éolienne – Souvenirs (from 1996-10-17 until 1996-10-18)
composer:
Hector Berlioz (composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz2:58
11Lélio, ou Le retour à la vie, op. 14b: XI. Narration
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
spoken vocals:
Lambert Wilson
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VIa. Narration « Mais pourquoi m’abandonner » (Lélio)
composer:
Hector Berlioz (composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz4:37
12Lélio, ou Le retour à la vie, op. 14b: XII. Fantaisie sur la Tempête de Shakespeare
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chœur de l’Orchestre symphonique de Montréal
orchestra:
Orchestre symphonique de Montréal (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
chorus master:
Iwan Edwards
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VI. Fantaisie sur La Tempête de Shakespeare « Miranda ! » (Chœur) (from 1996-10-17 until 1996-10-18)
composer:
Hector Berlioz (composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz13:14
13Lélio, ou Le retour à la vie, op. 14b: XIII. Narration and Coda
recording engineer:
Michael Mailes (engineer)
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
spoken vocals:
Lambert Wilson
orchestra:
Orchestre symphonique de Montréal (from 1996-10-17 until 1996-10-18)
conductor:
Charles Dutoit (conductor) (from 1996-10-17 until 1996-10-18)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1996-10-17 until 1996-10-18)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VII. Coda « Assez pour aujourd’hui ! » (Lélio)
composer:
Hector Berlioz (composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b
Hector Berlioz1:24
14Tristia, op. 18: I. Méditation religieuse
recording engineer:
Ducan Mitchell
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chœur de l’Orchestre symphonique de Montréal
orchestra:
Orchestre symphonique de Montréal (on 1996-05-24)
conductor:
Charles Dutoit (conductor) (on 1996-05-24)
balance engineer:
John Dunkerley (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (on 1996-05-24)
recording of:
Tristia, op. 18 : I. Méditation religieuse « Ce monde entier » (for chorus and orchestra) (on 1996-05-24)
lyricist:
Anne-Louise Swanton-Belloc
composer:
Hector Berlioz (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 56B)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz4:43
15Tristia, op. 18: II. La mort d'Ophélie: Ballade
recording engineer:
Ducan Mitchell
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chœur de l’Orchestre symphonique de Montréal
orchestra:
Orchestre symphonique de Montréal (on 1996-05-24)
conductor:
Charles Dutoit (conductor) (on 1996-05-24)
balance engineer:
John Dunkerley (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (on 1996-05-24)
recording of:
Tristia, op. 18 : II. La Mort d’Ophélie. Ballade « Auprès d’un torrent » (for chorus and orchestra) (on 1996-05-24)
composer:
Hector Berlioz (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 92B)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz7:02
16Tristia, op. 18: III. Marche funèbre pour la dernière scène d'Hamlet
recording engineer:
Ducan Mitchell
producer:
Chris Hazell
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chœur de l’Orchestre symphonique de Montréal
orchestra:
Orchestre symphonique de Montréal (on 1996-05-24)
conductor:
Charles Dutoit (conductor) (on 1996-05-24)
balance engineer:
John Dunkerley (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (on 1996-05-24)
recording of:
Tristia, op. 18: III. Marche funèbre pour la dernière scène d'Hamlet (for chorus and orchestra) (on 1996-05-24)
composer:
Hector Berlioz (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 103)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz8:01

Credits

Release

art direction:Michael Thresh
liner notes:Hugh Macdonald (liner notes / musicologist)
mastered at:Classic Sound Ltd in London (Greater London), England, United Kingdom
ASIN:US: B00005N56S [info]