Bach Greatest Hits

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Brandenburg Concerto no. 2: Allegro assai
trumpet:
Rolf Quinque (trumpet player)
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
3:25
2Brandenburg Concerto no. 3: Allegro
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) and Helmuth Rilling (conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
3:23
3Italian Concerto: I
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1980 to present)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971
4:12
4Prelude in C
harpsichord:
Christiane Jaccottet (harpsichord) (in 1989)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (in 1989)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: L80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
3:49
5Sinfonia in G
orchestra:
Stuttgart Radio Symphony
conductor:
Luis Antonio García Navarro (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1986 to present)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
6:08
6Jesu, Joy of Man’s Desiring
brass:
St. Louis Brass Quintet
orchestra:
St. Louis Brass Quintet
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:54
7Arioso in F
brass:
St. Louis Brass Quintet
orchestra:
Royal Philharmonic Orchestra
conductor:
Alberto Delande (conductor, possibly Alfred Scholz pseudonym)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
3:42
8Toccata and Fugue in D minor
organ:
Hans-Christoph Becker-Foss (organist and choir leader)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1982 to present)
recorded at:
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen, Germany
recording of:
Toccata und Fuge d-Moll, BWV 565
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
48:10
9Flute Sonata: I
flute:
Jadwiga Kotnowska (flutist)
recording of:
Partita für Flöte in a-Moll, BWV 1013: I. Allemande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita für Flöte in a-Moll, BWV 1013
3:13
10Air on a G String
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
3:19
11Orchestral Suite no. 1: Boureé I and II
orchestra:
Camerata Romana (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066
2:52
12Orchestral Suite no. 2: Polonaise
orchestra:
London Philharmonic Orchestra (LPO)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
3:05
13Orchestral Suite no. 2: Menuett
orchestra:
Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
1:18
14Orchestral Suite no. 2: Badinerie
orchestra:
Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Eugen Duvier (conductor, an Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1993 to present)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
1:34
15Concerto for Two Violins: Vivace
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), London Symphony Orchestra and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Francesco Macci (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
3:58
16Concerto for Two Violins: Largo
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
7:14
17Concerto for Two Violins: Allegro
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Francesco Macci (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
5:09

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ASIN:US: B000000C2J [info]