Odes for St Cecilia's Day / Music for Queen Mary

~ Release by Purcell; The Taverner Choir, Consort & Players, Andrew Parrott (see all versions of this release, 1 available)

Annotation

Emily van Evera: soprano
Michael Chance: countertenor
Kevin Smith: countertenor
Rogers Covey-Crump: tenor
Charles Daniels: tenor
Paul Elliott: tenor
Neil Jenkins: tenor
Andrew King: tenor
Michael George: bass
Simon Grant: bass
David Thomas: bass
Richard Wistreich: bass

Recorded in June 1985

Label: EMI Reflexe - Cat. No: CDC 7 47490 2 - Date: 1986
Label: Virgin Veritas - Cat. No: VC 5 45160 2 - Date: 1995

Also released as disc 2 in:
Label: Virgin Veritas - Cat. No: CDVB 5 61582 2 - Date: 1999

Soloists
Emily van Evera: Aoprano
Timothy Wilson: Countertenor
John Mark Ainsley: Tenor
Charles Daniels: Tenor
David Thomas: Bass

Recorded in August 1988

Label: Emi Reflexe - Date: 1989 - Cat.No.: CDC 7 49635 2
Label: Virgin Veritas - Date: 1995 - Cat. No.: VC 5 45159 2

Also released as disc 1 in:
Label: Virgin Veritas - Date: 1999 - Cat. No.: CDVB 5 61582 2

Annotation last modified on 2020-12-10 00:05 UTC.

Tracklist

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▼ CD 1
#	Title	Artist	Rating	Length
1	St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: I. Symphony choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Overture part of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339	Henry Purcell		1:59
2	St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: II. "Welcome to all the pleasures" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Welcome to all the Pleasures part of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339	Henry Purcell		1:49
3	St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: III. "Here the deities approve" - "While joys celestial" choir vocals: Taverner Choir orchestra: Taverner Players conductor: Andrew Parrott (conductor) recording of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial composer: Henry Purcell (baroque composer) part of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339	Henry Purcell		5:01
4	St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: IV. "Then lift up your voices" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) partial recording of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339	Henry Purcell		1:43
5	St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: V. "Beauty, thou scene of love" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Beauty thou scene of love part of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339	Henry Purcell		2:32
6	St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: VI. "In a consort of voices" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: In a consort of voices part of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339	Henry Purcell		1:22
7	Funeral Sentences for the Death of Queen Mary II: "Man that is born of a woman", Z. 27 choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" composer: Henry Purcell (baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27) part of: Music for the Funeral of Queen Mary, Z. 860	Henry Purcell		2:37
8	Funeral Sentences for the Death of Queen Mary II: "In the midst of life", Z. 17A choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 composer: Henry Purcell (baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 17) part of: Music for the Funeral of Queen Mary, Z. 860	Henry Purcell		4:08
9	Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58B choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" composer: Henry Purcell (baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 58b) part of: Music for the Funeral of Queen Mary, Z. 860	Henry Purcell		3:34
10	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		3:45
11	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away" bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		1:46
12	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet" bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		2:30
13	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away" bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		1:14
14	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol" bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol lyricist: Nahum Tate composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		4:23
15	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave" bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		2:46
16	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues" bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		3:02
17	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms" bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		1:33
18	Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing" bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Choir countertenor vocals: Timothy Wilson (Countertenor) soprano vocals: Emily Van Evera (soprano) tenor vocals: John Mark Ainsley (tenor) and Charles Daniels (tenor) vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing composer: Henry Purcell (baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell		2:48
19	Funeral Sentences for the Death of Queen Mary II: March, Z. 860i instruments: Taverner Players choir vocals: Taverner Choir other vocals: Taverner Consort vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Funeral Music on the Death of Queen Mary: I. March, Z. 860 composer: Henry Purcell (baroque composer) part of: Music for the Funeral of Queen Mary, Z. 860 recording of: Music for the Funeral of Queen Mary, Z. 860 composer: Henry Purcell (baroque composer) (in 1695) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 860) arrangement of: Funeral of Queen Mary	Henry Purcell		1:45
20	Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58C choir vocals: Taverner Choir other vocals: Taverner Consort vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" (2nd setting for 4 trumpets) composer: Henry Purcell (baroque composer) (in 1687) part of: Music for the Funeral of Queen Mary, Z. 860	Henry Purcell		2:11
21	Funeral Sentences for the Death of Queen Mary II: Canzona, Z. 860ii choir vocals: Taverner Choir other vocals: Taverner Consort vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 composer: Henry Purcell (baroque composer) part of: Music for the Funeral of Queen Mary, Z. 860	Henry Purcell		2:11

▼ CD 2
#	Title	Artist	Rating	Length
1	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: I. Symphony - Canzona & Adagio- Allegro - Grave - Allegro choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: I. Symphony composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		9:52
2	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: II. "Hail! Bright Cecilia" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		4:04
3	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: III. "Hark! Hark! Each tree" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: III. “Hark! Hark! Each tree its silence breaks” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		4:01
4	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: IV. "'Tis nature's voice" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		3:28
5	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: V. "Soul of the world!" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: V. “Soul of the world” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		2:38
6	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VI. "Thou tun'st this world below" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		5:53
7	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VII. "With that sublime celestial lay" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		2:40
8	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VIII. "Voluntary" - "Wonderous machine!" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		6:06
9	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: IX. "The airy violin" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		1:32
10	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: X. "In vain the am'rous flute" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		6:05
11	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XI. "The fife and all the harmony of war" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		3:10
12	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XII. "Let these amongst themselves contest" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) recording of: “Hail! Bright Cecilia”, Z. 328: XII. “Let these amongst themselves contest” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		2:49
13	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XIII. "Hail! Bright Cecilia" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) partial recording of: “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		2:17
14	Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XIV. "With rapture of delight" - "Hail! Bright Cecilia" choir vocals: Taverner Choir vocals: The Taverner Choir, Consort & Players orchestra: The Taverner Choir, Consort & Players and Taverner Players conductor: Andrew Parrott (conductor) partial recording of: “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” composer: Henry Purcell (baroque composer) part of: “Hail! Bright Cecilia”, Z. 328	Henry Purcell		2:09

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ASIN:	UK: B00000J2Q8 [info]

Odes for St Cecilia's Day / Music for Queen Mary

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