Tracklist

CD 1
# Title Artist Rating Length
1 Recuerdos de la Alhambra
Francisco Tárrega 3:34
2 Study in A
Francisco Tárrega 2:06
3 Thême varié, op. 9
Fernando Sor 3:41
4 Suite española no. 1, op. 47: I. Granada
Isaac Albéniz 4:24
5 Suite española no. 1, op. 47: III. Sevilla
Isaac Albéniz 4:20
6 Divertimenti, op. 2
Fernando Sor 3:00
7 12 Études: No. 1 in E minor
Heitor Villa‐Lobos 1:57
8 12 Études: No. 7 in C sharp minor
Heitor Villa‐Lobos 2:43
9 Violin Sonata no. 3 in E, BWV 1006: Gavotte
Johann Sebastian Bach 2:57
10 Cello Suite no. 3 in C, BWV 1009: Courante
Johann Sebastian Bach 2:56
11 Cello Suite no. 1 in C, BWV 1007: Prelude
Johann Sebastian Bach 2:12
12 Prelude in C minor, BWV 999
Johann Sebastian Bach 1:27
13 Lute Suite in E minor, BWV 996: Allemande
Johann Sebastian Bach 2:02
14 Violin Sonata no. 1 in G minor, BWV 1001: Fugue
Johann Sebastian Bach 4:37
15 Suite in A minor: I. Prelude - Allemande
Manuel María Ponce 4:27
16 Suite in A minor: II. Gavotte
Manuel María Ponce 2:56
17 Suite in A minor: III. Sarabande
Manuel María Ponce 2:55
18 Suite in A minor: IV. Gigue
Manuel María Ponce 4:41

Credits

CD 1

classical guitar:
Andrés Segovia (tracks 1–11, 14–18)
Andrés Segovia (1928) (track 13)
Andrés Segovia (1928-05-15) (tracks 12–13)
guitar:
Andrés Segovia (1928-05-15) (track 12)
arranger:
Andrés Segovia (tracks 4, 12–13)
composer:
Isaac Albéniz (tracks 4–5)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 9–14)
Fernando Sor (tracks 3, 6)
Francisco Tárrega (tracks 1–2)
Manuel María Ponce (1929) (tracks 15, 15–18)
Heitor Villa‐Lobos (1929) (tracks 7–8)
engineer:
Edward Fowler (engineer) (tracks 12–13)
producer:
David Bicknell (producer and engineer) (tracks 12–13)
Fred Gaisberg (tracks 12–13)
recorded at:
Queen's Small Hall in London, England, United Kingdom (1928-05-15) (tracks 12–13)
part of:
Works of Fernando Sor by opus number (number: op. 2) (track 6)
Works of Fernando Sor by opus number (number: op. 9) (track 3)
arrangement of:
Prelude in C minor, BWV 999 (original for lute) (track 12)
arrangements:
Sevilla, sevillanas (for violin and piano, arr. Heifetz) (track 5)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (track 5)
Suite no. 3 C-Dur, BWV 1009: III. Courante (catch-all for arrangements) (track 10)
Suite no. 3 in C major, BWV 1009: III. Courante (arr. Joachim Raff for piano) (track 10)
Suite no. 3 in C major, BWV 1009: III. Courante (arr. Frans Brüggen for recorder) (track 10)
Suite no. 3 in C major, BWV 1009: III. Courante (for viola, arr. Rowland-Jones) (track 10)
is based on:
is the basis for:
Étude (Mike Oldfield instrumental) (track 1)
orchestrations:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (orchestrated by Frühbeck de Burgos) (track 5)
part of:
Suite in E minor, BWV 996 (catch all for arrangements) (track 13)
Suite española no. 1, op. 47 (movement) (track 5)
Violin Partita no. 3 in E major, BWV 1006 (catch-all for arrangements) (track 9)
Suite in A minor (tracks 15, 15–18)
12 estudos, W235 (tracks 7–8)
partial recording of:
parts:
recording of:
Etude in A (track 2)
Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga (catch-all for arrangements) (track 14)
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements) (track 4)
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 11)
Suite in E minor, BWV 996: II. Allemande (catch all for arrangements) (1928) (track 13)
Prelude in C minor, BWV 999 (catch all for arrangements) (1928-05-15) (track 12)
referred to in medleys:
Alma Barca (track 5)