Annotation

A compilation of cello music. CD3 seems to be d2a89f67-2323-4747-857e-dcc18094c353 (Cello Moods by Julian Lloyd Webber). CDs 5 and 6 would appear to be this naxos 2 CD set of the Bach Suites: http://www.deccaclassics.com/cat/single?PRODUCT_NR=4422932 . I'm not sure if the other discs have been released as indiviual ones (although I'm sure all the recordings have been previously released).

http://www.deccaclassics.com/cat/single?sort=newest_rec&PRODUCT_NR=4783999 is the Decca catalogue page for this release.

Annotation last modified on 2012-12-18 11:15 UTC.

Tracklist

CD 1
# Title Artist Rating Length
1 Adagio for Strings and Organ in G minor (arr. Remo Giazotto)
Tomaso Giovanni Albinoni, Remo Giazotto 4:58
2 Jesu, Joy of Man's Desiring (arr. Christopher Palmer) "Herz und Mund und Tat and Leben", Cantata BWV 147
Johann Sebastian Bach 3:09
3 Ave Maria (arr. Christopher Palmer)
Johann Sebastian Bach 5:06
4 Allegro appassionato for Cello and Orchestra, Op. 43
Camille Saint‐Saëns 3:28
5 Vocalise, Op. 34 No. 14 (transc. Leonard Rose)
Sergey Rachmaninoff 6:59
6 Beau Soir (transc. Alexander Gretchaninov)
Claude Debussy 2:34
7 Sicilienne
Maria Theresia von Paradis 2:54
8 An die Musik, D547
Franz Schubert 2:39
9 Sonata for Cello and Continuo No. 3 in G minor, BWV 1029: II. Adagio (excerpt)
Johann Sebastian Bach 3:16
10 Cello Concerto in B minor, Op. 104: II. Adagio ma non troppo
Antonín Dvořák 11:16
11 Romance, Op. 62
Sir Edward Elgar 6:37
12 To Spring, Op. 43 No. 6 (arr. Julian Lloyd Webber)
Edvard Grieg 2:52
13 Arioso Cantata BWV 156 (arr. Julian Lloyd Webber)
Johann Sebastian Bach 2:56
14 Élégie, Op. 24
Gabriel Fauré 7:06
15 Sonata for Cello and Piano in G minor, Op. 19: III. Andante
Sergey Rachmaninoff 5:52
16 The Tale of Tsar Saltan: The Flight of the Bumble-Bee (arr. Christopher Palmer)
Nicolai Rimsky-Korsakov 1:16
CD 2
# Title Artist Rating Length
1 Suite bergamasque: Clair de lune (arr. Christopher Palmer for Cello and Orchestra)
Claude Debussy 6:02
2 Wiegenlied, Op.49, No.4 (arr. Julian Lloyd Webber)
Johannes Brahms 2:36
3 Gypsy Melodies, Op.55, No.4: Songs My Mother Taught Me
Adolf Heyduk 3:13
4 Kinderszenen, Op.15: VII. Träumerei (arr. Christopher Palmer for Cello and Orchestra)
Robert Schumann 3:34
5 Dolly, Op.56: I. Berceuse
Gabriel Fauré 3:13
6 Song for Baba (arr. Pamela Chowhan)
Julian Lloyd Webber 2:43
7 Wiegenlied (arr. Julian Lloyd Webber, John Lenehan)
Antonín Dvořák 1:48
8 La Wally, Drama lirica in quattro atti (arr. Vladimir Cosma), Act 1: Ebben?...Ne andrò lontana
Alfredo Catalani 3:04
9 Sicilienne, Op.78
Gabriel Fauré 3:29
10 From Jewish Life (1924) 1. Prayer
Ernest Bloch 4:22
11 Song of the Black Swan
Heitor Villa‐Lobos 3:21
12 Une Idylle, Op.4, No.1 (arr. for Cello and Organ)
Sir Edward Elgar 3:40
13 Cello Concerto in E minor, op. 85: I. Adagio - Moderato
Sir Edward Elgar 8:11
14 Cello Concerto in E minor, op. 85: II. Lento - Allegro molto
Sir Edward Elgar 4:32
15 Cello Concerto in E minor, op. 85: III. Adagio
Sir Edward Elgar 5:14
16 Cello Concerto in E minor, op. 85: IV. Allegro
Sir Edward Elgar 11:21
CD 3
# Title Artist Rating Length
1 Panis Angelicus
César Franck 4:29
2 Chanson de Matin, Op.15, No.2 (arr. David Cullen)
Sir Edward Elgar 3:04
3 Salut d'amour, Op.12 (arr. David Cullen)
Sir Edward Elgar 3:18
4 Jackie's Song
Julian Lloyd Webber 3:40
5 Rêverie (arr. David Cullen)
Claude Debussy 4:02
6 Suite No.3 in D, BWV 1068: Air on the G string (arr. David Cullen)
Johann Sebastian Bach 3:48
7 Méditation de Thaïs (arr. David Cullen)
Jules Massenet 4:52
8 Sakura (Japanese trad.) (arr. J.M. Kouchak)
[traditional] 3:15
9 Ave Maria (arr. David Cullen)
Giulio Caccini 5:32
10 Nocturne (arr. David Cullen)
Alexander Borodin 4:04
11 Mélodie, Op.20, No.1
Alexander Glazunov 6:40
12 Nocturne No.2 in E flat, Op.9 No.2 (arr. David Cullen)
Frédéric Chopin 4:32
13 Cello Concerto in B flat: II. Adagio non troppo (arr. & Re-Orchestrated F.Grützmacher)
Luigi Boccherini 6:18
14 Cantilena from Sonata No.11 in D minor, Op.148 (arr. David Cullen)
Josef Gabriel Rheinberger 6:21
15 Kol Nidrei, Op.47-Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo)
Max Bruch 10:26
CD 4
# Title Artist Rating Length
1 Scherzo-Tarantelle, Op.16 (arr. Heinrich Schiff for Cello and Piano)
Henryk Wieniawski 4:47
2 Valse sentimentale, Op.51, No.6 (arr. Leonard Rose for Cello and Piano)
Peter Ilyich Tchaikovsky 2:08
3 Sumaré (arr. Maurice Gendron for Cello and Piano)
Darius Milhaud 2:02
4 Le Carnaval des Animaux: Le Cygne
Camille Saint‐Saëns 2:34
5 Papillon, Op.77
Gabriel Fauré 2:35
6 Après un rêve (arr. Pablo Casals for Cello and Piano)
Gabriel Fauré 2:52
7 El amor brujo: Ritual Fire Dance (arr. Gregor Piatigorsky for Cello and Piano)
Manuel de Falla 3:18
8 Spanish Dance Op.37, No.5-"Andaluza" (arr. Hugo Becker for Cello and Piano)
Enrique Granados 3:41
9 Schön Rosmarin (arr. Heinrich Schiff for Cello and Piano)
Fritz Kreisler 2:05
10 Liebesleid (arr. Heinrich Schiff for Cello and Piano)
Fritz Kreisler 3:16
11 Cantabile (arr. Heinrich Schiff for Cello and Piano)
Niccolò Paganini 3:33
12 Introduction and Variations on "Dal tuo stellato" from Rossini's opera "Mosè" (arr. Maurice Gendron for Cello and Piano)
Niccolò Paganini, Gioachino Rossini 6:24
13 2 Canti giaponese
Enrico Mainardi 6:07
14 3 Kleine Fantasiestücke nach ungarischen Nationalmelodien: No.1 in G
Franz Schmidt 4:02
15 March for Children (arr. Gregor Piatigorsky for Cello and Piano)
Sergei Prokofiev 1:35
16 Waltz in A, Op.48, No.2
Reinhold Gliere 2:26
17 Original Rag No.1 (arr. Heinrich Schiff for Cello and Piano)
Scott Joplin 2:44
18 Elite syncopations (arr. Heinrich Schiff for Cello and Piano)
Scott Joplin 2:51
CD 5
# Title Artist Rating Length
1 Cello suite No. 1 in G major, BWV 1007: I. Prelude
Johann Sebastian Bach 2:26
2 Cello suite No. 1 in G major, BWV 1007: II. Allemande
Johann Sebastian Bach 4:09
3 Cello suite No. 1 in G major, BWV 1007: III. Courante
Johann Sebastian Bach 2:35
4 Cello suite No. 1 in G major, BWV 1007: IV. Sarabande
Johann Sebastian Bach 3:05
5 Cello suite No. 1 in G major, BWV 1007: V. Menuets I & II
Johann Sebastian Bach 3:04
6 Cello suite No. 1 in G major, BWV 1007: VI. Gigue
Johann Sebastian Bach 2:02
7 Cello suite No. 4 in E flat major, BWV 1010: I. Prelude
Johann Sebastian Bach 5:08
8 Cello suite No. 4 in E flat major, BWV 1010: II. Allemande
Johann Sebastian Bach 3:18
9 Cello suite No. 4 in E flat major, BWV 1010: III. Courante
Johann Sebastian Bach 4:03
10 Cello suite No. 4 in E flat major, BWV 1010: IV. Sarabande
Johann Sebastian Bach 4:48
11 Cello suite No. 4 in E flat major, BWV 1010: V. Bourées I & II
Johann Sebastian Bach 5:23
12 Cello suite No. 4 in E flat major, BWV 1010: VI. Gigue
Johann Sebastian Bach 2:59
13 Cello suite No. 6 in D major, BWV 1012: I. Prelude
Johann Sebastian Bach 5:07
14 Cello suite No. 6 in D major, BWV 1012: II. Allemande
Johann Sebastian Bach 8:14
15 Cello suite No. 6 in D major, BWV 1012: III. Courante
Johann Sebastian Bach 3:51
16 Cello suite No. 6 in D major, BWV 1012: IV. Sarabande
Johann Sebastian Bach 4:31
17 Cello suite No. 6 in D major, BWV 1012: V. Gavottes I & II
Johann Sebastian Bach 3:56
18 Cello suite No. 6 in D major, BWV 1012: VI. Gigue
Johann Sebastian Bach 4:27
CD 6
# Title Artist Rating Length
1 Cello suite No. 2 in D minor, BWV 1008: I. Prélude
Johann Sebastian Bach 3:38
2 Cello suite No. 2 in D minor, BWV 1008: II. Allemande
Johann Sebastian Bach 3:36
3 Cello suite No. 2 in D minor, BWV 1008: III. Courante
Johann Sebastian Bach 1:59
4 Cello suite No. 2 in D minor, BWV 1008: IV. Sarabande
Johann Sebastian Bach 4:38
5 Cello suite No. 2 in D minor, BWV 1008: V. Menuets I & II
Johann Sebastian Bach 2:59
6 Cello suite No. 2 in D minor, BWV 1008: VI. Gigue
Johann Sebastian Bach 3:00
7 Cello suite No. 3 in C major, BWV 1009: I. Prélude
Johann Sebastian Bach 3:37
8 Cello suite No. 3 in C major, BWV 1009: II. Allemande
Johann Sebastian Bach 3:33
9 Cello suite No. 3 in C major, BWV 1009: III. Courante
Johann Sebastian Bach 3:13
10 Cello suite No. 3 in C major, BWV 1009: IV. Sarabande
Johann Sebastian Bach 4:24
11 Cello suite No. 3 in C major, BWV 1009: V. Bourrées I & II
Johann Sebastian Bach 3:09
12 Cello suite No. 3 in C major, BWV 1009: VI. Gigue
Johann Sebastian Bach 3:37
13 Cello suite No. 5 in C minor, BWV 1011: I. Prélude
Johann Sebastian Bach 5:47
14 Cello suite No. 5 in C minor, BWV 1011: II. Allemande
Johann Sebastian Bach 5:24
15 Cello suite No. 5 in C minor, BWV 1011: III. Courante
Johann Sebastian Bach 2:30
16 Cello suite No. 5 in C minor, BWV 1011: IV. Sarabande
Johann Sebastian Bach 3:28
17 Cello suite No. 5 in C minor, BWV 1011: V. Gavottes I & II
Johann Sebastian Bach 4:47
18 Cello suite No. 5 in C minor, BWV 1011: VI. Gigue
Johann Sebastian Bach 2:40

Credits

CD 1

recorded in:
United Kingdom (1962-07-06 – 1962-07-10) (track 10)
La Chaux-de-Fonds, Neuchâtel, Switzerland (1984-01) (track 15)
cello:
Lynn Harrell (track 5)
János Starker (1962-07-06 – 1962-07-10) (track 10)
János Starker (1963-04) (track 9)
Heinrich Schiff (1984-01) (track 15)
Julian Lloyd Webber (1984-03) (tracks 1, 3, 16)
Julian Lloyd Webber (1986-04) (track 2)
Lynn Harrell (1988-06) (tracks 6–8)
Julian Lloyd Webber (1990-02) (tracks 4, 14)
Julian Lloyd Webber (1992-02) (tracks 12–13)
Julian Lloyd Webber (1994-01) (track 11)
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (track 5)
György Sebök (1963-04) (track 9)
Elisabeth Leonskaja (1984-01) (track 15)
Bruno Canino (1988-06) (tracks 6–8)
John Lenehan (classical pianist) (1992-02) (tracks 12–13)
arranger:
Christopher Palmer (arranger) (tracks 2–3, 16)
Leonard Rose (cellist) (track 5)
Julian Lloyd Webber (tracks 12–13)
Edward Elgar (1910) (track 11)
balance engineer:
Onno Scholtze (track 4)
Onno Scholtze (1990-02) (track 14)
Erdo Groot (1994-01) (track 11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2–3, 9, 9, 13)
Remo Giazotto (track 1)
Edvard Grieg (track 12)
Franz Schubert (Austrian composer Franz Peter Schubert) (1817-03) (track 8)
Charles‐François Gounod (French composer) (1853) (track 3)
Gabriel Fauré (French composer) (1883) (track 14)
Claude Debussy (1890 – 1891) (track 6)
Antonín Dvořák (1894-11-08 – 1895-02-09) (track 10)
Edward Elgar (1910) (track 11)
conductor:
Antal Doráti (1962-07-06 – 1962-07-10) (track 10)
Nicholas Cleobury (1984-03) (tracks 1, 3, 16)
Nicholas Cleobury (1986-04) (track 2)
Yan Pascal Tortelier (1990-02) (tracks 4, 14)
Sir Neville Marriner (1994-01) (track 11)
dedicated to:
lyricist:
Franz von Schober (track 8)
[anonymous] (Special Purpose Artist) (track 3)
orchestra:
London Symphony Orchestra (1962-07-06 – 1962-07-10) (track 10)
English Chamber Orchestra (1984-03) (tracks 1, 3, 16)
Royal Philharmonic Orchestra (1986-04) (track 2)
English Chamber Orchestra (1990-02) (tracks 4, 14)
Academy of St Martin in the Fields (1994-01) (track 11)
orchestrator:
Gabriel Fauré (French composer) (track 14)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 1)
producer:
Anna Barry (tracks 4, 12–14)
Chris Hazell (tracks 6–8)
Paul Myers (classical record producer) (track 5)
Christopher Palmer (arranger) (tracks 1, 3, 16)
Erik Smith (British producer, pianist and harpsichordist) (track 11)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 1)
engineered at:
recorded at:
St. Barnabas Church (Finchley, (London, N12)) in Finchley, Barnet, London, England, United Kingdom (track 5)
Wembley Town Hall (Wembley Town Hall) in Brent, London, England, United Kingdom (1962-07-06 – 1962-07-10) (track 10)
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland (1984-01) (track 15)
Henry Wood Hall (London) in London, England, United Kingdom (1984-03) (tracks 1, 3, 16)
St. Barnabas Church (Finchley, (London, N12)) in Finchley, Barnet, London, England, United Kingdom (1988-06) (tracks 6–8)
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London, England, United Kingdom (1992-02) (tracks 12–13)
part of:
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (for voice and piano, original version) (track 5)
Romance, op. 62 (for bassoon and orchestra) (track 11)
arrangements:
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 1)
Adagio of the Sky (track 1)
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (track 3)
Cold is Being (track 1)
Cosmic Chorale (track 2)
Flight of the Bumblebee (for cello and orchestra, arr. by B. Traubas) (track 16)
Flight of the Bumblebee (Stokowski transcription) (track 16)
Flight of the Bumblebee (for choir, Swingle) (track 16)
Flight of the Bumblebee (for cello and piano, arr. Rose) (track 16)
Flight of the Bumblebee, TN iii/9 (for piano solo, Rachmaninov) (track 16)
Le Vol du bourdon (for organ, Saint-Martin) (track 16)
Sicilienne (for violin and piano. arr Dushkin) (track 7)
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (track 16)
The Flight of the Bumblebee (for flute and orchestra, arr. Aho) (track 16)
The Flight of the Bumblebee (for violin and piano, arr. Heifetz) (track 16)
Полёт шмеля (catch-all for arrangements) (track 16)
instrumental recording of:
Ave Maria (Bach/Gounod) (1984-03) (track 3)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (1986-04) (track 2)
An die Musik, D. 547 (1988-06) (track 8)
is based on:
is the basis for:
Adagio (track 1)
Anytime, Anywhere (track 1)
Honey Man (track 16)
ボスBGM (Parodius) (track 16)
神様 見てよ (track 2)
雪の夜 (track 3)
later translated versions:
Ave Maria (Italian translation of "Ave Maria" by Bach/Gounod) (track 3)
Ave Maria (Japanese translation of Bach/Gounod's "Ave Maria") (track 3)
later versions:
orchestration of:
Élégie, op. 24 (for cello and piano) (track 14)
orchestrations:
Ave Maria (for violin and orchestra, orch. Kennedy & Lenehan) (track 3)
part of:
Cello Concerto in B minor, op. 104 (movement) (track 10)
partial recording of:
recording of:
Vocalise, op. 34 no. 14 (arr. L. Rose for cello and piano) (track 5)
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (1962-07-06 – 1962-07-10) (track 10)
Полёт шмеля (1984-03) (track 16)
Beau Soir (for cello and piano, arr. Gretchaninov) (1988-06) (track 6)
Sicilienne (1988-06) (track 7)
Allegro appassionato, op. 43 (1990-02) (track 4)
Élégie, op. 24 (for cello and orchestra) (1990-02) (track 14)
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia (catch-all for arrangements) (1992-02) (track 13)
Romance, op. 62 (for cello and orchestra) (1994-01) (track 11)
referred to in medleys:
Hooked on Bach (track 3)

CD 2

recorded in:
London, England, United Kingdom (1992-02) (track 11)
cello:
Julian Lloyd Webber (1984-03) (track 4)
Julian Lloyd Webber (1985-07) (tracks 13–16)
Julian Lloyd Webber (1986-04) (track 1)
Lynn Harrell (1988-06) (tracks 8–10)
Julian Lloyd Webber (1992-02) (track 11)
Julian Lloyd Webber (1993-10) (tracks 2–3, 5–7)
Julian Lloyd Webber (1994-01) (track 12)
organ:
John Birch (organist) (1994-01) (track 12)
piano:
Bruno Canino (1988-06) (tracks 8–10)
John Lenehan (classical pianist) (1992-02) (track 11)
Pam Chowhan (1993-10) (track 6)
John Lenehan (classical pianist) (1993-10) (tracks 2–3, 5, 7)
arranger:
Christopher Palmer (arranger) (tracks 1, 1, 4)
Pam Chowhan (track 6)
Vladimir Cosma (track 8)
John Lenehan (classical pianist) (track 7)
composer:
Alfredo Catalani (track 8)
Antonín Dvořák (track 7)
Gabriel Fauré (French composer) (tracks 5, 9)
Robert Schumann (German classical composer) (1838) (track 4)
Johannes Brahms (1868) (track 2)
Antonín Dvořák (1880-01 – 1880-02) (track 3)
Edward Elgar (1884) (track 12)
Claude Debussy (1890 – 1905) (track 1)
Gabriel Fauré (French composer) (1894 – 1897) (track 5)
Edward Elgar (1918 – 1919) (tracks 13–16)
Ernest Bloch (composer) (1924) (track 10)
conductor:
Nicholas Cleobury (1984-03) (track 4)
Yehudi Menuhin (1985-07) (tracks 13–16)
Nicholas Cleobury (1986-04) (track 1)
dedicated to:
Bertha Faber (track 2)
lyricist:
Adolf Heyduk (track 7)
Georg Scherer (track 2)
[traditional] (Special Purpose Artist) (track 2)
orchestra:
English Chamber Orchestra (1984-03) (track 4)
Royal Philharmonic Orchestra (1985-07) (tracks 13–16)
Royal Philharmonic Orchestra (1986-04) (track 1)
producer:
Anna Barry (tracks 2–3, 5–7, 11)
Chris Hazell (tracks 8–10)
Wilhelm Hellweg (producer / engineer) (tracks 13–16)
Christopher Palmer (arranger) (track 4)
Erik Smith (British producer, pianist and harpsichordist) (track 12)
premiered at:
[concert] (1869-12-22) (track 2)
recorded at:
Henry Wood Hall (London) in London, England, United Kingdom (1984-03) (track 4)
Watford Colosseum in Watford, Hertfordshire, England, United Kingdom (1985-07) (tracks 13–16)
St. Barnabas Church (Finchley, (London, N12)) in Finchley, Barnet, London, England, United Kingdom (1988-06) (tracks 8–10)
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London, England, United Kingdom (1992-02) (track 11)
Henry Wood Hall (London) in London, England, United Kingdom (1993-10) (tracks 2–3, 5–7)
part of:
Appleby Catalogue (W) (number: W122) (track 11)
Works of Gabriel Fauré by opus number (number: op. 78) (track 9)
arrangement of:
Dolly Suite, op. 56: I. Berceuse (for piano four hands) (track 5)
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (for voice and piano) (track 3)
Idylle, op. 4 no. 1 (for violin and piano) (track 12)
arrangements:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch-all for arrangements) (track 2)
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements) (track 5)
From Jewish Life: No. 1. Prayer (for cello, string orchestra and harp, Palmer) (track 10)
Kinderszenen, op. 15: No. 7. Träumerei (for string quartet and piano, arr. Paul Cassidy) (track 4)
Kinderszenen, op. 15: Träumerei (catch-all for arrangements) (track 4)
Kinderszenen, op. 15: Träumerei (for violin and piano, arr. Catherine) (track 4)
Sicilienne, op. 78 (catch-all for arrangements) (track 9)
Sicilienne, op. 78 (flute and piano, Henri Büsser) (track 9)
Viola Concerto: I. Adagio - Moderato (arr. Lionel Tertis) (track 13)
Viola Concerto: II. Lento - Allegretto molto (arr. Lionel Tertis) (track 14)
Viola Concerto: III. Adagio (arr. Lionel Tertis) (track 15)
Viola Concerto: IV. Allegro (arr. Lionel Tertis) (track 16)
Wiegenlied (for piano, Cortot) (track 2)
Wiegenlied (for violin and piano, Spalding) (track 2)
ブラームスの子守歌 (translated) (track 2)
instrumental recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (for voice and piano) (1993-10) (track 2)
is based on:
is the basis for:
Close Your Eyes (track 2)
later translated versions:
Berceuse de Brahms (French version (a.k.a. "Bonne nuit").) (track 2)
Lullaby (track 2)
later versions:
Wiegenlied (for piano solo, Grainger) (track 2)
シシリエンヌ (track 9)
orchestrations:
Dolly Suite, op. 56: I. Berceuse (orchestrated by Rabaud) (track 5)
Kinderszenen, op. 15: Träumerei (orchestrated by Herbeck) (track 4)
Kinderszenen, op. 15: Träumerei (orchestrated by R. Tilling) (track 4)
Kinderszenen, op. 15: Träumerei (orchestrated by Josef Strauss) (track 4)
part of:
Dolly Suite, op. 56 (for piano four hands) (track 5)
From Jewish Life (track 10)
5 Lieder, op. 49 (track 2)
Cello Concerto in E minor, op. 85 (movement) (tracks 13–16)
recording of:
Kinderszenen, op. 15: Träumerei (for piano) (1984-03) (track 4)
Suite bergamasque : III. Clair de lune (for cello and orchestra, arr. Palmer) (1986-04) (track 1)
From Jewish Life: No. 1. Prayer (1988-06) (track 10)
La Wally: Atto I. "Ebben? Ne andrò lontana" (for cello and orchestra, arr. Cosma) (1988-06) (track 8)
Sicilienne, op. 78 (1988-06) (track 9)
O canto do cisne negro, W122 (for cello and piano) (1992-02) (track 11)
Dolly Suite, op. 56: I. Berceuse (for piano four hands) (1993-10) (track 5)
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements) (1993-10) (track 5)
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (catch-all for arrangements) (1993-10) (track 3)
Song for Baba (1993-10) (track 6)
Idylle, op. 4 no. 1 (catch-all for arrangements) (1994-01) (track 12)
referred to in medleys:

CD 3

cello:
Julian Lloyd Webber (1998-05) (tracks 1–3, 5–15)
Julian Lloyd Webber (1998-11) (track 4)
piano:
Jayson Mariano Kouchak (Jason Kouchak) (1998-05) (track 8)
arranger:
David Cullen (composer, arranger, orchestrator) (tracks 2–3, 5, 5–6, 6–7, 7, 9–10, 12, 14, 14)
Jayson Mariano Kouchak (Jason Kouchak) (track 8)
composer:
Luigi Boccherini (track 13)
Edward Elgar (track 2)
César Franck (track 1)
[traditional] (Special Purpose Artist) (track 8)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 6)
Fryderyk Chopin (composer) (1830 – 1832) (track 12)
Max Bruch (1880-07) (track 15)
Александр Порфирьевич Бородин (Alexander Borodin) (1881) (track 10)
Edward Elgar (1888) (track 3)
Claude Debussy (1890) (track 5)
Jules Massenet (1894) (track 7)
Julian Lloyd Webber (1998) (track 4)
conductor:
James Judd (conductor) (1998-05) (tracks 1–3, 5–7, 9–15)
Barry Wordsworth (conductor) (1998-11) (track 4)
dedicated to:
Robert Hausmann (track 15)
lyricist:
[traditional] (Special Purpose Artist) (track 8)
St. Thomas Aquinas (track 1)
orchestra:
Royal Philharmonic Orchestra (1998-05) (tracks 1–3, 5–7, 9–15)
BBC Concert Orchestra (1998-11) (track 4)
previously attributed to:
Giulio Caccini (track 9)
producer:
Martha de Francisco (tracks 1–3, 5–15)
Jean-Marie Geijsen (track 4)
Erdo Groot (track 4)
Hermine Sterringa (tracks 1–3, 5–15)
publisher:
recorded at:
Watford Colosseum in Watford, Hertfordshire, England, United Kingdom (1998-05) (tracks 1–3, 5–15)
All Hallows' Church (Gospel Oak) in Hampstead, Camden, London, England, United Kingdom (1998-11) (track 4)
part of:
日本の歌百選 (track 8)
Works of Max Bruch by opus number (number: op. 47) (track 15)
arrangement of:
Ave Maria (Vavilov, often misattributed to Caccini) (track 9)
Rêverie, L. 68, CD 76 (for piano) (track 5)
Salut d'Amour, op. 12 (for violin and piano) (track 3)
arrangements:
Chanson de matin (for brass band, Wright) (track 2)
Chanson de matin, op. 15 no. 2 (catch-all for arrangements) (track 2)
Chanson de matin, op. 15 no. 2 (for organ, Brewer) (track 2)
Chanson de matin, op. 15 no. 2 (arr. by Roger Turner) (track 2)
Chanson de matin, op. 15 no. 2 (for orchestra) (track 2)
Chanson de matin, op. 15 no. 2 (for string quartet, arr. Paul Cassidy) (track 2)
Kol Nidrei, op. 47 (for violin and piano, Gingold) (track 15)
Nocturne no. 2 in E-flat major, op. 9 no. 2 (for cello and orchestra, arr. Cullen) (track 12)
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (catch-all for arrangements) (track 12)
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (for violin and piano, arr. Sarasate) (track 12)
Nocturne, op. 9 no. 2 (for guitar, Tárrega) (track 12)
Panis Angelicus (catch-all for arrangements) (track 1)
Sakura (arranged by Walter Lang jun.) (track 8)
Sakura (track 8)
Sakura (arranged by Neaum) (track 8)
Sakura, op. 50 no. 2 (for children's choir (SSA)) (track 8)
instrumental recording of:
Ave Maria (Vavilov/Caccini, catch-all for arrangements) (1998-05) (track 9)
さくらさくら (1998-05) (track 8)
is the basis for:
Brand New Breeze (track 3)
Chopin's Nocturne in E Flat (Greeley adaptation) (track 12)
My Twilight Dream (track 12)
Sakura Remix (Groove Coaster) (track 8)
弥生 (track 8)
later translated versions:
later versions:
Chopin w Brazylii (track 12)
O Lord Most Holy (track 1)
orchestrations:
Panis Angelicus (orch. Stokowski) (track 1)
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version) (movement) (track 13)
Chanson de nuit and Chanson de matin, op. 15 (for violin and piano) (track 2)
Nocturnes, op. 9 (track 12)
recording of:
Air on the G String (for cello and orchestra, arr. Cullen) (1998-05) (track 6)
Cello Concerto in B-flat major, G. 482: II. Adagio non troppo (Grützmacher version) (1998-05) (track 13)
Chanson de matin, op. 15 no. 2 (for violin and piano) (1998-05) (track 2)
Kol Nidrei, op. 47 (1998-05) (track 15)
Meditation from Thaïs (for orchestra, arr. Cullen) (1998-05) (track 7)
Nocturne (for cello and orchestra, arr. Cullen) (1998-05) (track 10)
Organ Sonata no. 11 in D minor, op. 148: II. Cantilène (for cello and orchestra, arr. Cullen) (1998-05) (track 14)
Panis Angelicus (1998-05) (track 1)
Rêverie (for cello and orchestra, arr. Cullen) (1998-05) (track 5)
Salut d'Amour, op. 12 (catch-all for arrangements) (1998-05) (track 3)
Jackie's Song (1998-11) (track 4)

CD 4

cello:
Heinrich Schiff (1987-05) (tracks 1–18)
cello and piano arranger:
Pau Casals (cellist, aka. Pablo Casals) (track 6)
Maurice Gendron (track 3)
Gregor Piatigorsky (track 15)
cello arranger:
Heinrich Schiff (track 1)
piano:
Samuel Sanders (1987-05) (tracks 1–18)
piano and violin arranger:
Camille Saint‐Saëns (1886) (track 4)
arranger:
Hugo Becker (German cellist and composer) (track 8)
Charles N. Daniels (US composer) (track 17)
Maurice Gendron (track 12)
Gregor Piatigorsky (tracks 7, 15)
Leonard Rose (cellist) (track 2)
Heinrich Schiff (tracks 9–11, 17–18)
composer:
Manuel de Falla (Spanish composer) (track 7)
Gabriel Fauré (French composer) (track 6)
Enrique Granados (track 8)
Scott Joplin (tracks 17–18)
Fritz Kreisler (violinist / composer) (tracks 9–10)
Enrico Mainardi (cellist) (track 13)
Darius Milhaud (track 3)
Niccolò Paganini (composer) (1818) (track 12)
Niccolò Paganini (composer) (1823) (track 11)
Henryk Wieniawski (1855) (track 1)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1882) (track 2)
Gabriel Fauré (French composer) (1884) (track 5)
Franz Schmidt (Austrian composer) (1892) (track 14)
producer:
Rupert Fäustle (tracks 1–18)
Volker Straus (producer and engineer) (tracks 1–18)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (1987-05) (tracks 1–18)
part of:
Works of Henryk Wieniawski by opus number (number: op. 16) (track 1)
Works of Gabriel Fauré by opus number (number: op. 77) (track 5)
arrangement of:
Le Carnaval des animaux: XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 4)
arrangements:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for violin and piano, Kreisler) (track 8)
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for cello and piano, Calvo) (track 8)
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (track 8)
Liebesleid (for string quartet, Leidzén) (track 10)
Liebesleid (catch-all for arrangements) (track 10)
Liebesleid (for flute and piano, Sinkova) (track 10)
Schön Rosmarin (catch-all for arrangements) (track 9)
Variations on a Theme from Gioacchino Rossini’s “Moses” (for cello and piano, transcr. Luigi Silva) (track 12)
is based on:
is the basis for:
later versions:
Liebesleid (vocal version) (track 10)
orchestrations:
part of:
Alt-Wiener Tanzweisen (for violin and piano) (tracks 9–10)
partial recording of:
Canti popolari giapponesi (1987-05) (track 13)
parts:
recording of:
12 Morceaux, op. 48: II. Valse (1987-05) (track 16)
6 Pieces, op. 51 no. 6: Valse sentimentale (for cello and piano, Rose) (1987-05) (track 2)
Après un rêve, op. 7 no. 1 (for cello and piano, Casals) (1987-05) (track 6)
Cantabile (catch-all for arrangements) (1987-05) (track 11)
Danza ritual del fuego (for cello and piano, Piatigorsky) (1987-05) (track 7)
Elite Syncopations (1987-05) (track 18)
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer) (1987-05) (track 4)
Liebesleid (for violin and piano) (1987-05) (track 10)
Music for Children, op. 65: X. March (for cello and piano, arr. Piatigorsky) (1987-05) (track 15)
Original Rags (1987-05) (track 17)
Papillon, op. 77 (1987-05) (track 5)
Saudades do Brasil, op. 67: IX. Sumaré (for cello and piano, arr. Gendron) (1987-05) (track 3)
Scherzo-tarantelle, op. 16 (1987-05) (track 1)
Schön Rosmarin (for violin and piano) (1987-05) (track 9)
referred to in medleys:
Alma Barca (track 8)

CD 5

cello:
Maurice Gendron (1964-02) (tracks 1–18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–18)
arrangements:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 1)
Suite no. 1 G-Dur, BWV 1007: II. Allemande (catch-all for arrangements) (track 2)
Suite no. 1 G-Dur, BWV 1007: III. Courante (catch-all for arrangements) (track 3)
Suite no. 1 G-Dur, BWV 1007: IV. Sarabande (catch-all for arrangements) (track 4)
Suite no. 1 G-Dur, BWV 1007: V. Menuet I & II (catch-all for arrangements) (track 5)
Suite no. 1 G-Dur, BWV 1007: VI. Gigue (catch-all for arrangements) (track 6)
Suite no. 1 in G major, BWV 1007: I. Prélude (arr. Frans Brüggen for recorder) (track 1)
Suite no. 1 in G major, BWV 1007: I. Prélude (arr. Joachim Raff for piano) (track 1)
Suite no. 1 in G major, BWV 1007: I. Prélude (for viola, arr. Rowland-Jones) (track 1)
Suite no. 1 in G major, BWV 1007: II. Allemande (arr. Frans Brüggen for recorder) (track 2)
Suite no. 1 in G major, BWV 1007: II. Allemande (arr. Joachim Raff for piano) (track 2)
Suite no. 1 in G major, BWV 1007: II. Allemande (for viola, arr. Rowland-Jones) (track 2)
Suite no. 1 in G major, BWV 1007: III. Courante (arr. Joachim Raff for piano) (track 3)
Suite no. 1 in G major, BWV 1007: III. Courante (arr. Frans Brüggen for recorder) (track 3)
Suite no. 1 in G major, BWV 1007: III. Courante (for viola, arr. Rowland-Jones) (track 3)
Suite no. 1 in G major, BWV 1007: IV. Sarabande (arr. Joachim Raff for piano) (track 4)
Suite no. 1 in G major, BWV 1007: IV. Sarabande (for viola, arr. Rowland-Jones) (track 4)
Suite no. 1 in G major, BWV 1007: IV. Sarabande (arr. Frans Brüggen for recorder) (track 4)
Suite no. 1 in G major, BWV 1007: V. Menuet I & II (arr. Frans Brüggen for recorder) (track 5)
Suite no. 1 in G major, BWV 1007: V. Menuet I & II (arr. Joachim Raff for piano) (track 5)
Suite no. 1 in G major, BWV 1007: V. Menuet I - Menuet II (for viola, arr. Rowland-Jones) (track 5)
Suite no. 1 in G major, BWV 1007: VI. Gigue (arr. Frans Brüggen for recorder) (track 6)
Suite no. 1 in G major, BWV 1007: VI. Gigue (for viola, arr. Rowland-Jones) (track 6)
Suite no. 1 in G major, BWV 1007: VI. Gigue (arr. Joachim Raff for piano) (track 6)
Suite no. 4 Es-Dur, BWV 1010: I. Prélude (catch-all for arrangements) (track 7)
Suite no. 4 Es-Dur, BWV 1010: II. Allemande (catch-all for arrangements) (track 8)
Suite no. 4 Es-Dur, BWV 1010: IV. Sarabande (catch-all for arrangements) (track 10)
Suite no. 4 Es-Dur, BWV 1010: V. Bourrées I & II (catch-all for arrangements) (track 11)
Suite no. 4 Es-Dur, BWV 1010: VI. Gigue (catch-all for arrangements) (track 12)
Suite no. 4 in E-flat major, BWV 1010: I. Prélude (for viola, arr. Rowland-Jones) (track 7)
Suite no. 4 in E-flat major, BWV 1010: I. Prélude (arr. Joachim Raff for piano) (track 7)
Suite no. 4 in E-flat major, BWV 1010: II. Allemande (arr. Joachim Raff for piano) (track 8)
Suite no. 4 in E-flat major, BWV 1010: II. Allemande (for viola, arr. Rowland-Jones) (track 8)
Suite no. 4 in E-flat major, BWV 1010: III. Courante (arr. Joachim Raff for piano) (track 9)
Suite no. 4 in E-flat major, BWV 1010: III. Courante (for viola, arr. Rowland-Jones) (track 9)
Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande (arr. Joachim Raff for piano) (track 10)
Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande (for viola, arr. Rowland-Jones) (track 10)
Suite no. 4 in E-flat major, BWV 1010: V. Bourrée I - Bourrée II (for viola, arr. Rowland-Jones) (track 11)
Suite no. 4 in E-flat major, BWV 1010: V. Bourrées I & II (arr. Joachim Raff for piano) (track 11)
Suite no. 4 in E-flat major, BWV 1010: VI. Gigue (for viola, arr. Rowland-Jones) (track 12)
Suite no. 4 in E-flat major, BWV 1010: VI. Gigue (arr. Joachim Raff for piano) (track 12)
Suite no. 6 D-Dur, BWV 1012: I. Prélude (catch-all for arrangements) (track 13)
Suite no. 6 D-Dur, BWV 1012: II. Allemande (catch-all for arrangements) (track 14)
Suite no. 6 D-Dur, BWV 1012: III. Courante (catch-all for arrangements) (track 15)
Suite no. 6 D-Dur, BWV 1012: IV. Sarabande (catch-all for arrangements) (track 16)
Suite no. 6 D-Dur, BWV 1012: V. Gavottes I & II (catch-all for arrangements) (track 17)
Suite no. 6 D-Dur, BWV 1012: VI. Gigue (catch-all for arrangements) (track 18)
Suite no. 6 in D major, BWV 1012: I. Prélude (for viola, arr. Rowland-Jones) (track 13)
Suite no. 6 in D major, BWV 1012: I. Prélude (arr. Joachim Raff for piano) (track 13)
Suite no. 6 in D major, BWV 1012: II. Allemande (arr. Joachim Raff for piano) (track 14)
Suite no. 6 in D major, BWV 1012: II. Allemande (for viola, arr. Rowland-Jones) (track 14)
Suite no. 6 in D major, BWV 1012: III. Courante (arr. Joachim Raff for piano) (track 15)
Suite no. 6 in D major, BWV 1012: III. Courante (for viola, arr. Rowland-Jones) (track 15)
Suite no. 6 in D major, BWV 1012: IV. Sarabande (for viola, arr. Rowland-Jones) (track 16)
Suite no. 6 in D major, BWV 1012: IV. Sarabande (arr. Joachim Raff for piano) (track 16)
Suite no. 6 in D major, BWV 1012: V. Gavotte I - Gavotte II (for viola, arr. Rowland-Jones) (track 17)
Suite no. 6 in D major, BWV 1012: V. Gavottes I & II (arr. Joachim Raff for piano) (track 17)
Suite no. 6 in D major, BWV 1012: VI. Gigue (arr. Joachim Raff for piano) (track 18)
Suite no. 6 in D major, BWV 1012: VI. Gigue (for viola, arr. Rowland-Jones) (track 18)
is the basis for:
Anthem (track 1)
The Cello Song (track 1)
part of:
recording of:
referred to in medleys:

CD 6

cello:
Maurice Gendron (1964-02) (tracks 1–18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–18)
arrangements:
Suite no. 2 d-Moll, BWV 1008: I. Prélude (catch-all for arrangements) (track 1)
Suite no. 2 d-Moll, BWV 1008: II. Allemande (catch-all for arrangements) (track 2)
Suite no. 2 d-Moll, BWV 1008: III. Courante (catch-all for arrangements) (track 3)
Suite no. 2 d-Moll, BWV 1008: IV. Sarabande (catch-all for arrangements) (track 4)
Suite no. 2 d-Moll, BWV 1008: V. Menuet I & II (catch-all for arrangements) (track 5)
Suite no. 2 d-Moll, BWV 1008: VI. Gigue (catch-all for arrangements) (track 6)
Suite no. 2 in D minor, BWV 1008: I. Prélude (for viola, arr. Rowland-Jones) (track 1)
Suite no. 2 in D minor, BWV 1008: I. Prélude (arr. Joachim Raff for piano) (track 1)
Suite no. 2 in D minor, BWV 1008: I. Prélude (arr. Frans Brüggen for recorder) (track 1)
Suite no. 2 in D minor, BWV 1008: II. Allemande (arr. Joachim Raff for piano) (track 2)
Suite no. 2 in D minor, BWV 1008: II. Allemande (for viola, arr. Rowland-Jones) (track 2)
Suite no. 2 in D minor, BWV 1008: II. Allemande (arr. Frans Brüggen for recorder) (track 2)
Suite no. 2 in D minor, BWV 1008: III. Courante (arr. Joachim Raff for piano) (track 3)
Suite no. 2 in D minor, BWV 1008: III. Courante (arr. Frans Brüggen for recorder) (track 3)
Suite no. 2 in D minor, BWV 1008: III. Courante (for viola, arr. Rowland-Jones) (track 3)
Suite no. 2 in D minor, BWV 1008: IV. Sarabande (arr. Joachim Raff for piano) (track 4)
Suite no. 2 in D minor, BWV 1008: IV. Sarabande (arr. Frans Brüggen for recorder) (track 4)
Suite no. 2 in D minor, BWV 1008: IV. Sarabande (for viola, arr. Rowland-Jones) (track 4)
Suite no. 2 in D minor, BWV 1008: V. Menuet I & II (arr. Frans Brüggen for recorder) (track 5)
Suite no. 2 in D minor, BWV 1008: V. Menuet I & II (arr. Joachim Raff for piano) (track 5)
Suite no. 2 in D minor, BWV 1008: V. Menuet I - Menuet II (for viola, arr. Rowland-Jones) (track 5)
Suite no. 2 in D minor, BWV 1008: VI. Gigue (for viola, arr. Rowland-Jones) (track 6)
Suite no. 2 in D minor, BWV 1008: VI. Gigue (arr. Joachim Raff for piano) (track 6)
Suite no. 2 in D minor, BWV 1008: VI. Gigue (arr. Frans Brüggen for recorder) (track 6)
Suite no. 3 C-Dur, BWV 1009: I. Prélude (catch-all for arrangements) (track 7)
Suite no. 3 C-Dur, BWV 1009: II. Allemande (catch-all for arrangements) (track 8)
Suite no. 3 C-Dur, BWV 1009: III. Courante (catch-all for arrangements) (track 9)
Suite no. 3 C-Dur, BWV 1009: IV. Sarabande (catch-all for arrangements) (track 10)
Suite no. 3 C-Dur, BWV 1009: V. Bourrée I & II (catch-all for arrangements) (track 11)
Suite no. 3 C-Dur, BWV 1009: VI. Gigue (catch-all for arrangements) (track 12)
Suite no. 3 in C major, BWV 1009: I. Prélude (for viola, arr. Rowland-Jones) (track 7)
Suite no. 3 in C major, BWV 1009: I. Prélude (arr. Frans Brüggen for recorder) (track 7)
Suite no. 3 in C major, BWV 1009: I. Prélude (arr. Joachim Raff for piano) (track 7)
Suite no. 3 in C major, BWV 1009: II. Allemande (arr. Joachim Raff for piano) (track 8)
Suite no. 3 in C major, BWV 1009: II. Allemande (arr. Frans Brüggen for recorder) (track 8)
Suite no. 3 in C major, BWV 1009: II. Allemande (for viola, arr. Rowland-Jones) (track 8)
Suite no. 3 in C major, BWV 1009: III. Courante (for viola, arr. Rowland-Jones) (track 9)
Suite no. 3 in C major, BWV 1009: III. Courante (arr. Frans Brüggen for recorder) (track 9)
Suite no. 3 in C major, BWV 1009: III. Courante (arr. Joachim Raff for piano) (track 9)
Suite no. 3 in C major, BWV 1009: IV. Sarabande (arr. Joachim Raff for piano) (track 10)
Suite no. 3 in C major, BWV 1009: IV. Sarabande (for viola, arr. Rowland-Jones) (track 10)
Suite no. 3 in C major, BWV 1009: IV. Sarabande (arr. Frans Brüggen for recorder) (track 10)
Suite no. 3 in C major, BWV 1009: V. Bourrée I & II (arr. Frans Brüggen for recorder) (track 11)
Suite no. 3 in C major, BWV 1009: V. Bourrée I & II (arr. Joachim Raff for piano) (track 11)
Suite no. 3 in C major, BWV 1009: V. Bourrée I - Bourrée II (for viola, arr. Rowland-Jones) (track 11)
Suite no. 3 in C major, BWV 1009: VI. Gigue (for viola, arr. Rowland-Jones) (track 12)
Suite no. 3 in C major, BWV 1009: VI. Gigue (arr. Joachim Raff for piano) (track 12)
Suite no. 3 in C major, BWV 1009: VI. Gigue (arr. Frans Brüggen for recorder) (track 12)
Suite no. 5 c-Moll, BWV 1011: I. Prélude (catch-all for arrangements) (track 13)
Suite no. 5 c-Moll, BWV 1011: II. Allemande (catch-all for arrangements) (track 14)
Suite no. 5 c-Moll, BWV 1011: III. Courante (catch-all for arrangements) (track 15)
Suite no. 5 c-Moll, BWV 1011: IV. Sarabande (catch-all for arrangements) (track 16)
Suite no. 5 c-Moll, BWV 1011: V. Gavottes I & II (catch-all for arrangements) (track 17)
Suite no. 5 c-Moll, BWV 1011: VI. Gigue (catch-all for arrangements) (track 18)
Suite no. 5 in C minor, BWV 1011: I. Prélude (arr. Joachim Raff for piano) (track 13)
Suite no. 5 in C minor, BWV 1011: I. Prélude (for viola, arr. Rowland-Jones) (track 13)
Suite no. 5 in C minor, BWV 1011: II. Allemande (for viola, arr. Rowland-Jones) (track 14)
Suite no. 5 in C minor, BWV 1011: II. Allemande (arr. Joachim Raff for piano) (track 14)
Suite no. 5 in C minor, BWV 1011: III. Courante (arr. Joachim Raff for piano) (track 15)
Suite no. 5 in C minor, BWV 1011: III. Courante (for viola, arr. Rowland-Jones) (track 15)
Suite no. 5 in C minor, BWV 1011: IV. Sarabande (for viola, arr. Rowland-Jones) (track 16)
Suite no. 5 in C minor, BWV 1011: IV. Sarabande (arr. Joachim Raff for piano) (track 16)
Suite no. 5 in C minor, BWV 1011: V. Gavotte I - Gavotte II (for viola, arr. Rowland-Jones) (track 17)
Suite no. 5 in C minor, BWV 1011: V. Gavottes I & II (arr. Joachim Raff for piano) (track 17)
Suite no. 5 in C minor, BWV 1011: VI. Gigue (for viola, arr. Rowland-Jones) (track 18)
Suite no. 5 in C minor, BWV 1011: VI. Gigue (arr. Joachim Raff for piano) (track 18)
is the basis for:
part of:
recording of:

Release

ASIN: DE: B0086AYA48 [info]
purchase for mail-order: http://www.deccaclassics.com/cat/4783999 [info]