L’elisir d’amore

~ Release by Donizetti; Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Preludio
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Preludio (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:58
2Bel conforto al mietitore
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro d’Introduzione “Bel conforto al mietitore” (Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:09
3Quanto è bella, quanto è cara
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:21
4Benedette queste carte!
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!…Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:04
5Come Paride vezzoso
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) (Cavatina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:29
6Or se m’ami, come io t’amo
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Or se m’ami, com’io t’amo” (Belcore) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:38
7Una parola, o Adina
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti9:23
8Che vuol dire cotesta suonata?
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro “Che vuol dire cotesta suonata” (Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:53
9Udite, udite, o rustici
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Udite, udite, o rustici” … “Così chiaro è come il sole” (Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti8:00
10Ardir! Ha forse il cielo mandato
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:48
11Voglio dire, lo stupendo elisir
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” … “Obbligato, ah! Sì obbligato!” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:40
12Caro elisir! sei mio!
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:24
13Chi e mai quel matto?
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals:
Fernando Pavarotti (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:23
14Esulti pur la barbara
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:47
15Tran tran tran tran … In guerra ed in amor
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Terzetto “Tran, tran, tran...In guerra ed in amor” (Belcore, Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:36
16Signor sargente
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e quartetto “Signor sargente, di voi richiede la vostra gente” (Giannetta, Belcore, Nemorino, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:03
▼ CD 2
#TitleArtistRatingLength
1Adina credimi
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Quartetto “Adina credimi, te ne scongiuro” (Nemorino, Belcore, Adina, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti8:25
2Cantiamo, cantiam, cantiam
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:34
3Barcaruola a due voci
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:27
4Silenzio! È qua il notaro
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Silenzio! È qua il notaro”… “Cantiamo, facciam brindisi (reprise)” (Belcore, Dulcamara, Adina, Gianetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:34
5La donna è un animale
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:44
6Ai perigli della guerra
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:16
7Saria possibile?
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:21
8Dell’elisir mirabile
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:28
9Io già m’immagino
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti5:27
10Quanto amore! Ed io spietata!
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:53
11Una furtiva lagrima
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti56:42
12Prendi, per me sei libero
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti11:15
13Alto! Fronte!
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:40
14Ei corregge ogni difetto
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:35