The Ultimate Collection

~ Release by Carpenters (see all versions of this release, 4 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Ticket to Ride
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass:
Bob Messenger (Woodwind and bass player) and Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) and lead vocals:
Karen Carpenter
guitar:
Gary Sims (vocalist, guitarist, songwriter)
orchestrator:
Jack Daugherty (American Multi-instrumentalist and music producer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1969)
cover recording of:
Ticket to Ride
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC
24:10
2(They Long to Be) Close to You
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1970)
edit of:
(They Long to Be) Close to You (album version) by Carpenters
cover recording of:
(They Long to Be) Close to You (on 1970-03-24)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Carlin Music Corporation, Casa David LP, Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. and フジパシフィックミュージック BMG事業部
3:42
3We’ve Only Just Begun
engineer:
Dick Bogert (Recording and mixing engineer) and Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter) and Danny Woodhams (Bassist, drummer, vocalist and songwriter)
clarinet:
Doug Strawn (American woodwinds and saxophonist)
drums (drum set) [Ludwig drums]:
Hal Blaine (U.S. Studio drummer and percussionist) and Karen Carpenter
woodwind [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) and Bob Messenger (Woodwind and bass player)
Wurlitzer electric piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
background vocals and lead vocals [all vocals]:
Karen Carpenter and Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 405)
cover recording of:
We’ve Only Just Begun
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI), Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
3.33:05
4For All We Know
assistant engineer:
Norm Kinney
engineer:
Dick Bogert (Recording and mixing engineer) and Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist)
keyboard [keyboards] and background vocals:
Richard Carpenter (The Carpenters)
oboe:
Earle Dumler (multi-instrumentalist)
background vocals and lead vocals and lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1971) and A&M Records, Ltd. (in 1971)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1970 until 1971)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970) (from 1970 until 1971)
lyricist:
Arthur James (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 43)
42:33
5Rainy Days and Mondays
assistant engineer:
Norm Kinney
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist)
harmonica:
Tommy Morgan (Harmonica player)
keyboard [keyboards] and background vocals:
Richard Carpenter (The Carpenters)
saxophone:
Bob Messenger (Woodwind and bass player)
background vocals and lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1971)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1971-01)
recording of:
Rainy Days and Mondays (on 1971-01-25)
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
4.353:36
6Superstar
assistant engineer:
Norm Kinney
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist)
keyboard [keyboards] and background vocals:
Richard Carpenter (The Carpenters)
oboe:
Earle Dumler (multi-instrumentalist)
background vocals and lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1971)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1971)
cover recording of:
Superstar (in 1971-03)
writer:
Bonnie Bramlett and Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music and Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
4.353:50
7Bless the Beasts and Children
recording of:
Bless the Beasts and Children
writer and composer:
Perry Botkin Jr. and Barry De Vorzon
arranger:
Perry Botkin Jr.
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
part of:
The 44th Academy Award for Best Original Song (number: 2)
3:15
8Hurting Each Other
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972)
cover recording of:
Hurting Each Other
writer:
Gary Geld and Peter Udell
publisher:
PolyGram Music Publishing Ltd. and Sydney Bron Music (also spelled "Sydney")
4.52:48
9It’s Going to Take Some Time
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
cover recording of:
It’s Going to Take Some Time
lyricist and composer:
Carole King and Toni Stern
publisher:
Screen Gems–Columbia Music, Inc.
4.52:59
10Goodbye to Love
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
electric guitar:
Tony Peluso (American writer, producer and multi-instrumentalist)
recording of:
Goodbye to Love
composed in:
London (Greater London), England, United Kingdom (in 1971)
lyricist:
John Bettis (in 1972)
composer:
Richard Carpenter (The Carpenters) (from 1971 until 1972)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music and Rondor Music (London) Ltd.
4.53:56
11Top of the World
producer:
Karen Carpenter, Richard Carpenter (The Carpenters) and Jack Daugherty (American Multi-instrumentalist and music producer)
later releases:
Top of the World by Carpenters
recording of:
Top of the World
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc. and Rondor Music (London) Ltd.
3.53:00
12I Won’t Last a Day Without You
cover recording of:
I Won’t Last a Day Without You
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
3:55
13Sing
producer:
Karen Carpenter and Richard Carpenter (The Carpenters)
choir vocals:
The Jimmy Joyce Children’s Chorus
cover recording of:
Sing
lyricist and composer:
Joe Raposo (piano, composer)
publisher:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. and Jonico Music Inc. (in 1971)
43:18
14Yesterday Once More
producer:
Karen Carpenter and Richard Carpenter (The Carpenters)
recording of:
Yesterday Once More (on 1973-03-14)
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (in 1973), Hammer & Nails Music (in 1973) and Sweet Harmony Music (publisher) (in 1973)
4.753:58
15This Masquerade
producer:
Karen Carpenter and Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1973)
cover recording of:
This Masquerade
lyricist and composer:
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
34:53
16Jambalaya (On the Bayou)
producer:
Karen Carpenter and Richard Carpenter (The Carpenters)
drums (drum set) [drums]:
Hal Blaine (U.S. Studio drummer and percussionist)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1973)
part of:
TV Cream: Real 100 Best Singles Ever (number: 29)
cover recording of:
Jambalaya (On the Bayou)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1952-07-28)
3.53:39
17Please Mr. Postman
engineer:
Ray Gerhardt (Recording and mixing engineer)
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1974)
cover recording of:
Please Mr. Postman (on 1974-07-22)
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc. (1989-07-24–present), EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
42:51
18Desperado
cover recording of:
Desperado
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Warner Bros. Music GmbH (publisher) (in 1981)
33:38
▼ CD 2
#TitleRatingLength
1Only Yesterday
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1975)
recording of:
Only Yesterday (on 1975-01-30)
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music (London) Ltd. and Sweet Harmony Music (publisher)
3:46
2Solitaire
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1975)
cover recording of:
Solitaire (in 1975)
lyricist:
Phil Cody (of Neil Sedaka-fame)
composer:
Neil Sedaka
publisher:
EMI Jemaxal Music Inc., EMI Sosaha Music, Inc., Kirshner, Neil Sedaka Music (BMI-affiliated), R2M Publishing H. & R. Lastrada Music, Songs of SJL RSL Music Company, Sony/ATV Tunes LLC, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック BMG事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
34:41
3There’s a Kind of Hush
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Jim Gordon (US drummer with Derek and the Dominos)
guitar [guitars]:
Tony Peluso (American writer, producer and multi-instrumentalist)
harp:
Gayle Levant (American studio musician, harpist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
tenor saxophone [tenor sax]:
Bob Messenger (Woodwind and bass player)
cover recording of:
There’s a Kind of Hush
lyricist and composer:
Les Reed and Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4.53:05
4I Need to Be in Love
recording of:
I Need to Be in Love
lyricist:
John Bettis and Albert Hammond
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI April Music Inc., Hammer and Nails Music, Inc. and Landers Roberts Music
3:49
5Sandy
recording of:
Sandy
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Hammer and Nails Music
3:42
6All You Get From Love Is a Love Song
engineer:
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) and Roger Young (engineer)
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
congas [conga]:
Tommy Vig (Hungarian jazz drummer, vibraphonist, bandleader and composer)
drums (drum set) [drums]:
Ed Green (US violinist/percussionist)
electric guitar:
Tony Peluso (American writer, producer and multi-instrumentalist) and Ray Parker
electric piano and piano [acoustic piano]:
Richard Carpenter (The Carpenters)
percussion:
Jerry Steinholtz (American percussionist)
tenor saxophone [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals [background singer]:
Karen Carpenter, Richard Carpenter (The Carpenters), Julia Tillman, Maxine Willard and Carlena Williams
lead vocals:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1977)
cover recording of:
All You Get From Love Is a Love Song
lyricist and composer:
Steve Eaton
publisher:
Hampstead Heath Music Publishing Ltd. and Universal Music–MGB Songs
33:48
7Calling Occupants of Interplanetary Craft
cover recording of:
Calling Occupants of Interplanetary Craft
writer:
Terry Draper and John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Magentalane Music Ltd.
7:09
8Sweet Sweet Smile
engineer:
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) and Roger Young (engineer)
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
acoustic guitar and electric guitar:
Tony Peluso (American writer, producer and multi-instrumentalist)
banjo:
Larry McNealy
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt
fiddle:
Bobby Bruce
tack piano:
Tom Hensley
lead vocals:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
recording of:
Sweet, Sweet Smile
writer:
Juice Newton (American pop and country singer, songwriter, and musician) and Otha Young
publisher:
Addison Street Music, BMG Gold Songs and Sterling Music Co. (Seperate entry from "The Sterling Music Co.")
33:02
9I Believe You
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Ray Gerhardt (Recording and mixing engineer)
acoustic guitar and electric guitar:
Tim May (session/jazz guitarist)
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
congas:
Jerry Steinholtz (American percussionist)
drums (drum set) [drums]:
Larrie Londin
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
background vocals:
Karen Carpenter and Richard Carpenter (The Carpenters)
arranger:
Paul Riser
vocals arranger and orchestrator:
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
cover recording of:
I Believe You
writer:
Dick Addrisi and Don Addrisi
publisher:
Flying Addrisi Music, MusicWays, Inc. (BMI-affiliated) and The Music Force
33:55
10Touch Me When We’re Dancing
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Roger Young (engineer)
producer:
Richard Carpenter (The Carpenters)
acoustic guitar and electric guitar:
Tim May (session/jazz guitarist) and Tony Peluso (American writer, producer and multi-instrumentalist)
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Larrie Londin
harp:
Gayle Levant (American studio musician, harpist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
oboe:
Earl Dumler (multi-instrumentalist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
tenor saxophone [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals:
Karen Carpenter, Richard Carpenter (The Carpenters) and Carolyn Dennis (American singer)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1981)
cover recording of:
Touch Me When We’re Dancing
writer:
Ken Bell, Terry Nelson Skinner and J.L. Wallace (US songwriter and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and PolyGram Music Publishing Ltd.
33:20
11When It’s Gone
cover recording of:
When It’s Gone (It’s Just Gone)
lyricist and composer:
Randy Handley
publisher:
Bac Mac Publishing, Home Grown Music, Inc. (work publisher) and Ruzam Music (BMI-affiliated)
5:01
12Those Good Old Dreams
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Roger Young (engineer)
producer:
Richard Carpenter (The Carpenters)
acoustic guitar and electric guitar:
Tim May (session/jazz guitarist)
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt
harp:
Gayle Levant (American studio musician, harpist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
pedal steel guitar:
Jay Dee Maness (American pedal steel guitarist)
percussion:
Karen Carpenter and Paulinho DaCosta (Brazilian percussionist)
background vocals:
Karen Carpenter and Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1981)
recording of:
Those Good Old Dreams
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music Publishing Ltd., Sweet Harmony Music Inc. (US work publisher) and WC Music Corp.
54:13
13Where Do I Go From Here
cover recording of:
Where Do I Go From Here
lyricist and composer:
Parker McGee
publisher:
Dawnbreaker Music, EMI Blackwood Music Inc. (1989-07-24–present), Faizilu Publishing and Sutjujo Music
sub-publisher:
フジパシフィックミュージック
4:25
14You’re the One
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Ray Gerhardt (Recording and mixing engineer) and Roger Young (engineer)
producer:
Richard Carpenter (The Carpenters)
assistant mixer:
Greg Goldman
mixer:
Robert De La Garza
acoustic guitar:
Tim May (session/jazz guitarist)
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
background vocals [backing vocals]:
Karen Carpenter and Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
recorded at and mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
cover recording of:
You’re the One I Love
lyricist and composer:
Steve Ferguson (rock guitarist, played for NRBQ)
publisher:
The Ferguson Music Co., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3.54:15
15Now
cover recording of:
Now
lyricist:
Dean Pitchford
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Body Electric Music, Pitchford Music, Roger Nichols Music Inc. aka Three Eagles Music Div. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
revision of:
Heart to Heart
3:51
16Your Baby Doesn’t Love You Anymore
cover recording of:
Your Baby Doesn't Love You Anymore
lyricist and composer:
Larry Weiss (American singer-songwriter)
publisher:
Rhinestone Cowboy Music (ACAP-affiliated)
3:51
17Tryin’ to Get the Feeling Again
cover recording of:
Tryin’ to Get the Feeling Again (version as recorded by Barry Manilow)
lyricist and composer:
David Pomeranz (in 1975)
publisher:
Upward Spiral Entertainment Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
version of:
Tryin’ to Get the Feeling (original version as recorded by David Pomeranz)
4:23