Favourite Arias and Choruses

~ Release by Johann Sebastian Bach; Dresden Chamber Choir, Cologne Chamber Orchestra, Helmut Müller‐Brühl (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#	Title	Artist	Rating	Length
1	Jauchzet Gott in allen Landen!, BWV 51: Aria: Jauchzet Gott in allen Landen! soprano vocals: Siri Karoline Thornhill (soprano) orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Kantate, BWV 51 "Jauchzet Gott in allen Landen"	Johann Sebastian Bach		4:32
2	Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus) choir vocals: Dresden Chamber Choir orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		1:33
3	Mass in B minor, BWV 232: Gloria: Et in terra pax (Chorus) choir vocals: Dresden Chamber Choir orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:51
4	Mass in B minor, BWV 232: Gloria: Qui sedes ad dextram Patris (Alto) mezzo-soprano vocals: Ann Hallenberg (mezzo-soprano) orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:48
5	Mass in B minor, BWV 232: Benedictus: Benedictus qui venit (Tenor) tenor vocals: Markus Schäfer (tenor) orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:31
6	Mass in B minor, BWV 232: Benedictus: Osanna (Chorus) choir vocals: Dresden Chamber Choir orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:47
7	Ich will den Kreuzstab gerne tragen, BWV 56: Aria: Ich will den Kreuzstab gerne tragen bass-baritone vocals: Hanno Müller‐Brachmann (bass-baritone) orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		6:53
8	Vergnügte Ruh, beliebte Seelenlust, BWV 170: Aria: Vergnugte Ruh, beliebte Seelenlust alto vocals: Marianne Beate Kielland (mezzo-soprano) orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach		6:18
9	St. Matthew Passion, BWV 244: Part I: Chorale: Kommt, ihr Töchter ... choir vocals: Dresden Chamber Choir orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach		6:40
10	St. Matthew Passion, BWV 244: Part I: Aria: Ich will dir mein Herze schenken (Soprano) soprano vocals: Claudia Couwenbergh orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach		3:38
11	St. Matthew Passion, BWV 244: Part I: Chorale: O Mensch, bewein dein Sünde groß choir vocals: Dresden Chamber Choir orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach		6:14
12	St. Matthew Passion, BWV 244: Part II: Aria: Erbarme dich, mein Gott! (Alto) alto vocals: Marianne Beate Kielland (mezzo-soprano) orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" orchestrator: Ton Koopman (conductor, organist and harpsichordist) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		6:16
13	St. Matthew Passion, BWV 244: Part III: Chorale: O Haupt voll Blut und Wunden choir vocals: Dresden Chamber Choir orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" lyricist: Paul Gerhardt (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Breitkopf 389 Choralgesänge (number: 162) part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		2:35
14	St. Matthew Passion, BWV 244: Part II: Aria: Gebt mir meinen Jesum wieder (Bass) bass-baritone vocals: Hanno Müller‐Brachmann (bass-baritone) orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		2:45
15	St. Matthew Passion, BWV 244: Part III: Chorale: Wir setzen uns mit Tränen nieder choir vocals: Dresden Chamber Choir orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		4:56
16	Ich habe genug, BWV 82: Aria: Ich habe genug bass-baritone vocals: Hanno Müller‐Brachmann (bass-baritone) orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1727) part of: Kantate, BWV 82 “Ich habe genung” (for bass)	Johann Sebastian Bach		7:01
17	Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem choir vocals: Dresden Chamber Choir orchestra: Cologne Chamber Orchestra conductor: Helmut Müller‐Brühl (conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:38

Credits

Release

discography entry:	https://www.naxos.com/catalogue/item.asp?item_code=8.572541 [info]

Play on ListenBrainz

Release information

Barcode:: 747313254170
Format:: CD
Length:: 1:17:56

Additional details

Type:: Album
Packaging:: Jewel Case
Status:: Official
Language:: German
Script:: Latin
Data quality:: Normal

Labels

Naxos
8.572541

Release events

2010-05

Release group rating

Release group reviews

No one has reviewed Favourite Arias and Choruses yet. Be the first to write a review.

Editing

Collections

Found in 0 user collections

Last updated on 2019-01-06 21:00 UTC